Taking a crack at the annual festival season.
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Taking a crack at the annual festival season.
The post The Ghost Inside Confirm Their Summer European Touring Plans appeared first on Theprp.com.
Jack White has announced plans for a wide-ranging 2026 headline tour. North American dates begin July 10 at Washington, DC’s The Anthem and continue through a two-night stand at Atlanta, GA’s Coca-Cola Roxy on November 20-21. Highlights include two-night runs in several cities, including Brooklyn, Chicago, Los Angeles, Charlotte, and Miami Beach. Support at Toronto, ON’s RBC Amphitheatre on July 14 comes from microtonal space-time voyagers Angine de Poitrine. Additional special guests will be announced soon.
White and his band will also cross the Atlantic for a series of shows in the United Kingdom and Ireland, including two-night stands at London’s Hammersmith Apollo (August 25-26) and Dublin’s 3Olympia (September 1-2). Vault presales and Artist presales for all newly announced North American, UK, and Ireland dates begin Monday, April 13, at 10 am and 12 pm local time, respectively. General on-sales follow on Friday, April 17, at 10 am Local.
For complete details, pre-sale registration, and ticket information, please visit:
https://laylo.com/jackwhite/m/
The upcoming tour schedule follows last week’s premiere of two fiery new songs, “Derecho Demonico” and “G.O.D. and the Broken Ribs,” available now via Third Man Records on all DSPs and streaming services. Black 7” vinyl is on sale at thirdmanrecords.com and Third Man shops in Nashville, Detroit, and London. Black 7” vinyl arrives at independent record stores worldwide later this week.
Produced by White, “G.O.D. and the Broken Ribs” and “Derecho Demonico” mark the recent Rock & Roll Hall of Fame inductee’s first new music since 2024, a year highlighted by the release of his critically lauded sixth studio album, No Name. The acclaimed collection was honored with a 2025 GRAMMY® Award nomination for “Best Rock Album” – White’s 34th solo-career nomination and 46th overall, along with 16 total GRAMMY® Award wins. No Name includes the consecutive #1 U.S. radio hit singles, “That’s How I’m Feeling” and “Archbishop Harold Holmes,” the latter of which is joined by an electrically charged official music video starring legendary actor and renaissance man John C. Reilly as the ecstatic, impassioned titular character, now boasting over 3.2M worldwide views via YouTube alone.

APRIL
11 – Indio, CA – Coachella Valley Music & Arts Festival †
MAY
30 – Sigulda, Latvia – Sigulda Castle
JUNE
4-6 – Aarhus, Denmark – Northside Festival †
12-14 – Hilvarenbeek, Netherlands – Best Kept Secret Festival †
18 – Lyon, France – Les Nuits de Fourvière
19 – Camaiore, Italy – La Prima Estate †
21 – Lignano Sabbiadoro, Italy – Arena Alpe Adria
22-24 – Zagreb, Croatia – INMusic Festival †
JULY
10 – Washington, DC – The Anthem
11 – Brooklyn, NY – Brooklyn Paramount
12 – Brooklyn, NY – Brooklyn Paramount
14 – Toronto, ON – RBC Amphitheatre (w/ support from Angine de Poitrine)
15 – Essex Junction, VT – Champlain Valley Exposition
17 – Boston, MA – MGM Music Hall at Fenway
21 – Indianapolis, IN – Everwise Amphitheater at White River State Park
23 – Chicago, IL – Radius
24 – Chicago, IL – The Salt Shed (Outdoors)
25 – Clarkston, MI – Pine Knob Music Theatre
AUGUST
21 – Almaty, Kazakhstan – Park Live Almaty †
22-23 – İstanbul, Turkey – Babylon Soundgarden †
25 – London, UK – Eventim Apollo
26 – London, UK – Eventim Apollo
28 – Bristol, UK – The Prospect Building
29 – Newcastle, UK – 02 City Hall
31 – Belfast, UK – The Telegraph Building
SEPTEMBER
1 – Dublin, Ireland – 3Olympia Theatre
2 – Dublin, Ireland – 3Olympia Theatre
18 – Cincinnati, OH – MegaCorp Pavilion
