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ETERNAL DARK unleash new single and kick off album pre-orders
The Bocșa-based band Eternal Dark presents “Blestemat,” the new single taken from their second studio album, “Cugetări,” which is set for release on April 25 in collaboration with Loud Rage Music. The single can be streamed here: https://www.youtube.com/watch?v=CoSYkOIKanU The album can be pre-ordered here:https://loudragemusic.bandcamp.com/album/eternal-dark-cuget-rihttps://loudragemusic.limitedrun.com/products/874674-eternal-dark-cugetari After a 27-year hiatus, Eternal Dark re-emerged at the end of 2021 with the track “Vino moarte.” […] -
Sevendust Announce Fall 2026 European/UK Tour
ONE more tour.
The post Sevendust Announce Fall 2026 European/UK Tour appeared first on Theprp.com.
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URLUK – No Clean Singing streams “Memories in Fade” album from Italian atmospheric black-doom metal architects
Today, No Clean Singing hosts the official full album premiere of URLUK’s new record, “Memories in Fade”, ahead of its April 10, 2026 release via Pest Records. With this work, the Italian band further refines and expands its artistic vision, moving beyond the boundaries of black-doom into a broader and more emotionally nuanced sound. Rooted in their signature darkness, “Memories in Fade” weaves in […] -
Foo Fighters, ‘Off All People’ Rips With Thrash Might — Song Review
Song review: Foo Fighters go thrashy and raw on “Of All People,” a loud, reflective track that finds Dave Grohl wrestling with fate.
The post Foo Fighters, ‘Off All People’ Rips With Thrash Might — Song Review appeared first on Audio Ink Radio.
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If You Knew What I Knew is Kat Madleine’s Single Out Now
Kat Madleine – If You Knew What I Knew Review
A fragile confession wrapped in melody, where simplicity becomes the purest form of connection.
If You Knew What I Knew is Kat Madleine’s Single Out NowMinimalism As Emotional Power
There’s something immediate about If You Knew What I Knew as Kat Madleine shapes its identity through restraint. The track opens with a reverberated guitar arpeggio that feels delicate yet intentional. This simple motif sets an introspective tone, inviting the listener into a space where every detail matters. The absence of excess becomes its greatest strength, allowing emotion to surface without distraction.
The arrangement remains stripped to its core, relying solely on voice and guitar. This choice places the listener face to face with the artist’s vulnerability. Each lyric lands with clarity, carrying themes that feel universal and deeply personal at once. As a result, the connection between artist and listener grows stronger, creating a shared emotional experience.
A Dialogue Between Voice And Strings
The guitar does more than support the vocal—it guides the emotional current of the song. Its steady, flowing pattern acts like a quiet pulse beneath the melody. Meanwhile, Kat Madleine’s phrasing feels natural and expressive, shifting subtly to highlight key moments. This interaction creates a seamless dialogue, where voice and instrument move together with intention.
Moreover, the pacing allows every nuance to breathe. There is no urgency to rush forward. Instead, the track unfolds gradually, revealing its emotional depth layer by layer. This approach gives the song a refined and heartfelt presence.
Honesty In Its Purest Form
Lyrically, the track explores understanding and shared emotional experiences. The words avoid complexity, choosing directness instead. This clarity makes the message resonate more deeply. Listeners can project their own stories onto the song, finding meaning in its simplicity.
The production supports this vision perfectly. It remains clean and unobtrusive, ensuring that nothing overshadows the performance. A subtle reverb surrounds the guitar, creating space without overwhelming the intimacy. Every breath, every note, feels present and real.
A Quiet Yet Lasting Impact
Kat Madleine’s voice carries warmth and sincerity that draw the listener inward. Her control is evident, yet it never feels forced. Instead, it enhances the authenticity of the performance. The result is a song that lingers long after it ends, not through complexity but through emotional truth.
Ultimately, If You Knew What I Knew proves that simplicity still holds immense power. By focusing on raw feeling and honest expression, Kat Madleine delivers a piece that feels timeless and deeply human.
If You Knew What I Knew is Kat Madleine’s Single Out Now!
Delicate!
