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  • Suno Pulls Reviled Mary J. Blige Ad, Claims They Were Misled About Her Approval

    A few days ago, the great Mary J. Blige appeared in a Suno advertisement, and the internet did not react well. The ad circulated in various edited forms, each seemingly stripping away context from a video designed to look like a candid studio session, in which Blige was shown all the wild things you could do with Suno. The video’s circulation coincided with the release of Suno Studio 2.0. Now, the ad has been taken down after Suno said that Blige had never officially authorized the campaign.

    The post Suno Pulls Reviled Mary J. Blige Ad, Claims They Were Misled About Her Approval appeared first on Stereogum.

  • Roger Waters Breaks His Silence On Sharon Osbourne With Five Words

    sharon-osbourne-roger-waters

    Roger Waters has responded to Sharon Osbourne for the first time since their feud began thirteen months ago, and he did it in five words. Speaking exclusively to Far Out Magazine on September 3, the Pink Floyd co-founder said: “Sharon Osbourne is best ignored. R.” The response came after Osbourne left a comment on one of the outlet’s Instagram posts telling Waters to jump in the water with a brick tied around his neck. It is the first thing Waters has said about her directly in a dispute that has now produced a podcast tirade, a diss T-shirt, and a box of faeces she decided against posting.

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    What happened this week

    On August 31, Far Out Magazine posted on Instagram about Waters becoming an executive producer on an upcoming documentary called Freedom Theater.

    Osbourne liked the post. Then she commented on it.

    Her comment, per Far Out: “Jump in the water please with a brick tied around your neck.”

    Far Out contacted Waters and his representatives, and on September 3 received a reply directly from the musician:

    “Sharon Osbourne is best ignored. R.”

    That’s the whole statement. Five words and an initial.

    Both quotes are Far Out’s exclusive reporting — the comment appeared on their own post, and Waters responded to them directly. Neither has been independently corroborated at the time of writing.

    Neither party has said anything further.

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    Why five words is the right answer

    Worth pausing on, because the brevity is the point.

    Waters is not a man historically known for restraint. He is one of the most argumentative figures in rock — a man who has spent five decades feuding with his own bandmates, in public, at length, in interviews that run for hours. If he wanted to escalate this, he has the appetite and the vocabulary.

    He gave it five words instead.

    “Best ignored” does something a longer statement couldn’t: it declines the fight while making clear he considers himself above it. Which will infuriate the other side considerably more than a paragraph would have.

    And the lowercase “R” sign-off is very Roger Waters. It’s the kind of thing you write when you want the response to look like it cost you nothing.

    Sharon-Osbourne-2026 (2)

    How this started

    The feud is thirteen months old and it began with Waters, not Osbourne.

    August 2025. Weeks after Ozzy Osbourne’s death on July 22 at the age of 76, Waters appeared on the YouTube channel The Independent Ink. During a broader conversation about how pop-culture figures can distract from political issues, he brought Ozzy up unprompted.

    He said Ozzy had been all over television for hundreds of years with his idiocy and nonsense. He said he had no idea about the music and couldn’t give a damn. He said he didn’t care about Black Sabbath, never did, and had no interest in biting the heads off chickens or whatever they do.

    For context: Ozzy had died three weeks earlier, after a farewell show in Birmingham that reunited the original Black Sabbath lineup in front of a global audience.

    The response was immediate. Jack Osbourne posted publicly, telling Waters exactly where to go and adding that his father had always thought Waters was a certain word — thanks for proving him right.

    On The Osbournes podcast, Sharon called Waters a sad, irrelevant, old, miserable, ugly human being. In a separate episode she said he has no charisma, looks like Frankenstein, is sick in the head, isn’t relevant, is boring, has no stage presence, is envious, and is just a bad seed.

    December 2025. Ozzy’s official merch store released a limited-edition T-shirt, available for 48 hours at $41. The front read “OZZY RULES” spray-painted over Waters’ name. The back showed Ozzy urinating on the artwork from Waters’ The Wall: Live In Berlin, with the words “Another Prick in the Wall.”

