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  • King 810 Return With Malevolent New Track ‘Hungry Gods’

    King 810 Return With Malevolent New Track ‘Hungry Gods’

    American metal force KING 810 have returned today with their malevolent new track, “Hungry Gods”.

    Following the final instalment of their boundary-pushing Rust Belt Nu-Metal project, which saw the band release three thematically linked albums in twelve months, the new song marks the beginning of a new chapter in the band’s story; one laden with darkness, tenebrosity, and unapologetic honesty.

    Speaking on the new single, vocalist and songwriter David Gunn shares:

    “From natural and unnatural disasters to madness, greed, and anything that bleeds – Hungry Gods explores the idea that human affairs could be nothing more than sustenance for our more sophisticated galactic farmers.”

    Hungry Gods” arrives just before KING 810‘s headline Summer Solstice tour gets underway, which also sees them perform at the critically acclaimed Hellfest this weekend. The band have also slotted in performances at Jera On AirGraspop, and Fajtfest festivals. The tour takes the group around the U.K. and mainland Europe, before they then head back to the U.S.A. for dates with For The Fallen Dreams and Weeping Wound.

    Find more information and get tickets here. See below for the full list of upcoming dates.

    SUMMER SOLSTICE EUROPEAN TOUR DATES

    20/06 – Hellfest, Clisson (FR) *
    21/06 – Graspop, Dessel (BE) *
    22/06 – Kola, Portsmouth (UK)
    23/06 – Corporation, Sheffield (UK)
    24/06 – Parish, Huddersfield (UK)
    25/06 – Dust, Brighton (UK)
    26/06 – Jera On Air, Ysselsteyn (NL)
    27/06 – Belvédère, Namur (BE)
    29/06 – Schlachthof, Wiesbaden (DE)
    30/06 – Stadtmitte, Karlsruhe (DE)
    01/07 – Backstage, Munich (DE)
    02/07 – Rockhouse, Salzburg (AT)
    04/07 – Fajtfest, Velké Meziříčí (CZ) *
    05/07 – Dürer Kert, Budapest (HU)
    * – Festival appearance

    NORTH AMERICAN DATES WITH FOR THE FALLEN DREAMS & WEEPING WOUND

    16/07 – WC Social Club, Chicago, IL
    17/07 – Century Music Hall, Fort Wayne, IN
    19/07 – Montague Music Hall, Rochester, NY
    21/07 – Dingbatz, Clifton, NJ
    22/07 – Scandals Live, Virginia Beach, VA
    23/07 – Hangar 1819, Greensboro, NC
    24/07 – Reggies, Wilmington, NC
    25/07 – Trolley Pub, Summerville, SC
    26/07 – Conduit, Orlando, FL
    28/07 – The Orpheum, Tampa, FL
    29/07 – Albatross, Jacksonville, FL
    30/07 – 529, Atlanta, GA
    31/07 – The End, Nashville, TN
    01/08 – Hobart Art Theatre, Hobart, IN

    For all the latest newsreviewsinterviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebooktwitter and instagram.

    The post King 810 Return With Malevolent New Track ‘Hungry Gods’ appeared first on The Razor's Edge.

  • “Our desires can teach us something about ourselves” – Interview with AMBERIAN DAWN

    Melody, symphonic soundscapes and Tuomas Seppälä’s distinctive songwriting vision have always played an important role in AMBERIAN DAWN’s career. With their new album, Temptation’s Gates, however, the band has once again entered a new chapter: Nicole Palomäki has joined the line-up as the band’s new vocalist, and her voice, lyrical approach and vocal ideas have […]

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  • Blue Öyster Cult | Curse Of The Hidden Mirror – Lost Gem

    You have to tip your hat to an act like Blue Öyster Cult. Despite some minor personnel changes, these guys continue to chug away with no end in sight. While it’s hard to imagine that they could ever match the brilliance of a memorable repertoire that includes “Cities on Flame,” Dominance And Submission,” “Burnin’ For You,” and the FM staple “(Don’t Fear) The Reaper,” Blue Öyster Cult carry on with indomitable determination. A huge arena act in the 70s, BÖC has been a mainstay on the club circuit since the late 80s. They are “On Tour Forever,” with dates all over the country. When they released the all-digital Curse Of The Hidden Mirror in 2001, it was supposed to hatch a new beginning. Other things intervened.

