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  • SHARON OSBOURNE DROPPED: UK Charity Cuts Ties After Support for Tommy Robinson Rally

    Sharon-Osbourne-2026 (2)

    LONDON, UK — The “Queen of Metal” is facing a massive backlash across the pond. Sharon Osbourne, longtime manager and wife of Black Sabbath legend Ozzy Osbourne, has been dropped by the prominent UK homelessness charity Centrepoint after publicly endorsing an upcoming anti-immigration rally led by far-right figure Tommy Robinson.+1

    The fallout was swift following a social media interaction where Sharon indicated she would be standing shoulder-to-shoulder with Robinson (real name Stephen Yaxley-Lennon) at the “Unite the Kingdom” march in London next month.

    The Comment That Sparked the Fire

    The controversy ignited when Sharon commented on an Instagram post by Robinson promoting the rally, scheduled for May 16, 2026, in Trafalgar Square. Robinson, a co-founder of the English Defence League (EDL), has a long history of polarizing activism.+1

    Sharon’s official account replied to the post with four simple words: “See you at the march.”

    The endorsement was immediately celebrated by Robinson’s supporters but drew fierce criticism from the charitable sector and metal fans alike.

    We Also Recommend – The Prince Of Darkness Lives: “Phenomenal” Actor Cast To Play Ozzy Osbourne In Sony Biopic

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    Centrepoint: “Counter to Our Values”

    Centrepoint, which provides housing and support to homeless youth aged 16 to 25, has used Sharon as an “ambassador” in the past—most notably during high-profile Omaze house draws. However, the charity has now officially severed all future ties.+1

    “This sort of event does not align with our values,” a Centrepoint spokesperson said in a statement to The Guardian. “Centrepoint has a proud history of supporting young people whatever their background, ethnicity or religion. If we want young people to thrive in this country then we need to ensure our society continues to allow them to live without fear.”

    While thanking her for her previous fundraising efforts, the charity made their stance final: “She is not an official ongoing ambassador of Centrepoint and we have no plans to work together in the future.”

    Misinformation Check: The State of the Prince of Darkness

    Several early reports on this story have erroneously referred to Sharon as the “widow of the late Ozzy Osbourne.” Loaded Radio can confirm this is false. While Ozzy, 76, has retired from full-scale world touring due to his battle with Parkinson’s disease and a series of spinal surgeries, the Prince of Darkness is alive and well.

    Sharon’s political shift has left many fans wondering where Ozzy stands on the matter, as the frontman has historically avoided aligning himself with far-right political movements.

    Check This Out – The Ultimate Ranking: The Top 13 Jake E. Lee Era Ozzy Osbourne Songs

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    TL;DR

    Sharon Osbourne has been cut from the UK charity Centrepoint after commenting “See you at the march” on a post for Tommy Robinson’s upcoming “Unite the Kingdom” rally. The homelessness charity stated that Robinson’s platform runs counter to their mission of supporting diverse youth. Despite some reports claiming otherwise, Ozzy Osbourne is still alive and has not commented on his wife’s controversial political stance.+1

    🎙 Loaded Radio: Tune In & Subscribe

    Hear the full breakdown of the Osbourne controversy and its impact on the metal community on the Loaded Radio stream.

    For exclusive interviews and the latest on the Osbourne family, subscribe to the Loaded Radio Podcast on Apple Podcasts or Spotify.

    The post SHARON OSBOURNE DROPPED: UK Charity Cuts Ties After Support for Tommy Robinson Rally appeared first on Loaded Radio.

  • Beatles Paul McCartney and Ringo Starr to duet on Macca’s new album The Boys of Dungeon Lane

    The two surviving Beatles Paul McCartney and Ringo Starr sing on ode to Liverpool called Home to Us

  • Tyler, The Creator Addresses Fans Leaking Security Camera Footage Of Him Again

    Surveillance culture: It sucks. Late last month, security camera footage of Tyler, The Creator at a bookstore in Mexico City was leaked online, and he addressed the situation today on his Instagram Story, lamenting, “i understand the excitment but the behavior is going to morph into everyone having footage or anything involving them uploaded for content.”