    Also December 2025. On Piers Morgan Uncensored, Sharon revealed she had seriously considered mailing Waters a box of her own faeces. She decided against it — her reasoning being that it would be a waste, because he’s insignificant.

    January 2026. Waters was asked about the whole thing and said he had no regrets about any of it.

    August 31, 2026. The Instagram comment.

    September 3, 2026. Five words.

    We Also Recommend – Zakk Wylde’s Ozzy Albums, Ranked

    The part that explains everything

    There’s a detail that makes this less of a celebrity spat than it looks, and it’s the thing worth holding onto.

    Sharon Osbourne was married to Ozzy for over four decades and managed his career for most of them. He died in July 2025. Three weeks later, a man who had never worked with him, never toured with him and by his own admission never listened to his music went on a podcast and called his life’s work idiocy and nonsense.

    Everything since — the podcast, the T-shirt, the box she didn’t send, the comment on Instagram — comes from that.

    None of which makes the comment defensible. Telling someone to drown themselves is not a thing you can file under grief, and Waters is under no obligation to absorb it.

    But it does explain why a woman who has spent fifty years in the music industry, and who is not remotely a stranger to saying exactly what she thinks, has spent thirteen months unable to let this one go.

    She was also publicly defending Marilyn Manson earlier this week, which suggests the current mode is broadly unfiltered.

    Check Out – Ranking the 13 Ozzy Osbourne Solo Songs That Built a Heavy Metal Throne

    Two men who never had anything to do with each other

    The strangest thing about this feud is that there was never any overlap to fall out over.

    Waters and Ozzy occupied opposite ends of British rock. Pink Floyd built cerebral, politically conscious concept albums for people who read the sleeve notes. Black Sabbath invented heavy metal in a Birmingham factory town and built a career on volume, riffs and theatre.

    They never toured together. They never collaborated. They barely shared an audience.

    Ozzy went on to a solo career that ran nearly five decades, outlasting every guitarist who passed through it and turning him into one of the most recognisable figures the genre ever produced. Waters built The Wall and has spent the years since on political activism and increasingly acrimonious relations with his former bandmates.

    Two enormous careers, no intersection — until one man decided to say something about the other, three weeks after he died.

    TL;DR

    • What’s new: Roger Waters responded to Sharon Osbourne for the first time, telling Far Out Magazine on September 3: “Sharon Osbourne is best ignored. R.”
    • What prompted it: Osbourne commented on a Far Out Instagram post about Waters producing a documentary, telling him to jump in the water with a brick tied around his neck.
    • How it started: in August 2025, weeks after Ozzy’s death, Waters said on The Independent Ink that Ozzy was “all over the TV for hundreds of years with his idiocy and nonsense” and that he never cared about Black Sabbath.
    • What followed: Jack Osbourne posted publicly against Waters, Sharon called him “sad, irrelevant, old, miserable” on The Osbournes podcast, and Ozzy’s estate released an “Another Prick in the Wall” T-shirt in December 2025.
    • The escalation: Sharon told Piers Morgan she had considered mailing Waters a box of her own faeces, deciding against it because he’s “insignificant.”
    • Waters’ position: he said in January 2026 that he has no regrets about the original comments.
    • Both new quotes are Far Out exclusives, not yet independently corroborated. Neither party has commented further.

    FAQ

    What did Roger Waters say about Sharon Osbourne?

    Responding to Far Out Magazine on September 3, 2026, he said: “Sharon Osbourne is best ignored. R.” It was his first direct comment about her since their public feud began in August 2025.

    What did Sharon Osbourne say about Roger Waters?

    On August 31, 2026 she commented on a Far Out Magazine Instagram post about Waters, writing: “Jump in the water please with a brick tied around your neck.” She has previously called him “a sad, irrelevant, old, miserable, ugly human being” on The Osbournes podcast and said she considered mailing him a box of faeces.

    Why are Roger Waters and Sharon Osbourne feuding?

    It began in August 2025, weeks after Ozzy Osbourne’s death, when Waters said on The Independent Ink podcast that Ozzy had been “all over the TV for hundreds of years with his idiocy and nonsense” and that he had never cared about Black Sabbath’s music. The Osbourne family responded publicly and the dispute has continued since.

