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FOR IMMEDIATE RELEASE
DISTANT Announces New Single Spirit Featuring Tyler Beam of The Last Ten Seconds Of Life

Release Date: March 4, 2026
Genre: Deathcore
Label: Century Media Records
DISTANT , a formidable force in the deathcore genre hailing from Rotterdam, Netherlands, and Bratislava, Slovakia , returns with their most personal single yet, Spirit , featuring Tyler Beam of The Last Ten Seconds Of Life . The track channels raw human emotion, inspired by a real-life stabbing of a family member at a clinic called Spirit. ” Spirit is one of Distant’s most personal releases to date,” the band states. “It channels grief, shock, and the uncomfortable surge of rage and revenge that follows trauma. It’s raw emotion turned into relentless sound—not to glorify violence, but to confront it.”
Formed in 2014 by bassist Elmer Maurits and guitarist Nouri Yetgin , DISTANT quickly established themselves on the global deathcore stage with their debut EP Tsukuyomi (2017) and first full-length Tyrannotophia (2019, Unique Leader Records). Their sound continued to evolve with Aeons of Oblivion (2021) and, under a three-album deal with Century Media Records, Heritage (2023), which showcased a faster, more technical, and produced deathcore experience.
DISTANT’s music is not just sound, it’s storytelling. Their expansive fictional universe—including narratives like The Rise of Tyrannotophia —forms the foundation for lyrics and compositions, giving each release depth beyond the pit. Their live shows, renowned for energy and precision, have sold out venues across Europe and the United States, cementing the band’s reputation as a global deathcore powerhouse.
Production Credits: Mix by Nouri Yetgin ; Master by Nouri Yetgin and Roelof Klop
For fans of: Spite, Lorna Shore, Slaughter To Prevail
Streaming / Pre-Save Link: https://distantofficial.com/pages/presave
Recent Media Highlights:

DISTANT’s “Nothing Left To Hate” Named One of Revolver Magazine ’s Best New Songs – Revolver
Metal Hammer & Louder Name Distant’s “Nothing Left To Hate” One of the Best New Metal Songs You Need to Hear  
Metal Injection Announces DISTANT North American Tour With In Flames, Thrown & Tracheotomy
DISTANT North American Tour Announced – Featured by Metal Injection, The PRP, MetalSucks, Lambgoat, Blabbermouth, Metal Insider & The Moshpit Network
With Spirit , DISTANT transforms trauma into a relentless sonic assault, confronting life’s chaos head-on and proving why they remain at the forefront of international deathcore.
Check out their last single Nothing Left To Hate on YouTube and subscribe:



 Connect with the band: 
https://linktr.ee/DistantOfficial
https://distantofficial.com/
https://www.instagram.com/distantofficial/
https://www.facebook.com/DistantOfficial
https://twitter.com/distantnl
https://distantofficial.com/pages/epk
Contact: Distantbandnl@gmail.com

Unfortunately, the mighty Relapse stable now floats down the shitty stream for promos. As such, we are slow on the uptake with the latest platter of splatter from legendary underground gorehounds, Exhumed. Always searching for fresh inspiration for their deathly brand of precision butchery, tenth album Red Asphalt channels inner road rage via good old carmageddon mayhem and vehicular violence as its overarching conceptual theme. Otherwise, it’s business as usual for Exhumed, returning with a tight, signature blast of groovy, thrashy, blasting deathgrind, led by seasoned underground warrior Matt Harvey (guitars/vocals). Joined by right-hand man Ross Sewage on uber low vox and bowel rumbling bass, alongside drummer Mike Hamilton (Deeds of Flesh) and guitarist Sebastian Phillips (Castle Freak, Mammoth Grinder, End Reign). Red Asphalt marks their first album since 2022’s solid and well-received To the Dead, a welcome return for these ever-reliably vicious brutes. With a high reliability factor baring well for a good arse kicking, how does Red Asphalt fare against a bulletproof modern run of albums since their second coming on 2011’s All Guts, No Glory?

Kicking off with the blistering “Unsafe at Any Speed,” Exhumed pull no punches in a typically exuberant, brutal yet wickedly infectious style. The riffs rip and burn with reckless abandon, drums set a scorching tempo, while the dueling vox, trade-off solos, and gut-punching grooves land vital blows of awesomeness. It feels familiar yet fresh and the right amount of pungent. Striking a balance between the sharp melodicism and grooving charms of modern classic Necrocracy, mutated with the blunt force savagery of Horror, and a dash of the more primitive goregrind stylings of their early days, Red Asphalt finds Exhumed subtly tweaking their formula to remain vibrantly dangerous deep into their career. Through modern refinement and sharp, technical execution, Exhumed maintain their gritty, no-frills edge and slick but organic sounding production, while the grindy, blast-riddled attack and sick dual vox ensure these old dogs still pack a brutal, unhinged punch.

