After more than two decades of making music together in previous projects, Gijs and Sander return as In Loom with Tails, a short but potent 105 seconds’ burst of bass and guitar driven indie rock. There’s something beautifully restless about this track; it doesn’t waste a second, channeling the urgency of youth while quietly questioning where that early idealism disappears to. The interplay between gritty guitar tones and melodic undercurrents gives it both edge and nostalgia.
Tails feels like a snapshot of the past colliding with the present, raw, reflective, and refreshingly unpolished in all the right ways.
Story Of The Year are back bigger and better with A.R.S.O.N., marking the next evolution of the band’s signature sound and raw, personal lyricism – elements that have earned the band a dedicated global following. An acronym forAll Rage, Still Only Numb, the album channels their trademark energy into a powerful exploration of anxiety, emotional […]
FOR IMMEDIATE RELEASE
MY DARK FATE DESCENDS INTO DOOM WITH “PAINT IT, BLACK” — OUT MARCH 6, 2026
Stream/download: https://mydarkfate.bandcamp.com/
Austria’s groove-metal force My Dark Fate returns with a dark twist on a classic: their new single, “Paint It, Black” , drops March 6, 2026. The band slows the pulse, deepens the darkness, and accentuates melody, transforming the iconic 1966 Rolling Stones track into a haunting fusion of doom metal and melodic intensity. Crushing guitars plunge listeners into an abyssal atmosphere, while operatic touches highlight the song’s tragic beauty, bridging classic rock heritage with modern metal aggression.
About the Band
Founded by guitarist and songwriter Andreas Maierhofer (of melodic death metal band Lost Dreams), My Dark Fate has carved a name with their hybrid of groove metal and melodic death-metal weight. Following a full reboot in 2025, the lineup now features Marina (vocals, bass), Stefan (growls, guitar), Christian (drums), and Andreas (guitar, songwriting, production). The band’s previous releases, including the winter 2025 metal ballad “Whiteout” , have set the stage for this next dark chapter.
With dual vocals, seven-string riff assault, and tightly driven rhythms, My Dark Fate channels decades of Austrian metal experience into a cinematic, emotionally charged sound that resonates with fans of Lacuna Coil, Jinjer, In Flames, Amaranthe, and Arch Enemy.
Single Release: March 6, 2026 Genre: Groove Metal / Doom Metal Label: Independent Videos: Coming Q2 2026
Connect with the band:
https://linktr.ee/mydarkfate
Contact: contact@mydarkfate.com
FOR IMMEDIATE RELEASE
Shiny New Toyz Unleash Sophomore EP LORE — Out Now!
Vermont’s genre-defying metal outfit Shiny New Toyz is back, and their sophomore EP LORE is out now — a brutal, immersive, and transformative journey through heavy metal, post-hardcore, progressive metal, and alternative rock.
Fronted by the commanding Suzie Tremblay and backed by guitarists Shawn Toussaint and John Notaro , bassist Brad Woodward , and drummer Forrest Thomas , LORE fuses crushing rhythms, intricate melodies, and layered textures. The EP channels the divine feminine with raw honesty, moving through grief, rage, reverence, and release — music that is both primal and cathartic.
Fans of Tool, Spirit Box, Deftones, Kill Switch Engage, and Alice in Chains will feel right at home.
Stream or download LORE now: https://distrokid.com/hyperfollow/shinynewtoyz/lore
Credits: Written and recorded by Shiny New Toyz, edited and mixed by Vincent Freeman (The Underground Recording Studio), and mastered by Michel Doucet (Mitch-Studio, Drummondville, QC).
For press inquiries, interviews, or booking: zach@metaldevastationradio.com
Check them out on YouTube and subscribe:
Out NOW Via Pure Noise Records Words by: CeeCee After almost a six-year gap since their last full-length release, Listen Up! marks the 11th studio album from New Found Glory — and their first with Pure Noise Records. Nearly three decades into their career, they’re not chasing trends or trying to reinvent the wheel. Instead, […]
FOR IMMEDIATE RELEASE
Banger TV Shouts Out Vaulderie’s Sanguinoctum During Exhumed Review Segment
Metal Devastation PR is proud to announce that Vaulderie’s latest full length album Sanguinoctum , out now via Witches Brew Records , received a featured shoutout from the respected metal media platform Banger TV .
The mention came during Banger TV’s review coverage of Red Asphalt , where the hosts highlighted Vaulderie as an “unholy concoction of black metal, speed, and thrash,” calling attention to Sanguinoctum as a standout release.
Blending feral aggression with razor sharp riffs and relentless energy, Sanguinoctum continues to gain momentum across the underground metal circuit. The recognition from Banger TV further solidifies the album’s growing impact within the extreme metal community.
Sanguinoctum is available now on all major platforms and through Witches Brew Records.
