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Faith Sahrish’s CRYING FOR YOU (Remastered) delivers sleek R&B vibes wrapped in smooth, emotionally rich vocals. The production is polished and minimal, allowing the voice to take center stage with a warm, intimate presence. Subtle beats and airy textures create a late-night atmosphere, while the melodies flow effortlessly, balancing vulnerability and control. There’s a quiet intensity in the delivery that lingers, giving the track both replay value and emotional weight.

Refined and soulful, this is modern R&B at its most captivating.

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Interview by Kris Peters Australia, get set to be bowled over in 2026, with beloved UK folk punk act FRANK TURNER & THE SLEEPING SOULS joining forces with Texan pop punk mainstays BOWLING FOR SOUP for a monumental co-headline Australian tour next month. When a band can make it feel like a summer party anywhere […]

Ghostboyrj’s Viewers Discretion is Advised (feat. The 6th Letter & Elaquent) is a smooth, head-nodding slice of lo-fi hip-hop that thrives on atmosphere and finesse. Built around Elaquent’s lush, soul-chopped production, the track drips with warm textures and dusty grooves, setting the perfect backdrop for laid-back, confident flows. Both emcees glide effortlessly across the beat, delivering introspective bars with a relaxed yet purposeful cadence. There’s a nostalgic undercurrent throughout, balancing playfulness with subtle depth.

Effortlessly cool and richly textured, this is a must for late-night listening sessions.

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DETHKLOK Announces Support For Headlining Dates

Celebrating 20 years of METALOCALYPSE!

 

In addition to their upcoming co-headline tour with Amon Amarth, DETHKLOK announced a series of spring headline dates, bringing their full live show to select cities across the West Coast and Midwest., these newly announced performances give fans the opportunity to experience the band in a dedicated headline setting. Special guests will be as follows:

DETHKLOK 2026 SOLO HEADLINE TOUR DATES:

April 26 – Chicago, IL – Aragon Ballroom with Nekrogoblikon & Bongripper

May 22 – Los Angeles, CA – Hollywood Palladium with XCOMM & Thrown Into Exile

May 25 – Seattle, WA – Moore Theatre with Thrown Into Exile & Witch Ripper

May 26 – Portland, OR – Roseland Theater with Thrown Into Exile & Witch Ripper

May 28 – San Diego, CA – Observatory North Park with XCOMM & Thrown Into Exile

+ The Amonklok Conquest Tour Kicks Off April 15th!

THE AMONKLOK CONQUEST TOUR

North America:

April 15 -Phoenix, AZ – Arizona Financial Theatre ~

April 17 – San Antonio, TX – Boeing Center at Tech Port ~

April 18 – Houston, TX – 713 Music Hall ~

April 20 – Oklahoma City, OK – The Criterion ~

April 21 – Kansas City, MO – The Midland Theatre ~^

April 22- Chesterfield, MO – The Factory ~

April 24 – Minneapolis, MN – The Armory ~

April 25 -Waukee, IA – Vibrant Music Hall ~

April 28 -Brooklyn, NY – Brooklyn Paramount ~

April 29 – Boston, MA – MGM Music Hall At Fenway ~

May 01 – Toronto, ON – Great Canadian Casino Resort ~

May 02 – Montreal, QC – Bell Centre ~

May 05 – National Harbor, MD – The Theater at MGM National Harbor ~

May 07- Daytona Beach, FL – Welcome To Rockville

May 09 – Atlanta, GA – Coca-Cola Roxy ~

May 10 – Nashville, TN – The Pinnacle ~^

May 12 – Johnstown, PA – 1st Summit Arena ~

May 13 – Detroit, MI – Fox Theatre ~

May 14 – Bethlehem, PA – Wind Creek Event Center ~

May 16 – Milwaukee, WI – Landmark Credit Union Live ~

May 17 – Columbus, OH – Sonic Temple

May 19 – Denver, CO – JUNKYARD ~

May 20 – Salt Lake City, UT – The Union Event Center ~

May 21 – Las Vegas, NV – PH Live at Planet Hollywood Resort & Casino ~

 

The post Dethklok Announce Support Acts for Spring Tour Dates appeared first on Mayhem Music Magazine.

Minute Taker’s Losing Self-Control is a beautifully tension-laced synthpop gem, balancing vulnerability with cinematic flair. Built on warm analogue synths, steady drum patterns, and expansive guitar textures, the track channels a nostalgic early ’80s aesthetic while remaining emotionally immediate. The vocals carry a fragile intensity, perfectly capturing the push-and-pull between restraint and desire. As the arrangement unfolds, it swells into a euphoric yet melancholic climax, where romance and risk collide.

Elegant, introspective, and immersive, this is synth-driven storytelling at its most affecting.

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Co-headliners ERRA and Currents brought a stacked lineup to the House of Blues Anaheim on Saturday, April 11 heading into the final week of the Silence Follows tour. The tour is supporting ERRA’s latest release silence outlives the earth and Currents’ latest EP All That Follows.

The Swedish progressive metalcore band Aviana opened the set in a big way. Vocalist Joel Holmqvist and Fear, Death, and Dark, the masked collective behind the music, put on a headline-worthy show. The big production lights and LED backdrop added to the main-event energy. The latest album Void is out now on Arising Empire.

With an even bigger production, British band Caskets was up next. There were no masked musicians, but they made use of the backdrop to display album art from their latest release The Only Heaven You’ll Know. The album is out now on SharpTone. The band will perform at Inkarceration in Ohio this summer and Louder than Life in the fall.

Caskets labelmates Currents were up next. It was easy to see how this show sold out so quickly with such strong openers, and Caskets as only one of two headliners. If the crowd wasn’t already expecting ERRA, the show could have ended here, and the crowd would have left satisfied. Currents are ready for the arenas. The band will play the international festival circuit before returning for Louder than Life in September.

Closing out this stop was ERRA. It’s hard to believe they were playing the Echoplex on the Cure album cycle. The band gets bigger and better, but they still have an accessible feel. They pull off musical precision without pretension. The only complaint about a show with this many powerhouse bands is there’s only an hour for each co-headliner and a half-hour for the support bands. ERRA will also be at Louder than Life. Until then, the new album is out on UNFD now.

Robinson also produced the track.

The post Evil Island (The Blood Brothers, Etc.) Launch Their Ross Robinson-Backed Debut Single “Tiger Baby” appeared first on Theprp.com.

KOBAIEN’s OBSESSION is a dark, driving tech house cut built for late-night floors and locked-in momentum. A tight, rolling groove anchors the track, while punchy basslines and crisp percussive elements keep things moving with precision. The vocal fragments are used sparingly, acting as hypnotic hooks rather than focal points, adding to the track’s obsessive pull. Subtle textures and filter shifts keep the energy evolving without breaking the flow.

Stripped, focused, and effective, OBSESSION delivers that essential tech house balance between minimalism and impact.

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Drummer .

The post Drummer Emlee Johansson taking a break from music and leaving The Gems first appeared on Sleaze Roxx.

Shanny & The East Men’s Ghosts is an ethereal indie rock gem, carried by lush textures and a beautifully elusive vocal presence. The female vocals glide effortlessly above the instrumentation, adding a dreamy, almost weightless quality to the track. Beneath that, a confident melodic line keeps everything grounded, giving the song both direction and emotional pull. There’s a subtle balance between atmosphere and structure, allowing it to feel immersive without drifting too far.

Elegant and understated, Ghosts leaves a lasting impression through its softness and melodic clarity.

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