Category: news

  • The Dave Dufort Tapes: Troy and Nevada Foxx

    Dave Dufort is a name you will likely recognise, especially if you know your New Wave of British Heavy Metal history. If not – a quick reminder. Dave is a veteran drummer probably best remembered for being a member of (in my opinion) two of the greatest NWOBHM-era bands – Angelwitch and Tytan. And of […]

    The post The Dave Dufort Tapes: Troy and Nevada Foxx first appeared on New Wave of British Heavy Metal.
  • ALLT releases new album ‘Ataraxia’ today via Century Media Records; new full album video streaming now Buy / stream Ataraxia here

    Swedish progressive metalcore outfit Allt have released their new full-length, Ataraxia, via Century Media Records – featuring 9 tracks of “third album energy”, even though it’s only their sophomore record. For a preview of Ataraxia, watch a video with all of the album’s tracks here: https://www.youtube.com/watch?v=GKcv_3T9-uc Ataraxia track-listing: Purchase and stream Ataraxia in its entirety via: https://allt.bio.to/Ataraxia-AlbumWatch the videos for the previously released singles […]

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  • “One of the things that Bruce Dickinson and Paul Di’Anno didn’t have was, they’d not seen Iron Maiden as a fan.” Blaze Bayley on heart attacks, being banned by the church and his legacy with ‘metal’s greatest band’

    With his exuberant personality and booming Brummie brogue, Blaze Bayley was always going to stand out. Frontman for rising stars Wolfsbane in the mid-80s to early 90s, in 1994 he got the call-up to join Iron Maiden, singing in the group during one of their most difficult periods.

    When Bruce Dickinson rejoined Maiden in 1999, Blaze continued on alone, first with his solo venture Blaze, and then also with a resurrected Wolfsbane intermittently from 2007 onwards. We put him to the torch with your questions.

    A divider for Metal Hammer

    Do you plan to ever tour the US again?
    Ok_imfc, Instagram

    “It’s really challenging for smaller artists. I’m an independent artist; I’ve got lots of fans in the US, but they all live so far apart it’s impossible to get them all together for a gig. It’s actually so much easier to go to Canada, so I might end up there first.”

    Which cut X Factor song do you wish had made it onto the album?
    Unchained_Colours, Instagram

    Justice Of The Peace. We did the three B-sides from The X Factor when we did the anniversary tour, and once we got them polished up, Justice… was really cool. Those three songs, it would’ve been great to have more time to mix them and put them on the record. It went so well, we might bring it back on my October tour.”

    “When I was diagnosed with depression, I didn’t even know what it was.”

    Blaze Bayley

    How do you look after yourself with such a busy schedule?
    Daniel Armstrong, Facebook

    “I don’t – I had a heart attack! Touring is unhealthy, and that’s even without booze and drugs, because there is erratic sleep and long travels sitting in a van. But how I’ve got to where I am is that I’m straight-edge. I think about my health a lot. It’s been seven years since I stopped drinking completely.”

    Hammer: What made you quit?

    “Mental health – I’ve always had problems. When I was diagnosed with depression 25 years ago, I didn’t even know what it was. I’d heard of it, but I didn’t realise you could get medication for it. I’d already stopped drinking on show days or the day before a show, but when I was off tour I slipped back into the habit of drinking – doing things you shouldn’t, like drinking alone, so I decided to stay stopped. Anyone who thinks they might have a problem, I urge you to try quitting and give it six months. I’ve been seven years [sober] on June 19, and the people who I know who’ve been on this journey… we’d never go back.”

    Which songs on [2000 solo Blaze album] Silicon Messiah did you originally write for Brave New World?
    Kilian Alpert, Facebook

    Born As A Stranger and A Ghost In The Machine. I’d read the book Stranger In A Strange Land by Robert Heinlein, and that was it. I was very interested in what was happening with artificial intelligence and was very interested in what [American computer scientist and author] Ray Kurzweil was saying about it. Those two ideas, especially Born As A Stranger, were the first things I tried with musicians when I was putting the band together. I might do one of those at Eddfest, actually.”

    Would you ever write a daily column called Blaze Daily?
    Mark Enschrøde, Facebook

    “My problem is that I suffer from laziness. Doing something on a daily basis, that feels like actual work! I’ve got enough with my two radio shows, recording them every week. That’s plenty for me, man! Once a month, I might do something; I’d probably call it ‘Cooking With Blaze’ and it’d be stuff like my signature dish, fish finger curry. There are variations of that – my sausage and mushroom curry is also worthy of a mention.”