    What is the “Another Prick in the Wall” shirt?

    A limited-edition T-shirt released via Ozzy Osbourne’s official merch store in December 2025, available for 48 hours at $41. The front featured “OZZY RULES” over Roger Waters’ name; the back showed Ozzy urinating on the artwork from Waters’ The Wall: Live In Berlin, captioned “Another Prick in the Wall.”

    Has Roger Waters apologised for his Ozzy Osbourne comments?

    No. In a January 2026 interview he said he had no regrets about the remarks.

    Thirteen months, a diss shirt, a box of faeces that never got posted, and a five-word reply. Keep it locked on the Loaded Radio stream — follow Loaded Radio for daily rock and metal news.

    The post Roger Waters Breaks His Silence On Sharon Osbourne With Five Words appeared first on Loaded Radio.

  • Cool new prog you need to hear from Downes Braide Association, Clive Nolan, North Sea Echoes, The Ocean and more in Prog’s brand new Tracks Of The Week

    We’re back with a brand new Tracks Of The Week! This week we’ve got another seven new and diverse slices of progressively inclined music for you to enjoy.

    A big well done to Dikajee, who won a very tight race in last week’s Tracks Of The Week with Home Of The Wind, and with both Chimpan A and Kalandra tying on equal votes in second place. A first for Tracks Of The Week, if we’re not mistaken!

    The premise is simple – we’ve listened to a batch of new releases by bands falling under the progressive umbrella, and collated them together in one post for you – it makes it so much easier than having to dip in and out of various individual posts, doesn’t it?

    The idea is to watch the videos (or listen if it’s a stream), enjoy (or not) and also to vote for your favourite in the voting form at the bottom of this post. Couldn’t be easier, could it? We’ll be bringing you Tracks Of The Week, as the title implies, each week. Next week, we’ll update you with this week’s winner and present a host of new prog music for you to enjoy.

    If you’re a band and you want to be featured in Prog‘s Tracks Of The Week, send your video (as a YouTube link) or track embed, band photo (please, don’t forget the photo!) and biog with quotes to us here.

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    NORTH SEA ECHOES – GOOD ENOUGH

    If, for some reason, you’ve not checked out North Sea Echoes, then surely the poignant ballad, Good Enough, is the track to make you investigate further! Fates Warning duo Jim Matheos and Ray Alder walk a different musical path to Fates Warning’s intricate prog metal, but it’s no less rewarding. Good Enough comes from the pair’s secind album as North Sea Echoes, How To Cast A Shadow, out now on Metal Blade Records. It’s got ‘crossover hit’ written all over it!

    Good Enough was one of the first songs written for How To Cast A Shadow,” singer Alder says. It‘s a simple yet beautiful song, and it quickly became one of my favourite songs that Jim and I had written together. While we never intended for it to be released as a single or video, we decided that while we were together for a photo shoot, we would also shoot a video for this. I think that we both agreed that this song was just too nice not to be shared with others.”

    BOSS KELOID – LANDSLIDE

    Wigan’s prog rockers Boss Keloid will release their sixth studio album, Float & Aperture, through Church Road Records on October 23. The sprawling nine-minute Lanslide is the first music they’ve shared from the upcoming album, an intricate workout full of knotty rhythms and challenging and twisting time signatures, which bodes well for the new album.

    “This song has many meanings throughout its lyrical content. The main story is about learning to accept that we are all our own worst enemy, and that when you realise this, life does get easier,” the band say of the tracj=k, before adding that the album is all, about “embracing life, rolling with the punches and the waves of beauty, and not being afraid to channel and express those experiences through art, music, love, anger and wisdom. Experience tells a story if you don’t mind sharing it.”

    DOWNES BRAIDE ASSOCIATION – HELLO HELLO

    There’s no doubting the songwriting ability of Geoff Downes and his DBA partner, Chris Braide, whose honeyed tones bring Hello Hello, the band’s latest single, to life in blissfully melodic fashion. The pair release their latest album, Truama, through Cherry Red Records on September 25. Given Downes has a new Asia album landing in November, it’s a wonder where he finds the time. He also celebrated his birthday last week – happy birthday Geoff!