Careening recklessly from one gnarly, adrenaline-fueled incident to the next, Exhumed mostly jam the gears high and slam the pedal to the floor, weaving twisted cables of melody through mangled wreckages of deathgrind mayhem and gore-soaked grooves. “Red Asphalt” unleashes thrashy uppercuts and Heartwork-inspired melodeath flair to killer effect. More measured cuts (“Shovelhead,” “Death on Four Wheels”) detonate slower, crushing devices, bloodied riffs, and dicing solos to slamming impact. When Exhumed are not grinding and pummeling with deathly intent, their thrashy tendencies take hold, offering a trademark punky, turbo-charged counterpoint on numerous high-octane scorchers (“Shock Trauma,” “The Iron Graveyard,” “Symphorophilia”). “Shock Trauma” deftly incorporates screaming, emergency siren solos into an explosive barrage of searing deathgrind battery, showing Exhumed can still blast and brutalize with the best of them.

Performances are uniformly tight and deranged, Harvey again proving an elite riff meister, sharpening his tools of the trade to whip up a frenzy with Philips, including a generous bounty of killer, infectious riffs and tasty, slashing solos. The shredding is top-grade stuff, adding a wild and reckless melodic edge to the album (check the ripping axe pyrotechnics on “Death on Four Wheels” and “Crawling from the Wreckage”). Vocally, Harvey and Sewage sound as savage as ever, forming one of the best dual vocal combos this side of Dying Fetus, albeit a gentle push forward in the mix would have been welcome. At a taut thirty-seven minutes, Red Asphalt blasts by in an efficient, addictive fashion, by the time “The Fumes” engulf your senses to close out the album. Aside from a couple of stock moments, Exhumed’s songwriting sounds energized and inspired, nearly thirty years since they dropped their debut.

Red Asphalt stands up to scrutiny as another high-quality modern platter to add to Exhumed’s ever-impressive repertoire. Exhumed rarely miss, testament to their dedication and skilled craftsmanship in remaining a bulldozing force in the modern death metal arena, carrying the Carcass-inspired torch, yet transcending the influence of their forebearers. Exhumed’s timelessly fun and feverish brand of old school brutality, filtered through a modern lens, and packed with sharp riffs, sharper hooks, is a thrashing, grooving, blasting good time. Red Asphalt arguably edges the past couple of Exhumed albums, resulting in a bloody crash course in deathgrind lunacy, grisly grooves, and melodic smarts.

---

Rating: 3.5/5.0
DR: N/A | Format Reviewed: Stinking stream
Label: Relapse Records
Websites: exhumed.bandcamp.com | facebook.com/exhumedofficial
Releases Worldwide: February 20th, 2026

The post Exhumed – Red Asphalt Review appeared first on Angry Metal Guy.

Codefendants have shared a new song from their upcoming album ‘LIFERS’, and invited a friend along to help them out.

The track is titled ‘Lonely Life’ and delves deeper into the different streams of musical inspiration that the band are pulling from.

A mesh of pit-spinning punk and breakneck rap, there is something for everybody hiding in the cracks. And with the addition of Sublime’s Jakob Nowell, absolutely losing his shit against such a chaotic music backdrop, it becomes an even more frantic and fantastical piece.

You never know which way this band are going to turn, or the mark they are going to leave on you, and that is as wonderful as music gets.

Julio “Ceschi” Ramos had this to say about the song’s themes, stating,“For me, these lyrics are about the alienation many of us feel in modern society, even as we’re more connected than ever through social media. There’s a sense of entrapment in a world where we’re constantly bombarded by noise—advertisements, countless celebrities, the beautiful, the grotesque. It’s a world where we’re almost forced to co-star in a performance, where even the political elite are bad actors in an exaggerated, seemingly never-ending spectacle. The louder, brighter, and more ever-present that spectacle becomes, the more our very existence is commodified—and the more we lose ourselves, and our humanity, in the process. That’s the loneliness I’m touching on here.”