    Wolfsbane’s [1990 track] Kathy Wilson is an under-appreciated masterpiece. Did you write any more sci-fi-themed tunes at the time?
    Outshined1969, Instagram

    “No, it was a one-off. We love science fiction, especially that 50s thing where it’s the paranoia for Communism and its all a metaphor for what was happening. We loved doing that album [All Hell’s Breaking Loose Down At Little Kathy Wilson’s Place], but we felt cheated in a way. We never had a Kathy Wilson tour. It sounds like sour grapes, but we did the Iron Maiden support tour and everything went really well, but because of how our deal was structured, the record company never gave us our own tour afterwards. That’s why we think the album didn’t get to where it should have.”

    “Iron Maiden was banned by the church.”

    Blaze Bayley

    What new metal bands are you digging these days? Bobthrash, Instagram

    “I’m loving Green Lung and Wytch Hazel. There’s a few actually – Monster Truck aren’t new, but they’re new to me. Jayler and Tailgunner, too. Things are going to change over the next three years, and these bands are going to come into their own. If all of them can make a great studio album, I think it’ll push them to be the next wave.”

    If the Maiden offer hadn’t existed, would you have stayed in Wolfsbane?
    Horia Argintaru, Facebook

    “I don’t know. That’s a challenging question. We were very loyal to each other, but the horrible reality was that we’d been dropped by the label and had no record deal. Our manager said, ‘Lads, you’ve got nothing.’ Grunge was coming up and we refused to become like that, because we were proud of the music we were making on The White Album [1994’s Wolfsbane], which we’re actually remastering. I don’t think we could’ve carried on much longer. I had no plans at that point to do anything solo – that only came after Maiden.”

    Will Maiden ever release a DVD/live album of your era?
    Anders Bogelöv, Facebook

    “No, there’s very little footage of that era. I’ve moved something like six times since then, so most of what I’d kept has just disappeared or got lost. If you look at [2003 DVD set] Visions Of The Beast, I’ve got six songs on there. That’s probably as close as we’re going to get. Actually, what we do have is Chile. I’m famous for losing my temper there…”

    Hammer: Tell us more…

    “There were six people spitting at the band. Because of diseases, everybody was cautious and had to stand at the back. Maiden had never played there – they’d been banned by the church. But [in 1996], after Bon Jovi, Metallica, Black Sabbath… all the big bands had come, the greatest metal band of them all was going to Chile. So you can imagine the expectation, and these guys were ruining it for everyone.

    But the Chilean equivalent of the BBC set up in the theatre and filmed that whole gig without permission. Because the police there were wearing guns and it was all a bit edgy, nobody felt like we could say, ‘You can’t film this.’ So I think there is one full gig. It went pretty well and I sounded good – meltdown aside!”

    Are you still writing a book around the Infinite Entanglement Trilogy?
    Saanichman, Instagram

    “Yep! I hit a problem with my laptop and arthritis in one of my fingers, but I spoke to someone who writes books and they explained how to use dictation. So when I come back from the next big break – probably end of next year – I’ll finish it up. I’ve got about a third done.”

    Would you record with Maiden again, given the chance?
    Rated.R_metalhead, Instagram

    “We’ve never had any animosity. One of the things that Bruce and Paul Di’Anno didn’t have was, they’d not seen Maiden as a fan. I saw them at Birmingham Odeon three times on three different tours. I’d got every studio album. Walking into it, I hoped it would last, but I knew if it ever ended I’d be tagged an ex-member of Iron Maiden. Which, as a fan… great! Iron Maiden are as important culturally as Star Wars.”

    Hammer: And if they asked?

    “If there was a project where they’d want the two voices, I’d be absolutely fine. Why would I be against that?! It’d be fun! My dream was to do a gig where Paul, Bruce and me could share a stage. For fans, it’d be absolute madness. At the same time, if I wrote something where I thought, ‘This could do with Bruce’, I’d ask him, same as anybody else!”

