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  • Jason Richardson Breaks Silence On All That Remains Exit

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    Why Did Jason Richardson Leave All That Remains?

    Jason Richardson says his departure had nothing to do with the band personally and was instead driven by unresolved business and management issues surrounding the album rollout.

    TL;DR

    Jason Richardson has clarified that his exit from All That Remains wasn’t personal. According to Richardson, it came down to business frustrations tied to management execution and the stalled rollout of Antifragile (2025), which saw no live shows nearly a year after release. He remains on good terms with the band and continues working with producer Josh Wilbur.

    Jason Richardson’s résumé reads like a speedrun through late-2000s heavy music.

    From All Shall Perish to Born Of Osiris, from Chelsea Grin to All That Remains, he’s built a reputation not just as a technically elite guitarist, but as someone who raises the ceiling wherever he lands.

    So when he exited All That Remains in 2025 after seven years in the band, fans wanted answers.

    Now they’ve got them.

    “It Was Mostly Just A Business Thing”

    In a recent conversation with Guitar World, Richardson addressed the split directly — and carefully.

    He made one thing clear: this wasn’t about personalities.

    “I don’t wanna get into the weeds of it publicly,” he explained, emphasizing that he’s still cool with everyone in the band. According to Richardson, the friction came from the back-end execution of the band’s 2025 record, Antifragile.

    Specifically, he pointed to management and rollout issues. Promises weren’t fulfilled. Plans weren’t executed the way he expected. And nearly a year after Antifragile was released, the band hadn’t played a single show behind it.

    For a touring metal act, that’s not a small detail.

    From his perspective, the situation wasn’t moving forward. And at that point, staying felt like trying to force momentum where there wasn’t any.

    His stance was blunt but not hostile: he felt his time could be better spent elsewhere rather than trying to fix something he believed wasn’t going to change.

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    No Bad Blood — Just Frustration

    Importantly, Richardson went out of his way to separate business disappointment from personal conflict.

    He said he still loves the guys in All That Remains. He loves the record. He valued the experience.

    He even singled out producer Josh Wilbur as one of the best parts of the entire project, noting that the collaboration strengthened their working relationship and that they plan to continue working together in the future.

    That detail matters.

    Because it suggests this wasn’t an emotional implosion. It was a strategic decision.

    Richardson didn’t torch the bridge. He simply walked off it.

    What This Means For All That Remains

    All That Remains released Antifragile in 2025 with expectations of momentum. The absence of touring activity behind the album raised questions among fans, and Richardson’s comments now shine a light on at least part of what was happening behind the scenes.

    For a band with a legacy dating back to the mid-2000s metalcore boom, stalled execution can be costly. Visibility matters. Touring matters. Timing matters.

    Whether the band rebounds or recalibrates remains to be seen.

    What’s Next For Jason Richardson?

    Richardson hasn’t announced his next move yet, but history suggests he won’t stay quiet long.

    Every chapter of his career has involved forward motion. From technical deathcore to melodic metal to arena-level heavy metal stages, he’s consistently positioned himself where growth is possible.

    If this split truly frees him to pursue projects with stronger infrastructure and clearer direction, it may end up being a pivot point rather than a setback.

    And given his track record, betting against him would be foolish.

    Check This Out – The 2026 Guide To Heavy Metal Festivals: 13 That Are Actually Worth Your Hard-Earned Cash

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    FAQ

    When Did Jason Richardson Leave All That Remains?

    Jason Richardson announced his departure from All That Remains in 2025 after seven years with the band.

    Why Did Jason Richardson Leave?

    According to Richardson, the split was due to business and management frustrations surrounding the execution and rollout of Antifragile (2025), not personal issues with the band members.

    Is There Bad Blood Between Jason Richardson And All That Remains?

    No. Richardson has stated that he remains on good terms with the band and that the split was not personal.

    Who Produced Antifragile?

    Antifragile was produced by Josh Wilbur, who Richardson praised and confirmed he plans to continue working with in the future.

    All That Remains Band Bio

    All That Remains is a Massachusetts metal band formed in the late 1990s that helped define the melodic metalcore wave of the 2000s with a sound that blended metal aggression, big choruses, and lead-guitar-driven hooks. The band broke through to a wider audience with records like The Fall Of Ideals (2006) and later continued evolving into a heavier modern metal approach while maintaining a strong focus on technical guitar work. Over the years, All That Remains has remained a consistent touring name in heavy music, with lineup changes and shifting industry dynamics shaping different eras of the band’s output.

