In support of their newly released full-length offering We’re All Going To Be Fine, French post-rock/metal instrumental ensemble Lost In Kyiv have announced a set of headlining shows as well as festival appearances throughout Europe.
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SMARM – self titled
Cincinnati has been an underrated hotbed of punk rock for pretty much as long as I’ve been following punk rock. The latest sensations from The Queen City are called SMARM, and their debut EP is totally ripping and super-promising. While SMARM is a very new band, members Drew Decker, Liam Dolan, Sam Richardson, and Eric Stein are veteran players who really know what they’re doing. Taking inspiration from classic American punk and garage rock, SMARM dishes out an attack that’s a tad heavier than your typical garage punk. These songs are muscular and riff-driven while still giving a whole lot of Midwestern grit and attitude. I love that this band doesn’t sound like every other garage band out there but will still appeal to anyone who digs tough and bruising punk rock ‘n’ roll. DMZ, Consumers, Radio Birdman, Union Carbide Productions, and Rubber City Rebels are some stated influences, and that’s a nice mix to be working from. For a new-ish band, the songwriting is remarkably well-developed. SMARM has hit the ground running, and surely we will be hearing many more good things from this band! -
TSAR STANGRA Announces New Album Химните на разрушените светове (Hymns of the Broken Worlds) Out July 1, 2026, via GLOBMETAL PROMOTIONS
Québec City-based Bulgarian folk and black metal band TSAR STANGRA will release their new full-length album, Химните на разрушените светове (Hymns of the Broken Worlds), on July 1, 2026 via GLOBMETAL PROMOTIONS.
Created over the course of nearly a decade, Химните на разрушените светове is the band’s most ambitious work to date. The album explores Bulgarian history, folklore, pagan ritual, exile, language, and cultural memory through a collision of black metal aggression, Balkan melody, ceremonial atmosphere, tambura, orchestration, and lyrics written in Bulgarian.
Founded by vocalist Stanislav Stefanovski, TSAR STANGRA was built around the mission of preserving Bulgarian heritage through extreme metal. On Химните на разрушените светове, that mission expands into a larger meditation on identity, displacement, and the meeting of worlds.
Written largely in Québec by musicians from different cultural and musical backgrounds, the record carries a natural tension between Bulgarian folk tradition and Western black metal, between pagan symbolism and literary sources shaped by Christian Bulgarian poets, between ancestral memory and life far from the homeland.
The album opens with “Тракийци – Черни химни за изгубените” (“Thracians – Black Hymns for the Lost Ones”), an epic invocation of Thracian memory and Bulgarian ancestry. “Хан Аспарух” (“Khan Asparuh”) follows with a martial black metal tribute to the founder of the First Bulgarian Empire, while “Черна песен” (“Black Song”) turns inward through the poetry of Dimcho Debelyanov.
The record later moves through the exile and longing of “Тъга за Юг” (“Longing for the South”), the Kukeri ritual force of “Земни стражи” (“Guardians of the Earth”), and the uncompromising pagan invocation of “Завръщането на родния бог” (“The Return of the Native God”), before closing with “Българският език” (“Bulgarian Language”), a tribute to the survival of Bulgarian language and identity.
The artwork, created by Paolo Girardi, reflects the album’s central theme of cultural collision. Kukeri, ancient masked figures from Bulgarian pagan tradition, stand before the burning Basilica of Sainte-Anne-de-Beaupré, one of Québec’s most recognizable Christian landmarks. The image captures the album’s vision of old ritual, new geography, ancestral memory and transformation.
Химните на разрушените светове follows TSAR STANGRA’s debut full-length Небесният ковач(Celestial Forger), the 2023 single “Черна песен” (“Black Song”), and the 2024 live album Битката за Фиорда – На живо в Сагене (The Battle of the Fjord – Live in Saguenay).
Track-list:
- “Тракийци – Черни химни за изгубените” (“Thracians – Black Hymns for the Lost Ones”) – 6:45
- “Хан Аспарух” (“Khan Asparuh”) – 6:35
- “Черна песен” (“Black Song”) – 4:41
- “Последният поход” (“The Final March”) – 3:03
- “Тъга за Юг” (“Longing for the South”) – 4:49
- “Земни стражи” (“Guardians of the Earth”) – 6:42
- “Завръщането на родния бог” (“The Return of the Native God”) – 3:11
- “Българският език” (“Bulgarian Language”) – 5:43
For fans of ROTTING CHRIST, NEGURA BUNGET, DRUDKH, MELECHESH, BATHORY, and IMMORTAL, the new album offers a deeply cultural and ritualistic take on pagan black metal.
