Category: news

  • Greek progressive metal powerhouse MOTHER OF MILLIONS unveils first single and video “The Wound”

    Greek progressive metal visionaries MOTHER OF MILLIONS have unveiled “The Wound”, the gripping first single and music video taken from their forthcoming studio album “T”, set for worldwide release on September 11 via ViciSolum Records. Available now on all major streaming platforms, the track offers a powerful first glimpse into what promises to be the band’s most ambitious and emotionally resonant work […]

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  • Fenne Lily – “Thank You Sorry”

    You like really intense lyrics about post-breakup epiphanies? Well, here’s one for you: “You thank me for a good year and go/ And you say it like you have to leave/ You’re sorry for the good parts, as well as what you really did wrong/ But it’s all the same to me.” Those are the opening lines from the British-born, Brooklyn-based singer-songwriter Fenne Lily’s new song “Thank You Sorry.” She gets right to it!

    The post Fenne Lily – “Thank You Sorry” appeared first on Stereogum.

  • GOROD progressive tech metal masters new single ‘Remains’; album in August + tour in September

    French technical death metal innovators Gorod are proud to unveil ‘Remains’, the most intense, emotionally charged, and ambitious song from their forthcoming album, The Ember Gone, due for release on 28th August via Base Productions and Season of Mist. Stream the single here: https://bit.ly/4wd30w2 Pre-order: https://gorodofficial.com/the-ember-gone-release While previous single ‘The Ember Gone’ explores more progressive territory than ever before, ‘Remains’ stands as the album’s breathtaking […]

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  • END OF GREEN – release new single “Ashes & Gold” – new album out December 4

    Nine years after VOID ESTATE, END OF GREEN are finally back. With “Ashes & Gold”, the band releases the first single from their upcoming self-titled studio album – available now on all streaming platforms. At the same time, the official music video has been released: The song is the first glimpse of an album that uncompromisingly embraces […]

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  • “I was there when U2 played the opening night and was awestruck, inspired, energized.” Lars Ulrich is excited at the idea of Metallica “conquering” the “intimidating” Las Vegas Sphere

    Metallica will launch their extended Life Burns Faster residency at the Sphere Las Vegas on October 1, and drummer Lars Ulrich is already excited about the challenge of staging the ultimate Metallica live experience at the “intimidating” high-tech Nevada venue.

    With the San Francisco quartet’s massive M72 World Tour, now officially certified as the 10th highest-grossing tour of all time, finally complete, the band are turning their attention to their upcoming stay at Sphere, where they have shows lined up in October and November, plus January, February and March 2027.

    In playing at Sphere, Metallica will follow in the footsteps of U2, Eagles, Phish, Dead and Company and more, and Ulrich is aware that past residencies at the venue have raised the bar for live concert experiences.

    “I was there opening night [of the U2 residency],” the drummer tells U2 guitarist The Edge on his Close To The Edge show on SiriusXM, “and was so just fucking awestruck, inspired, energized, all of it. And it was just, like, Holy shit, this is somehow another frontier.

    “Obviously, you guys were the first ones in,” Ulrich continues, “and it was just so incredible to see that night. And so in that spirit, three years later, when we start here in a few months, we’re so excited and definitely have heard from a few folks about the filming and all of it.

    “It’s gonna be challenging… it’s overwhelming and fucking intimidating. But hopefully when we step out on stage that first night, we’ll have it somewhat together. And as you know, that’s a place maybe we don’t end up in often enough, because we have a tendency to put ourselves in environments that we completely control and know. And so I think it’s really good to be able to throw yourself for a loop like that.”

    Metallica Life Burns Faster at Sphere Las Vegas

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  • Good Teal Announce October Mini-Tour With Hit Like A Girl

    Taking place following their sets at ‘The Fest’ in Gainesville, FL.

    The post Good Teal Announce October Mini-Tour With Hit Like A Girl appeared first on Theprp.com.