    Hello Hello is a deceptively upbeat song about how our own psychology can sometimes work against us,” Chris Braide explains. “We can retreat into ourselves, build walls and become isolated, and that isolation can have a devastating effect. At its heart, the song is about having the self- awareness and courage to reach out and say, ‘I’m scared, I need help, is there anyone there?’ When we say ‘love can open doors’, that begins with learning to love and accept yourself. Sometimes opening that first door is what allows the rest of the world back in.”

    CLIVE NOLAN – FROST UPON THE LONGSHIPS

    Sounds like Clive Nolan’s been listening to Wardruna, Heilung, and their ilk, if new single, Frost Upon The Longships, is anything to go by. It heralds the arrival of Nolan’s new solo album, Song Of The Winter Throne – The Saga Of Håkon Håkonsson, due for release on October 2 via WLR (We Låve Rock) and Oskar Records, and which tells the story of one of medieval Norway’s most remarkable kings!

    “Having immersed myself in the world of Beowulf, I found that the pull of the North had not loosened its grip on me,” Noilan explains. “The sagas, the stark beauty of Norway, the rhythm of old stories carried across crackling fires and ocean spray… all of it continued to echo in my imagination long after the final notes of ‘Wildlands’ had faded. There were more stories to tell… and perhaps, this time, something based in history, rather than myth. The more I explored Haakon’s world, the more I realised that this was not simply the story of a king’s reign. It was a story of survival. This was the perfect story for me to set as an album!”

    GODSTICKS – HOLD BACK

    Welsh proggers Godsticks released their seventh album, VOiD, earlier this year, and now present a guitar and bass playthrough of the track Hold Back for your enjoyment. Featuring guitarists Darran Charles and Gavin Bushell and bassist Francis George. The hard-working bunch are out on the road again at the moment, later in November and also have dates lined up in February and April next year too!

    Hold Back is a particularly tense song for us, both lyrically and musically,” they say. “It’s about those who provide an emotional crutch for a friend who constantly demands being the centre of attention, and isn’t afraid of manufacturing dramatic scenarios to ensure the focus on them never wavers. We’ve all had experience of these characters and it’s draining. The quick pace and precision of the riffs is something we really had to work on to nail in the studio. We of course rarely give any consideration to any potential difficulty performing songs live when writing, preferring instead to kick that proverbial can as far as we can down the road (that’s a problem for future Godsticks and we don’t care much for them!), and indeed this song is one that required a disproportionate amount of rehearsal. That hard work certainly paid off when we first began playing the new songs live, and the joy of the band locking in for this track is almost indescribable.”

    THE OCEAN – ULTIMA ESPERANZA

    German prog collective The Ocean flex their ‘epic’ muscles to dramatic effect on the 11-minute Ultima Esperanza (Spanish for “last hope”), which itself is part of a 20-minute title track and closing piece, Solaris, from their upcoming album, which they release through Pelagic Records on September 25. The track takes its name from the southernmost province on the South American continent, named after the inlet known as Última Esperanza Sound. The inlet was given its name by Spanish navigator Juan Ladrillero in 1557, who hoped it would offer a passage to the Strait of Magellan. Instead, it leads to a glacier – and ultimately, a dead end.

    Ultima Esperanza explores the intrinsically human notion of hope as the driving force behind all explorative endeavours, and loss thereof,” the band state. “It is a reflection on mental resilience, tracing the different stages of losing hope and the mind’s remarkable tendency to keep projecting it even onto the most dire realities, as an instinctive means of survival.”

    RAPHAEL WEINROTH-BROWNE – DISSOLUTION

    Canadian cellist Raphael Weinroth-Browne gets introspective on the delightfully moody Dissolution, with its dramatic black-and-white video, shot in Cornwall! It’s a piece originally composed for a contemporary dance company’s production BACH Reimagined, itself reimagining Sarabande from Bach’s Sixth Cello Suite, and which now forms part of Weinroth-Browne’s third solo album Empyrean, which is out on September 11. You can catch him supporting Einar Solberg on the latter’s upcoming solo tour.