    Do you still have something to prove?
    Jordan R.A. Mills, Facebook

    “As an artist, there are things I want to do. With [2024 solo album] Circle Of Stone, I felt I really managed to express a lot of the passion and darkness, using my voice in a way that I hadn’t before. But I’ve done it all: had a Top 10 single, played around the world, done gigs in stadiums and arenas. I’m living my dream of being a professional heavy metal singer: I don’t have to prove anything.”

    Blaze’s UK tour starts on October 1.

  • KANONENFIEBER – Release new Song and Video for “Meine Lieben“ (“My Dear Ones”), Announce “Kriegstage” Tour 2027; Check Out the Special on Arte Tracks

    “Nur der Tod gewinnt im Krieg”[“Only death succeeds in war”]–KANONENFIEBER Earlier this year, Germany’s KANONENFIEBER released “Soldatenschicksale”, a compilation featuring rerecorded songs alongside two new tracks. The band also launched a special fan initiative, inviting supporters to share their “Soldatenschicksal” (“soldier’s fate”) as inspiration and background stories for a brand-new song.Now they are unveiling “Meine […]

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  • ÆNIGMATUM – Portland Progressive Death Metal Band Drops Third LP, Infinitude’s Passage, Out Today Digitally On 20 Buck Spin + Physical Preorders Posted

    20 Buck Spin today surprise-releases Infinitude’s Passage, the blistering new album from progressive death metal force ÆNIGMATUM, now streaming everywhere. Infinitude’s Passage marks the third full-length statement from Portland’s death metal seers ÆNIGMATUM. Taking the intricate mastery of previous album Deconsecrate as a point of departure, the band’s union of technical precision, dark melody, and unrelenting force draws us ever further […]

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  • HEKATOXEN – Finnish death metal stalwarts announce new album “Obsidian Majesty” on Nuclear Winter Records

    After introducing their vision with the “Utter Darkness” EP, Finnish death metal outfit HEKATOXEN are ready to strike with their first full-length album, “Obsidian Majesty”, set for release on October 2nd, 2026 on LP and CD format via Nuclear Winter Records. Hailing from Tampere, HEKATOXEN return with a record that tightens every aspect of their sound, delivering a darker, sharper and more determined expression of death […]

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  • Review – Beckfest 2 – Summertime Rock n Blues Festival

    Review – Beckfest 2 – Summertime Rock n Blues Festival Beckford Village Hall, 23rd – 25th, July 2026 Reviewer / Photographer – Paul Dubbelman Only in its second year, the Summertime Rock n Blues Festival aka Beckfest took place at the village hall in Beckford, just outside Tewkesbury. Limited to 120 tickets this was truly a […]

    The post Review – Beckfest 2 – Summertime Rock n Blues Festival appeared first on ROCKPOSER DOT COM.

  • Tomahawk And Melvins Bring Gloriously Unhinged Noise Rock To Boston

    Tomahawk - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk

    Thirteen years after their last live tour, Tomahawk returned to the stage in Boston with the kind of controlled chaos only musicians of this calibre could produce. With Mike Patton, Duane Denison, Trevor Dunn and John Stanier tearing through the stranger corners of the band’s catalogue, and The Melvins delivering their customary seismic support, the Citizens House of Blues hosted an evening of noise rock at its most unpredictable, muscular and gloriously unhinged.

    Tomahawk – Melvins

    Citizens House of Blues, Boston – 30 July 2026

    Words And Photography: Tim Bugbee

    Mike Patton has long been held as a singer with an incredibly broad range, and it turns out that applies to his musical projects as well. Mainly known for his work with Faith No More and Mr. Bungle, he is equally at home with low-key trip-hop (Lovage), histrionic noise and improvisation (Hemophiliac), and avant jazz (Moonchild).

    Tomahawk - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Tomahawk – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    Tomahawk is his foray into noise rock, joined by luminaries from other well-known bands. A serious argument could be made for this being the best supergroup of all time, with heavy hitters like Duane Denison (The Jesus Lizard, Legendary Shack Shakers), John Stanier (Battles, Helmet) and Trevor Dunn (Mr. Bungle, Fantômas, multiple collaborations with John Zorn).

    It had been thirteen years since they last played live, and the dust was shaken from their road cases in anticipation of their 21-show tour with bedfellows the Melvins. 

    Tomahawk - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Tomahawk – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    Wiry, shifting tempos, weird phrasing and tangents into the unknown were all well represented tonight. Mostly stationed behind a console with various electronics, Patton put his vocal range through its paces as the band raged through their back catalogue.

