Category: news

  • After Infinity Release Sophomore Album “Beyond Eternity” Featuring Six Guest Vocalists

    Finnish melodic metal band After Infinity have released their sophomore album, Beyond Eternity, on October 23, 2026, through Rockshots Records. Following their self-titled debut in 2024, the nine-track record combines power metal, progressive metal, orchestral arrangements, and melodic ballads. The album also features six guest vocalists, including Paolo Ribaldini (Delain, Leverage), Nitte Valo (Dreamtale, ex-Battle Beast), Sara Strömmer (Shereign), Mika Tauriainen (Entwine), Aitor Arrastia (Metal de Facto), and Leonard F. Guillan (ex-King Company).

    The album’s focus track, “Crooked Carnival,” features Aitor Arrastia and tells a darkly humorous horror story about a sinister carnival that kidnaps children, combining a music-box introduction with orchestral elements and heavy guitar riffs. Other highlights include “Eternal Resentment,” a fast-paced power metal track featuring Nitte Valo, and “Hands of Time,” an almost twelve-minute progressive composition exploring time, the origins of the universe, and human existence. Produced by guitarist and founder Zsolt Szilagyi, Beyond Eternity explores emotions ranging from anger and sorrow to joy and hope, expanding the band’s sound through its varied compositions and guest performances.

    The post After Infinity Release Sophomore Album “Beyond Eternity” Featuring Six Guest Vocalists first appeared on FemMetal – Goddesses of Metal.

  • Manga Experience Murcia Once Again Turns the Cuartel de Artilleríainto a Meeting Point for Geek Culture

    Manga Experience Murcia Once Again Turns the Cuartel de Artillería into a Meeting Point for Geek Culture

    Over the weekend, Murcia’s Cuartel de Artillería once again became the setting for Manga Experience, an event dedicated to manga, anime, video games, collectibles and cinema. Across two days, the programme brought together activities for fans of different generations, ranging from meet-and-greets with international actors to tournaments, demonstrations, presentations and creative workshops.

    One of the main attractions of this year’s event was the appearance of two actors associated with the Harry Potter film universe: Josh Herdman and Nick Moran. Both took part in meet-and-greets with fans, as well as autograph and photo sessions, giving attendees the opportunity to get closer to one of the most popular fantasy franchises in cinema.

    Josh Herdman, known for playing the iconic Gregory Goyle, one of Draco Malfoy’s inseparable companions alongside Vincent Crabbe, was one of the event’s standout guests. His character, a member of Slytherin House and a regular companion of Malfoy throughout the saga, is a familiar face among fans of the films. In addition to his acting career, Herdman also ventured into mixed martial arts (MMA), where he competed as a fighter.

    Actor and director Nick Moran, who played Scabior, one of the Snatchers in the Harry Potter films, also met with fans. Alongside his role in the magical saga, Moran is known for other notable performances throughout his career, including Eddie in Lock, Stock and Two Smoking Barrels and his appearance in The Musketeer.

    Spanish-language dubbing was another major highlight of the programme. Manga Experience brought together several well-known voice actors from the industry, including José Luis Siurana, Luis Posada, José Posada, Raúl Llorens, Amparo Valencia, Iván Jara, José Escobosa and Majo Montesinos. These professionals gave audiences a closer look at the work behind some of the most recognisable characters in animation and entertainment.

    Among the featured characters and franchises were Scooby-Doo, the Joker, Dexter and Pokémon—series and characters that have accompanied different generations of viewers. The sessions highlighted the role of dubbing in giving personality and life to characters that have become hugely popular on television and in film.

    The programme included several activities dedicated to Dragon Ball, one of the best-known manga and anime franchises. Highlights included the presentation of the book El legado de Dragon Ball (The Legacy of Dragon Ball), featuring Saencsa and Shelron Z, and a round-table discussion on the past, present and future of the saga, with Saencsa, Shelron Z and Juanka Collector.

    Collecting also had a prominent place at the event, with an exclusive Dragon Ball product unboxing and a presentation dedicated to Droiz Toys, focusing on figures and collectible items.

