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  • Aphonic Threnody – Eighth Studio Record On The Way

    English funeral doomsters Aphonic Threnody announce the release of their eighth studio album, Grace My Heart. Due out on August 7th, it’s comprised of 8 new songs that were mixed and mastered by Riccardo Veronese. For a preview, give a listen to the first single – the album’s title track.
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  • Progressive Mastery in the Sun: Tesseract At Hellfest 2026

    Tesseract - Hellfest 2026. Photo: Luke Vaughan/MetalTalk

    Hellfest 2026. Clisson, France. New live setup, two female vocalists joining Daniel Tompkins, adding a lot of texture to what are already excellent vocals. Tesseract does not have much in the way of a stage setup to start with, but those flashing LED strips work well in the context.

    And they sound as crushing as expected. If it is prog you want, this is the place this afternoon. And when the frontman yells “push it back”, I will let you guess what happens.

    Tesseract - Hellfest 2026. Photo: Luke Vaughan/MetalTalk
    Tesseract – Hellfest 2026. Photo: Luke Vaughan/MetalTalk

    As the set evolves, so do the visuals on the massive LED screen, as trippy as the songs.

    The incredible Juno, one of their greatest tracks, with its syncopated riff and complex time signature (like pretty much the whole set) is a certain highlight.

    So is Natural Disaster, from their latest album, War Of Being, with a great solo moment from the two female singers.

    Tesseract - Hellfest 2026. Photo: Luke Vaughan/MetalTalk
    Tesseract – Hellfest 2026. Photo: Luke Vaughan/MetalTalk

    The technical prowess on display is truly impressive. So is their ability to put on a great show on one of the two main stages, even if it is 2 PM and very, very hot already.

    Tesseract - Hellfest 2026. Photo: Luke Vaughan/MetalTalk
    Tesseract – Hellfest 2026. Photo: Luke Vaughan/MetalTalk

    Alyssa White-Gluz and Dirk Verbeuren – Acoustic For Savage Lands

    You know how weird and wonderful things just happen? Well, the Hellfest app signalled, just as Tesseract were starting, that Alyssa White-Gluz would be playing an acoustic song for the amazing Savage Lands at their booth in Hellcity.

    While it was a short acoustic set (her first one ever), it sounded amazing. And it was for a good cause. Hard to fault.

    Alyssa White-Gluz and Dirk Verbeuren - Acoustic For Savage Lands
    Alyssa White-Gluz and Dirk Verbeuren – Acoustic For Savage Lands. Photo: Bogdan Bele

    HELLFEST 2026

    Prepare to be consumed by the relentless energy of the most influential bands in Heavy Metal as they ignite the Hellfest stages with blistering performances. The immersive atmosphere of Clisson will immerse you in a dark, captivating experience like no other.

    With its unparalleled lineup and unwavering commitment to the spirit of metal, Hellfest 2026 promises an unforgettable journey into the depths of sonic mayhem. Read all the Heavy Metal News at MetalTalk.

    MetalTalk Hellfest 2026 coverage can be found at https://www.metaltalk.net/tag/hellfest-2026.

    This year’s MetalTalk team is:

    Bogdan Bele

    Sean Titley

    Photography: 

    Luke Vaughan

    For Hellfest 2025, visit https://www.metaltalk.net/tag/hellfest-2025.

    For Hellfest 2024, visit https://www.metaltalk.net/tag/hellfest-2024.

    For Hellfest 2023, visit https://www.metaltalk.net/tag/hellfest-2023.

    For Hellfest 2022, visit https://www.metaltalk.net/tag/hellfest-2022.