For press inquiries, interviews, or additional information, contact: zach@metaldevastationradio.com
Check it out here:
Connect with the band:
https://vaulderie.bandcamp.com/album/sanguinoctum https://www.facebook.com/profile.php?id=100077739470816 https://www.instagram.com/vaulderieofficial/ https://witchesbrew.eu/en
Contact: vaulderieband@gmail.com
James LoMenzo was not expecting it. When Dave Mustaine announced he wanted to record his own version of “Ride the Lightning,” — the title track of Metallica‘s 1984 album, for which Dave holds a co-writing credit following his 1983 departure from the band — for Megadeth‘s self-titled final album, the bassist’s first reaction was visible surprise. But surprise gave way quickly to something else.
“I was delighted. I was surprised. My eyebrows went up, but I was kind of delighted that he was gonna even go there,” LoMenzo told Portugal’s Metal Global (via Blabbermouth). “Because there’s always that subliminal undercurrent tension — you know, ‘Oh, Metallica [versus] Megadeth.’ And I always thought, like, Megadeth, for God’s sake, I always thought Dave won in a way, because he’s built this giant thing all by himself. And it made a lot of sense to me logically. It seemed like if this is the last thing we’re gonna do, then we should go out, end with a bang, but also kind of address the full history of this band. And that’s like step one. So I thought it was great in the end. But yes, my eyebrow went up when I heard him say that. Yeah.”
When the interviewer offered that Megadeth tops Metallica on riffs and solos, LoMenzo pulled back diplomatically. “I can’t go on board with you there. I mean, I’m a company guy — sure, I think we’re better, but semantically, I don’t really believe that,” he said. “It’s all about taste and approach, right? And I think if Dave had stayed there [in Metallica], it would’ve certainly been a lot more complex, but they would’ve not lost any energy that they had, Metallica. It comes down to, like, who do you like better — Motörhead or the Ramones? One seems silly, one seems really serious, but I love them both. And it’s similar kind of driving music.”
The decision to frame Megadeth as the band’s final album came later in the process than most people might assume. LoMenzo says the band walked into the sessions with no such intention. “No, no, no. This came about, like, three-quarters through,” he said. “We were proceeding as if we were just doing another record, and as time went by… After we finished the record was basically when Dave had this meeting with us and said, ‘You know, guys, this is kind of where we’re at right now. And maybe instead of going out with a whimper, maybe we go out with a big, giant victorious thing.’ And I think it was probably easier to make that decision after hearing the music that we had. ‘Cause if we weren’t convinced with the record, who’d wanna say, ‘Oh, this is our last record. Sorry, this is the best we can do.’ No, we were pretty excited with it.”
He pointed to the broader context of bands like Ozzy Osbourne winding down their careers as part of what made Mustaine‘s call feel right. “Dave‘s not that guy [who comes back and leaves repeatedly]. So when he said that, I heard him loud and clear. It was, like, ‘No, we have to really go out the right way if we’re gonna do this at all.’”
Making the record without knowing its finality turned out to be an asset, LoMenzo argues. “It was actually a pleasure making the record without any expectation,” he said. “And those are the best albums. The ones I love the best are when the band just jumps in, and everybody who’s got something throws it all together, and then you see what you have.”
He singled out new guitarist Teemu Mäntysaari as a revelation. “The kid came through with flying colors. He just has so many great riffs, and his ability to perform is just unmatched. I’ve really not seen anybody who’s quite that fast, as far as picking things up and putting his own stamp on it.”
The moment the album’s weight fully landed on LoMenzo came through the closing track. “When I finally heard ‘The Last Note’, and I really heard ‘The Last Note’, the last version of it, it put a lump in my throat ’cause I could really feel Dave‘s journey,” he said. “And I didn’t expect that. I didn’t expect him to be that candid and honest about things.”
Megadeth also topped the charts in Australia and Austria, and placed in the top five in Finland, Sweden, Belgium, the U.K., Germany, the Netherlands, Italy, and New Zealand. The album was produced by Chris Rakestraw, who previously helmed The Sick, The Dying… And The Dead! and Dystopia, and released through Mustaine‘s Tradecraft imprint on Frontiers Label Group‘s BLKIIBLK label.
FOR IMMEDIATE RELEASE
Symphony of Destiny Unleashes “Rampage (Bastet)” – A Ferocious New Chapter in Modern Symphonic Metal
https://symphonyofdestiny.bandcamp.com/album/rampage-bastet
Richmond, VA – Virginia’s rising symphonic metal powerhouse Symphony of Destiny return with their explosive new single, “Rampage (Bastet),” a thunderous continuation of the mythology driven universe they began with their debut release. With cinematic orchestration, commanding female vocals, and razor sharp melodic guitar work, the band is proving they are not just another local act. They are building something that reaches well beyond state lines.
Emerging from Virginia’s thriving underground, Symphony of Destiny have quickly earned a reputation for immersive, theatrical performances that fuse storytelling with modern heaviness. Their live resume continues to grow, with appearances at respected venues including The Canal Club , Another Round Bar & Grill , Super Rad Arcade , and Riffhouse Pub . The band closed out 2025 with their first headlining performance at Riffhouse Pub, celebrating the release of their debut single and setting the tone for a breakout 2026.
On February 20, 2026, Symphony of Destiny stepped into a larger spotlight as direct support for The Birthday Massacre and Daedric at The Canal Club, further cementing their place within the regional metal circuit.