Whilst Jakob had this to add about the experience, explaining,“I know Fat Mike but I hadn’t met the other CODEFENDANTS guys yet. I went in watching my back. I came out knowing who had it.”

‘LIFERS’ will be released on April 03.

Here is ‘Rivals’, featuring hip-hop legend The D.O.C.:

The post WATCH: Codefendants Team Up With Sublime’s Jakob Nowell With ‘Lonely Life’ appeared first on Rock Sound.

The Spanish grindcore/death metal powerhouse NASHGUL marks its 25th anniversary with the release of a brand-new EP, Santa Cruz Sessions. A band that has remained active without interruption for a quarter of a century, NASHGUL celebrates this milestone by revisiting its roots while also introducing fresh material. Recorded in the band’s rehearsal space by Héctor […]

Source

The Mongolian metal heroes will return to the UK after supporting Iron Maiden in July

“So whenever I see someone from Baltimore doing something really great and enjoying the successes of their hard-earned work, I like to shout ’em out.”

The post Dave Grohl Shouts Out Turnstile At Foo Fighters’ Manchester, UK Show appeared first on Theprp.com.

Why Did Jason Richardson Leave All That Remains?

Jason Richardson says his departure had nothing to do with the band personally and was instead driven by unresolved business and management issues surrounding the album rollout.

TL;DR

Jason Richardson has clarified that his exit from All That Remains wasn’t personal. According to Richardson, it came down to business frustrations tied to management execution and the stalled rollout of Antifragile (2025), which saw no live shows nearly a year after release. He remains on good terms with the band and continues working with producer Josh Wilbur.

Jason Richardson’s résumé reads like a speedrun through late-2000s heavy music.

From All Shall Perish to Born Of Osiris, from Chelsea Grin to All That Remains, he’s built a reputation not just as a technically elite guitarist, but as someone who raises the ceiling wherever he lands.

So when he exited All That Remains in 2025 after seven years in the band, fans wanted answers.

Now they’ve got them.

“It Was Mostly Just A Business Thing”

In a recent conversation with Guitar World, Richardson addressed the split directly — and carefully.

He made one thing clear: this wasn’t about personalities.

“I don’t wanna get into the weeds of it publicly,” he explained, emphasizing that he’s still cool with everyone in the band. According to Richardson, the friction came from the back-end execution of the band’s 2025 record, Antifragile.

Specifically, he pointed to management and rollout issues. Promises weren’t fulfilled. Plans weren’t executed the way he expected. And nearly a year after Antifragile was released, the band hadn’t played a single show behind it.

For a touring metal act, that’s not a small detail.

From his perspective, the situation wasn’t moving forward. And at that point, staying felt like trying to force momentum where there wasn’t any.

His stance was blunt but not hostile: he felt his time could be better spent elsewhere rather than trying to fix something he believed wasn’t going to change.

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No Bad Blood — Just Frustration

Importantly, Richardson went out of his way to separate business disappointment from personal conflict.

He said he still loves the guys in All That Remains. He loves the record. He valued the experience.

He even singled out producer Josh Wilbur as one of the best parts of the entire project, noting that the collaboration strengthened their working relationship and that they plan to continue working together in the future.

That detail matters.

Because it suggests this wasn’t an emotional implosion. It was a strategic decision.

Richardson didn’t torch the bridge. He simply walked off it.

What This Means For All That Remains

All That Remains released Antifragile in 2025 with expectations of momentum. The absence of touring activity behind the album raised questions among fans, and Richardson’s comments now shine a light on at least part of what was happening behind the scenes.

For a band with a legacy dating back to the mid-2000s metalcore boom, stalled execution can be costly. Visibility matters. Touring matters. Timing matters.

Whether the band rebounds or recalibrates remains to be seen.

What’s Next For Jason Richardson?

Richardson hasn’t announced his next move yet, but history suggests he won’t stay quiet long.

Every chapter of his career has involved forward motion. From technical deathcore to melodic metal to arena-level heavy metal stages, he’s consistently positioned himself where growth is possible.

If this split truly frees him to pursue projects with stronger infrastructure and clearer direction, it may end up being a pivot point rather than a setback.

And given his track record, betting against him would be foolish.

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FAQ

When Did Jason Richardson Leave All That Remains?

Jason Richardson announced his departure from All That Remains in 2025 after seven years with the band.

Why Did Jason Richardson Leave?

According to Richardson, the split was due to business and management frustrations surrounding the execution and rollout of Antifragile (2025), not personal issues with the band members.