    The post Progressive Mastery in the Sun: Tesseract At Hellfest 2026 first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Glyph – Unveil ‘Eldenfire’ Track, Feat. Marc Hudson

    Canadian power metallers Glyph have dropped a new song “Eldenfire”, featuring Marc Hudson of DragonForce. This music piece was mixed and mastered by Damien Rainaud.
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  • Celelalte Cuvinte – Founding Guitarist Passed Away

    Romanian veterans Celelalte Cuvinte shared sad news that their former and founding member/guitarist Radu Manafu has passed away.
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  • BLACKWATER HOLYLIGHT: DARK MOFO, Odeon Theatre, Tasmania, 20/06/2026

    Words by Annette Geneva Photos by Peter Mellows Huge thank you to the Dark Mofo team! This years Dark Mofo festival line up of music acts is incredibly varied.  Some are perfectly suited to the festival, simply because they seem to exist in the same strange universe as the event itself. Blackwater Holylight are a perfect […]
  • “People acted as if Gwar had changed, but Gwar didn’t change. The world fricking changed.” Blothar the Berserker on the right wing reaction to their gutting of Donald Trump

    Gwar frontman Michael Bishop – aka Blöthar The Berserker – has given more details on his thoughts about the right wing reaction to their onstage ‘disembowelling’ of someone dressed as Donald Trump.

    The stunt went down at Riot Fest in Chicago last year, and conservatives on social media were less than impressed. Some called for Gwar to be blocked from performing live, despite the fact that the theatrical metal band have been murdering political figures from both sides of the divide for years.

    In a new interview with Rocking With Jam Man, Bishop says the band were doing nothing new with that stunt. And any suggestion that the band were taking sides in America’s divided political landscape is simply untrue.

    He says: “People acted as if Gwar had changed, but Gwar didn’t change. The world fricking changed. The way people felt about politics changed. The way people felt about comedy and humour changed.

    “For years Gwar would do whatever the f*** we wanted. We would kill politicians from both sides of the aisle. We would kill famous people. We never had any backlash.

    “I mean, granted, when we killed Princess Diana, people got a little upset. When we pulled a fish out of Laci Peterson’s pussy, people got a little upset.

    “But until Donald Trump got in office, that’s when people started getting extremely upset about politics and music and politics in art.”

    He points out that Gwar have previously “killed” liberal figures too, adding: “We killed President Obama. We didn’t hear from the Secret Service. But you kill Trump, and you better believe that there’s gonna be some shit going on.

    “And the truth of the matter is that people think that you live in America, and you look around the world and you’re, like, ‘Oh, well, we’re free. They’re not.’ That’s bullshit.”

    Whether Gwar have any genuine concerns about being hounded by Trump’s administration over the stunt is unclear. But there are no legal grounds for any legal action, at least according to the Foundation for Individual Rights and Expression (FIRE).

    FIRE editor Angel Eduardo says: “The obviously over-the-top theatrical context of Gwar’s mock execution, and the fact that the band has done the same thing to other politicians and public figures, make clear that they weren’t actually threatening the president’s life.

    “There’s also no credible argument that the performance amounted to unprotected incitement, which applies only to speech intended and likely to result in imminent unlawful action.”

    The reaction to the stunt was so extreme from some quarters that the band even received death threats.

    But the reaction does not appear to have halted Gwar’s plans in any meaningful way. They have a string of tour dates lined up for this year.

  • Getting To Know The Bands Of THRASHVILLE: HYBRID NIGHTMARES

    Thrashville returns to the lush bushland of Dashville in Lower Belford, Hunter Valley, on Saturday, 27 June 2026. Celebrated as the region’s heaviest music gathering, this inclusive, single-day outdoor festival delivers a high-energy feast of punk, hard rock, and heavy metal across four vibrant stages. Following a medical cancellation by US punk band FEAR, homegrown legends Cosmic Psychos will […]
  • Listening Now : motko – old

    motko‘s old is a slow-burning alternative rock meditation on one of life’s most unsettling realizations: the fear of becoming emotionally and mentally closed off from the world. Built around weighty guitars, spacious arrangements, and an atmosphere of quiet tension, the track unfolds with remarkable patience, allowing its themes to resonate deeply. Rather than offering easy answers, old embraces discomfort, transforming introspection into something powerful and relatable. The song’s cinematic scope and emotional honesty make it a compelling introduction to motko’s forthcoming debut album home, showcasing a songwriter unafraid to explore the darker corners of self-reflection.

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  • Flag-waving nostalgia, sibling tragedy and a cartoon kangaroo: this Kinks album was snubbed for five decades. Then the world realised it was a prog masterpiece

    They were pipped to the rock opera post by The Who’s Tommy. A commercial flop at the time, it’s a perfect commentary on today’s political climate