    Dissolution was originally composed for the contemporary dance production BACH Reimagined with UK-based company James Wilton Dance,” Weinroth-Browne explains. “It is the centrepiece of the Empyrean album, and is most certainly its emotional apex. Of everything I have released as a solo artist, this is at once my most classical and experimental work to date.”

  • The ‘Rubber Soul’ Song Inspired by Little Richard

    Recorded overnight at EMI, this track was their ode to "Long Tall Sally." Continue reading…
  • Chat Pile – Who Loves The Sun (Review)

    Band:Chat Pile
    Release:Who Loves The Sun
    Genre:Hardcore, Sludge, Noise Rock
    Country:America
    Release Date:4th of September, 2026
    Released viaThe Flenser

    One band that has made huge waves over the last few years is definitely Chat Pile. Whether it’s their distinctive lyrics, their nerdy appearance or the very unique sound of the Oklahoma group, there is simply no way around this band right now. That makes it even more exciting that Chat Pile will release their third album Who Loves The Sun on September 4th via The Flenser.

    Once again, the band manages to make their songs so interesting and weird from the very first second that you simply want to keep listening. Of course, the extremely deep bass sound and groovy drums from their previous records are still there. But with Who Loves The Sun, Chat Pile put a much stronger focus on melodic elements inspired by indie and alternative rock. Tracks like “Deep Blue” feel more catchy and easier to digest at first than some of their older material.

    Social criticism, or to put it more dramatically, just how fucked up our world is, remains the lyrical foundation of the band. Chat Pile hold the ugly face of our society right in front of us with songs like “Same Rules” or “PEN I S MALL“. Even when the songwriting becomes more melodic or emotional, there is still a harsh reality hiding behind every line and every riff.

    It’s also interesting to hear how vocalist Raygun Busch spreads new nuances of his voice throughout the album. A track like “Shrine” showcases this really well during a few short moments and adds another side to his already unique vocal style.

    The guest appearances from Claire Hannah and Brittany Sawtelle feel especially refreshing. Both are a great addition and it’s impressive how naturally they fit into Chat Pile’s sound. Already well-written tracks like “Intruder” and “Influence” become even better because of their contributions. With “Intruder“, the Oklahoma group manages to create the perfect kind of chaos. The way its more harmonic parts slowly develop into an absolute noise rock thunderstorm is simply insane.

    Who Loves The Sun is another great album. Chat Pile manage to stay true to themselves while bringing new elements into their sound at the same time. It probably won’t work for everyone, but you have to give the band credit for continuing to separate themselves from the grey mass around them. At the same time, they address social issues in a way very few bands are able to.

    Chat Pile completely won me over with this one and remain one of the best and most interesting bands around the globe in 2026.

    Everything will be fine.” – Chat Pile

  • Members of The Wake and Sunshine Blind Collaborate in Los Tres Mortales — Watch Video for Debut Single “Bourbon”

    Bourbon has ruined romances, started fistfights, improved lies, destroyed judgement, and convinced generations of perfectly reasonable people that singing at 2:17 in the morning was an excellent idea. Los Tres Mortales understand its dramatic possibilities: their debut single, Bourbon, throws Caroline Blind and CWHK of Sunshine Blind together with Troy Payne of The Wake, three veterans of American gothic rock who could easily have made something stately and respectable. Thank God they went for the saloon instead.

    The lyrics leave busted bottles, motel sheets, gasoline, libation-drenched lies, and poor decisions scattered around. The song narrates the story of Blackout Bourbon Baby staggering through this chaos, laughing and smashing whatever’s left to prevent morning from revealing anything. Somewhere between downtown and oblivion, two people continue dancing because sobriety would end the argument forever.

    CWHK builds the track around drums that hit with blunt purpose and guitars carrying enough weight to make the floorboards complain. Payne steps into the song sounding tightly wound, severe, possibly one drink away from delivering a lecture nobody requested. Then Blind answers him. Her voice brings mischief into the argument, loosening his collar one button at a time while the two circle the fictional Blackout Bourbon Baby from opposite sides.