Their debut single, “Exile of Horus,” introduced listeners to the band’s mythology centered sound and delivered serious independent traction. The track landed on nearly 100 Spotify playlists as of February 2026, achieving a 100 percent share rate from 25 participating curators during the band’s Groover campaign. International radio airplay followed across Brazil, the United Kingdom, the United States, Chile, Mexico, and Portugal. A focused social media campaign surrounding the release reached more than half a million Instagram accounts, pushing Symphony of Destiny beyond their local base and into the global independent metal conversation.
Now the story continues.
“Rampage (Bastet)” dives deeper into the band’s Egyptian mythology arc and serves as a preview of their upcoming EP, Heroes of Egypt . The single raises the intensity with aggressive riffing, cinematic tension, and soaring vocal authority that hits with both precision and power.
The release will be celebrated with a special show at The Canal Club featuring an all female fronted metal lineup alongside Valkyrie’s Fire and A Sound of Thunder , highlighting the strength and presence of women in heavy music while reinforcing the band’s commitment to building community within the scene.
Industry recognition continues to build. Symphony of Destiny have earned coverage in Decibel Magazine along with features from Metalheads Forever Magazine, Loud Enough? Magazine, The Building, Coldstone Magazine, Indiefferential Magazine, Keep Walking, Honk Magazine, and additional international outlets.
With the forthcoming release of Heroes of Egypt , Symphony of Destiny are expanding their mythology driven universe and positioning themselves for broader national exposure. They are doing it the right way. Write strong songs. Hit the stage hard. Build momentum one show at a time.
“Rampage (Bastet)” is not just another single. It is the sound of a band leveling up.
For press inquiries, interviews, or promotional opportunities: zach@metaldevastationradio.com
Check out this video and subscribe:
Connect with the band:
https://linktr.ee/Symphony_of_Destiny
Contact: eldmetal@gmail.com
2002 – irgendwo in Deutschland verkauft ein Iron Maiden-Fan einem anderen via Ebay ein Ticket für ein Maiden-Konzert in London. Die beiden freunden sich an und gehen 2003 zusammen zur Dance of Death-Tour nach Hannover. Zwei Tage später sind sie wieder gemeinsam bei Maiden. Diesmal in Dortmund, der legendären Westfalenhalle. Viele weitere Konzerte, Telefonate und Gespräche folgen. Irgendwann stellten wir fest, dass wir Maiden schon vor Jahren gemeinsam gesehen hatten, ohne uns zu kennen. Am 25. Oktober 1984. Die Powerslave-Tour in der Essener Grugahalle mit Mötley Crüe und der Shout at the Devil-Tour. Und zugleich noch unser beider erstes Maiden-Konzert. Beide geflashed und inzwischen batteln wir uns, wer die meisten Live-Gigs der Band gesehen hat. Aktuell führt Klaus mit 41 Iron Maiden-Konzerten. Ich bin ihm auf den Fersen mit immerhin 38 Live-Veranstaltungen.
24 Jahre und um die 40 Maiden-Gigs später hat sich nichts geändert. Jedes Telefonat geht über die Band, über Musik, über Metal. Zeit und Grund genug, endlich etwas gemeinsam zu machen. Ein gemeinsames Projekt mit Blaze Bayley ist einem Auto zum Opfer gefallen. Die online Aufnahme eines Maiden-Tracks haben der Berufsgitarrist und der Amateur-Drummer bisher auch noch nicht auf die Reihe bekommen.
Aber Hey! Ab sofort ist Klaus ganz offiziell und regelmäßig Podcast-Host. Wir sprechen weiterhin über unsere liebste Band, teilen unsere Erlebnisse und analysieren neue und alte Alben, anstehende Touren und Live-Erlebnisse aus den 80ern. Zwei weis(s)e Männer machen nichts anderes, als über ihre Berufung zu sprechen. Und sicher wird Klaus auch über seine Arbeit bei Doro, Wölli und Hartmann berichten. Oder seinen Auftritt bei Wetten dass?!, die Tour mit Status Quo oder das Treffen mit Ronnie James Dio. Und nicht zuletzt hat Klaus inzwischen bei mehr als 30 Alben mit internationalen Künstlern mitgewirkt.
Klaus (Foto Cora Stern) & Tippi (Foto J.Schierenbeck)
Hier die Vorstellung von Klaus im Rockcast 68!
Wenn Du auf anderen Portalen den Rockcast hören möchtest, findest Du hier eine Auswahl der bekanntesten:
Story Of The Year are back bigger and better with A.R.S.O.N., marking the next evolution of the band’s signature sound and raw, personal lyricism – elements that have earned the band a dedicated global following. An acronym forAll Rage, Still Only Numb, the album channels their trademark energy into a powerful exploration of anxiety, emotional […]
Out NOW Via Pure Noise Records Words by: CeeCee After almost a six-year gap since their last full-length release, Listen Up! marks the 11th studio album from New Found Glory — and their first with Pure Noise Records. Nearly three decades into their career, they’re not chasing trends or trying to reinvent the wheel. Instead, […]