    The artistic and literary programme offered visitors the chance to discover new projects and works by creators connected to comics and illustration. One of the highlights was the presentation of Limón Pool, the new comic by Salva Espín, a Murcian illustrator known for his work in the comic-book industry. Writer L. W. Veider also attended to present her novels and introduce her stories to readers.

    These activities were joined by contributions from Mario Domínguez and other participants, broadening a programme in which drawing, literature and creativity shared the spotlight with manga, anime and collecting.

    Cosplay once again played a major role at Manga Experience, with characters from a wide range of cinematic, fantasy and video game universes. Among the participants who caught the public’s attention were Aarón Caballero, known as Ace Cosplayer, dressed as Jack Sparrow, and Asier, who presented costumes of Hellboy and Iron Man.

    Dune Cosplay also stood out, adding to a diverse showcase of characters and designs that demonstrated the variety and creativity of the cosplay community. The event also featured Obi Dan Kenobi, dressed as one of the Nazgûl from The Lord of the Rings, bringing the dark aesthetic of J. R. R. Tolkien’s spectral riders to the venue.

    Another eye-catching appearance came from Isma González, who stepped into the shoes of Dora the Explorer, bringing a playful and familiar character to the event. These costumes helped make cosplay one of the most visually striking parts of the gathering, showcasing an impressive variety of characters.

    Beyond talks and presentations, Manga Experience offered a varied programme of hands-on activities. Video games featured free-play areas, tournaments and activities dedicated to titles such as Tekken 8, Street Fighter 6, Dragon Ball Z and Mario Kart, alongside virtual reality experiences.

    There were also activities inspired by the Star Wars universe, including the Jedi School, as well as professional wrestling and historical fencing demonstrations. These attractions broadened the event beyond manga and anime, incorporating different forms of entertainment and interactive experiences.

    Creative workshops rounded out the programme with arts, crafts and building activities. These included making anime-inspired accessories, creating felt dolls and building with LEGO bricks. Exhibitions of miniatures, illustrations and collectibles were also scheduled, alongside spaces dedicated to art and specialist retailers.

    And remember: if you’re eager to find out which special guests will be attending future events, all you have to do is take a close look at the event poster. As is often the case, it always contains a clue that could reveal who the next special guests will be. So keep your eyes peeled!

    Watch interviews here: https://youtu.be/qPPO6vJDbOI?is=yWtJe9ib5Azcinw9

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    The post Manga Experience Murcia Once Again Turns the Cuartel de Artilleríainto a Meeting Point for Geek Culture first appeared on FemMetal – Goddesses of Metal.

  • S8NT ELEKTRIC Release “The Fall,” Donating All Royalties to Suicide Prevention

    Los Angeles pop-metal band S8NT ELEKTRIC have released their new single, “The Fall,” on October 23, announcing that all royalties generated by the song will be donated to the American Foundation for Suicide Prevention (AFSP). The decision comes from deeply personal experiences within the band, with vocalist Bri Carbajal and drummer Trey Baker both having lost family members to suicide. The song is accompanied by a music video created with the participation of fans who have experienced similar losses.

    Earlier this year, Carbajal lost her 18-year-old cousin, Noah James Perez, who died by suicide in April 2026. Baker also shared the story of his uncle, Russell Andrew Baker, who died by suicide before the drummer was born, as well as a close friend he lost in 2020. These experiences have had a lasting impact on both musicians and their families, inspiring them to use their music to support suicide prevention and help others dealing with grief.

    Rather than approaching the subject only through the lyrics, S8NT ELEKTRIC invited fans to contribute photographs and videos of loved ones they had lost to suicide. These submissions became part of the official music video for “The Fall,” honoring those who have died while giving their families and friends an opportunity to share their memories. Through the song and its accompanying video, the band hopes to encourage people to talk openly about grief, seek support, and remember that they are not alone.