Is There Bad Blood Between Jason Richardson And All That Remains?

No. Richardson has stated that he remains on good terms with the band and that the split was not personal.

Who Produced Antifragile?

Antifragile was produced by Josh Wilbur, who Richardson praised and confirmed he plans to continue working with in the future.

All That Remains Band Bio

All That Remains is a Massachusetts metal band formed in the late 1990s that helped define the melodic metalcore wave of the 2000s with a sound that blended metal aggression, big choruses, and lead-guitar-driven hooks. The band broke through to a wider audience with records like The Fall Of Ideals (2006) and later continued evolving into a heavier modern metal approach while maintaining a strong focus on technical guitar work. Over the years, All That Remains has remained a consistent touring name in heavy music, with lineup changes and shifting industry dynamics shaping different eras of the band’s output.

Jason Richardson Bio

Jason Richardson is an American guitarist known for high-precision shred technique and a career spanning several prominent heavy bands and projects. He played with All Shall Perish (2009–2010), Born Of Osiris (2009–2011), and Chelsea Grin (2012–2015), before joining All That Remains in 2018. Richardson is also widely recognized for solo work and collaborations across metal and progressive guitar communities, earning a reputation as one of the most technically accomplished modern metal guitarists.

The post Jason Richardson Breaks Silence On All That Remains Exit appeared first on Loaded Radio.

(written by Islander) Some of us, but probably not many of us, have experienced some kind of physical trauma that forced us to recover while lying flat in a bed. Even fewer of us (probably none) used that prone time to learn how to play the electric guitar. But that’s what the Australian metalhead Matt […]

The post AN NCS PREMIERE: INTENT TO HARM — “DRAINED OF LIFE” appeared first on NO CLEAN SINGING.

For the first time in a decade, Kittie will be fully headlining their own North American tour and this time around, they’re doing it to celebrate 30 years as a band.

With 15 cities on their itinerary, Kittie will kick off their “Legacy of Fire Tour’ on June 6 in St. Louis, Missouri and run for almost the full month. The final date of their tour will take place on June 27 in Montreal. Along the way, they’ll hit venues in Denver, San Antonia, Atlanta, and New York City.

With their eyes on the tour, Kittie said they were excited to celebrate such a major milestone on the road with their fans and supporting acts Kingdom of Giants and Gore.

“We’re excited to announce our Legacy of Fire tour on the eve of our 30th anniversary as a band. Thirty years ago, we ignited a spark. Three decades later, that fire is still burning, stronger and more focused than ever. Legacy of Fire is a celebration of every stage, every struggle, and every fan who carried us forward. Coming back to the US + Canada for our first full headline tour over a decade feels incredible. We’re ready to honor our history while ushering in the next chapter!”

Ticket pre-sales will start tomorrow at 10 a.m. local through Soundrink, with other presales to follow. Tickets will go on sale to the general public on Friday, March 6 at 10 a.m. local. You can find the full list of tour dates below.

LEGACY OF FIRE TOUR: 30 YEARS OF KITTIE
W/ Special Guests Kingdom Of Giants and Gore

Sat, Jun 6 – St Louis, MO – The Pageant
Mon, Jun 8 – Denver, CO – Ogden Theatre
Tue, Jun 9 – Salt Lake City, UT – The Depot
Fri, Jun 12 – Anaheim, CA – House of Blues
Sat, Jun 13 – Phoenix, AZ – Nile Theater
Mon, Jun 15 – San Antonio, TX – Aztec Theatre
Tue, Jun 16 – Houston, TX – House of Blues
Thu, Jun 18 – Nashville, TN – Brooklyn Bowl
Fri, Jun 19 – Atlanta, GA – The Masquerade
Sat, Jun 20 – Charlotte, NC – The Fillmore
Sun, Jun 21 – Baltimore, MD – Baltimore Soundstage
Tue, Jun 23 – New York, NY – Irving Plaza
Wed, Jun 24 – Worcester, MA – The Palladium
Fri, Jun 26 – Toronto, ON – Danforth Music Hall
Sat, Jun 27 – Montreal, QC – Théâtre Beanfield

The post Kittie to Celebrate 30 Year Anniversary with North American Headlining Tour appeared first on MetalSucks.

Canadian heavy pioneers Kittie plot first full North American headline run in over a decade.

The post KITTIE Announce Legacy Of Fire Tour Celebrating 30 Years Of Metal Mayhem appeared first on Metal Injection.