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  • Live Gallery: Accept – Wolverhampton

    Live Gallery: Accept – KK’s Steel Mill, Wolverhampton

    27th August 2026
    Photos: Tim Finch

    We look back at the epic Accept show through the eyes of our photographer Tim Finch!

    Accept

    Photo credits: Tim Finch

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Gallery: Accept – Wolverhampton appeared first on The Razor's Edge.

  • Monday Morning Video – Dolly Parton

    Plenty has already been written about Dolly Parton, and the stories and praise will continue to flow. All are glorious tributes to an artist whose impact spanned generations and will continue to do so across those that follow. Twangville Shawn already shared his memories of Dolly. Here’s one of mine — a night at SXSW […]
  • SOB x RBE Reunion Set Canceled After Festival Organizers Say Team Was Threatened

    The Vallejo, California rap group SOB x RBE broke up in 2019, the same year that former member Lul G was arrested for murder. In July, the group returned with the reunion single “Ten Summers,” their first in seven years. The group gave their first reunion performance at the Back 2 The Bay fest on Aug. 13, and they were supposed to give their second on Saturday at the New West Coast Festival, a one-day fest in Salt Lake City. But the group’s set was canceled hours before it was slated to happen, with festival organizers citing “threats made to our team.”

    The post SOB x RBE Reunion Set Canceled After Festival Organizers Say Team Was Threatened appeared first on Stereogum.

  • Echoed Moments Make Me The Villain Review

    Echoed Moments Make Me The Villain Review

    The song begins in a chaotic whirlwind, driven by a powerful and intense guitar riff. This energy establishes a sense of urgency. The vocals enter with a strong presence. The delivery has a theatrical quality, pulling the listener into a vivid narrative. The approach engages with the lyrics and the instrumental arrangement, creating a robust auditory experience.

    Echoed Moments Make Me The Villain

    The composition unfolds organically. There is an impressive attention to detail throughout the track. Each change is well-executed, ensuring that listener interest is maintained. The use of alternative instruments sets the song apart, giving it a unique character. Despite these unconventional choices, the production remains authentic, emphasizing clarity in the message.

    At the core of “Make Me The Villain” lies a narrative about a love gone awry. The lyrics give voice to someone grappling with the remnants of a broken relationship. This individual seeks to redefine the story to their advantage. It’s clear the singer acknowledges past mistakes but is determined to narrate their version authentically.

    Make Me The Villain – Sound and Atmosphere

    The emotional arc is compelling. This connection to the story enhances engagement with the listeners. The intricacies in the performance reflect a level of craftsmanship that should not go unnoticed. Noteworthy is the guitar solo, which serves as a high point in the arrangement. It is a moment of relief amid the song’s overall intensity.

    There are also deliberate pauses where the instrumentation quiets down. These interludes create a sense of space, allowing the listener to absorb the weight of the narrative. Such dynamics enrich the experience, marking the track with depth and sophistication. This thoughtful construction displays a keen understanding of musical flow.

    Make Me The Villain – Performance and Production

    The production choices complement the song’s themes effectively. Instead of sounding artificial, the instrumentation feels raw and genuine. Each note and chord strikes with purpose, investing the track with passion. The emotional delivery of the singer enhances this realism, connecting the audience deeply to the content.

    Listening to this track can evoke a range of feelings. You might find yourself reflecting on personal relationships and misunderstandings. It’s a reminder that tales of love, regardless of their endings, are worth telling with clarity. The artistry involved in this piece proves that music continues to be a vital source of expression.

    “Make Me The Villain” is an emotional journey that brings listeners along. It combines raw energy with a narrative drive, ensuring the message is heard loud and clear. Fans of heartfelt music should make room for this gem in their playlists.



    Intense

    🔥 If you love this music: Discover More


    Find Echoed Moments here:
    Spotify | Tik Tok

    The post Echoed Moments Make Me The Villain Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • DOKKEN, SLAUGHTER, AND WARRANT, ALL LIVE, ALL THE HITS, ALL ON REMASTERED 180G COLORED VINYL WITH LIMITED AUTOGRAPHED BUNDLES

    DEKO ENTERTAINMENT PRESENTS THE TRIFECTA OF ’80s HARD ROCK LIVE DOKKEN, SLAUGHTER, AND WARRANT, ALL LIVE, ALL THE HITS, ALL ON REMASTERED 180G COLORED VINYL […]

    The post DOKKEN, SLAUGHTER, AND WARRANT, ALL LIVE, ALL THE HITS, ALL ON REMASTERED 180G COLORED VINYL WITH LIMITED AUTOGRAPHED BUNDLES appeared first on Metal-Rules.com.