    Jason Richardson Bio

    Jason Richardson is an American guitarist known for high-precision shred technique and a career spanning several prominent heavy bands and projects. He played with All Shall Perish (2009–2010), Born Of Osiris (2009–2011), and Chelsea Grin (2012–2015), before joining All That Remains in 2018. Richardson is also widely recognized for solo work and collaborations across metal and progressive guitar communities, earning a reputation as one of the most technically accomplished modern metal guitarists.

    The post Jason Richardson Breaks Silence On All That Remains Exit appeared first on Loaded Radio.

  • AN NCS PREMIERE: INTENT TO HARM — “DRAINED OF LIFE”

    (written by Islander) Some of us, but probably not many of us, have experienced some kind of physical trauma that forced us to recover while lying flat in a bed. Even fewer of us (probably none) used that prone time to learn how to play the electric guitar. But that’s what the Australian metalhead Matt […]

    The post AN NCS PREMIERE: INTENT TO HARM — “DRAINED OF LIFE” appeared first on NO CLEAN SINGING.

  • Kittie to Celebrate 30 Year Anniversary with North American Headlining Tour

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    For the first time in a decade, Kittie will be fully headlining their own North American tour and this time around, they’re doing it to celebrate 30 years as a band.

    With 15 cities on their itinerary, Kittie will kick off their “Legacy of Fire Tour’ on June 6 in St. Louis, Missouri and run for almost the full month. The final date of their tour will take place on June 27 in Montreal. Along the way, they’ll hit venues in Denver, San Antonia, Atlanta, and New York City.

    With their eyes on the tour, Kittie said they were excited to celebrate such a major milestone on the road with their fans and supporting acts Kingdom of Giants and Gore.

    “We’re excited to announce our Legacy of Fire tour on the eve of our 30th anniversary as a band. Thirty years ago, we ignited a spark. Three decades later, that fire is still burning, stronger and more focused than ever. Legacy of Fire is a celebration of every stage, every struggle, and every fan who carried us forward. Coming back to the US + Canada for our first full headline tour over a decade feels incredible. We’re ready to honor our history while ushering in the next chapter!”

    Ticket pre-sales will start tomorrow at 10 a.m. local through Soundrink, with other presales to follow. Tickets will go on sale to the general public on Friday, March 6 at 10 a.m. local. You can find the full list of tour dates below.

    LEGACY OF FIRE TOUR: 30 YEARS OF KITTIE
    W/ Special Guests Kingdom Of Giants and Gore

    Sat, Jun 6 – St Louis, MO – The Pageant
    Mon, Jun 8 – Denver, CO – Ogden Theatre
    Tue, Jun 9 – Salt Lake City, UT – The Depot
    Fri, Jun 12 – Anaheim, CA – House of Blues
    Sat, Jun 13 – Phoenix, AZ – Nile Theater
    Mon, Jun 15 – San Antonio, TX – Aztec Theatre
    Tue, Jun 16 – Houston, TX – House of Blues
    Thu, Jun 18 – Nashville, TN – Brooklyn Bowl
    Fri, Jun 19 – Atlanta, GA – The Masquerade
    Sat, Jun 20 – Charlotte, NC – The Fillmore
    Sun, Jun 21 – Baltimore, MD – Baltimore Soundstage
    Tue, Jun 23 – New York, NY – Irving Plaza
    Wed, Jun 24 – Worcester, MA – The Palladium
    Fri, Jun 26 – Toronto, ON – Danforth Music Hall
    Sat, Jun 27 – Montreal, QC – Théâtre Beanfield

    Kittie to Celebrate 30 Year Anniversary with North American Headlining Tour

    The post Kittie to Celebrate 30 Year Anniversary with North American Headlining Tour appeared first on MetalSucks.

  • KITTIE Announce Legacy Of Fire Tour Celebrating 30 Years Of Metal Mayhem

    A photo of the band Kittie.

    Canadian heavy pioneers Kittie plot first full North American headline run in over a decade.

    The post KITTIE Announce Legacy Of Fire Tour Celebrating 30 Years Of Metal Mayhem appeared first on Metal Injection.

  • UK Heavyweights CONJURER Bring Unself Tour To North America

    A photo of the band Conjurer.

    Following the success of Unself, Conjurer hit 16 cities across the U.S. and Canada this May through June with a stacked support lineup.