    The post Tyler, The Creator Addresses Fans Leaking Security Camera Footage Of Him Again appeared first on Stereogum.

  • Jasmine Cain Releases Powerful Music Video for “Hurt”

    Independent rock artist Jasmine Cain has released the music video for her latest single, “Hurt.” The track is a raw exploration of betrayal and the strength required to walk away from toxic environments. This release arrives during a significant period for Cain, following her recent public decision to prioritize her values by withdrawing from a major magazine feature to stand against the exploitation of minors within the rock and biker community.

    Hailing from Sturgis, South Dakota, and based in Nashville, Cain has built a career defined by high-energy performances and a commitment to independence. With over 30 industry awards to her name—including a recent win for Rock Artist of the Year at the 2025 Josie Music Awards—she has released eight studio albums, including her most recent full-length project, Attitude is Everything.

    The video for “Hurt” captures the resilience that has made Cain a staple of the motorcycle events industry and the modern rock scene. By choosing personal power over industry exposure, Cain uses this release to reinforce the message that empowerment comes from refusing to compromise one’s integrity.

    The post Jasmine Cain Releases Powerful Music Video for “Hurt” first appeared on FemMetal – Goddesses of Metal.

  • Year Of No Light – Guitarist Passed Away

    Shiran Kaïdine, a long-time guitarist of French post-metal group Year Of No Light, has sadly passed away due to cancer. Shiran joined the band back in 2008.
    Read more…

  • ANA Debuts “The Matrix” Inspired Music Video for “Shadow of Life”

    Melbourne-based band ANA has released the music video for their latest single, “Shadow of Life.” Directed by Peter Coulson, the visual aesthetic draws heavy inspiration from The Matrix, featuring high-fashion “couture metal” styling with leather coats and sunglasses. While the song’s lyrics serve as a philosophical reminder to embrace the present, vocalist Anna Khristenko chose a more upbeat and cinematic direction for the video.

    The track is the second single from the band’s upcoming full-length album, Motivated By Death, scheduled for release on May 29, 2026. The production of the video also featured a custom neon green Ormsby guitar, which the band has announced will be part of a special giveaway for fans.

    Watch “Shadow of Life”:

    The post ANA Debuts “The Matrix” Inspired Music Video for “Shadow of Life” first appeared on FemMetal – Goddesses of Metal.

  • April Art Returns with New Single “Panic Stations”

    April Art has released their new single “Panic Stations,” providing the first preview of the band’s next full-length album. The track, produced by Julian Breucker, features the signature vocal style of frontwoman Lisa-Marie Watz and focuses on the concept of embracing chaos when life feels out of control. It follows the group’s 2024 album Rodeo and continues their blend of modern heavy rock and melodic breakdowns.

    To support the new material, the band will embark on a headlining tour through Germany and Switzerland starting in late October 2026. They are also set to perform a string of dates in the Czech Republic as special guests for Dymytry. Tickets for the upcoming winter tour are available now through the band’s official website.

    The post April Art Returns with New Single “Panic Stations” first appeared on FemMetal – Goddesses of Metal.

  • “In the Shadows of the Underground” — Daniel Knutz Rides a Subterranean Goth Groove in Video for “Echoes in the Metro”

    Strangers pass but we have a chance,
    Silent prayers in the dance.
    Graffiti dreams on concrete walls,
    Every station, is a call. 

    Daniel Knutz makes music like a man who has seen the last train pull out, shrugged, and decided to turn the platform into a nightclub anyway. Based in Berlin with roots in Brazil, working with a stout DIY streak and a healthy disregard for polite permission, he barrels into Echoes in the Metro with the kind of conviction that suggests he would rather hijack the PA system than wait for a label executive to rubber-stamp his soul. God bless him for that. Too many people in music want a seat in first class. Knutz sounds happier hanging off the side of the car, sparks flying, grin intact.