TSAR STANGRA:
- Stanislav Stefanovski: vocals, tambura
- Olivier Vaillancourt-Girard: guitars
- Samuel Paré: guitars
- Wayne Barr: bass
- Cindy Tecca: keyboards
- Simon Vaillancourt-Girard: drums
Connect with TSAR STANGRA:
- Bandcamp: https://tsarstangra.bandcamp.com/album/–6
- Facebook: https://www.facebook.com/TsarStangra
- YouTube: https://youtube.com/channel/UCzBoZTxHYJywkL6-CGIEdaw?si=VROv0ofwkvquK9gK
Source: C Squared Music
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“The audience threw lighters, bottles, ice cubes and coins. We managed four songs before being booed off”: the rollercoaster story of Loverboy, Canada’s greatest AOR band
Turn Me Loose, Working For The Weekend, Loving Every Minute Of It – Loverboy raised the maple leaf flag high in the 1980s -
Elvana Moist Vagina Review
Elvana Moist Vagina Review
The song moves like a stealthy panther, calm at first before gradually transforming into something unique. It blends grunge elements with a vocal depth reminiscent of Nick Cave and backing vocals that evoke Alice in Chains. The project stands out for its ironic yet intense essence, as the band fuses genres into an enthralling, hypnotic journey shaped by a distinct artistic vision.
While the song presents a kaleidoscopic and intense sound, it also offers a musical trip that surprises and excites the listener. The piece evokes imagery reminiscent of a gathering of the Illuminati celebrating Vagina in a mystical forest. It carries a ritualistic undertone as it seemingly reverberates a tribute to femininity.
The harmonies in this track are beautiful, supported by a production quality that digs deep into the nostalgia of the 1990s. The hypnotic rhythm possesses a delirious potency that keeps listeners engaged throughout. This band is extraordinary in its pursuit of not attracting mere fans; they seek true followers for their emerging cult.
Moist Vagina – Sound and Atmosphere
Evidently inspired by Nirvana, the band has cemented its own style and possesses a clear vision of their intent and artistry. Their unique combination of influences creates a sound that is refreshing and thought-provoking.
There is a striking contrast between the song’s playful undertones and the sound that is so solid. This balance makes for an intricate listening experience. The heavy guitar riffs complement the vocals perfectly, creating a powerful backdrop for the lyrics to unfold.
Moist Vagina – Performance and Production
The interplay between instrumentals and vocals is sublime, resulting in a well-crafted composition. Each section of the song introduces new elements, maintaining interest and engagement. The clever production elevates the sound, enhancing the overall listening experience.
Elvana’s artistry does not offer superficial experiences; rather, it delves into the essence of existence, inviting listeners to explore deeper meanings.
This single truly invites exploration, resonating with those who seek more than the ordinary in music. It captures the spirit of its influences while crafting something resonant. Elvana is not merely a band; they are visionaries redefining conventions.
Visionary
If you love this music: Discover More
For fans of:
Nirvana
The post Elvana Moist Vagina Review appeared first on Edgar Allan Poets – Noir Rock Band.
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MESSA – Παρουσίασαν τα “Immolation” και “Thicker Blood” εκεί όπου πήρε μορφή το “The Spin”
https://www.metalourgio.com/wp-content/uploads/2026/06/MESSA-–-NEL-POSTO-at-Villa-Albrizzi-Marini-1-e1781966703368-768×466.png -
Prem Byrne When The Honeymoon Is Over Review
Prem Byrne When The Honeymoon Is Over Review
The song opens in a very atmospheric and polished manner. A sound reminiscent of artists like Lionel Richie dominates the introduction. The music transports listeners into a twilight ambiance, evoking the vibes that fade with the dying light of day. This track is a profound reflection on the struggle of moving past the honeymoon phase in romantic relationships. It encapsulates the bittersweet challenge many face when love feels stuck in that initial enchantment.
As the melody unfolds, it feels as though listeners are diving into a nostalgic treasure chest. It brings to mind old polaroid photographs, each one a snapshot of cherished memories. These recollections are vivid, allowing the audience to relive moments of joy and intimacy. The essence of the song is undeniably 1980s, characterized by its synthesizers and rhythms that evoke the era’s romanticism.
Byrne’s artistry shows a refined vision comparable to that of Sting. The composition flows effortlessly. The heartfelt guitar solo within the piece resonates deeply, pulling at the strings of the heart. It elicits a sense of nostalgia that is often both dreamy and reflective.
When The Honeymoon Is Over – Sound and Atmosphere
Musically, the composition incorporates influences from Seal, enhancing its emotional depth. The layered melodies intertwine beautifully, creating a rich listening experience. The song feels sophisticated and intense, managing to speak to various layers of love and longing. Each verse builds on the last, fostering a sense of yearning within its rhythmic embrace.
As the vocals rise and fall, they echo the sentiment of longing and reminiscence. It tackles the notion that relationships often struggle to evolve beyond that initial honeymoon phase.
The production quality is exceptional, reflecting a meticulous attention to detail. Every element, from the instrumentation to the vocal harmonies, has been crafted with precision.