    “The Fall” is the second single from S8NT ELEKTRIC’s upcoming EP, Expose the Feeling, scheduled for release on December 3, 2026. Formed in 2021, the trio combine heavy metal riffs with pop melodies and alternative rock influences. Their debut album, Off the Edge, was released on March 20, 2026, following appearances at festivals including Welcome to Rockville and BottleRock, as well as a European tour with Wolfmother.

    For anyone struggling with suicidal thoughts or coping with the loss of someone to suicide, the American Foundation for Suicide Prevention provides information and support resources. In the United States, the 988 Suicide & Crisis Lifeline also offers free, confidential support by phone or text.

    The post S8NT ELEKTRIC Release “The Fall,” Donating All Royalties to Suicide Prevention first appeared on FemMetal – Goddesses of Metal.

  • Psychedelic Garage Rockers SCOTT HEPPLE & THE SUN BAND Shares New Single “Stranger” From Upcoming Album “Wyrd Seasons”

    Scott Hepple & The Sun Band are proud to announce their new album Wyrd Seasons, set for release on October 30th via Rise Above/Popclaw. To mark the announcement, the band shares the first single, “Stranger,” alongside a musc video, available below.

    Scott Hepple & The Sun Band returns with Wyrd Seasons, a new album that spans intense hard rock, psychedelia, and woozy ballads, with memorable hooks and solos throughout. Inspired by the world around them rather than specific musical influences, the record finds the quartet exploring its heaviest, moodiest and most introspective material to date.

    Since early 2025, the band has consisted of Scott Hepple (vocals, guitar, keyboards), Sam Taylor (guitar), Alfred Annable (bass) and Luc Hindmarch (drums). After touring widely and drawing on influences ranging from the Beatles and Neil Young to Black Sabbath, Pentangle and Uncle Acid, the group has developed a more personal sound. Compared to their previous album, English Mustard, Wyrd Seasons takes a more grounded approach while retaining elements of 1970s songwriting and production.

    Recorded on an 8-track tape machine at their Newcastle studio over the summer and autumn of 2025, Wyrd Seasons captures the band’s power and immediacy. The album’s varied songwriting includes “Kailash,” their heaviest song to date, and “Stranger,” written on an Omnichord. Much of the material came together spontaneously in the early hours of the morning, lending the record an introspective atmosphere best suited to nighttime listening.

    Wyrd Seasons is available to pre-order here.

    The post Psychedelic Garage Rockers SCOTT HEPPLE & THE SUN BAND Shares New Single “Stranger” From Upcoming Album “Wyrd Seasons” appeared first on Sonic Perspectives.

  • Review: Iommi – From The Dark (Matt Bladen)

    Iommi – From The Dark (BMG)



    Tony. Iommi. New. Album.

    That’s all I need to say about this record and you should be rushing to your local emporium to pick up a copy. The godfather of heavy metal returns a year after the emotional triumph that was Back To The Beginning, with a new solo record.

    His last solo record, Fused in 2006 featured Iommi alongside Kenny Arnoff on drums and Glenn Hughes on bass/vocals, it also stands out of one of my favourite records of this century.

    I go back to it often and every time I play it front to back and just let those riffs wash over me, more modern in production, the style and skill of the Riff Master General still so obvious, like I said for me it’s a modern masterpiece.

    From The Dark has been a long time coming, between the two albums Sabbath has reformed and disbanded twice, released their own new music and of course played their final show last year in Birmingham at Back To The Beginning, reuniting the original line up one final time alongside a star studded list of musicians for one glorious day of heavy metal.

    With the added finality of Ozzy’s passing, it has become one final, loud, bittersweet note in the legacy of Black Sabbath, however Tony (and Geezer) have, like Ozzy, been creative outside of Sabbath and with a cast of top tier musicians Iommi brings From The Dark to life. 

    Co-written alongside vocalist Jorn Lande (one of my favourite singers in rock/metal), these songs maintain that dark atmosphere invented by Sabbath all those years ago.

