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Bodying next week.

The post Traitors Tease New Track “My Body Is A Tomb” appeared first on Theprp.com.

FOR IMMEDIATE RELEASE
Tanin’iver Unleash Savage New Album Save The Rest For The Wicked
Adelaide, South Australia – Rising from the scorched underground of Adelaide, Tanin’iver have unleashed their blistering new album Save The Rest For The Wicked , released February 25, 2026 via Morning Star Heresy . Delivering a relentless fusion of blackened fury and death metal brutality, the record stands as a savage statement from one of Australia’s most uncompromising extreme metal acts.
Forged in the unforgiving depths of the Australian underground, Tanin’iver have spent years sharpening their sound into a weapon of sonic devastation. Their music channels personal trauma, existential dread, and the decay of modern society into an unrelenting barrage of dark atmosphere, blistering riffs, and merciless intensity. With Save The Rest For The Wicked , the band pushes further into the abyss, crafting a record that is both punishing and deeply philosophical in its themes.
“ This new album is not born from the aftermath of destruction, but from its mastery,” the band explains. “ It asserts control over the horrors of existence rather than simply wrestling with them.”
The album’s title, Save The Rest For The Wicked , cuts like a double- edged blade. On one side it stands as an indictment of humanity’s ingrained darkness. On the other, it demands a final reckoning. The tone across the album moves from grim observation to outright declaration, cementing the release as one of the most ferocious statements to emerge from the Australian extreme metal underground in recent memory.
Produced by acclaimed engineer Steve Lillywhite , the record captures Tanin’iver at their most vicious and refined, delivering a crushing wall of sound that fans of Mayhem , Belphegor , and Behemoth will find impossible to ignore.
With its oppressive atmosphere, relentless aggression, and uncompromising vision, Save The Rest For The Wicked represents Australian metal at its most extreme.
Listen / Purchase:
https://taniniver.bandcamp.com/album/save-the-rest-for-the-wicked
Watch on YouTube:

Media Contact: zach@metaldevastationradio.com
Label: Morning Star Heresy
Production: Steve Lillywhite

Follow Tanin’iver:
https://taniniver.bandcamp.com/album/save-the-rest-for-the-wicked
https://www.facebook.com/profile.php?id=61569017996063
https://www.instagram.com/taniniver_official/
Contact:
contact@wearetaniniver.com
mshmusicgroup@gmail.com

When Is Judas Priest’s 2026 European Tour And Where Are They Playing?

Judas Priest’s 2026 “Faithkeepers” European tour runs from August 25 through September 18, hitting major cities across Croatia, Italy, France, Belgium, and more.

TL;DR

Judas Priest have announced their late summer 2026 European “Faithkeepers” tour, spanning multiple countries and major arenas as the band continues one of the strongest runs of their career.

There’s a point where most bands start winding things down.

The iconic metal band are clearly not interested in that.

Because what they just announced doesn’t look like a legacy victory lap—it looks like a band still pushing forward at full speed.

And if you’ve been paying attention over the last few years, that shouldn’t be surprising.

Loaded Radio Recommends – Judas Priest’s Enduring Legacy: 13 Fascinating Facts About The Heavy Metal Gods

This Tour Doesn’t Feel Like A Victory Lap

Judas Priest have been in this position before—decades into their career, already cemented as legends.

But what makes this moment different is how active they still are.

Between recent releases, high-profile tours, and a renewed sense of energy on stage, Priest aren’t coasting on history. They’re reinforcing it.

That’s exactly what this “Faithkeepers” run looks like.

Not a farewell.

Not a slowdown.

A continuation.

Check This Out – Rob Halford Unmasked: 13 Surprising Facts About The Judas Priest Metal God

Full “Faithkeepers” 2026 European Tour Dates

Judas Priest will hit the following cities:

• August 25 – Pula, Croatia – Pula Arena
• August 28 – Belgrade, Serbia – Belgrade Arena
• August 29 – Sofia, Bulgaria – Vidas Art Arena
• September 1 – Budapest, Hungary – Budapest Arena
• September 3 – Pordenone, Italy – Parco S. Valentino
• September 5 – Brescia, Italy – Teatro Clerici
• September 7 – Bari, Italy – Fiera del Levante
• September 9 – Rome, Italy – Cava Auditorium Parco Della Musica
• September 11 – Bern, Switzerland – Festhalle
• September 12 – Strasbourg, France – Zenith
• September 14 – Lyon, France – LDLC Arena
• September 15 – Bordeaux, France – Arkea Arena
• September 17 – Paris, France – Arena Zenith
• September 18 – Brussels, Belgium – Forest National

Fans looking to attend can find tickets at this location.