    Many of the album’s 11 songs exhibit a return to BÖC’s mystical legacy. Part of the allure has to do with the lyrical contributions from author John Shirley (he wrote the screenplay for The Crow). “Dance On Stilts” and “Eye Of The Hurricane” are two prime examples of pensive wordplay balanced by steady and swift riffs. But that’s only half the story. Eric Bloom’s “Showtime,” originally written in 1979, clearly features the band’s front man at his most synergetic. “Pocket,” the album’s lone single finds guitarist and vocalist Buck Dharma striving to stay in step with some of his most impressive hooks in years. For the most part, it’s a match of grit and guts between Bloom and Dharma as their combined efforts bore several gems. “The Old Gods Return” is a throwback to the days of Secret Treaties; “One Step Ahead Of The Devil” would have fit nicely on the band’s first live album from 1975, On Your Feet Or On Your Knees. “Here Comes That Feeling” and “Stone Of Love” extract a striking semblance from BÖC’s early 80s Fire Of Unknown Origin period.

    With the winning rhythm section of bassist Danny Miranda and drummer Bobby Rondinelli, the Cult’s founding trio of Dharma, Bloom and guitarist and keyboardist Allen Lanier can’t help but ride high on the extra punch revitalizing the band and this record. Even an uncharacteristic slow-paced number like “Out Of The Darkness” keeps them in focus. The closing “Good To Feel Hungry” may be a little too-feel-good for this East Coast unit, but it serves them well in showcasing their drive to becoming a tight and consistent outfit. Despite its notable strengths, Curse Of The Hidden Mirror was last BÖC studio album for nearly 20 years, when the band returned in 2020 with The Symbol Remains. It was also the last one for Lanier, who passed away in 2013. And Blue Öyster Cult still remain “On Tour Forever” until further notice.

    ~ Shawn Perry

    Purchase Curse Of The Hidden Mirror

  • Shinedown’s Brent Smith Explains Why He Prefers Nomad Lifestyle

    Smith hasn't had an official home since 2016, and that's perfectly fine with him. Continue reading…
  • Hardy The Country Country Tour Merriweather Post Pavilion!

    Hardy brought his The Country Country Tour to Merriweather Post Pavilion with special guests, Tucker Wetmore and McCoy Moore. McCoy Moore the Lakeland, Florida native and now Nashville Based Singer, Songwriter opened The Country Country […]

    The post Hardy The Country Country Tour Merriweather Post Pavilion! appeared first on INFRARED MAGAZINE.

  • DEATH CAB FOR CUTIE Announce ACOPIA As Special Guests

    Indie rock legends DEATH CAB FOR CUTIE have today announced ACOPIA as special guest for their Australian this November, as they showcase their arsenal of hits alongside material from their new album, I Built You A Tower. Acopia hails from Naarm/Melbourne, an intimate excursion of ultra-emotive dream pop. Led by ethereal vocals, Acopia fuses together […]
  • How Mary Shelley and Poe Built Gothic Literature Together

    How Mary Shelley and Poe Built Gothic Literature Together

    Modern Gothic literature did not emerge from a single writer or isolated masterpiece. It developed through a gradual transformation of horror, psychology, melancholy, science, death, and emotional darkness across the nineteenth century. Among the writers who shaped that transformation most profoundly, Mary Shelley and Edgar Allan Poe stand at the center.

    Although their styles differed dramatically, Shelley and Poe helped redefine Gothic literature by shifting fear inward psychologically while simultaneously expanding its philosophical depth. Shelley transformed Gothic fiction into meditation on creation, alienation, responsibility, and emotional isolation. Poe transformed it into exploration of obsession, unstable consciousness, guilt, and the terrifying instability of the human mind.

    Mary Shelley and Edgar Allan Poe in a dark Victorian study surrounded by ravens, candles, skulls, manuscripts, and Gothic literary symbolism.

    A cinematic Gothic artwork exploring how Mary Shelley and Edgar Allan Poe shaped modern Gothic literature through psychological horror, melancholy, science, and emotional darkness.

    Together, their work established many of the emotional, psychological, and aesthetic foundations that still define Gothic storytelling today.

    Understanding their combined influence therefore means examining how each writer transformed Gothic fiction beyond simple supernatural terror into something psychologically and philosophically modern.


    Mary Shelley and the Birth of Modern Gothic Anxiety

    When Mary Shelley published Frankenstein in 1818, Gothic fiction already existed through writers such as Horace Walpole, Ann Radcliffe, and Matthew Lewis. Earlier Gothic novels often emphasized castles, supernatural apparitions, storms, aristocratic decay, and external threats.

    Shelley preserved aspects of that atmosphere while radically transforming the genre’s intellectual ambitions.