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About The Artist
Kat Madleine is a German artist, producer, and musicologist redefining ’90s pop-rock through her cinematic “Vocal Kinship” approach. Drawing inspiration from artists like Céline Dion and Bryan Adams, she blends intimate verses with expansive emotional peaks. Her work focuses on restoring melody-driven songwriting, offering a modern yet timeless listening experience.
Find Kat Madleine Here:
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InstagramThe post If You Knew What I Knew is Kat Madleine’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.
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Isaiah Rashad – “Same Sh!t”
Isaiah Rashad is back among us. It’s been nearly five years since the elusive Chattanooga rap great released The House Is Burning, his most recent album. It’s been about four years since Rashad was the victim of a terrible invasion of privacy when a sex tape leaked. Earlier this week, Rashad announced a new album…
The post Isaiah Rashad – “Same Sh!t” appeared first on Stereogum.
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Metal Church – Dead to Rights Review
I felt a lot of dread about this album. As a huge fan of the classic eras of Metal Church, my Steely sense warned me this was going to be an epic dumpster fire, and I didn’t want to see a beloved band hit the rocks (again). After the tragic passing of on and off vocalist Mike Howe following 2018s Damned if You Do, things looked mighty precarious at the Church camp. They eventually got Marc Lopes from Ross the Boss to step in for 2023’s Congregation of Annihilation, but that effort didn’t work too well. Lopes was streeted rather unceremoniously thereafter, and Metal Church announced the addition of Megadeth’s long-running bassist David Ellefson, new frontman Brian Allen (ex- Vicious Rumors, ex-Dark Sky Choir), and ex-Flotsam and Jetsam drummer Ken Mary for 14th album Dead to Rights. The internal drama and major lineup shuffles were red flags, and when the early singles felt underwhelming on cursory listens, I couldn’t help but suspect the best days for the band had already disappeared in the rearview mirror for good.1 I dreaded handing a beloved band another bad review, but felt like that particular train was heading my way. After a few days with Dead to Rights, however, I feel very differently. It won’t elbow any of the classic albums out of the way, but it’s a surprisingly solid and consistently entertaining platter that sounds like the Metal Church I knew and loved. Here’s to happy surprises.I heard opener “Brainwash Game” several months back as a lead single and didn’t care for it much. Upon hearing it again in the context of the album, however, I found it much more satisfying. It’s simple and thrashy with beefy riffage, and some of the vocal layering reminds me of the Mike Howe glory days, even though Brian Allen is closer to David Wayne in delivery. Allen does a good job finding that fragile sweet spot where aggressive vocalizing doesn’t lapse into Screechville. The chorus works well enough, and there’s some nifty soloing to boot. The title track is a burly, rowdy bandit with Allen laying down manic vocals over biting riffs that keep you invested and headbanging along. The chorus is pure 80s Metal Church, and this one could have been a bonus track on The Dark, which is a good thing indeed. “Deep Cover Shakedown” keeps the momentum going with more riff thunder and a memorable chorus. The guitar phrasing over the chorus is especially effective.
As Dead to Rights rolls along, Metal Church sound as if they’re in a better place, with the writing tighter and much more interesting than last time. They revive their once-prominent penchant for fusing hard rock elements into metal on “Feet to the Fire,” and it works well. They loop in a mellow prog element at the midpoint of the otherwise hard-edged burner “The Show,” and that too pays dividends. “No Memory” is just a badass tune with a seething energy, and one of my favorites here. When Allen intones “Pain has no memory,” it cuts deep. Are there less successful tracks? “F.A.F.O” is a rudimentary thrasher with more balls than brains, but it isn’t really bad. Aside from that, the album holds up surprisingly well with good and very good cuts all over the landscape.
I suspect that the addition of Dave Ellefson helped elevate the overall writing quality this time out. The man’s a very well-seasoned vet, and Megadeth’s best days came when MegaDave had the other Dave to write with. Kurdt Vanderhoof and Rick van Zandt step up to churn out a ton of aggressive, hooky riffs here, where these felt in shorter supply on the last few albums. Brian Allen does a good job vocally, bringing a David Wayne energy to the table without overdoing things and becoming irritating like Marc Lopes did last time.2 It’s like fate put the right people together at the right time to make a successful Metal Church again, against all odds.
Dead to Rights is a good and at times very good album from a band that really needed a win at this point in their decades-long career. It sounds close enough to their classic era to make older fans happy, and it shows these olde dogs can still churn out an album’s worth of quality material when the stars align. Now they just need to hold this lineup together at all costs. Don’t wander off, Dave! The Church needs your support.
