Ariana Grande’s new album petal comes out this Friday, and so far the pop star has only shared the lead single “hate that i made you love me.” She’s currently on her first tour in six and a half years, mostly promoting 2024’s eternal sunshine. But last night (July 28) in Montreal she used the opportunity to sing the yet-to-be-released title track from the forthcoming LP.
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When you’re making an album that offers a 21-gun salute to hard rock’s proud past, its history and its heart, it makes perfect sense to align with writers and producers who have played a key role in championing the music worldwide, and who continue to do so.
Highly fitting, therefore, that Airbourne’s latest single, “Here She Comes,” out today, should and was co-written with Bryan Adams and Mutt Lange, names responsible for hundreds of millions of sales and for creating some of rock’s most revered and timeless releases, the likes of “Reckless” and “Waking Up The Neighbours” (global chart-toppers for Adams, the latter No. 1 in 11 different countries), and “Back In Black” and “Hysteria” (seminal albums produced by Lange for AC/DC and Def Leppard respectively, game-changers for the genre as a whole).
Add in the talents of producer Brian Howes (who helmed 2013’s “Black Dog Barking” for Airbourne), engineer Mike Fraser, mixing engineer Zakk Cervini (BMTH, Architects, Evanescence) and mastering legend Ted Jensen, and you have a track – Single 5 from the forthcoming self-titled studio album, out September 4th via Spinefarm – that manages to both box and charm the ears at the same time.
First there was do-or-die anthem “Gutsy”, then “Christmas Bonus” (“Ho-ho-ho – let’s go!”), then “Alive After Death (Last Plane Out)” officially No. 1 at German Rock Radio, and most recently “Kid In A Candy Store”, a rite-of-passage rocker in the spirit of AC/DC’s “Whole Lotta Rosie”; and now, blowing in hard on a festival-ready chorus and enough full-blooded ‘woahs’ to lift an arena roof or part the lower clouds, there’s ‘Here She Comes’, complete with guitar solo cranked high in the mix for maximum shoulder-straddling impact.
Lyrics like, “Here she comes, raising a hurricane, there she goes blowing my mind” might sound like they’re about one of vocalist/guitarist Joel O’Keeffe’s favourite subjects, women – which, to be fair, they are – but they also nod to the tropical storm that bore down on Music Farm Studio in Byron Bay, south-eastern Australia, as Airbourne were recording, adding to a list of tribulations topped up by dangerous, potentially lethal wild-life and uncooperative vintage gear.
“It was like a hurricane came through,” recalls drummer Ryan O’Keeffe. “I remember screaming, ‘Get away from the windows!’ Streetie [bassist Justin Street] was sleeping in an old bus outside the studio, and a tree fell right next to it and almost crushed him!”
Adds brother Joel: “That’s how the song came about. It’s just out of this storm that blew in. Everyone was sitting there going, ‘Here she comes!’ Then we flipped it, and it became a bit of a double entendre. It’s so much fun.”
When Airbourne, brothers Joel and Ryan O’Keeffe (vocals/guitar and drums, respectively), bassist Justin Street, and guitarist Brett Tyrrell, entered Music Farm Studio in southeastern Australia to record their new album, they effectively drew a line in the Byron Bay sand. The mission was clear: to create not only the greatest body of work in the Airbourne canon (“Real blockbuster sh*t!,” to echo their own words), but to scale the highest possible peak – shirtless, naturally, in true Airbourne style – in the name of hard rock; to break new ground, defend the territory won by the heroes who came before them, and strengthen and celebrate the sacred bond with rock fans around the world.
In short, go forth and GET GUTSY!
Ryan: “This record distils everything we stand for into one place. Everything we love. It’s the best album we could possibly have made.”
“Everything we are as a band, our heart and soul, is in this record,” confirms Joel.
Airbourne is The Album, the statement recording, that only one band could have created; for proud sons of Warrnambool, Joel and Ryan, it was all about stepping up to the mighty task, staunchly protecting their beliefs and keeping the vision alive – no compromise, no corners cut, still no ballads (or bullshit); and if that meant staring down deadly snakes and even deadlier super-sized spiders, then so be it. Bring it on, Big Boy!
Airbourne is available for pre-order here.
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The track begins with an atmospheric introduction that sets a rich tone for the song. The infectious 80s vibes emerge, igniting a sense of nostalgia. Anette Ähdel’s voice resonates with nostalgic and expressive qualities, elevating the overall experience. Her vocal delivery is particularly striking and adds a layer of enchantment to the song.