    As Iommi peels off the riffs from his Gibson SG, the production of himself alongside longtime creative partner Mike Exeter, gives this record a similar audio quality to Fused, modern, metallic and cavenous, you may argue that it should sound more like the old days but Iommi has always been a sonic scientist, just remember how many things Sabbath innovated yeah?

    With Jorn he has the perfect vocals foil, a man who many consider to be the heir to Dio, his gutsy, soulful performance balances perfectly with the heavy rock riffs from Iommi, more Heaven And Hell than Paranoid, the songs on this album feel bigger and a bit more cinematic, keys/synths linger in the background for atmosphere but mainly it’s the four musicians here flexing their muscles.

    Behind the Iommi and Jorn dream team, Karl Brazil takes up the drum stool, the West Midlands based session man pounds the skins in Feeder and for James Blunt and Robbie Williams (don’t tell Jimmy Page!) but here he’s hitting harder than on any project before, he’s a heavy metal drummer on From The Dark and brings veteran instinct and power to his performance.

    On bass is probably one of the UK music scenes best examples of hard work paying off as Becky Baldwin has been playing in bands since she was young, be it IDestroy, Triaxis or Control The Storm, recently she’s been laying down the foundation for my beloved Fury and Delilah Bon and as if splitting time between those two bands isn’t enough she’s officially the bassist for Mercyful Fate and now Iommi as well.

    I actually jumped in the air with pride when I saw Becky announced as the bassist as it always great to see someone you know living out their dream. On From The Dark she offers the low end thump in conjunction with the legend himself, bringing the thunder to all of these tracks, from the orchestral Beyond The Dead to the marching chug of Stormwatcher and beyond.

    So a band made of three musicians with strong links to The West Midlands and one Norwegian, sounds like a party right? Let’s get into the record properly and find out whether my initial assumption that this would be one of my AOTY was apt.

    Kicking off with Over The Violent Sun and it’s exactly what I wanted, that guitar, playing those riffs, it’s an epic heavy rock beginning which has familiarity but don’t sound stale or rehashed. It’s just the way Iommi plays, he invented that down tuned style, and when he starts to peel them off you can’t help but grin as a metal fan.

    The pace driven by Karl and Becky, it’s a proper Dio-era rocker to open Jorn already going all in vocally like a crazed preacher, that’ll definitely do, a hangover from Fused in the best way. 

    As things get better from there as Black Times is the first one to bring the shadow of Sabbath, still in the Dio era, all dressed in a evil, theatrical, pomp and one of those creeping riffs that Iommi pioneered that shifts into a sprawling solo section.

    This sets the table for propulsive single World Alone. I deliberately didn’t listen to anything from this album before it was released as I wanted to hear it all for the first time, but I can see why this was chosen as the first single, it’s the perfect distillation of what Iommi is about. 

    The classic guitar tone, the constant forward motion, a top tier band backing him, all in that modern sound perfected on Fused, it’s the best way to announce this project.

    With the hard rock blast of World Alone displaying the fun the band had recording this album, Beyond The Dead as I said is metal in as more dramatic fashion. Featuring orchestration, and a sinister feel that comes from the self titled Black Sabbath album but has been shaped by years in the business, if they formed now, this is what they’re sound like, those evil riffs emboldened by strings and those vocals.

    As Beyond The Dead is Sabbath worship, Stormwatcher reminds me more of Deep Purple, MKIII, (you know the one with Glenn Hughes), all it needs is some Hammond Organ, and it’s there, standing as a testament to the longevity of the heavy metal sound as at some point all these musicians have played with each other, so it obvious why Iommi would wanna play a track that Gillian and Hughes would be proud of.

    From The Dark then is not just a celebration of Tony Iommi and if course Black Sabbath but British heavy metal, from it’s dinosaur beginnings of monolithic riffs, just wrapped in a modern sheen howeverit’s not long before the spectre of Sabbath retuns on Death Wake, another sinister, funeral march, hooked on the drums and bass, slow burning and building into a supernatural spectacle all about quiet and loud dynamics.