    Frankenstein introduced fears deeply connected to modernity itself: scientific overreach, isolation, emotional abandonment, moral responsibility, and the psychological consequences of creation without empathy.

    Victor Frankenstein does not merely unleash a monster physically. He creates emotional catastrophe through narcissism, ambition, and refusal of responsibility.

    The creature becomes terrifying partly because he possesses emotional intelligence, loneliness, sensitivity, and profound awareness of rejection, which allows Shelley to transform Gothic horror into psychological tragedy rather than simple supernatural spectacle.


    Poe and the Interiorization of Horror

    Edgar Allan Poe expanded Gothic literature further by relocating horror almost entirely inside consciousness itself.

    Rather than focusing primarily upon supernatural creatures or scientific catastrophe, Poe repeatedly explored unstable narrators, compulsive obsession, guilt, paranoia, hallucination, emotional fixation, and psychological fragmentation.

    Stories such as The Tell-Tale Heart, The Black Cat, and The Fall of the House of Usher derive terror from perception becoming psychologically unreliable.

    In The Tell-Tale Heart, Poe transforms guilt into auditory obsession through the narrator’s imagined heartbeat:

    “It grew louder — louder — louder!”

    The horror emerges not because readers encounter an external monster, but because consciousness itself collapses under emotional pressure.

    Poe therefore helped establish psychological horror as one of Gothic literature’s defining directions.


    Isolation and the Gothic Self

    Both Shelley and Poe repeatedly portray isolation as psychologically destructive.

    Victor Frankenstein isolates himself obsessively from ordinary emotional life during the creation of the creature. The creature himself becomes psychologically devastated through rejection and loneliness.

    Similarly, Poe’s narrators often exist inside emotionally claustrophobic environments cut off from stable social connection. Characters descend increasingly into obsession because they remain trapped within their own consciousness.

    This emphasis on emotional isolation became enormously influential for later Gothic literature, noir storytelling, existential fiction, and psychological horror.

    The Gothic protagonist increasingly evolved from external victim into psychologically fragmented individual struggling internally against alienation, guilt, repression, or emotional collapse.


    Beauty, Death, and Melancholy

    Another major connection between Shelley and Poe involves their treatment of beauty and melancholy.

    Poe famously argued that melancholy represented the most legitimate poetic tone because sadness intensified emotional beauty. Poems such as The Raven and Annabel Lee transform mourning into immersive emotional atmosphere.

    Shelley similarly approaches loss, death, and emotional suffering not merely as tragic events, but as experiences capable of revealing deeper truths about humanity, love, loneliness, and moral failure.

    In both writers, death remains emotionally present long after physical disappearance. Memory itself becomes haunted.

    This melancholic emotional intensity later became central to Symbolism, Decadent literature, Gothic music, noir aesthetics, and modern dark romanticism.


    Science, Psychology, and the Modern Gothic

    Shelley and Poe also modernized Gothic literature by connecting horror to emerging intellectual anxieties of the nineteenth century.

    Shelley explored fears surrounding scientific experimentation, technological ambition, and moral responsibility during an era increasingly shaped by industrial and scientific change.

    Poe, meanwhile, became fascinated with psychology, perception, rationality, cryptography, premature burial, and the unstable relationship between logic and madness.

    This shift proved revolutionary because Gothic horror gradually moved away from medieval superstition toward modern psychological and existential fears, where the greatest threats increasingly emerged from consciousness, science, alienation, and emotional instability rather than supernatural creatures alone.


    How Shelley and Poe Shaped Modern Gothic Culture

    Modern Gothic literature, horror cinema, noir storytelling, dark music, and psychological thrillers continue inheriting structures first developed by Shelley and Poe.

    Shelley helped establish the emotionally tragic monster, scientific anxiety, alienated outsider, and morally ambiguous creator. Poe helped establish unreliable narration, psychological horror, obsession, claustrophobic atmosphere, and the unstable Gothic mind.

    Writers such as Baudelaire, Dostoevsky, Wilde, Lovecraft, Kafka, and modern psychological horror filmmakers all inherited aspects of the emotional and philosophical territory Shelley and Poe opened during the nineteenth century.

    The Gothic tradition survived because both writers transformed horror into a way of examining consciousness, morality, loneliness, grief, and emotional contradiction rather than simply frightening audiences superficially.


    Why Their Influence Still Feels Modern

    Mary Shelley and Edgar Allan Poe remain culturally powerful because the fears they explored continue shaping modern life.

    Scientific anxiety, emotional isolation, unstable identity, obsession, alienation, grief, guilt, and fractured consciousness remain central psychological experiences within contemporary culture.

