Anthrax has today (August 7) released the latest single and video, “Everybody’s Got A Plan,” from their long-awaited 12th full-length studio album Cursum Perficio out September 18 via Megaforce Records.

The new video was mostly filmed on July 7 in Lisbon, Portugal, when the multi-Grammy Award-nominated New York hard rock titans—Scott Ian (guitar), Charlie Benante (drums), Frank Bello (bass), Joey Belladonna (vocals), and Jonathan Donais (guitar)—toured with Iron Maiden in Europe. It features live performance footage and behind-the-scenes backstage fun with cutaways to classic B&W boxing footage that underline the song’s central lyrics: “Everybody’s got a plan/That’s until they get punched in the face…”.

“‘Everybody’s Got a Plan” has always been one of my favorite songs on Cursum Perficio”, Benante says. “The video basically shows the band on and off stage in a montage of video clips that kinda matches the velocity of the song. ‘Everybody’s got a plan/That’s until they get punched in the face’ is such a great line, and so true!”

“Most of this video was shot opening for [Iron] Maiden in Lisbon, Portugal at Estádio da Lu on July 7, 2026,” Ian notes. “We wanted to capture us having fun on tour, and what better way to do that? That was a plan that didn’t end up with a punch in the face! Have fun watching my friends!”

Bello adds: “This video is a great representation of a day in the life of Anthrax on tour.”

Anthrax has previously released two singles and videos from Cursum Perficio: “It’s For The Kids” a classic Anthrax ripper locked and loaded with buzzsaw-sharp riffs, explosive drumming, and a howling and head-banging hook. It undoubtedly has all the makings of a future live staple. It was followed by “The Edge Of Perfection,” highlighted by clean guitar echoes and cymbals that gently shake until a blastbeat blows open the doors. Guitars buzz like a motorboat on the River Styx, making waves through the darkness. In their wake, a crushing rhythm trails the melody of lead singer Joey Belladonna’s lament, “My heart breaks…I’m on the edge…I’m on the edge of perfection.”

Meanwhile, the group recently announced they were rolling out uniquely animated short clips based on the album cover, with the first clip shared July 28. The worked with artist Mark Stritzel for the striking cover and the animation was done by Emmanuel Cappellini. Mark initially worked with the band’s Charlie Benante on the characters featured on the album cover. Every Tuesday, the group will unveil the individual stories of each character featured on the album. Beyond the Magician’s story, subsequent weeks will reveal more about the Woman in White, Dog, Winged Skeleton, concluding September 1 with Hands.

Cursum Perficio marks the band’s first record in ten years since 2016’s For All Kings, which debuted in the Top 10 of the Billboard 200. The phrase Cursum Perficio is Latin for “My journey has come to an end,” “My journey is over,” or “I complete my journey.” It proves apropos for such a complete body of work. It will be available as a standard CD; Target exclusive CD with a fabric patch of the album cover; standard black double LP with pop-up gatefold; Target exclusive double LP, red zoetrope with pop up gatefold; Amazon exclusive double LP, purple zoetrope LP with pop-up gatefold; merch exclusive lilac vinyl double LP with pop-up gatefold; Metal Injection exclusive white vinyl double LP with pop-up gatefold; Talk Shop Live exclusive signed with red ripple vinyl double LP with pop-up gatefold; Indie exclusive – red, orange yellow vinyl double LP with pop-up gatefold. To pre-order/pre-save, click here.

The band dove into recording Cursum Perficio in earnest during 2022, working out of Dave Grohl’s Studio 606 in Los Angeles. They carefully pieced together what would be this magnum opus, mining their history with reverence, delivering on fan expectations tenfold, and broadening the scope of their signature sound. Produced by Jay Ruston and Anthrax, the result is an album that’s as angry, aggressive, and alive as their most celebrated fare.

Their journey has brought them to Cursum Perficio —a powerful, pummeling, and poetic milestone in Anthrax’s 45-year career.

The post ANTHRAX Releases New Single And Video For “Everybody’s Got A Plan” From Their Upcoming Album “Cursum Perficio” appeared first on Sonic Perspectives.

Irish rock group Florence Road released a new single today, but if you’ve been to any of their shows over the last couple of years, you might recognize “7563.” “So happy to finally release this song, after two years of playing it live,” the band shared on social media.

The post Florence Road – “7563” appeared first on Stereogum.

Empress Of is gearing up for the release of her new album Dream House, the follow-up to 2024’s For Your Consideration, arriving next month. She has already shared the title track and the striking, orchestral string-led single “Wild Storm.” Today, she’s back with “SYW,” a collaboration with Cecile Believe.

The post Empress Of – “SYW” (Feat. Cecile Believe) appeared first on Stereogum.

It’s a big week for Ry Cooder, whether he knows it or not. First, in my interview with Sam and Louise Sullivan, Sam noted that he interpolated a guitar part from Cooder’s “How Can A Poor Man Stand Such Times And Live” on their song “Ms. Mercedes.” Now Deloyd Elze has released a new Cooder cover.

The post Deloyd Elze – “Drive Like I Never Been Hurt” (Ry Cooder Cover) appeared first on Stereogum.