    The swaggering Echoes in the Metro takes the underground as both setting and state of mind. You can feel the swirling station air in it, that perfume of steel, brake dust, mystery fluids, and somebody’s regrettable cologne. The track rolls in on a shuffling beat that feels like a train finding its rhythm after a lurch, while the synths rise up in long, wailing lines, the sort that seem half seduction, half civil emergency. It’s catchy as hell, but with enough chill around the edges to keep the smile from getting too comfortable.

    Let us pause here to salute Knutz for understanding one of pop’s oldest truths: if you’re going to sing about romance in public transit, you’d better give people a hook they can clutch like a subway pole at rush hour. He does. The groove has real body to it, moving with that loose-hipped, after-midnight confidence that makes even the most iron-hearted commuter consider missing their stop. There’s a whiff of Goldfrapp’s gloss, a bit of Nine Inch Nails machinery, some Bauhaus poise, and the lush, looming perfume of Type O Negative hovering above the tracks, but Knutz keeps the train on his own line.

    The video gives that mood a sweet little shape. Its plot follows two figures traversing the Metro, their paths nearly crossing, almost touching, as if the city itself keeps nudging them together and then whisking them apart for sport. It plays like a cute vignette, but one with genuine feeling in its bones: souls circling the same subterranean world, pulled by timing, chance, and whatever weird little current runs through underground stations after dark. Hanka appears as “Victim of Time,” which is a marvelous title, half heartbreak, half comic-book tragedy, while Knutz himself takes the role of “Echoes,” drifting through the frame like the idea of connection given human form.

    The photography deserves its flowers too. Streykatt, Gael Pettinaroli, and Daniel Knutz shoot the Metro with a keen eye for the romance of public transit, which is no easy feat when the setting is mostly concrete, fluorescent light, and the psychic residue of ten thousand commuters who missed lunch. They find tenderness in the in-between spaces, in the near-misses, in the way two people can feel fated without ever quite catching the same train.

    Watch the video for Echoes in the Metro below:

    So here comes Echoes in the Metro, arriving right on time with a good groove, a great hook, and enough nocturnal charm to make the underground feel like the only overground worth visiting. Mind the gap, sure, but maybe dance over it first.

    Listen to the single below, and order it on Bandcamp here:

    Follow Daniel Knutz:

    The post “In the Shadows of the Underground” — Daniel Knutz Rides a Subterranean Goth Groove in Video for “Echoes in the Metro” appeared first on Post-Punk.com.

  • Alexandra Căpitănescu Releases Piano Version of Eurovision Entry “Choke Me”

    Alexandra Căpitănescu has released a new piano version of her single “Choke Me,” stripping back the intense nu-metal production of the original for a more melodic, vocal-focused arrangement. Released on April 16, 2026, this version highlights the song’s metaphorical themes of inner struggle and emotional pressure, which Căpitănescu has described as a reflection of self-doubt and the desire for growth.

    “Choke Me” serves as Romania’s official entry for the 2026 Eurovision Song Contest in Vienna. As one of only six rock and metal songs out of the 35 competing entries this year, “Choke Me” represents a heavier side of the international competition. Căpitănescu, who rose to fame after winning Vocea României in 2023, is scheduled to perform in the first half of the second semi-final on May 14.

    The post Alexandra Căpitănescu Releases Piano Version of Eurovision Entry “Choke Me” first appeared on FemMetal – Goddesses of Metal.

  • COG, SOLKYRI, PENROSE WAY: Odeon, Hobart, 17/04/2026

    Photos by: Pete Mellows Words by: Annette Geneva The first real bite of winter in Hobart – that sharp, needling cold that gets under your coat and stays there. But inside the Odeon on a Friday night it was a different climate entirely. I walked in carrying the cold with me. But ended up feeling […]