Rating: 3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Rat Pak Records
Websites: metalchurchofficial.com | facebook.com/officialmetalchurch | instagram.com/metalchurchofficial
Releases Worldwide: April 10th, 2026The post Metal Church – Dead to Rights Review appeared first on Angry Metal Guy.
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NICARUS UNLEASHES NEW SINGLE “DEGREE OF DONENESS” — A RAW, UNFILTERED SONIC EXPERIENCE FORGED IN REALITY – @thebeast
FOR IMMEDIATE RELEASE
NICARUS UNLEASHES NEW SINGLE “DEGREE OF DONENESS” — A RAW, UNFILTERED SONIC EXPERIENCE FORGED IN REALITY
Israel – Emerging from the underground with intensity, purpose, and zero compromise, one-woman force Nicarus returns with her latest single, “Degree Of Doneness,” out May 1, 2026 via GreenMuzic.
Blending post-grunge grit, stoner rock weight, blackened atmosphere, and alternative edge, Nicarus continues to carve her own lane with a sound that feels as unpredictable as it is deeply personal. Fans of Neurosis, Deftones, and Foo Fighters will find familiar ground here, but make no mistake, this is something entirely her own.
At its core, “Degree Of Doneness” is a reflection of pressure, survival, and transformation. It’s heavy, it’s honest, and it doesn’t hold your hand. This is music that hits you straight in the chest and lingers long after the final note fades.
Nicarus isn’t just another studio project. She’s a fully independent artist who has been building her vision since 2017, handling every aspect of her work from writing and performing to producing and engineering. Her journey has taken her across the globe, including recording drums at Electrical Audio in Chicago with Sanford Parker and sessions at Urban Sound Studio in Norway, all while continuing to shape her sound in her own GreenLab studio in Israel.
And here’s where it gets wild, she doesn’t just record everything herself, she performs it live too. Armed with full gear and amplifiers, Nicarus delivers a complete “one woman band” experience on stage, what she calls her “Re-Amping” live show. No backing band, no shortcuts, just pure, controlled chaos done the old-school way with real amps and real energy.
This new release arrives as she works on her upcoming sixth project, an EP written in just three days during a time of war in her home country. That urgency bleeds into everything she creates. One track from the project even incorporates a Persian poem as a tribute to the Iranian people and culture, pushing back against division through art and expression.
As one early statement puts it:
“Nicarus creates music that doesn’t just ask to be heard, it demands to be felt. Her voice carries stories of resilience, transformation, and the courage to stand fully in your truth. The music reflects a very immediate and personal response to reality, capturing vulnerability, urgency, and resilience in a way that feels explosive and refreshingly real.”
With “Degree Of Doneness,” Nicarus proves she’s not here to follow trends or play it safe. She’s here to build something real, something loud, and something that matters.
“Degree Of Doneness” drops May 1, 2026.
Label: GreenMuzic
Production: The GreenLab of Tali Green – fully written, recorded, produced, and engineered by Nicarus
Management: GreenMuzic
Contact: Tali Green – greenmuzicpro@gmail.com
Follow Nicarus:
Website: https://share.google/BtxON22vsPdcDGVbb
Facebook: https://www.facebook.com/share/1CQ94bNQuV/
Instagram: https://www.instagram.com/tg_nicarus
YouTube: https://youtube.com/@nicarus8468
Bandcamp: https://share.google/tPbuEG8nqv6nCEpz6
Spotify: https://open.spotify.com/artist/6RFVoveiHCBOeHQPqfzbn7 -
Ava Mendoza Announces New Album Alive Alone, Alive Together: Hear “Dust From The Mines”
Brooklyn-based guitarist Ava Mendoza is always getting up to something interesting. Last year we highlighted her work with Bill Orcutt Guitar Quartet and Mama Killa, a wild record she made with gabby fluke-mogul and Carolina Pérez. Today comes news of Alive Alone, Alive Together, a new Mendoza album that features legendary jazz drummer Hamid Drake…
The post Ava Mendoza Announces New Album <em>Alive Alone, Alive Together</em>: Hear “Dust From The Mines” appeared first on Stereogum.