Rush fans have two reasons to circle October 2 on the calendar, as the UMe/Mercury and Anthem Records camps keep the band’s resurgence rolling with a pair of vinyl releases timed to the ongoing “Fifty Something” tour.

Leading the charge is a 50th-anniversary liquid vinyl pressing of Rush‘s 1976 breakthrough 2112, an album that’s since gone quadruple platinum. A limited batch first hit shelves exclusively at the UMusic Shop in New York City in late July, coinciding with Rush‘s run of four sold-out Madison Square Garden shows. The liquid vinyl edition draws its look from the record’s iconic artwork, with a die-cut sleeve that lets the swirling vinyl itself become part of the cover. It’s now up for pre-order as a Sound Of Vinyl exclusive.

Producer Terry Brown was back behind the board for 2112, and the sprawling, seven-part title track that dominates side one cemented Rush as one of the era’s most ambitious bands. Clocking in past 20 minutes, “2112” follows one man’s fight against a controlling system, a theme that hasn’t lost any of its bite five decades on.

Side two spreads the writing credits around. Neil Peart penned both “A Passage To Bangkok,” a travelogue of highs and lows on the road, and “The Twilight Zone,” a tip of the hat to a pair of episodes from Rod Serling‘s classic anthology series. Alex Lifeson‘s slide-guitar showcase “Lessons” sets up Geddy Lee‘s tender “Tears,” before “Something For Nothing” closes things out with Peart‘s take on choices and consequences.

The second release marks the first-ever vinyl pressing of the band’s 2003 compilation The Spirit Of Radio: Greatest Hits 1974-1987, wrapped in artwork from longtime creative director Hugh Syme. The set arrives in two forms: a full 16-track 2LP pressed on 180-gram black vinyl, and a trimmed-down, retailer-exclusive 10-track single LP. The two share nine songs, but “Finding My Way,” the opener from Rush‘s self-titled 1974 debut, only shows up on the single-disc version. Both are open for pre-order now.

The Spirit Of Radio runs through a heavy stretch of Rush staples, opening with the muscle of “Working Man,” the homesick sprawl of “Fly By Night,” the us-versus-them framework of “2112: Overture / The Temples Of Syrinx” and the emotionally bare “Closer To The Heart.” From there it moves into the character study of “The Trees,” the radio-static joy of “The Spirit Of Radio,” the odd-meter workout “Freewill” and the quietly prophetic “Limelight,” a meditation on artists guarding their privacy while chasing the spotlight.

The tracklist also pulls in the concert warhorse “Tom Sawyer” and the high-speed backroads thriller “Red Barchetta,” along with the reggae-inflected “New World Man,” which topped Canadian charts and gave Rush its only U.S. Top 40 hit, peaking at No. 21 on the Billboard Hot 100. The synth-heavy “Subdivisions” rounds things out with its portrait of restless suburban youth.

Later cuts include “Distant Early Warning” from 1984’s Grace Under Pressure, the Top 50 single “The Big Money” and 1987’s “Force Ten,” which hit No. 3 on Billboard’s Mainstream Rock Airplay chart. Closing both versions is “Time Stand Still,” notable for featuring one of the rare outside voices on a Rush record: ‘Til Tuesday’s Aimee Mann, whose haunting counter-vocal plays off Lee‘s lead. Mann joined the band onstage at the Kia Forum in Los Angeles back in June, singing the track live with Rush for the first time during the tour’s opening dates.

Rush‘s widely praised “Fifty Something” tour continues across North America through the rest of 2026, with South American and European legs planned for 2027. Founders Lee and Lifeson, joined by drummer Anika Nilles and keyboardist Loren Gold, launched the trek in Los Angeles, marking the band’s first tour in 11 years. Each stop features two sets pulled from a rotating 40-song pool spanning the band’s five-decade catalog.

The post RUSH Celebrates “2112” 50th Anniversary With Liquid Vinyl Reissue appeared first on Sonic Perspectives.

Iron Maiden have, in their time, covered Jethro Tull, Focus and Beckett tracks. It’s a matter of fact that bassist Steve Harris and singer Bruce Dickinson are both prog fans. The genre has permeated their music since the late 80s, so it wasn’t too difficult to present a list of their 10 proggiest moments in 2024. And as the bassist told us: “Prog taught me to do whatever the hell you want to do – go in any direction you want to.” Amen to that.

Cross-Eyed Mary (1983)

This cover of the 1971 Jethro Tull song from Aqualung was the b-side to The Trooper single, and the first indication for many fans that there was some love for prog rock within Maiden’s ranks. Unlike Dickinson, who’s performed with Tull mainman Ian Anderson, Harris tells Prog: “I’ve never met himn. I sort of don’t want to, because I love his music so much.”

Rainbow’s Gold (1984)

Nestled away on the b-side to 1984 single 2 Minutes To Midnight is this cover of a song by 70s UK prog rockers Beckett. Their main claim to fame was singer Terry Wilson-Slesser, later the vocalist for Backstreet Crawler and Geordie, who was linked with AC/DC after Bon Scott‘s death. He also unsuccessfully auditioned for Maiden after Paul Di’Anno left. Band manager Rod Smallwood had been an agent for Beckett and a young Harris had seen the band play live.