    “CWHK gave us the music and the title…and Troy came up with the story of the Blackout Bourbon Baby,” says Blind. “I knew it would be perfect to respond to his character by becoming the voice of the Bourbon Baby herself, telling him to chill out and stop being so tight-laced. The back and forth between two people trying to convince each other of their point of view creates a tension you just don’t get from a single voice. It’s also only somewhat reflective of my actual friendship with Troy!”

    That “somewhat” is doing magnificent work. The pleasure comes from hearing two personalities collide rather than politely alternate. Payne bears down; Blind needles him. One voice wants control, the other keeps opening another bottle. Their exchange gives Bourbon the shape of an argument that became flirtation somewhere around closing time, and will probably become an argument again before breakfast. Rich W tears through the middle with a lead guitar break that adds another streak of poor planning.

    Los Tres Mortales themselves began almost as casually.

    “Some people get together with their friends and play board games or have barbecues,” Blind quips. “When we get together, we share whatever music we’re working on, somebody jumps in with an idea, and suddenly we’re all working together. My advice? Write music with your friends. Collaborate. Celebrate. People were doing it for millennia before the internet!”

    There are worse manifestos.

    Tintin’s video wisely avoids sophistication. Blind and Payne perform in front of a wall of fire because sometimes a wall of fire is exactly what civilization has been building toward. Flames leap behind them while both singers attack their roles with the delighted seriousness of people who know melodrama becomes much more enjoyable once you stop apologizing for it. The result is funny, theatrical, cheap-looking in the complimentary midnight-movie sense, and perfectly suited to a song named after brown liquor.

    Watch below:

    Produced by CWHK and mastered by William Faith, Bourbon carries decades of experience without behaving like anybody has been appointed curator of the past. Los Tres Mortales sound pleased to be here, pleased to be loud, and especially pleased to discover that friendship, guitars, alcohol mythology, and gratuitous fire remain perfectly serviceable reasons to start a band.

    Listen to Bourbon below and order the single here.

    Follow Los Tres Mortales:

    The post Members of The Wake and Sunshine Blind Collaborate in Los Tres Mortales — Watch Video for Debut Single “Bourbon” appeared first on Post-Punk.com.

  • Ex-Turnstile Guitarist Brady Ebert Ordered To Undergo Competency Evaluation Before Attempted Murder Trial

    For the past few months, former Turnstile guitarist Brady Ebert has been held without bail at the he Montgomery County Correctional Facility in Boyds, Maryland. Ebert is being charged with attempted murder after allegedly using his car to intentionally run over 79-year-old William Yates, the father of Turnstile singer Brendan Yates. Before he can face trial, though, a judge has ordered that Ebert needs to undergo an evaluation to see whether he’s competent to participate in that trial.

    The post Ex-Turnstile Guitarist Brady Ebert Ordered To Undergo Competency Evaluation Before Attempted Murder Trial appeared first on Stereogum.

  • YAO Share Sentimental New Track ‘FOR OKINAWA’

    YAO, the sensational new project from ONE OK ROCK, Paledusk, Awich, and Chico Carlito, have shared their second ever track.


    Titled ‘FOR OKINAWA’, the track is an emotional outpouring that bridges the gap between hard rock balladry and trap-tinged rap. It continues to showcase the band’s unrelenting desire to break down every boundary that comes their way, whilst continuing to make sure that the strengths of every member are put front and centre.

    It’s magical, mysterious and absolutely sensational. It is culture in action, especially that of the region of Okinawa, the homestead of Awich and Chico Carlito. A moment to celebrate the history of the region as well as allow the scars of its past to never be forgotten.

    Have a listen below. For Okinawa, forever.


    It follows on from the brilliant ‘777’ which sounds like this:

    The post YAO Share Sentimental New Track ‘FOR OKINAWA’ appeared first on Rock Sound.

  • Foreigner Has Confirmed Almost 20 New Shows for 2027

    New dates arrive just days after they added four New York-era stops, beginning in late April. Continue reading…