    The post UK Heavyweights CONJURER Bring Unself Tour To North America appeared first on Metal Injection.

  • Necrofier Presents “Fires of the Apocalypse, Light My Path I” Video

    – March 2nd, 2026 –

    “Transcend into Oblivion” Full-Length Out Now On Metal Blade Records

    Watch NECROFIER’s “Fires Of The Apocalypse, Light My Path I” HERE

    …a fully cohesive, absolutely crushing work…” – Decibel Magazine

    “...the finest full-length experience released under the NECROFIER name to date as we find ‘going big’ with an idea generally pays off here… an entertaining step-up for the group which rewards the patient listener with a well-curated hourlong spiritual transformation…” – Mystification ‘Zine

    The album is extreme, but never one-dimensional, brutal and at the same time imbued with an ominous beauty. The songs unfold in powerful arcs of tension, in which chaotic outbursts meet melancholic, almost ethereal melodies…” – Deaf Forever

    Behind ‘Fires Of The Apocalypse, Light My Path,’ ‘Horns Of Destruction, Lift My Blade,’ and ‘Servants Of Darkness, Guide My Way’ lies a concept based on the number three, which represents awakening, the struggle with knowledge, and ascension or rebirth… This is not light fare, and musically, NECROFIER naturally indulges in the extreme. Oldschool black metal, albeit with a melodic touch, somewhere between Watain, Necrophobic, and Dissection.” – Metal Hammer

    …a fierce attack that’s more pointed and purposeful than all that has come before. The expected and desired histrionics of black metal – cold tremolo picking, slicing blasts and high-register screeches – are all in tow.” – Blabbermouth

    The band blends the fiery directness of the Texan scene with the cool, melodic black metal language of the Scandinavian’ 90s; stormy passages stand alongside melancholically ethereal melodies, without any motif degenerating into mere ornamentation…” – Rockhard Germany

    …this is certified corpse-paint wearing, squeezing invisible oranges black metal that would make Frost grimace! I mean, moreso.” – Jersey Beat

    Houston, Texas-based black metal alchemists NECROFIER are pleased to present their new video for “Fires Of The Apocalypse, Light My Path I.” The track comes by way of the band’s Transcend Into Oblivion full-length, released February 27th on Metal Blade Records.

    NECROFIER is rewriting the rulebook in their own blood. Since 2018, the quartet has applied a spicy Texan intensity to the icy atmospheres of mid-’90s Norway and Transcend Into Oblivion deploys their modus operandi with more power, conviction and ingenuity than ever before. Here, NECROFIER crafts a modern classic of the form, where tempestuous squalls of extremity are punctuated by sinister, melancholic, otherworldly melodies, twinkling in the gloom like will-o’-the-wisps on a black night.

    Photo by Brian Sheehan

    Of “Fires Of The Apocalypse, Light My Path I,” vocalist/guitarist Bakka comments, “The beginning when your eyes see for the first time. Something in you has changed but you don’t know what it is yet. You’re drawn to it, it consumes you. You are not the person you were before, but you don’t know why and how yet. New beginnings burn deep in the soul.”

    Watch NECROFIER‘s video for “Fires Of The Apocalypse, Light My Path IHERE.

    Watch NECROFIER‘s previously released video for “Servants Of Darkness, Guide My Way IHERE and “Fires Of The Apocalypse, Light My Path IIIHERE.

    Transcend Into Oblivion was recorded at Southwing Studios and House Of Thorns in Houston, Texas, produced and engineered by Joel Hamilton with assistant engineering by Chris Kritikos, and mixed by Joel Hamilton at Studio G in Brooklyn, New York. The record features artwork by José Gabriel Alegría Sabogal (Whoredom Rife, Mephorash, Exhumation, Beheaded) and is available on CD and digital formats as well as 2xLP w/ etching on Side D + four-page insert and DLC in the following color variants:

    Cosmic Storm (Clear Brown Black Marbled) – (US)
    180g black – (EU)
    Enchantment (Cloudy Clear/Red Marbled) – (EU – Ltd. 500)
    Transcend (Gold W/ Black Splatter) – (EU – Ltd. 300)
    Cursed (Black Powder Splatter) – (EU – Ltd. 200; Band Exclusive)

    Preview / purchase the record at: metalblade.com/necrofier

    NECROFIER will play a special one off show with Acid Bath, Obituary, and High On Fire in March as well as San Luis Metal Festival and Maryland Deathfest in May. Stay tuned for additional live dates, including a full European tour, to be announced in the weeks to come.