19 – East Aurora, NY – Borderland Festival †
20 – Richmond, VA – TBA †
24 – San Francisco, CA – Bill Graham Civic Auditorium
25 – Pomona, CA – Fox Theater
28 – Los Angeles, CA – Hollywood Palladium
29 — Los Angeles, CA – Hollywood Palladium
30 – Del Mar, CA – The Sound
OCTOBER
2 – Las Vegas, NV – Fontainebleau Las Vegas
3 – Phoenix, AZ – Arizona Financial Theatre
4 – Albuquerque, NM – Revel
6 – Austin, TX – Moody Amphitheater
7 – Dallas, TX – The Bomb Factory
9 – Nashville, TN – The Truth
NOVEMBER
8 – Minneapolis, MN – The Armory
9 – Madison, WI – The Sylvee
10 – Milwaukee, WI – Landmark Credit Union Live
12 – Pittsburgh, PA – Citizens Live at The Wylie
13 – Charlotte, NC – The Fillmore Charlotte
14 – Charlotte, NC – The Fillmore Charlotte
16 – Orlando, FL – Hard Rock Live Orlando
17 – Miami Beach, FL – The Fillmore
18 – Miami Beach, FL – The Fillmore
20 – Atlanta, GA – Coca-Cola Roxy
21 – Atlanta, GA – Coca-Cola Roxy
The post Jack White Adds New Dates to 2026 Headline Tour appeared first on Mayhem Music Magazine.
HIs sophomore solo album will be out later this month.
The post Leprous’ Einar Solberg Debuts “Vita Fragilis” Video Featuring The Norwegian Radio Orchestra appeared first on Theprp.com.
Together they’ll be appearing as ‘Obscure Death’.
The post Travis Sedg Bacon Readying “Industrial Blues” EP, Taps Ghostemane, Frozen Soul, Etc. Members For Kevin Bacon’s New Horror Film appeared first on Theprp.com.
Live in Colors open their album Peace Dies First with Pieces of Fairytales, a track that begins with an atmospheric introduction before being shattered by powerful riffs that immediately raise the tension. The guitars soon take control, pushing forward with determination while atmospheric solos expand the sonic space. As an instrumental piece, it balances energetic passages with more melodic moments, setting a strong foundation for what follows.

With Fools Parade, the band makes a bold statement. The opening riff hits like an avalanche, showcasing their technical ability right away. Their sound blends metal with progressive elements, and the rhythmic shifts feel precise yet unpredictable. Here, the vocals finally emerge, appearing at key moments with epic and almost ancestral melodies that add depth without overpowering the instrumentation.
Solitary Sword carries a distinct ‘80s metal influence, wrapped in a slightly dystopian atmosphere. The vocal line feels nostalgic, giving the track an emotional weight that contrasts well with its heavier sections. This balance between past and present becomes one of the album’s defining traits.
A standout instrumental moment arrives with Funeral, Pt. 2. This track leans heavily into atmosphere, guiding the listener through a delicate yet intense melodic journey. The inclusion of strings elevates the composition, creating a sense of elevation and distance, almost as if the music is drifting somewhere beyond reach.
The energy returns in full force with Echoes of the Broken. Fast rhythms and dynamic changes push the intensity to its peak. The band demonstrates a high level of technical skill, weaving intricate harmonies together with precision. Each section flows naturally into the next, maintaining cohesion despite the complexity.
Closing the album, Song for Freedom delivers a melodic guitar solo that feels like a final breath of hope. The track stands as an emotional resolution, offering a sense of release after the tension built throughout the record. Its expressive lead work leaves a lasting impression.
Peace Dies First is a powerful and cohesive album that highlights the strength and versatility of Live in Colors. Their ability to merge technical precision with emotional depth makes this record an engaging listen from start to finish.