What Judas Priest Shows Look Like Right Now

If you haven’t seen Priest recently, it’s not what you might expect from a band at this stage.

The shows are still built around precision and power.

Rob Halford’s presence hasn’t diminished—it’s evolved. There’s a command to it now that hits differently than it did decades ago, and the band around him is as tight as ever.

Setlists tend to balance eras, pulling from:

• classic staples like “Painkiller” and “Breaking The Law”
• deeper cuts that longtime fans appreciate
• and newer material that actually holds its own

That balance is what keeps these shows from feeling predictable.

The Bigger Picture Behind This Run

There’s something happening with legacy metal bands right now.

The ones that are still active aren’t just surviving—they’re thriving.

And Judas Priest sit right in the middle of that.

They’re not chasing trends.

They’re not trying to reinvent themselves in ways that don’t fit.

They’re refining what they already are—and proving that it still connects.

That’s why tours like this matter more than they used to.

They’re not reminders of what the band was.

They’re proof of what the band still is.

What Comes Next Isn’t Slowing Down

There’s no indication this is the end of anything.

If anything, it suggests the opposite.

Judas Priest have continued to operate with a level of consistency that most bands never reach, let alone maintain for decades.

And when a band is still able to fill arenas across multiple countries this deep into their career, it tells you everything you need to know.

This isn’t nostalgia.

It’s longevity backed by relevance.

Loaded Radio Recommends – The Metal Gods Ranked: The Definitive Judas Priest Albums Ranked List That Crowns the True #1

FAQ

When Is Judas Priest’s 2026 European Tour?

The tour runs from August 25 through September 18, 2026.

What Countries Are Included In The Tour?

Croatia, Serbia, Bulgaria, Hungary, Italy, Switzerland, France, and Belgium.

Are Judas Priest Still Touring Regularly?

Yes, the band continues to tour globally and remains active.

What Songs Do Judas Priest Play Live?

Their sets typically include classics like “Painkiller,” “Breaking The Law,” and “Living After Midnight,” along with newer material.

How Long Have Judas Priest Been Active?

Judas Priest formed in 1969 and have remained active for over five decades.

Judas Priest Bio

Judas Priest are one of the most influential heavy metal bands of all time, formed in Birmingham, England in 1969. Known for helping define the sound and aesthetic of modern heavy metal, the band pioneered the twin-guitar attack and leather-and-studs imagery that became synonymous with the genre. With iconic albums like British Steel and Painkiller, Judas Priest have shaped generations of metal bands while maintaining a powerful live presence well into their later years.

The post Judas Priest Announce 2026 European Tour—And The Cities They Chose Say Everything appeared first on Loaded Radio.

The mighty metallic giant returns.

Much like the Old Testament figures contained within their namesake, Exodus is a historically significant institution that has seen its fair share of trials and tribulations. Originally an early pioneering band of the thrash metal subgenre and one-time home of later Metallica shredder Kirk Hammett, they arguably defined the metal spirit during the second half of the 1980s and directly challenged the media-concocted suggestion that there were only four titans standing at the scene’s apex.

The 1990s were subsequently the least kind to them relative to most of the other major players, relegating them to obscurity and inactivity for the lion’s share of the decade, and even an explosive revival during the mid-2000s would see frequent lineup shifts hampering their efforts in the eyes of their core fans. Now with highly charismatic and iconic front man Zetro Souza exiting the fold once again, the obvious question is, will this staple of uncompromising aggression rise to meet the challenge again? The answer with 2026’s Goliath, a powerhouse opus of old school thrash wrapped in modern packaging, is a resounding yes.

As with most of the old guard, Exodus is not an outfit that has sought to recreate or otherwise relive the past since their 2004 return to the scene in Tempo Of The Damned, but is one that has embraced the largess of modern production practices. The aforementioned albums and the subsequent late 2000s opuses of Shovel Headed Kill Machine and the Atrocity Exhibit albums, all of which featured the band’s present lineup, stand at the opposite end of the sonic spectrum relative to the 80s-obsessed New Wave of Old School Thrash Metal bands that began cropping up at the same time.

Spearheading an arrangement characterized by a colossal rhythm section consisting of the ultra-crisp battery of founder and drummer Tom Hunting and the distorted glassy punch of Jack Gibson’s bass is a dual guitar assault out of Lee Altus and original axe-slinger Gary Holt that stands at a perfect middle ground between the mainline melodic and technical high-jinks of Megadeth and Forbidden and the darker, more dissonant world of Slayer. The wildcard of the bunch is recently returning vocalist Rob Dukes, who was met with heavy skepticism by hardcore fans back during his initial run in the late 2000s but brings his A-game to this album and rivals the primal snarl of Zetro at every turn.

