Category: news

  • AMON AMARTH awaken the Allfather on their 13th studio album

    Swedish metal veterans AMON AMARTH have released their 13th studio album, The Allfather Awakens, through METAL BLADE RECORDS. Arriving on 2 October, the ten-song record continues the band’s long-running engagement with Norse history and mythology while introducing several new elements to their familiar melodic death metal framework. Listen to The Allfather Awakens Despite the recurring […]

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  • HammerFall – Confirm Latin American Tour

    HammerFall are excited to announce their return to the Latin American region next spring for a 13-date long touring run. Confirmed dates and venues can be found via flyer below.
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  • Streamer – Unleash New Track

    Heavy metal collective Streamer have debuted a lyric video for another new track, “Into The Void”, off their forthcoming studio record Into The Void.
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  • Kita – Sophomore Album Due Out Next Month

    On November 20th 2026, progressive death metal ensemble Kita will put out their second long player dubbed Ikuinen. It was recorded and mixed at Studio Mikpoli & Studio Hirvox by Jonne Hirvonen. Mastered by Jaakko Viitalähde at Virtalähde Mastering. Two new songs from the album can be listened via Bandcamp widget below.
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  • Troye Sivan Joins Charli XCX To Perform Two Of His New Songs At ACL

    Charli XCX headlined the first night of Austin City Limits on Friday (Oct. 2), and as usual, she brought a surprise. After co-headlining The Sweat Tour with Troye Sivan last year, the British pop star brought out the Australian singer, who releases his new album She’s The Best next week.

    The post Troye Sivan Joins Charli XCX To Perform Two Of His New Songs At ACL appeared first on Stereogum.

  • Komaframe Clouds in the mirror Review

    Komaframe Clouds in the mirror Review

    The track opens with an entrancing rhythm, setting a hypnotic tone. An arpeggiator introduces a dystopian atmosphere, drenching listeners in its layers. Soon, ethereal guitars emerge, enhancing the mystery. They create a gothic ambience reminiscent of fog-laden scenes in Carpenter’s films. This moment encapsulates the essence of creativity that defines Komaframe as an artist.

    Komaframe Clouds in the mirror

    The song demonstrates the artist’s ability to craft intriguing harmonic progressions. It reflects a strong artistic vision that binds the listener to the sonic narrative. As an instrumental piece, it invites immersion, leading one to traverse through a realm of fantasy. Images reminiscent of a “Blade Runner” narrative unfold in the mind.

    Midway through the song, there is a subtle introduction of a robotic, muffled vocal element. This unexpected sound evokes memories of Daft Punk, but in a distant manner. The voice is not meant to convey clear words; rather, it functions as a transient hue in the overall sound palette. This choice adds to the song’s texture without detracting from its immersive quality.

    Clouds in the mirror – Sound and Atmosphere

    The track maintains a consistent flow, engaging listeners while encouraging introspection. The background creates layers that evoke an otherworldly experience. The composition leans into minimalism, relying on the instrumentation to evoke emotions and images.

    Komaframe successfully evokes a sense of nostalgia while pushing forward into new territories. The atmospheric elements create an incredible backdrop that resonates with anyone who appreciates experimental sounds.

    As the composition unfolds, listeners can almost visualize pulsating cityscapes. A gentle tension hangs in the air, maintaining attention throughout the piece. While many tracks may falter under complex arrangements, Komaframe has created a unique experience.

    Clouds in the mirror – Performance and Production

    The craftsmanship lies not only in the choice of instruments but also in the transitions between sections. Each shift feels intentional and thoughtfully placed, guiding the listener through a cohesive journey. The emotional resonance remains intact while experimenting with different motifs. It offers a perfect balance between exploration and cohesion.

    The track’s conclusion encapsulates the journey, leaving listeners in a reflective state. There’s a beauty found in the unresolved feelings left at the song’s end. This fading narrative encourages listeners to ponder their own experiences and dreams.

    In a world rich with musical options, “Clouds in the Mirror” is an atmospheric piece that engages the mind and stirs the imagination. The instrumentation and creative choices resonate deeply with listeners, inviting them into a unique space.

    This work is suitable for those seeking an immersive listening experience. Fans of atmospheric music will find themselves drawn to it time and again. It invites listeners to escape the mundane, prompting them to explore their thoughts and fantasies through sound.

    Komaframe has delivered a significant work with “Clouds in the Mirror.” This single opens a dialogue not just about music but about feelings, narratives, and dreams. It encourages one to explore beyond the surface into a realm of creative possibilities.



    Mystical

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    The post Komaframe Clouds in the mirror Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Last Retch – Release ‘Womb Of Unbeing’ Song

    Canadian death metallers Last Retch have launched a new standalone single “Womb Of Unbeing”, recorded during the sessions of the band’s upcoming third full-length effort.
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  • A View From Across The Pond: W.A.S.P & KK’s Priest (Rich Piva)

    W.A.S.P & KK’s Priest, Peabody Auditorium, Daytona Beach, FL, 23.09.26



    I don’t get a ton of cool shows that are an hour or less of a drive away for me, so when WASP announced a “hits” tour in Daytona, with KK’s Priest no less, the 70 minute trek up 95 was going to happen. It’s not that I have ever loved W.A.S.P; they have always been a band I enjoyed, but nothing in their discography is ever going to be on my top lists, but the hits are the hits, and the band at this point has legend status, so yeah, I am going (thanks to the boss for making this happen).

    I am way more of a Priest than W.A.S.P fan, normally Judas, but KK’s will work in this case just fine. K.K. Downing can still rip it up, as evident during the hour-long set, consisting of two thirds classic Priest and the rest some KK’s Priest (7) originals. The band was tight, I have never seen Ripper live and he sounded great, and of course, KK. 

    Who is not going to love opening the set with You’ve Got Another Thing Comin’–Breaking The Law–Living After Midnight? I have not spent enough time with the original KK’s Priest stuff, but when you start that way, then go into the trio of Beyond The Realms Of Death–The Sentinel–Victim Of Changes what more could you ask for. This was a fun set and had the potential to overshadow the W.A.S.P set that I have heard whispers about. Fun times.

    The W.A.S.P (7) show was way better than I expected. I heard things on past tours about lip syncing, backing tracks, political and religious rants, but this show was straight up “play the hits Blackie”, with only the Jesus-y song Golgotha as part of the encore that even hinted towards anything like that. The set was fun, and for a more casual fan you certainly heard all the ones you would want to. 

    I have always loved their cover of The Real Me, and it was cool hearing live, as well as the biggies like Wild Child and I Wanna Be Somebody. The band sounded great, Blackie almost too great, but hey, what more can you ask for at this point. The stage show with the three screens worked as well as the usual Blackie set up. My favorite part of the set was the aforementioned The Real Me into The Headless Children, another track I have always loved.

    Overall a fun and entertaining show. The venue is one I have not been to before, and the sound was a tad muffled, but I would certainly go back and check out other shows there, even if this old ass didn’t get home until after midnight. Livin’ after indeed. With the time and the trip to see these legendary performers for what may be the last time for me.
  • Across the Channel at last: A FOREST OF STARS announce December European dates

    British black metal individualists A FOREST OF STARS have announced four continental European shows for December 2026 in support of their sixth album, Stack Overflow in Corpse Pile Interface. The short run will feature fellow UK act NEMOROUS, who emerged from the aftermath of WODENSTHRONE. The newly announced dates follow four UK shows in late […]

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