  • Complete List Of Emerson, Lake & Palmer (ELP) Songs From A to Z

    List Of Emerson, Lake & Palmer Songs From A to Z

    Emerson, Lake & Palmer created one of progressive rock’s most ambitious catalogs, combining classical adaptations, jazz-influenced improvisation, electronic experimentation, extended suites, orchestral writing, and technically demanding rock performances. This complete A-to-Z guide gathers the trio’s studio recordings, deluxe-edition mixes, remaster bonuses, alternate versions, and officially released live tracks through July 2026. Emerson, Lake & Palmer formed in England in 1970, bringing together keyboardist Keith Emerson, bassist and vocalist Greg Lake, and drummer Carl Palmer. The trio quickly became one of progressive rock’s defining acts through complex compositions, virtuosic musicianship, and a fusion of classical, jazz, and rock influences. The band

    The post Complete List Of Emerson, Lake & Palmer (ELP) Songs From A to Z appeared first on ClassicRockHistory.com.

  • X and Music Publishers Retreat From Lawsuits

    Elon Musk’s social media platform and the music companies agreed to dismiss dueling claims, from 2023 and 2026. They have not said why.
  • King Crimson | 2014 NYC – Live Release Review

    In 2014, after seven years of inactivity, King Crimson returned with yet another new configuration for the unsuspecting public to absorb. This wasn’t your regular group of replacements assembled to entertain the masses — we’re looking at a carefully curated team of six musicians chosen by Crimson commander-in-chief Robert Fripp for what became known as “The Seven-Headed Beast.” With three drummers out front, Fripp expected to turn “rhythm into a moving, interlocked engine,” while weaving in long-discarded Crimson gems from the early to mid 70s, 90s and early 00s with various bits of incremental instrumentals and material from a side Projekt thrown in for balance.

    With a mix of three Americans (drummer Bill Rieflin, plus returning members bassist Tony Levin and drummer Pat Mastelotto) and four Englishmen (Fripp, vocalist and guitarist Jakko Jakszyk, saxophonist and previous member Mel Collins, and drummer Gavin Harrison) the 2014 model of King Crimson was about halfway through their brief tour when they landed in New York City for four shows. 2014 NYC, available in double LP and double CD configurations, captures the best of those four nights in the city that never sleeps…and quite possibly knocked into a super, eye-opening conscious state by the sudden burst of “Larks’ Tongues In Aspic (Part I).”

    The source of the group’s thunderous delivery for 2014 is heavily reinforced by the frontline of three drummers. Mastelotto, Harrison, and Rieflin lock in and coordinate to create a wall of percussion that sounds singular through a series of rhythm patterns that complement one another. A head-noshing dose of “Level Five” highlights the teamwork involved. By the time you get to the equally gravitating “The ConstruKction Of Light,” your head will be spinning.

    Perhaps the most fascinating thing about these shows is a particular emphasis on the early 70s period where the heavy turnover in the band’s membership produced an eccentric, often confounding catalog of music. Numbers like “Pictures of A City,” “The Letters” and transcendental “Sailor’s Tale” figure well into the sonic landscape. The timeless sting of “Red” and harsh elegance of “Starless” simply reminds everyone of how potent the band was in 1974. Collins’ screaming sax work alone on “Larks’ Tongues in Aspic (Part II)” will end any argument about that.

    From the 1995’s Thrak, a combo plate of “VROOOM VROOOM” and “Coda: Marine 475” ring out nicely without Adrien Belew’s squeal. Pulling in “A Scarcity Of Miracles” and “The Light Of Day” from the Jakszyk, Fripp and Collins 2011 album, A Scarcity Of Miracle, help to solidify the band’s new approach, which would more or less stay in place until 2021 when Fripp decided (again) King Crimson was through. Even so, ending it all with a spirited crack at “21st Century Schizoid Man” is a small acknowledge of the band’s twisty, turny history that continues to reveal surprises in a world of prediction markets. Indeed, no matter how quirky or off script they go, any iteration of King Crimson is a sure bet.

    ~ Shawn Perry

    Purchase 2014 NYC