  • Space Chaser – Streaming New Track

    German thrashers Space Chaser have debuted a lyric video for “8 Minutes”, another new track in advance of their soon-to-be-released fourth long player Razorblade Bay.
    Read more…
  • Cardinals Folly – Baltic & Polish Shows Announced

    Finnish doom metal representatives Cardinals Folly have announced that they will play three shows in Baltic states and one in Poland in the first half of October. Confirmed dates and venues are available via flyer below.
    Read more…
  • Sehore IA Review

    Sehore IA Review

    This song once again demonstrates the visionary intensity of the artist. He consistently transports listeners to a parallel realm that is avant-garde and slightly psychedelic, inspiring and engaging them. The composition is crafted in a 5/4 time signature, which places it firmly within the alternative rock genre. This unconventional structure serves as a critique of modern society, which often feels suffocated by artificial intelligence. The artist intelligently plays with language by reversing the letters in the title “IA,” showcasing a cleverness that is simply brilliant.

    Sehore IA

    The artist embodies the role of a modern philosopher with his music. He conveys profound messages that challenge conventional thinking, always swimming against the current to awaken consciousness. The recording took place in 2026 at Paco Loco Studio, and it was mastered at Kadifornia before being released by MusicHunters Records. The production quality shines through, making the song both accessible and direct, revealing its charm.

    The piece exists in a space that feels suspended between reality and something metaphysical. The artist consistently delivers fantastic emotions through his music, creating a unique combination that invites listeners on an introspective journey. The rhythmic intricacies of the song challenge the traditional expectations of rock, pushing boundaries while still being approachable.

    IA – Sound and Atmosphere

    Listeners may find themselves engulfed in the dynamic shifts within the track. Each moment is carefully thought out, providing layers of meaning that unfold over multiple listens. This complexity reflects the artist’s ability to channel his thoughts into something intimate and expansive. The urgency in his vocals and the instrumentation blend to create an atmosphere that resonates deeply with an audience that craves innovation.

    The production techniques employed further elevate the song’s impact. The combination of various instrumental textures enhances the listening experience, immersing the audience in its rich layers. The interplay of rhythm and melody keeps listeners engaged throughout, drawing them into its depths.

    IA – Performance and Production

    Overall, this single is a bold statement in the current music landscape. It challenges listeners to reconsider their surroundings and the societal structures they inhabit. The artist’s refusal to conform to traditional norms not only makes for an intriguing listening experience but also encourages audiences to explore their own consciousness.

    By tapping into universal themes and pushing artistic boundaries, the artist establishes a distinct identity within the music scene. His ability to address pertinent issues while providing an emotional outlet is unique.

    This song is an invitation to reconnect with our humanity in an increasingly digital world. The artist’s vision and creativity challenge us to think differently and embrace the complexities of life. Every element of the track reinforces the notion that music can be a powerful tool for awakening awareness and celebrating individuality.

    Sehore’s “IA” is a remarkable single that combines artistic innovation with critical commentary. The song navigates through intricate musical landscapes while confronting pressing societal themes. This blend of elements reaffirms the importance of music as a vehicle for thought and emotional expression.

    The Song was recorded in 2026 at Paco Loco Studio and mastered by Mario G. Alberni at Kadifornia.



    Sharp

    🔥 If you love this music: Discover More


    Find Sehore here:
    Spotify | Instagram

    The post Sehore IA Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Upcoming Metal Releases: 8/30/26 – 9/5/26

    Here are the new releases for August 30th to September 5th. Releases reflect proposed North American scheduling, if available.



    Upcoming Metal Releases: 8/30/26 – 9/5/26


    Ancient Malice — Worm Tongue | Independent | Death Metal + Grindcore | Ireland (Dublin)

    Worm Tongue arrives a year after Ancient Malice’s debut LP, retaining as much momentum and repugnancy as possible. It’s for crust, HM-2, and gore fanatics.

    –Colin Dempsey


    …



    Skuggor — The Expanse | Nordvis | Black Metal | Sweden

    Plodding, skeletal, atmospheric black metal, punctuated with lo-fi synths; you already know who Skuggor sound like. The difference is that The Expanse adopts an epic perspective instead of a nihilistic one.

    –Colin Dempsey


    …



    Sleep — Hempispheres | Third Man | Stoner Metal | United States (San Jose, CA)

    The hype for Sleep’s return album eight years after their previous return album, The Sciences, quickly morphed into a game of gossip and uncertain expectations. A hurrah was shot down when it was announced that co-creator Matt Pike was stepping away from the band and would not appear on the album. Questions about the quality bubble despite continued involvement from Al Cisneros (who also headed the supreme stoner metal group Om) and Bubba Dupree of hardcore act Void replacing Pike. Hempispheres‘ first two tracks are available: stoner metal attributes ignited with droning guitar, psychedelic melodies, sluggish pacing, and a focus on marijuana. A great stoner metal record is expected but without Pike’s power and aggression, this likely would’ve been best remembered without the iconic title attached.