    NECROFIER Live:
    3/28/2026 White Oak Music Hall Lawn – Houston, TX w/ Acid Bath, Obituary, High On Fire
    5/16/2026 San Luis Metal Festival – San Luis Potosí, MX
    5/22/2026 Maryland Deathfest – Baltimore, MD

    While the US has had a black metal scene since the early ’90s, developing in its own obscure, eccentric directions, NECROFIER are among a gathering spearhead of US bands taking the genre’s ancient Scandinavian roots and replanting them on a wide American prairie. “Black metal in America has always been different than in Europe,” Bakka asserts, “but I think there’s been a siren song in the US for this style of black metal to be created here. Something in the zeitgeist has pulled it forward, and bands like Uada, Hulder, Lamp of Murmuur, Blackbraid, and Cloak have all been really carrying the torch. Some of the reason is that America is starving when it comes to it; we rarely see European black metal tours. I think it created something where we and the others had to walk the left-hand path so we can have this in America.”

    As is evinced by Transcend Into Oblivion‘s song titles, themes and lyrics are conceptually linked with the number three playing an especially significant role on this, their third LP, a three-act structure comprising three three-part suites, separated by three instrumentals. Notes Bakka, “Transcend Into Oblivion is based on a Luciferian Dark Night Of The Soul. ‘Fires Of The Apocalypse, Light My Path’ is the awakening. The first three songs are experiences and dreams that were happening as this change began, and I questioned everything I was doing. It starts feeling as though a new fire has been lit, but it grows dark as we venture into the second act, ‘Servants Of Darkness, Guide My Way.’ This is the struggle and torment that comes along with the awakening. Realizing things from the past are no longer true and you see the world in a different way, and it isn’t easy. This leads into Act III, ‘Horns Of Destruction, Lift My Blade.’ This is the rebirth or accession. You have been transformed; you are not who you were before. You see the world differently and you take what is yours.”

    NECROFIER:
    Bakka – vocals, guitar
    Semir Özerkan – guitar
    Mat Aleman – bass
    Dobber Beverly – drums

    https://www.instagram.com/necrofier
    https://www.facebook.com/Necrofier
    https://www.youtube.com/@necrofier1818
    https://necrofier.bandcamp.com/music

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  • Full Album Stream: Crossfire – “I Drew a Heart Around the Name of Your City”

    Indianapolis metallic hardcore crew Crossfire make their latest statement in quick and hefty fashion on their new promo EP, I Drew a Heart Around the Name of Your City. Clocking in at four songs in under eight minutes, I Drew a Heart is Crossfire’s love letter to Indianapolis hardcore with no room for filler or dead weight.

    The promo clocks in around seven-and-a-half minutes, though if you grab it through Bandcamp or on tape, you’ll get a bonus cover of Hatebreed’s “Last Breath,” which brings it to about nine minutes. It goes without saying, then, that Crossfire’s brand of metallic hardcore was influenced by the likes of Hatebreed as well as All Out War, Deadguy and various bands from the Indianapolis hardcore scene, some of whom are featured on the tape, including Dave Hoffman (Ishia and ex-The Contortionist), Nate Olp (ex-Demiricous, ex-Lair of the Minotaur) and Jimmy Ryan (Trenches, ex-Haste the Day).

    “The Crossfire train don’t stop,” vocalist Carter Seaton says of the new promo. “We like to think one step ahead and we are currently writing a full-length with our new guitar player Max Lawson. We want to play every single town in the country, and continue spreading the word of Indianapolis hardcore.”

    You can get a taste of I Drew a Heart Arond the Name of Your City below and get it officially on March 6 via Wise Blood Records.

    The post Full Album Stream: Crossfire – “I Drew a Heart Around the Name of Your City” appeared first on Decibel Magazine.

  • NECROFIER Presents “Fires Of The Apocalypse, Light My Path I” Video; Transcend Into Oblivion Full-Length Out Now On Metal Blade Records

    Watch/stream NECROFIER’s “Fires Of The Apocalypse, Light My Path I” HERE. Houston, Texas-based black metal alchemists NECROFIER are pleased to present their new video for “Fires Of The Apocalypse, Light My Path I.” The track […]

    The post NECROFIER Presents “Fires Of The Apocalypse, Light My Path I” Video; Transcend Into Oblivion Full-Length Out Now On Metal Blade Records appeared first on INFRARED MAGAZINE.