The composition develops into an ethereal journey where dreamlike atmospheres linger. This creates a feeling of being transported to an otherworldly dimension. The song serves as a sonic roadmap to liberation. It guides listeners in closing the door on their past experiences. At the same time, it encourages them to discover strength in the identity of being “just a rover.”
This single is a source of inspiration for many. Its message resonates with anyone seeking a fresh start. The rhythm is hypnotic and draws listeners into an intense emotional experience. It feels as if the music gently envelops the audience, creating a profound connection.
Moreover, the dreamlike quality of the track is complemented by intricate musical arrangements. These arrangements further enhance the ethereal quality of the song. The production shines, allowing each element to contribute to the overall atmosphere. The layered instrumentation creates a lush background for the expressive vocals.
Listeners might find themselves lost in the reflective moments that the track presents. It encourages contemplation and self-discovery, urging individuals to embrace their unique journeys. The narrative unfolds, revealing layers of emotion and personal growth.
The lyrical content is significant. The artist effectively uses metaphors to illustrate the concept of liberation. Each line serves as a reminder that moving forward is possible at any stage in life. This aspect of the song amplifies its relatability, as many can identify with the themes of resilience and exploration.
Anette Ähdel’s artistry shines in this single. Her ability to connect personal experiences with universal themes is remarkable. There is a sense of authenticity in her delivery, which resonates with the audience. Each note and word feels genuine, reinforcing the emotional weight of the message.
“The Rover” by Anette Ähdel is a delightful discovery worth sharing with others. The song inspires listeners to embrace new beginnings. It offers a rhythmic escape into a world of dreams and possibilities. This single stands out for its artistry, message, and emotional resonance.
By the end of this song, one can’t help but feel a sense of liberation. The journey through Anette Ähdel’s musical landscapes ignites a spark in the listener, motivating them to explore their own path.
Liberation
If you love this music: Discover MoreThe post Anette Ähdel The Rover Review appeared first on Edgar Allan Poets – Noir Rock Band.
The album opens with “Static City,” a track that immediately evokes comparisons to bands like Foo Fighters. The modern and intense sound envelops the listener with a contagious rhythm. This opening sets a strong tone for the album, showcasing the artist’s ability to create engaging music. The energy in this song pulls you in from the very first second.
Next is “Fast as Light,” which features an equally infectious rhythm and riffs. It continues to build on the lively atmosphere established by the first track. The driving beats keep the listener engaged, delivering a burst of energy that is uplifting and invigorating. The song feels like a declaration of momentum, encouraging you to keep moving with its relentless pace.
Following this is “April in Your Eyes,” a song that introduces a gentler cadence. This piece exudes sweetness and intensity, resonating with a beautifully crafted lyrical depth. The heartfelt lyrics flow seamlessly, creating an emotional connection that invites reflection. It serves as a contrasting moment within the album, showcasing the band’s versatility and range.
Then comes “Starting to Drown,” a track reminiscent of Weezer. It combines catchy rhythms with engaging dynamics that ebb and flow throughout. The song keeps the listener entranced, as it alternates between high-energy sections and quieter moments. This dynamic approach maintains interest and highlights the band’s creative flair.
“Beautiful Yesterday” follows, presenting a chord progression that wraps around the listener. This song features a steady rhythm with a slightly sly undertone, encouraging foot-tapping along to the beat. Nostalgia permeates the melody, creating a sense of longing that remains sophisticated. The interplay of melodies provides delightful moments that linger long after the song ends.
Concluding the album is “Don’t Say That,” which reaffirms the energetic trend of this artist. The production showcases innovative technologies blended with human elements, resulting in a captivating mix of sounds. This track communicates something essential to the listener while keeping them entertained. It encapsulates the overall essence of the album, emphasizing a commitment to high-energy music without sacrificing depth.
“Get Lucky” offers a well-rounded listening experience. Each track flows into the next, with perfectly curated energy levels. The balance of rhythm and melody creates a cohesive entity throughout the album. It reflects the artist’s capability to blend various influences while maintaining a unique identity.
“Get Lucky” by Glass Walls showcases a diverse array of sounds and energy levels. Each track contributes to the overall narrative while maintaining individual flair. If you’re looking for an album that balances high energy with lyrical depth, this one delivers on all fronts.
Intense
If you love this music: Discover MoreFor fans of:
Foo Fighters • Weezer
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Not much of Europe though.
The post Nails Announce October UK/European Tour With Rotten Sound, Invunche & More appeared first on Theprp.com.