    Strangely, their most recent LP, 2013’s Tonic Immobility was not represented, but the meat of their discography (Mit Gas, Tomahawk, Oddfellows) certainly was. Stepping onto the stage with the fat brass tones of Clark Street, the on-point song selection of Flashback kicked things off.

    Birdsong was an ambient brood piece until a sample of a bird’s chirp kicked Stanier into engine stoke mode, Patton got his best avian voice going, and Denison ripped off spidery figures in a fashion only his genetic programming that controls his fingers can supply. 

    Tomahawk - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Tomahawk – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    In a way, that distinctive style of guitar makes The Jesus Lizard the most obvious thread in the weave, and Dunn’s lower end definitely has some similarities to David Wm Sims, especially when he’s using a pick.

    On Capt Midnight, the calm before the storm was disintegrated into a billion pieces when Stanier brought the hammer down, and then mixed the beat from a straightforward 4/4 into something way more interesting.

    A curveball cover of Duane Eddy’s Stalkin’ was something I did not see coming, but God Hates A Coward demonstrated Patton’s prolonged exposure to Zorn when he turned to face Stanier at the close of the song, snapped his fingers together like an alligator, perfectly synced with Stanier’s closing drum hit, and turned and smiled to no one in particular. 

    Tomahawk - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Tomahawk – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    Saying they were going to honour Boston by playing a medley of Aerosmith, J Geils, The Mighty Mighty Bosstones and The Cars, unsurprisingly they pulled an about-face and played Rise Up Dirty Waters, the perfect Boston-adjacent Tomahawk song for the moment.

    I hope a dozen years does not elapse again until they get the itch to play, but if you are in the path of any of the remaining shows, you know what to do.

    Tomahawk - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Tomahawk – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    Melvins

    Patton’s ties to the Melvins go back to the late ’90s when Fantômas was started, another supergroup that featured Buzz Osborne on guitar, Dunn in the regular bass slot and Slayer’s Dave Lombardo playing drums.

    Melvins - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Melvins – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    A few years later, the quartet would expand as Melvins’ members Dale Crover, Kevin Rutmanis and David Scott Stone would join the fun. There could not be a more obvious choice for tour support, and if there is a harder-working band that is in its fourth decade, I would like to know about it.

    Crover is fully recovered from the emergency surgery that sidelined him a couple of years ago, and Coady Willis is back as a full-time member, one half of the four-armed drum machine.

    Melvins - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Melvins – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    Seriously, their simultaneous drumming is a thing to behold, and I am glad he is back in the fold. 

    Plagued a bit by a weak vocal mix, the sturm und drang of Buzzo’s guitar neatly scalped the people hanging at the rail. They played a couple of fairly recent songs (Working The Ditch, Never Say You’re Sorry, and maybe they can segue right into You’ve Never Been Right for later shows) but used their hour-ish slot wisely to dip into the bare-knuckled bangers that fans want to hear.

    Melvins - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Melvins – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    It’s Shoved, The Bit, Hag Me, Civilized Worm and Honey Bucket were all songs that got the pit churning and the heads banging.

    This has been one of the more stable lineups of the band’s history, and Willis and bass player/singer/acrobat Steve McDonald are perfect fits to the core axis of Buzzo and Crover.

    Melvins - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Melvins – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    A couple of surprises (avert your eyes if you want to avoid spoilers) were their excellent cover of The Rolling Stones’ Sway with lead vocals by McDonald, and the closer of their mightiest riff, Night Goat, which was punctuated by the early arrival of Dunn to the stage, playing alongside McDonald.

    Melvins - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Melvins – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk

    The Melvins are more dependable than any triple-A bond rating, and you always know you will receive a world-class drubbing that makes you feel wonderful afterwards.

    Tomahawk - Citizens House of Blues. Boston - 30 July 2026. Photo: Tim Bugbee/MetalTalk
    Tomahawk – Melvins – Citizens House of Blues. Boston – 30 July 2026. Photo: Tim Bugbee/MetalTalk
    The post Tomahawk And Melvins Bring Gloriously Unhinged Noise Rock To Boston first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Shaboozey, Ariana Grande: Songs to Know This week

    Shaboozey teams with Kehlani, Ariana Grande gets meta and Lindsay Lou convenes a team of string-band all-stars.