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  • Ninth Realm – Damnation’s Veil Review

    Maryland’s Ninth Realm has the scales of judgement tipped in their favor from the outset. First, Jerry “Wyrmwalk” Hionis’ stunning cover art is impossible to ignore, resembling a version of Dissection’s Storm of the Light’s Bane turned up to eleven. Then there’s the band’s origin story. Drummer Joey Burke and guitarist Liam McMahon first met in a medieval history class at the University of Maryland, both sporting metal shirts. They sat next to each other, became friends, started making music, and voilà, Ninth Realm was born. Their debut, A Fate Unbroken (2022), introduced the scene to the quintet’s aggressive mix of styles and traditions, until our friends at Transcending Obscurity snatched them up for their sophomore release. With the stage now set, Damnation’s Veil arrives, and if the album is half as mighty as the forces that brought it into being, listeners are in for a treat.

    Damnation’s Veil thrives on berserker energy, hurling itself forward with barely any controlled momentum while somehow still holding itself together. Ninth Realm play with the reckless abandon of thrash, but channel it with hardcore hostility. Burke once labeled it “…a band for hardcore kids who are into Iron Maiden or Manowar” and honestly, that isn’t too far from the truth. Still, easy comparisons remain elusive. Throughout Damnation’s Veil, the group ventures into Deceased’s rancid death (“All Hail Treachery,” “Damnation’s Veil”), embraces classic heavy metal heroics (“Twilight’s Blade,” “Wyrd of Strideborne”), and dishes out a heavy dose of pit-inducing Power Trip thrash. Guitarists Liam McMahon and Charles House lead the charge with a barrage of galloping riffs and merciless hooks, while Ben Hageage serves as the battlefield herald, his corrosive roars pronouncing judgment upon the fallen as Damnation’s Veil’s eleven tracks pass in a blur of steel and fire. Burke’s performance on songs like “Beyond the Void,” “Wyrd of Strideborne,” and “Cohorts of the Abyss” feels so untethered at times they could be considered sloppy, yet that untamed quality is also part of Ninth Realm’s charm.

    Ninth Realm storm battlements, raze villages and leave little standing, blasting through their overpowering blend of metal with unyielding force. The title track is a battering ram of old-school blackened death and thrash that charges forward like an armored destrier, carrying the ferocity of Dissection and hitting with lethal force as its thunderous drums and swarms of buzzing tremolos ignite the sky with dragonfire. “Cohorts of the Abyss” and “Imbued in Hellfire” immediately take off on a thrash-induced frenzy that drags your defenseless body behind the war wagon without remorse, while “Rituals in Thar’amath” taps into the compressed hardcore violence of Nails. Outside atmospheric opener “Valigeth,” Ninth Realm only lower their guard once across the record’s 37 minutes, offering a brief respite with interlude “Orphaned Throne” before the siege engines roar back to life with “Wyrd of Strideborne.”

    And it’s here, in Damnation’s Veil’s back half, where classic metal begins to assert itself. Shifting gears, Ninth Realm embrace a more traditional speed philosophy on “Beyond the Void,” “Wyrd of Strideborne,” and “Twilight’s Blade,” pairing epic intros with galloping riffs. The classic metal influences add variety, but they come at the expense of some of the urgency that fuels the record’s strongest material before “Orphaned Throne.” Although the latter portion of Damnation’s Veil never collapses, the songwriting feels less assured and energetic, occasionally stumbling into clunkier passages that lack the conviction of earlier tracks. Aside from the excellent “All Hail Treachery,” few back-half songs reach the same heights as the material before it. The record also largely adheres to a formula that Ninth Realm are clearly adept at executing and while there’s nothing inherently wrong with that approach, the result feels a bit too one-trick at times, leaving me satisfied in the moment without leading to an immediate urge to revisit it.

    With Damnation’s Veil, Ninth Realm have crafted an album that seeks to run listeners through with a broadsword before tossing their remains into the nearest moat, and they certainly succeed. Old-school charm permeates Damnation’s Veil, broadening its appeal across the metal spectrum. Although Ninth Realm’s sound breaks little new ground and their reliance on a familiar formula prevents the record from ascending to greater heights, there is nothing wrong with the approach these Marylanders embrace. Armed with energy, charisma, and plenty of attack, Ninth Realm are destined for bigger battles ahead.