    –Aidan Sibley


    …



    Pakosteň — Spevy smutných Lotrov | Šlinc Records | Black Metal + Punk | Czech Republic (Prague)

    Czech metal band Pakosteň is an amalgamation of the villainous atmosphere of black metal and the sporadic energy of hardcore. An act where d-beats and blast beats catapult nefarious screams; where midnight riffs interrupt the furious pace without awkwardness. Where a corpse-painted face front flips off the stage into your raised arms. Where a mix of high-spun punk energy spits across razor-thin tremolo picking. Pakosteň are an eruption of frantic energy blasted through icy cave walls: it’s the coldest mosh pit you’ve ever encountered.

    –Aidan Sibley


    …



    Sigh — Goh-ka | Peaceville Records | Avant-garde Metal | Japan (Tokyo)

    Goh-ka is the latest album from adventurous Japanese extremists, Sigh. Get ready for some light breezy listening as Goh-ka apparently has multiple meanings in the band’s native tongue. It’s alternately a fire that ravages sinners in addition to being the blaze that “burns down the world at the end of time.” The theme of destruction and decomposition plays out over the course of the record, which is inspired by “Kuso-zu,” a sequence of Buddhist visual arts that depict “the nine stages of the human body’s decomposition after death.” The conceptual darkness is concealed somewhat by the majestic, dare I write ‘upbeat,’ beauty emanating from “Unpuntenpu,” a genre-defying composition with unique instrumentation, knockout vocal hooks and a ferociously melodic guitar solo from Opeth’s Mikael Akerfeldt. Elsewhere, there are snatches of nightmare carnivalesque prog along with passages that sound like Sakevi from G.I.S.M. fronting Fates Warning or in the strangest parts: Faith No More. For all the purists out there, don’t worry–tracks like “Jigoku-Zoshi 1-Unkamusho” make good on the Celtic Frost and Voivod references. A lot of bands claim epicness. This one isn’t kidding.

    –Dennis J. Seese


    …



    Vanessa Funke — Aura | Liminal Dread Productions | Melodic Death Metal | Germany (Gevelsberg)

    On her fifth album, Aura, Vanessa Funke brings melodic death metal together with electronic and ’80s influences. She wrote and performed nearly everything herself, showing her versatility as a musician. “Last Dawn” opens with a melodic guitar intro and a guest solo from Alicia Cordisco. “Fading Memory” is faster and heavier, combining melodic leads with Funke’s harsh vocals. “Coherence” and “Infinite Skies” address her experiences as a trans woman, bringing some of her most personal writing to the record. “Empty Heart” explores power-ballad territory with melancholic clean vocals. Her voice is just as varied as the music around it. Keyboards add depth to “Into the Night,” making its heavier riffs hit harder. Funke’s love of Insomnium is apparent in her guitar work. Her skill as a multi-instrumentalist is one of Aura’s strongest qualities, and the record’s infectious melodies make it easy to return to.

    –Lily O’Delia


    …



    Castle — Carrie Chains | Hammerheart Records | Heavy Metal + Doom Metal | United States (San Francisco, CA)

    Castle’s seventh album, Carrie Chains, sits between traditional heavy metal and doom, with Liz Blackwell’s commanding vocals cutting through Mat Davis’ thick guitar riffs. “3 Knocks” opens with a darker, doom-heavy feel. “Carry Chains” has more momentum, with one of the album’s catchiest riffs leading into a guitar solo by Davis. The title track introduces the album’s central character and its theme of an underdog rising against the odds, a sentiment likely to resonate with anyone who has ever felt like an outsider. “Truckgrinder” starts out slower and heavier before gaining speed. On “Burn the Messenger,” Blackwell’s distinct voice rises over some of the album’s heaviest riffs. Her vocals are a highlight throughout, adding a melodic edge to the heavier, busier guitar work.

    –Lily O’Delia


    …



    Devil Master — Bloody Dreams | Relapse Records | Black Metal + Punk Rock + Crust Punk | United States (Philadelphia, PA)

    Heed my advice: take a shower after listening to Bloody Dreams. Devil Master’s third record is as contagious as it is infected with some brain-altering ailment. At the bottom of its pyramid is a proto-black metal foundation that supports lateral faces composed of punk rock, psychedelic rock, and glam metal. That Mirai Kawashima of Sigh appears here should tell you that Bloody Dreams is batshit insane.

    –Colin Dempsey


    …



  • Mezzrow – Working On New Material

    Less than a year after the release of their Embrace The Awakening record, Swedish thrashers Mezzrow are already hard at work on the follow-up. The recording prcoess is in full swing. More info coming soon.
    Read more…