    With just two songs remaining (on the standard edition), From The Dark offers a little suprise on Return Of The Arbalist with what I’d consider a heavy rocker, screaming guitars throughout, underpinned by Baldwin and Brazil’s rhythms, this one’s got more more of a bluesy Motorhead-meets-Magnum vibe to it as vocally Jorn gives us full Coverdale and there’s even some great use of wah.

    The finale is Legacy and it’s of course one that could have been a Sabbath track, playing with light and shade throughout the 6+ minutes, there’s tolling bells, filthy bass grooves, histrionic vocal shouts, massive drums and of course as always THOSE riffs played by the man who invented it all.

    Heavy metal is his Legacy, their Legacy and there’s something to be extremely proud about if you’re from the UK as we were the epicenter of it all! Emerging From The Dark and into the light, this is record that celebrates the past and embraces the future. Worship at the altar of Iommi. All Hail The Riff Lord. 10/10
  • Klone – Streaming New Single, Announce New Album

    French alt/prog collective Klone are back with new music to follow their 2024’s album The Unseen. The band has just announced the release of The Moon Is Witness on March 12th, 2027 via V2 Records. As of now, you can watch the official visualizer of the first single “Unchained”.
    Read more…
  • Half Me Unleash Brand New Album ‘Dogma’ + Aussie tour Starting This Week

    German metalcore powerhouse Half Me have released their highly anticipated sophomore album ‘DOGMA‘, out today via Arising Empire. Delivering their most ambitious, aggressive and thought-provoking material to date, the band push their unmistakable sound to new extremes, combining crushing metallic hardcore, industrial influences, relentless grooves and raw emotional intensity into a devastating statement about the […]
  • Complete List Of Lee Brice Songs From A to Z

    Lee Brice Songs

    Lee Brice’s songs have long balanced the rowdy pleasures of contemporary country music with the emotional weight of family, memory, and loss. Raised in Sumter, South Carolina, he developed his musical interests while also playing football at Clemson University. After moving into the Nashville songwriting world, he helped write Garth Brooks’s chart-topping recording of “More Than a Memory.” His own career as a recording artist began with singles in the late 2000s, followed by the breakthrough success of “Love Like Crazy.” Brice’s 2010 debut album, Love Like Crazy, mixed spirited country rock with character-driven ballads. His second album, Hard 2

    The post Complete List Of Lee Brice Songs From A to Z appeared first on ClassicRockHistory.com.

  • How Steven Wilson got a former Doctor Who to appear on his new album

    Steven Wilson has revealed how he persuaded former Doctor Who star David Tennant to appear on his new album.

    Tennant, who played the Tenth Doctor between 2005 and 2010, adds narration to the Porcupine Tree frontman’s ninth solo album, the folk horror-inspired Requiem For A Village.

    “In my head, I wanted an Irish or Scottish voice for it,” Wilson tells Prog. “My first thought was that [Scottish poet and humourist] Ivor Cutler would be perfect for it, but then I realised he was dead, so that made it a bit tricky.

    “I’d tried a few voiceover artists, but they sounded like they were reading a script,” he continues. “We needed someone with gravitas. I vaguely remembered seeing a photo a few years ago where David Tennant was wearing a Raven That Refused To Sing T-shirt. My manager contacted his agent and he came back straight away and said he’d love to do it.”

    Tennant was away filming, so Wilson talked to him on the phone and sent him the script of the narration. “Literally within 24 hours, he’d recorded it and sent it all back to me. I mean, I think I’ve got a pretty good work ethic, but that’s something else.”

    The narration for Requiem For A Village was written by former XTC frontman and semi-regular Wilson collaborator Andy Partridge, centres around the mysterious, eerie village at the heart of the album’s concept and the strange people and happenings that occur around it.

    “It encapsulates everything – the nostalgia, the question of whether the village really exists, and does it really matter?” says Wilson. “It’s about immersing yourself in this world, and the feeling of something beautiful yet a little bit scary, a little bit weird.”

    Requiem For A Village was partly inspired by ’70s folk horror kids TV show Children Of The Stones.