    Modern audiences still recognize themselves inside Victor Frankenstein’s ambition, Poe’s unstable narrators, abandoned creatures, haunted memories, and emotionally fragmented minds.

    Shelley established the tragic emotional complexity of the Gothic outsider, while Poe transformed psychological instability itself into Gothic atmosphere. Together, they created many of the emotional and intellectual foundations that continue defining modern Gothic literature, noir storytelling, and psychological horror today.


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    Frequently Asked Questions

    How did Mary Shelley influence Gothic literature?

    Mary Shelley modernized Gothic literature by combining horror with scientific anxiety, emotional isolation, philosophical conflict, and psychologically tragic characters inside Frankenstein.

    How did Edgar Allan Poe change Gothic fiction?

    Poe transformed Gothic literature by shifting horror inward psychologically through obsession, guilt, unreliable narration, paranoia, and unstable consciousness.

    What connects Mary Shelley and Poe?

    Both writers helped transform Gothic fiction from external supernatural adventure into emotionally and psychologically complex exploration of fear, isolation, grief, morality, and the human mind.

    Why are Shelley and Poe still important today?

    Their exploration of alienation, psychological instability, scientific anxiety, guilt, obsession, and emotional darkness continues influencing modern horror, noir cinema, Gothic aesthetics, and psychological fiction.


    The post How Mary Shelley and Poe Built Gothic Literature Together appeared first on Edgar Allan Poets – Noir Rock Band.

  • TRIUMPH’s GIL MOORE On Band’s Second Documentary: “It’s Gonna Be Totally Different Than the First — It’ll Provide an Insight to Fans About the Behind the Scenes”

    Triumph drummer/vocalist Gil Moore has confirmed that a second documentary about the band is in the works, this one centered on the Canadian hard rock trio’s recently completed 2026 comeback tour — their first in more than 30 years. Moore addressed the project in a recent interview with The Joel Martin Mastery Podcast.

    Moore said (transcribed by Blabbermouth): “I’m not sure when it’ll come out, but it’s gonna be a documentary about the tour, about how the transformation happened, getting back together with Phil [X] and Todd [Kerns] and Brent [Fitz] and what it was like for Rik [Emmett] and I and Mike [Levine], and it’s gonna document it all, and I think it’s gonna be really exciting. It’s gonna be totally different than the first documentary, but I think it will provide an insight to fans about the behind-the-scenes, I’ll call it, of how this came together and why we do what we do.”

    In a separate interview with WNST, Moore traced how the 2026 reunion came about. He explained that after Triumph originally split up, personal circumstances — caring for his mother after his father’s passing and being present for his children as they grew up — had kept him off the road. “I guess enough time’s gone by,” he said. “My kids are adults. My wife’s completely supportive of all this stuff.” Moore said the reunion began as “kind of a lark” with a June 2025 outdoor hockey concert in Edmonton, Alberta, and that even after that show, he wasn’t sure a full tour was coming. The chemistry in the dressing room, however, changed his mind: “The vibe in the dressing room — if you could be there — and it’ll all come out because we’re doing a second documentary, and you’ll see it. You can’t make this stuff up. This is the high-five dressing room.”

    Emmett and Moore also appeared on SiriusXM’s Trunk Nation With Eddie Trunk ahead of the tour’s conclusion. Emmett said, “It’s going great. It’s been a tremendous surprise to Gil and I that it’s gone as well as it has, because we were both a little skeptical coming in. We’re a couple of old farts, so we weren’t sure that the young guys were gonna be able to carry us, but it’s worked. It’s worked a charm.” Moore added, “Playing every night has been fantastic. The audiences have been outrageously good. Yeah, it couldn’t have worked out better if we scripted it.”

    Emmett described the dynamic with the expanded lineup — which features original members Moore and Emmett alongside guitarist Phil X (a former Triumph member and current Bon Jovi guitarist), bassist Todd Kerns and drummer/keyboardist Brent Fitz (both of Slash Featuring Myles Kennedy & the Conspirators) — in glowing terms: “This reinvention, this reloading of Triumph is a thing where we picked up these guys that can sing harmonies, but they can be rock stars and they can play guitar solos that are light years beyond me. And I go, ‘Well, that’s okay. That’s great.’ There’s a respect that exists between us that has made the band a stronger entity than it ever was.” He added, “You just feel younger and stronger and braver. The band makes me feel like Winnie-the-Pooh: I’m braver than I thought, and I’m stronger than I thought, and I’m smarter than I thought. That’s the bottom line.”

