In wake of their forthcoming album release Rustbelt Numetal 3, due out on March 20th, King 810 offer in listening another new track in preview “Luck Runs Out”.
Read more…
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Why Paul Stanley Thinks This Kiss Album Cover ‘Sucks’
In a new interview, Gene Simmons takes the blame and suggests an easy fix. Continue reading… -
Monday Morning Video – Stephen Kellogg
3000 shows. That’s a hell of a lot of shows — playing a show every night for more than eight years. Impressive enough on its own. But when you factor in the volume and caliber of music Stephen Kellogg has delivered over the course of his career, it becomes something else entirely. He passed through […] -
Bosse-de-Nage – “Leviathan”
Are you familiar with this label called the Flenser? They do a lot of flensing over there. At this point, the Bay Area indie is on a ridiculous run, putting out some of the most vivid and intense heavy underground guitar music that you can possibly find. One band that’s been with the Flenser for…
The post Bosse-de-Nage – “Leviathan” appeared first on Stereogum.
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The Best AT THE GATES Deep Cut From Every Album
Explore the ultimate deep cuts from At the Gates, the Swedish band that defined the Gothenburg Sound and reshaped melodic death metal.
The post The Best AT THE GATES Deep Cut From Every Album appeared first on Metal Injection.
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Codefendants drop new single featuring Sublime’s Jakob Nowell
After collaborating with hip-hop icon The D.O.C. on January’s Rivals, Codefendants have just unleashed a new single featuring Sublime’s Jakob Nowell.
They join forces for new punk banger Lonely Life, which Fat Mike says is his favourite from the band’s forthcoming album Lifers (which arrives in full on April 3). “It was one of the most beautiful collaborations between all members,” he explains. “This song is a fuckin’ rollercoaster ride with no seat belt or safety bars!”
“For me, these lyrics are about the alienation many of us feel in modern society, even as we’re more connected than ever through social media,” continues Julio ‘Ceschi’ Ramos. “There’s a sense of entrapment in a world where we’re constantly bombarded by noise – advertisements, countless celebrities, the beautiful, the grotesque.
“It’s a world where we’re almost forced to co-star in a performance, where even the political elite are bad actors in an exaggerated, seemingly never-ending spectacle. The louder, brighter, and more ever-present that spectacle becomes, the more our very existence is commodified – and the more we lose ourselves, and our humanity, in the process. That’s the loneliness I’m touching on here.”
“I know Fat Mike but I hadn’t met the other Codefendants guys yet,” adds Jakob. “I went in watching my back. I came out knowing who had it.”
Watch the video for Lonely Life below:
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Posted on March 2nd 2026, 2:05p.m.
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Puscifer Singer Hints at More Sessanta, But With One Condition
Will there be more Sessanta shows? Maynard James Keenan shares his thoughts on what must happen before the elaborate three band setup can continue. Continue reading… -
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The Shape She Takes is Carel Brouwers’ Single Out Now
Good Day Noir Family,
Carel Brouwers opens “The Shape She Takes” with the delicate chime of a music box, and that choice sets a mysterious tone.The Shape She Takes is Carel Brouwers’ Single Out Now
The ticking of a clock joins in, and suddenly the scene resembles a Tim Burton film suspended between fantasy and unease.
The atmosphere doesn’t rush; it lingers, inviting the listener into a dimly lit corridor where every detail matters.
Then the voice enters, carrying a theatrical and slightly nostalgic cadence. It moves with intention, almost like a character stepping onto a stage under a single spotlight. There’s a noir and spooky edge to the delivery; it feels as though London fog is curling around your shoulders while a strange story unfolds. The phrasing is deliberate, and the emotional tone remains controlled without losing intensity.
Brouwers demonstrates that he knows exactly what he wants to express. His musical identity comes through clearly, blending art-rock sensibility with a dramatic flair that recalls the creative spirit of Bowie. The song never turns into an imitation. It channels that adventurous mindset into something personal and distinctive. The composition evolves gradually, and each section adds another layer of intrigue.
At certain moments, the track could easily belong in a Broadway theatrical production. The pacing feels cinematic, yet it retains intimacy. The richness of the arrangements reveals uncommon compositional skill. Subtle brass accents appear sporadically, adding color without overwhelming the structure. Those details enhance the narrative dimension of the piece, strengthening its dark elegance.
The progression remains engaging throughout, and the interplay between instrumentation and vocal delivery sustains tension. Even when the melody softens, the underlying pulse keeps the story alive. As the song unfolds, it becomes clear that Brouwers is not chasing trends; he is building a world. That world feels cohesive, imaginative, and emotionally resonant.
“The Shape She Takes” stands as a refined and immersive single. Carel Brouwers proves himself an artist with vision, capable of stirring the imagination through careful arrangement and expressive performance. It’s a beautiful track that I wholeheartedly recommend.
The Shape She Takes is Carel Brouwers‘ Single Out Now!
Enigmatic!
The Shape She Takes is Carel Brouwers’ Single Out Now Carel Brouwers is a Dutch singer-songwriter and composer blending art pop with cinematic textures and reflective storytelling. Inspired by classical masters like Bach and Mozart, alongside visionaries such as David Bowie and Ennio Morricone, he shapes music where structure meets atmosphere.
Working from North Holland, he builds layered arrangements that keep melody and narrative at the forefront. Whether intimate or expansive, his songs balance intellect and emotion, aiming for resonance over spectacle.
Find Carel Brouwers Here:
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The post The Shape She Takes is Carel Brouwers’ Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.