When The Honeymoon Is Over – Performance and Production
Listeners may find themselves lost in thought while experiencing the music. The atmosphere created by the instrumentation works hand-in-hand with the lyrical themes. Together, they create an immersive environment that encourages introspection and nostalgia. Each listen may unearth new feelings or memories, allowing the song to remain relevant over time.
By the final notes, the listener remains wrapped in contemplation. This impressive tune by Prem Byrne deserves recognition. It offers a modern interpretation of classic sounds while maintaining an emotional core. The reflections on love are relatable, ensuring broad appeal. This track is an experience that encourages listeners to engage with their memories of love.
Nostalgic
If you love this music: Discover More
For fans of:
Lionel Richie • Sting • Seal
The post Prem Byrne When The Honeymoon Is Over Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Unicorn Dogs – "Bogus Journey"/"One Disaster Away"
As they near the release of their new album Closer To Death, Baltimore’s Unicorn Dogs are back with another sneak preview single. And as the album title suggests, you ought not to expect light songs about frolicking in the park or basking in fairy tale happy endings. What we have here are a couple more dark songs for dark times — delivered with an energy and catchiness that make these bitter pills remarkably easy to swallow. Unicorn Dogs, simply put, are one of the greatest pop-punk bands going these days. I now cease to be surprised any time their next release is even better than their last. On this latest single, they’re not trying to be overly dramatic or deliberately morose. They’re just dishing out a heavy dose of real talk. “Bogus Journey” is an unflinching reflection on living in a modern world characterized by “a dearth of kindness” (an observation that’s on the money, I’m sad to say). The song plays on the timeless “Life’s a bitch, and then you die” theme and notes that no matter how bad things get, they can always get worse. Depending on your perspective, that truth will be either really depressing or oddly comforting. “No one gets out alive” is the song’s refrain, and that’s no lie.“One Disaster Away” is more specifically in the social commentary category. At a time when one party’s political power is reliant on millions of normal people believing they are just one big break away from being rich, this song goes the other way and notes that we’re all just one misfortune away from losing everything. The idea that we could ever be part of the elite class is pure delusion — as is the notion that we’re “better” than people who are serving time or living on the street. So yeah, this is not exactly easy listening. You’re probably not going to cue up these songs at your next house party (and if you are, I probably would want to party with you!). But when it comes to making meaningful music with all the conviction in the world behind it, Unicorn Dogs are hard to beat. They play pop-punk with guts and soul. They’re inching even closer to Closer to Death, and I can’t wait! -
The Riffs – "You Doin’ Alright"
Well after 20 years, we finally have new music from The Riffs, and somehow this band did not miss a beat! The Riffs, from Portland, Oregon, released three full-length albums and five 7″ records from 1999 through 2006. With their ’77 punk meets gritty street punk meets tough rock ‘n’ roll sound, they were a cornerstone band of two of the best punk rock labels of that period: Pelado Records and TKO Records. And now they’re back on another iconic label, the mighty No Front Teeth Records. The new 7″, “You Doin’ Alright,” is classic Riffs through and through. Why bother turning back the clock to 2003 when you can take it all the way back to 1977 or earlier? The sound here is anthemic, powerful, and timeless. Even if they hadn’t covered “Join the Professionals,” The Professionals would have been one of the most obvious references along side the Sex Pistols, Johnny Thunders & The Heartbreakers, the New York Dolls, Cock Sparrer, and The Boys. What an inspired return! The songs kick ass, and the production is massive (befitting that Jonesy-inspired wall of guitars). You could argue that this rivals the best of The Riffs’ original releases, and it’s a must-purchase for anyone who geeks out over ’77-style punk rock the way I do. Grab your vinyl before it’s gone! -
Doghouse Rose – "Born To Break Even"
In advance of its forthcoming album Born To Break Even (due out July 31st on Stomp Records), Toronto’s Doghouse Rose has released the title track as a teaser single. “Born To Break Even” is definitely giving me all the ’90s melodic punk feels with a touch of the more polished side of pop-punk. This style and sound are a hit-or-miss thing with me, but man, this song really hits. Sarah Beth on lead vocals has the perfect mix of guts and charm with likeability that’s off the charts. And I love that this is a terrific melodic pop song above all else. You can hear other influences at play beyond ’90s punk. The lyrics are incredibly relatable. The song is about the futility of trying to get ahead in life when setbacks seem to be unavoidable and constant. Just when you think you’re standing tall, something comes along and knocks you down again. “Push and pull till my poor back is breaking/While pretending everything is fine” is a lyric that will resonate with most people. And ultimately, the message of the song is that we have to keep grinding even if break-even is the best-case scenario. What other choice do we have? Born To Break Even will be this veteran band’s first release since 2023’s Unlearn. The vinyl is already up for pre-order on Bandcamp with eco-cherry and eco-lavender color options!