    “It’s an absolute classic and it was fucking terrifying,” says Wilson of the show, which was filmed around Avebury, Wiltshire, famous for its trio of Neolithic stone circles. “The story revolves around a kid who goes to live in a village with his dad, who is an archaeologist there to study a stone circle. It turns out that all the people in the village have this weird relationship with this stone circle. Without wanting to spoil it too much, it transpires that this stone circle has some kind of direct connection to alien life.

    “What appeals to me – and this comes back to the whole idea of the album – is that it’s a village in our country an hour away from here, but it exists in this little insular bubble of fucking weirdness. To me, something about that is the scariest thing ever: that places like this can exist without you really knowing.”

    Requiem For A Village is released on November 6. Wilson plays the Royal Albert Hall in London on October 28 and 29.

    Read the full interview with Wilson in the new issue of Prog, on sale now.

    Prog 174 on sale now online image

    (Image credit: Press/ Steven Wilson image: Kevin Westenberg)
  • Halestorm’s Lzzy Hale picks her five essential guitar albums

    “A great guitar album makes me want to pick up my guitar, crank my amp and play,” says Halestorm leader Lzzy Hale. “Not necessarily to learn a particular song; it’s more of an unquenchable desire to hear the break-up of the amp’s speakers, feel the strings press into my fingers and make my right hand bleed from the impact of chugging. A great guitar album fuels me with instant inspiration, leaving me with no choice but to grab an axe and write something.”

    What is your criteria for a great guitar album?

    “A great guitar album has to give me a certain kind of feeling. It’s more of an emotional connection to the tones and the way the riff moves your body. The guitar playing doesn’t have to be complicated – take any Neil Young record, for example. Even the simplest solos and riffs can have balls – and inspire you to write.”

    Do you sit down and try to learn riffs from guitar records?

    “In addition to my top five guitar albums, some other records that never fail to inspire me are Alice Cooper’s Schools Out, Metallica’s ‘Black Album,’ Holy Diver by Dio, Queens of the Stone Age’s Songs for the Deaf and Mastodon’s Once Around the Sun.

    Are there any guitar-oriented albums that you didn’t “get” at first, but they grew on you and went on to become favourites?

    “One guitar record I didn’t ‘get’ at first was Jeff Buckley’s Grace, but it’s only because, as a singer myself, I was overly distracted by his amazing voice. At first, I considered it more of a vocal album. But as I dug in, I realised that the man was an absolute genius on guitar.”

    Lzzy Hale’s Epiphone Explorer is available now. Below, Lzzy Hale reveals her five essential guitar albums.

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    Black Sabbath – Heaven and Hell (1980)

    “This album has never left my heart. Every time I listen to it, it moves me forward. These are the riffs that get stuck in your head and change your life.”

    Cinderella – Night Songs (1986)

    “Tom Keifer never gets mentioned in rock guitarist countdowns. I think he’s very underrated. There’s an art to writing a riff that complements a vocal melody. Tom is also an amazing slide player – he has that ‘heartbreak tone’ that literally stings your soul.”

    Neil Young with Crazy Horse – Everybody Knows This is Nowhere (1969)

    “You may not see this one on many guitar album lists either, but Neil Young is a huge influence in how I perform as a guitarist. There’s a real ‘I don’t give a fuck’ attitude in his approach to the guitar, along with a rawness that puts this picture in my mind of Neil just walking into a smoky bar at three A.M., plugging into whatever rig and just bringing the house down.”

    Soundgarden – Badmotorfinger (1991)

    “Another hugely underrated guitar album. Those riffs are present and ballsy, and they match Chris Cornell’s fervour on vocals. The Outshined riff is one of my all-time favourites.”

    Judas Priest – Sin After Sin (1977)

    “One of the band’s earlier records, Sin After Sin really displays the raw power of the famous Glenn Tipton-K.K. Downing guitar team. Dissident Aggressor is punishing, and Diamonds & Rust is timeless.”

    The original version of this feature first appeared online in September 2018.