“Yorkshire! Yorkshire! Yorkshire!” There’s something perfect about seeing Opeth in God’s Own Country on Yorkshire Day, the band’s early sound undeniably influenced by the Peaceville Three. Speaking of whom, Paradise Lost are actually pulling main support duty for the day (and we hear tell that former My Dying Bride vocalist Aaron Stainthorpe has been spotted in the crowd too).
Not to be entirely outgunned, Opeth have enlisted fellow Swedes Katatonia to kick the event off. Set within the gorgeous confines of Halifax’s Piece Hall, an 18th Century market hall that hosted both Korn and Limp Bizkit ahead of their jump to Download headliner status – though we won’t hold our breath for Opeth doing the same – Katatonia look and sound magnificent, their majestic, melancholic prog metal stirring and epic to behold.
Paradise Lost might steal the day. Apparently the doom metal masters have never played their hometown, but when frontman Nick Holmes mentions the fact it’s nice to be at home it prompts an effusive chant like someone’s set up a third faction in the English civil war.
Pulling from across their career, the set is proof positive that Paradise Lost have only gotten better with age: 90s classics One Second, The Last Time and their killer cover of Smalltown Boy are undeniable anthems, but the likes of The Enemy, Faith Divides Us – Death Unites Us and Ghosts (featuring a guest appearance from former drummer Waltteri Väyrynen, who now plays in Opeth) show PL are still producing some of their best material well into the 21st Century.
The difficulty with any Opeth setlist is, there’s only so much they can squeeze into any headline set. Even so, they do a spectacular job of spanning their careers; from 1999 on, at least. There’s no denying 2024’s The Last Will And Testament felt like their finest moment in over a decade, so hearing just how well §1 and §7 work live adds more fuel to the desire for the band to perform the whole record in full. Frontman Mikael Akerfeldt does point out the difficulty in having guest contributions, however.
“If you’ve heard this record, you’ll know we got Ian Anderson to do some spoken word,” he starts, to a massive cheer. “He’s not here. Now, we don’t have any clicktracks or any of that shit, but we do have Ian’s part on a tape. So we’re going to play this song a little fast or a little slow, and we’ll just see where his part ends up happening.”
It turns out, Anderson comes in at exactly the right time… only for the video to run out of sync. Can’t win ’em all. It’s something the band take with good humour however. As the set winds back to their ‘classic’ era – Windowpane, The Grand Conjuration, The Drapery Falls – we’re treated to some sublime visuals as lights shimmer amidst thick plumes of smoke that make it look like the band has opened a portal to another dimension, Akerfeldt undercutting the otherworldliness with a self-deprecating humour that feels as Northern as white roses and dark satanic mills. They’ll make a Yorkshireman of him yet.
Opeth setlist @ Piece Hall, Halifax August 1 2026
- §1
- Hjärtat vet vad handen gör
- Godhead’s Lament
- §7
- The Devil’s Orchard
- Windowpane
- The Grand Conjuration
- The Drapery Falls
- Hex Omega
- Deliverance