The promise of a truly brutal undertaking has been fully underway for a little over a month since the breakout single “3111” had its promotional video removed from YouTube due to excessively violent content, proving that edginess can still endure in a convincing form well after a band has graduated from their 20s.

Needless to say, this opening foray of menacing dissonance and pummeling riff work depicting the carnage of narco-terrorism in Juarez, Mexico, is a fitting first act to a sonic play of uncompromising aggression. High octane thrashers such as “Hostis Humani Generis” and “Beyond The Event Horizon” represent some of the fastest and most impressive feats of 80s-tinged speed in a modern package to be heard out of this outfit in over a decade, with the virtuosic chops of Holt and Altus being the key feature.

A strong hint of hardcore punk and some autobiographical content shouted in masterful form by Dukes and some flashy 4-string work out of Gibson come into the equation with the closing crusher “Dirtiest Of The Dozen”, bookending a career of defying auditory boundaries for over 4 decades and showing zero signs of slowing down.

True to form since their mid-2000s reformation, Exodus is a powerhouse that does not live by speed alone and dishes out a healthy cuisine of mid-paced destruction to balance out the frenzied madness. Recent promotional single and meaty anthem “Promise You This” stands the tallest amid a bunch of moderate length, earth-shaking entries with ear worm hooks and busy riff galore that also includes the 90s Megadeth-like beast “2 Minutes Hate” and the cruising melodic machine “The Changing Me”, the latter containing arguably the most insanely harsh yet versatile vocal display out of Dukes in his entire tenure.

The grooves come loaded with some funky bass undertones courtesy of “Violence Works”, creating an ironic synchronicity of fun and lyrical morbidity that hearkens back to the experimental days of thrash something fierce. But where this album truly throws their signature grit into original territory is the menacing, doom-steeped and punishingly slow dirge of a title entry “Goliath” and the near 8-minute-long towering epic “Summon Of The Unknown God”, possibly the most compositionally and technically ambitious entry to grace an Exodus album to date.

Goliath is the sort of well-rounded, methodically crafted yet highly inventive album that fits neatly into the current sonic paradigm of elite Bay Area outfits. It doesn’t quite go so far as to reinvent the entire subgenre and is more of a grower than the seminal works that put them on the map back in the 80s, but any self-respecting thrash maniac who isn’t married to where the style was before 1991 will be hard-pressed to find any fault within this gargantuan golem of metal glory.

Release Date: March 20th, 2026
Record Label: Napalm Records
Genre: Thrash Metal

Musicians:

• Gary Holt / Guitars
• Rob Dukes / Vocals
• Lee Altus / Guitars
• Jack Gibson / Bass
• Tom Hunting / Drums

Goliath Tracklist:

1. 3111
2. Hostis Humani Generis
3. The Changing Me (feat. Peter Tägtgren)
4. Promise You This
5. Goliath (feat. Katie Jacoby)
6. Beyond The Event Horizon
7. 2 Minutes Hate
8. Violence Works
9. Summon Of The God Unknown
10. The Dirtiest Of The Dozen

Order the album here.

The post EXODUS – Goliath (Album Review) appeared first on Sonic Perspectives.