    The 2026 tour opened April 10 in Orlando, Florida, and included dates across Canada and the United States with April Wine as support, concluding June 10 in Laval, Quebec, Canada. The first Triumph documentary, Triumph: Rock & Roll Machine — directed by Sam Dunn and Marc Ricciardelli for Banger Films and produced with a planned 2020 premiere before the COVID-19 pandemic intervened — debuted at the 2021 Toronto International Film Festival and was widely released in 2022.

    Triumph was formed in Mississauga, Ontario in 1975 and sold more than 15 million albums while earning a reputation for elaborate live productions featuring pyrotechnics and laser lighting, including a performance before 500,000 fans at the 1983 US Festival. Hits include “Lay It on the Line,” “Magic Power” and “Fight the Good Fight.” In 2025, the band was honored with the tribute album Magic Power: All-Star Tribute to Triumph (Round Hill Records), featuring contributions from Phil X, Slash, Alex Lifeson, Sebastian Bach, Dee Snider, Joey Belladonna, Nancy Wilson and others. The band was also inducted into the Canadian Songwriters Hall of Fame in October 2025, adding to previous honors including the Canadian Music Industry Hall of Fame (2007), the Canadian Music Hall of Fame (2008), and Canada’s Walk of Fame (2019).

    The post TRIUMPH’s GIL MOORE On Band’s Second Documentary: “It’s Gonna Be Totally Different Than the First — It’ll Provide an Insight to Fans About the Behind the Scenes” appeared first on Sonic Perspectives.

  • DARK FUNERAL Announce “A Beast To Praise” Live Album, Share Video For “The Arrival of Satan’s Empire”

    Swedish black metal veterans Dark Funeral will release a new live album, A Beast to Praise, on Aug. 21, 2026, via Century Media Records. Recorded at Fållan in Stockholm in 2022 during the touring cycle for their sixth studio album, We Are the Apocalypse, the release spans 13 tracks and runs approximately 70 minutes (69:30). A first preview arrives today in the form of a live video for “The Arrival of Satan’s Empire.”

    Guitarist and founding member Lord Ahriman said: “A Beast to Praise captures a very important moment in the history of Dark Funeral — not only the live release ritual for We Are the Apocalypse, but also our return to the stage after years of silence during the pandemic. That night at Fållan was intense in every possible way. The energy in the room, the fire, the audience and the atmosphere all came together into something far beyond an ordinary concert. This release is the immortal document of that night. With the release of this live album and the upcoming European touring cycle in the fall of 2026, we now close the chapter surrounding We Are the Apocalypse. At the same time, we are already deeply focused on the next era of Dark Funeral and hard at work creating new material for what will become our next studio album, planned for release in 2027.”

    Pre-order the album here.

    The full track listing is:

    • “Unchain My Soul” (7:45)
    • “The Arrival of Satan’s Empire” (3:54)
    • “My Funeral” (5:35)
    • “Leviathan” (4:50)
    • “We Are the Apocalypse” (4:57)
    • “Open the Gates” (4:38)
    • “When I’m Gone” (6:16)
    • “Goddess of Sodomy” (4:09)
    • “Vobiscum Satanas” (4:45)
    • “Nail Them to the Cross” (5:30)
    • “Let the Devil In” (5:27)
    • “The Secrets of the Black Arts” (4:50)
    • “Where Shadows Forever Reign” (6:45)

    We Are the Apocalypse (2022) entered the charts across Europe upon release, including No. 6 in Germany, No. 13 in Finland, No. 28 in Switzerland, No. 29 in Austria and No. 31 in Sweden. Dark Funeral will next embark on the massive “In League With Satan” European tour alongside Behemoth and Dimmu Borgir in October.

    Dark Funeral was founded in 1993 by Lord Ahriman and Blackmoon. Their independently financed debut mini album was recorded in January 1994 at Dan Swanö’s Unisound Studio and released May 4, 1994. The band has since toured 45 countries and released seven studio albums. Diabolis Interium was nominated for Best Metal Album at Sweden’s P3 Guld awards, and Where Shadows Forever Reign received both the P3 Guld award and Germany’s Metal Hammer Award. A 30th Anniversary Edition of the band’s debut was released in August 2024 via Century Media, remixed by David Castillo. The current lineup is Lord Ahriman (guitar), Chaq Mol (guitar), Heljarmadr (vocals), Adra-Melek (bass) and Jalomaah (drums).

    The post DARK FUNERAL Announce “A Beast To Praise” Live Album, Share Video For “The Arrival of Satan’s Empire” appeared first on Sonic Perspectives.