Rime Of The Ancient Mariner (1984)

The epic closing track for 1984’s Powerslave album was the first Maiden-penned tune to offer a glimpse of the band’s proggy proclivities. It’s based on Samuel Taylor Coleridge’s 1798 epic poem of the same name (Rush had previously based Xanadu on Coledridge’s Kubla Khan). “It might be significant that my two favourite pieces of music of all time are Supper’s Ready and Thick As A Brick,” says Harris of his lengthy compositions.

Seventh Son Of A Seventh Son (1988)

It was all-out prog rock by 1988, with keyboards introduced into the Maiden sound for the first time. The title track of the band’s seventh album – their first ever concept record – was the proggiest of the lot . “A lot of thought went into it,” says Harris. “It was a good change for us and I think it worked really well.”

Sign Of The Cross (1995)

For their first album after Dickinson had left, to be replaced by Blaze Bayley, Maiden didn’t go for the easy option. Instead they opened The X Factor with this 11-minute epic and its moody intro of chanting monks, building the suspense until it explodes in emphatic style.

Dream Of Mirrors (2000)

The band’s passion for prog really came to the fore when Dickinson returned for 2000’s Brave New World – especially this 9-minute workout. “I don’t really know the reason for it,” says Harris of Maiden’s increased progginess since then. “It was the way it naturally evolved.”

Paschendale (2003)

Although he normally writes shorter, more commercially minded material, guitarist Adrian Smith got his prog on with this epic about the Battle Of Paschendale from WWI on the Dance Of Death album. Did you know the infantryman’s outfit donned by Dickinson when the band performed this song live was in fact Hungarian, and not British, as many thought? Take that to your next pub quiz with you.

When The Wild Wind Blows (2010)

Another epic album closer from 2010’s The Final Frontier, this time clocking in at almost 11 minutes and as complex as you get with Maiden. Penned by Harris alone, it soon proved to be a live favourite in the band’s set.

Empire Of The Clouds (2015)

With its laid-back piano intro, the final track on 2015’s The Book Of Souls remains the longest song on any Maiden album. Penned by Dickinson, the song tells the story of the British R101 airship, which crashed in northern France on 5 October 1930 during its maiden voyage. “I just had to say to him, ‘You’ve outdone me, you bugger!’” laughs Harris.

Death Of The Celts (2020)

You could take any of the final three tracks – all written by Harris – from 2020’s Senjutsu, and make a case for them being some of the band’s proggiest. Indeed, on the vinyl version, the last disc almost becomes a standalone Maiden prog album! We’ve gone for Death Of The Celts, a stridently uplifting tale of days of yore. A bit Spinal Tap? Never…

(Here we have Comrade Aleks’ interview of Antonio Ortiz from the Bolivian doom metal band Lachrima Corphus Dissolvens, whose latest album was released this past April.) Lachrima Corphus Dissolvens is the rare (or only?!) representative of death-doom metal in Bolivia. Being founded in La Paz in 2003 by Antonio Ortiz (vocals) and Beyson Gibson (guitars) […]

The post AN NCS INTERVIEW: LACHRIMA CORPHUS DISSOLVENS appeared first on NO CLEAN SINGING.

The post Darren Flynn I Still Haven’t Found What I’m Looking For Review appeared first on Edgar Allan Poets – Noir Rock Band.

Melodic hard rockers Mystery Moon have today released their new single ‘Dreamland (Garden Of Eden‘. ‘Dreamland (Garden Of Eden)‘ is the second single from Mystery Moon‘s second album ‘Way Beyond‘ (release date on Pride & Joy Music: September 18tth, 2026. Pre-save the album – here Mystery Moon are back with their second album, ‘Way Beyond‘, making […]

The post Mystery Moon Releases New Single ‘Dreamland (Garden Of Eden’ appeared first on ROCKPOSER DOT COM.

Sheffield’s own soul-swaggering, electrifying power trio, Lightning Threads, have released the video for the new single Devil Inside Me. A raucous breakout from bitter times, the track oozes filthy guitar riffs, fuzz-led solos, and vocal hooks covered in grit. Think vintage valve amps cranked within an inch of their life and overdriven vocals that harken back to that ’70s sound. 

The track comes with an accompanying film. “We wanted to look back at those early psychedelic music videos of the mid to late ’60s,” the band said. “We repurposed footage captured by Andy Boyd at Witney Music Festival 2026, which has ended up being one of the highlight gigs of the year for us so far.”

Devil Inside Me is taken from the album Trinkets, which is out now. From their inception in 2019 through the launch of their debut record Off That Lonely Road, Trinkets makes another step up in class for Lightning Threads.

With Tom Jane on guitar and lead vocals, slinging riffs and licks, Sam Burgum on bass and vocals, locking down the low-end groove with Hugh Butler on drums and keys, the trio look an exciting addition to Blue Nation on their headline run from September. 

The post Lightning Threads Channel Vintage Psych on Devil Inside Me first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.