FOR IMMEDIATE RELEASE
Red Vinter Complete Recording of Crushing New Album Ghost In The Fog and Prepare to Level Sinkfest II
St. Paul, MN – Doom and death metal force Red Vinter have officially wrapped recording sessions for their second full length album, Ghost In The Fog , at the legendary 14: 59 Studios in Minneapolis, MN. Known for hosting punishing sessions from underground standouts such as Impaler, Thor, Plague of Stars, and Glutton for Punishment, the studio once again served as the perfect sonic war room for the band’s next chapter.
The album was co- produced by Red Vinter vocalist and bassist Mike Bullock alongside Will Maravelas , the engineer behind the band’s acclaimed debut Lumbering Menace . The new record features eight pulverizing tracks that push the band’s already massive doom and death sound into darker and heavier territory.
Among the most anticipated tracks are “ Cryptic Site” and “ The Cell Inside,” with “ Cryptic Site” slated to emerge as the first single from Ghost In The Fog . The upcoming record continues Red Vinter’s signature blend of crushing riffs, slow burning atmosphere, and emotionally charged songwriting that has been steadily gaining attention across the underground metal scene.
Momentum for the band has been building as tracks from Lumbering Menace continue to reach new audiences. Fan favorites “ Ashes” and “ Insurgent” have recently been featured on the Screamin’ Eman Underground Metal show on the legendary WXAX and have received additional airplay on KFAI, KMSU, and a growing number of online metal radio programs and podcasts.
“ With everything going on in Minneapolis lately, ‘ Insurgent’ is more relevant now than ever,” says Bullock. “ Meanwhile, the message behind ‘ Ashes’— getting back on your feet no matter how hard life burns you down— is something people need to hear every day. It’s about resilience.”
Fans will soon experience the band’s crushing new material live as Red Vinter returns to the Minneapolis doom and sludge gathering SINKFEST II on March 21st . The annual low- and- slow festival brings together some of the heaviest acts in the underground, and Red Vinter is preparing to bulldoze the stage with a set that includes the live debut of “ Cryptic Site” alongside fan favorites like “ Ashes,” “ Lumbering Menace,” “ K. I. A.,” and more.
Early reactions to Red Vinter’s sound continue to highlight the band’s unique approach to heavy music.
“ Red Vinter’s music is a brutal, melodic landscape that moves from small and delicate to massive and crushing in a heartbeat.” – Interview With A Nobody
“ Red Vinter’s sound is tight, confident, and far more gripping than most first releases.” – Metal Digest
“ Red Vinter’s Lumbering Menace is an excellently crafted doomy and heavy album.” – Teeth of the Divine
With Ghost In The Fog now completed and live performances on the horizon, Red Vinter are gearing up to push their brand of doom laden devastation even further into the underground metal world.
For more information, music, and updates, visit:
https://redvinter.com

Event Info:
https://www.facebook.com/events/1534829961282336/

Instagram:
https://www.instagram.com/sink.fest/

   Follow the band at these links:
https://linktr.ee/redvinter
https://redvinter.bandcamp.com
Contact: redvintermetal@gmail.com

The doom metal duo are also working on their third album.

The post Kulk Sign With Church Road Records, Stream New Track “Ache” appeared first on Theprp.com.

Korn will be touring Europe later this year. Main support and special guests on this 19-date long trek will be Architects. Opening acts on select shows will be Youth Code and Pixel Grip.
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Nine years after the release of their tenth studio album Hegemony, Samael return with their new 12-inch double single, “Hidden Empire” / “Black Matter Manifesto,” out April 24, 2026 via Napalm Records. Today, you can give a listen to the “Hidden Empire” track.
Read more…

FOR IMMEDIATE RELEASE
Witherhoard Unleashes New Melodic Death Metal Assault “ For All Who Have Been Broken” – Out April 24, 2026
Philadelphia, PA melodic death metal outfit Witherhoard is set to unleash their powerful new release, “ For All Who Have Been Broken,” arriving on April 24, 2026 across streaming platforms.
Blending thunderous riffing, soaring melodic leads, and relentless aggression, Witherhoard delivers a crushing yet atmospheric sound rooted firmly in the traditions of melodic death metal while pushing forward with a modern edge. Fans of Amon Amarth , Dethklok , and Wintersun will find plenty to sink their teeth into with this upcoming release.
Hailing from Philadelphia, Witherhoard brings together blistering musicianship, sharp songwriting, and an unapologetic lyrical stance that takes aim at the global rise of religious fundamentalism and authoritarianism. Their music combines epic melodic passages with crushing heaviness, creating an intense sonic experience built on massive riffs, driving rhythms, and unforgettable hooks.
“ For All Who Have Been Broken” was mixed and mastered by AJ Viana , delivering a polished yet ferocious production that amplifies the band’s dynamic sound and crushing energy.
With this release, Witherhoard continues to carve their place in the modern melodic death metal landscape, bringing both intensity and purpose to their music while connecting with listeners who crave melody, power, and uncompromising metal.
Fans can pre- save the release now and prepare for the full sonic onslaught when “ For All Who Have Been Broken” drops on April 24.
Pre-Save / Follow the Release:
https://distrokid.com/hyperfollow/witherhoard/for-all-who-have-been-broken

For press inquiries or interviews, contact: zach@metaldevastationradio.com
Check out this single and get ready!


Follow Witherhoard Online:
Instagram: https://instagram.com/witherhoardband
YouTube: https://youtube.com/@witherhoardband
Bandcamp: https://witherhoard.bandcamp.com
Contact: witherhoardband@gmail.com

Swedish thrashers Eternal Evil have unveiled first detail in what will be their third full-length instalment. It’s going to be entitled Forever Feared and released through Listenable Records later this year.
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