    Rating: Good
    DR: 7 | Format Reviewed: 320 kb/s mp3
    Label: Transcending Obscurity
    Websites: ninthrealm-label.bandcamp.com/album/damnations-veil | instagram.com/ninthrealmmd
    Releases Worldwide: August 28th, 2026

    The post Ninth Realm – Damnation’s Veil Review appeared first on Angry Metal Guy.

  • Brutalismus 3000 – “Drop Your Spirit”

    In June, Brutalismus 3000 released their second album, Harmony, which they told us was inspired by Leonard Cohen, Pulse, Death Grips, and more. Today, Berlin’s Theo Zeitner and Victoria Vassiliki Daldas have returned with a new club cut called “Drop Your Spirit.”

    The post Brutalismus 3000 – “Drop Your Spirit” appeared first on Stereogum.

  • Neil Peart Documentary Trailer Reveals Intimate Look at Rush’s Drummer

    A new documentary honors Neil Peart's legacy while Rush continues their reunion tour with a different drummer. Continue reading…
  • Mortal Sin – Mat Maurer

    INTERVIEW WITH VOCALIST OF MORTAL SIN – MAT MAURER The Australian thrashers Mortal Sin have returned after a long hiatus. Mortal Sin have been touring […]

    The post Mortal Sin – Mat Maurer appeared first on Metal-Rules.com.

  • Sworn – Null Crowned the Infinite (Review)

    Sworn are a Norwegian black metal band and this is their fifth album. Sworn are one of the best melodic black metal bands active right now. Coming off a genuinely top tier previous album, (2023’s A Journey Told Through Fire), and with a strong back catalogue overall, any new Sworn material is going to be … Continue reading “Sworn – Null Crowned the Infinite (Review)”
  • Where the Underground Becomes Family – V. TISZAVIRÁG ROCK TALÁLKOZÓ

    A report from the festival held in Rakamaz on 10–11 July 2026, where rock, metal and friendship once again took centre stage V. Tiszavirág Rock TalálkozóTiszavirág Kemping, Rakamaz10–11 July 2026 The Tiszavirág Rock Találkozó has been a fixture of the underground rock and metal scene in the Tokaj–Rakamaz area for years, although we only discovered […]

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  • Chat Pile – Who Loves the Sun (Review)

    This is the third album from Chat Pile, a noise/sludge rock band from the US. Chat Pile understandably made a stir with their debut album God’s Country, so Who Loves the Sun is a most welcome release. This time the band have gifted us with a 10-track, 44-minute record that’s much anticipated by many who … Continue reading “Chat Pile – Who Loves the Sun (Review)”
  • Track Premiere: Stellar Rot – “Through The Eternity Stairs”

    It’s not often we get to premiere a more or less brand new band and their first release, but Baltimore blackgazers Stellar Rot are so fresh they aren’t even listed on Metal Archives (though the duo’s previous USBM outfit Unendlich are on there). The outfit was formed in 2025 by Scott Ferguson (drums/vocals) and Mike Connors (guitar/bass/synth) and we’re introducing them via the track “Through the Stairs of Eternity,” drawn from their upcoming debut, Where the Formless Ones Dwell. “Through the Stairs of Eternity” offers a juxtaposition of clean, melodic affected guitar layered over a harsh black metal framework. The result provides the track with a psychedelic buoyancy that somewhat smooths the abrasive edge.

    Where the Formless Ones Dwell was recorded by Eric Ferguson and Mike Connors, while mixing and mastering was handled by Matheus Vidor at VOIDSEA Studio. It’s set for release on CD, vinyl and digitally via Hypnotic Dirge Records on September 25. Place your preorder (North America) here or here (overseas).

    Drummer/vocalist Scott Ferguson described the featured track like this:

    “‘Through the Eternity Stairs’ transports the listener on a cruel journey into the void beyond the mortal realm, where unfathomable horrors exist. This is where the sinister god of a thousand faces shifts the fate of all mortal beings, as he weaves his twisted plans through the fabric of reality. This track showcases what Stellar Rot embodies as a band—choral and symphonic atmospherics over a cold, black-metal spine.”

    The post Track Premiere: Stellar Rot – “Through The Eternity Stairs” appeared first on Decibel Magazine.