Transcendent!
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The post Live in Colors Peace Dies First Review appeared first on Edgar Allan Poets – Noir Rock Band.
New York death metal icons Immolation have unleashed their twelfth studio album, Descent. This monumental release arrives on the eve of the band’s North American takeover.
To commemorate their new release, the band has unleashed their latest single, “Bend Towards The Dark”. The track is a sonic assault, fusing the band’s trademark sound with menacing leads and a barrage of merciless blasts.
Immolation comments: “We are excited to get one more single out as our new album Descent is finally released! “Bend Towards The Dark” is definitely one of the more ambitious tracks of the record. It has just about every element you would expect from Immolation, but takes things a bit further. It’s intense and heavy, yet becomes very epic and almost orchestral at times, really embodying a lot of feeling and emotion throughout. We really look forward to having “Bend Towards The Dark” out there to ignite the release of Descent! We hope everyone enjoys it!”
Descent was captured across two locations: Justin Passamonte tracked guitars, bass, and vocals at Jpass Music, while drums were recorded at Mercinary Studios with Noah Buchanan. The production was a collaborative effort between the band and long-time engineer Zack Ohren, who also handled the mixing and mastering. The result is a muscular, high-fidelity production that captures the band’s most fiery and brooding moments with equal clarity. To call Descent “heavy” or “brutal” is an understatement; this is death metal with a unique, elevated voice that stands entirely alone.
Visually, the band has once again tapped Eliran Kantor to craft a haunting cover masterpiece—a true hallmark of the Immolation aesthetic— complemented by Santiago Jaramillo’s (Triple Seis Design) internal booklet illustrations. With this release, Immolation reinforces their status as one of the most enduring and vital forces in the genre.
Order Descent here.
Immolation are currently trekking across North America for their Spring 2026 run. The tour features the band alongside Behemoth on the massive The Godless IV lineup, joined by Deicide and Rotting Christ, with several additional dates interspersed throughout the journey.
The post IMMOLATION Releases Music Video For “Bend Towards The Dark” From Latest Album “Descent” appeared first on Sonic Perspectives.
From the very first note, “Like Poles” by phytö catapults listeners into a vibrant realm reminiscent of 80s arcade games. The opening sounds recall the blips and beeps of retro gaming, immersing the audience in a space that feels nostalgic and slightly delirious. This introduction sets the stage for a song that balances playfulness with an underlying emotional depth.

As the song progresses, it transitions into a solid groove, driven by a funky bassline that invites movement. The rhythm is infectious, compelling listeners to sway along in time with the beat. This vigorous foundation showcases the band’s skill in effectively applying rhythmic changes. Each shift feels natural and enhances the song’s overall momentum, keeping the energy high and engaging throughout.
Punk spunk intertwined with a funk foundation gives the track a lively swagger. The rhythmic intricacies evoke shades of the Beastie Boys, blending rap and catchy hooks in a way that feels refreshingly original while still embracing its influences. The bass dances through notes with precision, creating a compelling interplay between the instruments and the infectious beat.
Phytö also excels in creating a colorful atmosphere through various sonic effects. The playful and sprightly use of sound retains that classic 80s vibe. There’s a childlike excitement in these moments, reminding listeners of an era when music was often about fun and experimentation. Yet, this is paired with a contemporary flair that showcases their artistry and originality.
The structure of the song follows a distinct journey. Transitions between the energetic verses and choruses are seamless, making each section feel cohesive and intentional. This well-executed balance showcases how thematic content can intertwine with musicality.
“Like Poles” by phytö stands out as an impressive single. The track navigates the nostalgia of the 80s through vibrant groove and chord progression.
Energetic
If you love dark music like this:
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For fans of:
Beastie Boys • Red Hot Chili Peppers
The post phytö Like Poles Review appeared first on Edgar Allan Poets – Noir Rock Band.