The onstage seduction routine has been a part of Usher’s live show for a very long time. He basically does a variation on Janet Jackson’s old “miscellaneous uncs shoot poison” routine. Usher tells the crowd that he needs one sexy lady to share the stage with him, and then that one sexy lady comes up and grinds on him while he sings to her. Usher is good at that kind of thing, but it can lead to some extremely funny awkwardness if the one sexy lady isn’t into it. That’s what happened last weekend in Nashville.
The post Usher Warns Fans After Viral Nashville Incident: “Don’t Bring Your Ass Up Here If You Don’t Want To Be Here” appeared first on Stereogum.
Today, multi-platinum hard rock powerhouse Godsmack announces newly added fall 2026 U.S. dates for their massive Rise of Rock World Tour, extending one of the band’s most explosive touring years to date, with Dorothy joining as direct support and special guest for the October dates.
The newly announced October run kicks off Friday, October 9 in Airway Heights, WA at Northern Quest Resort & Casino and continues through major markets including Idaho Falls, Lincoln, Minneapolis, Milwaukee, Cincinnati, Atlantic City, and Uncasville, where the band will return to Mohegan Sun Arena on Saturday, October 24. The venue serves as the namesake of the band’s current live album and film, Live at Mohegan Sun, out now via Primary Wave.
A thunderous, career-spanning performance that captures the band’s unmatched live chemistry and the full weight of a legacy built across 20 million albums sold, 27 Top 10 singles, 13 No. 1 hits, and four GRAMMY nominations, Live at Mohegan Sun stands as both a celebration of Godsmack’s history and a bold step into their next chapter. The release is available worldwide now here.
The tour expansion announcement arrives as Godsmack are currently overseas performing to massive sold-out crowds across the European festival circuit, including this weekend’s Bulgaria show that drew more than 16,000 fans, further cementing their reputation as one of hard rock’s most powerful and enduring live acts. Following decades of chart-topping success, sold-out tours, and a catalog that has become foundational to modern rock, the band’s Rise of Rock World Tour, with Stone Temple Pilots and Dorothy, continues to connect with fans around the world through a high-impact live show built on seismic riffs, anthemic hits, and the raw intensity that has defined Godsmack for more than 25 years.
Tickets for the newly added fall dates will be available through a series of presales beginning this week. VIP packages and the Artist Presale begin Wednesday, July 29 at 10 AM local time, with the Artist Presale password LEGENDS. Local presales begin Thursday, July 30 at 10 AM local time. All presales end Friday, July 31 at 9 AM local time, with the public on sale beginning Friday, July 31 at 10 AM local time. All Godsmack tickets and additional information are available here.
The newly announced dates arrive alongside the release of Godsmack’s latest live album and film, Live at Mohegan Sun, a career-spanning concert release that captures the band’s explosive energy and enduring live chemistry. Among its highlights is the fan-demanded video for “Battle of the Drums,” the iconic percussion showdown between Sully Erna and Shannon Larkin that has become one of the most celebrated moments in Godsmack’s three-decade career.
Frontman Sully Erna calls the “Battle of the Drums” performance, a live spectacle perfected over decades, one of the night’s most meaningful moments. “It’s an intricate piece. Me and Shannon have worked on it for decades and really perfected it into a spectacle,” says Sully Erna. “Live at Mohegan Sun captures a moment we’ll always carry with us: the energy, the connection, and the gratitude we feel for the fans who’ve taken this journey with us. Releasing this album and being out on the Rise of Rock World Tour feels powerful. It honors where we’ve been while pushing us forward into what’s next.”
Originating in the mid-1990s and evolving into a full-scale rhythmic duel with two drum kits, rotating risers, and unmatched precision, “Battle of the Drums” remains a defining centerpiece of Godsmack’s live show. Now immortalized on Live at Mohegan Sun, the performance honors the chemistry between Erna and Larkin, celebrates the band’s classic lineup of Erna, Larkin, Tony Rombola, and Robbie Merrill, and gives fans the long-requested chance to relive one of Godsmack’s most electrifying moments.
Live at Mohegan Sun continues to build momentum, with the album’s single, the live version of “When Legends Rise,” newly debuting on the Active Rock Radio charts, marking the first time a live track has done so since 2020. The achievement underscores the deep connection between Godsmack and their audience, as fans have rallied around the band’s live recordings, long regarded as the purest expression of their sound, and propelled them into rare air at rock radio.
As the Rise of Rock World Tour continues, Godsmack is building on a legacy defined by powerhouse performances and an unbreakable connection with their fans. Following major U.S. dates and festival appearances, including headlining Rocklahoma on Friday, September 4, the band is currently overseas performing to massive sold-out crowds across the European festival circuit.
With a deep catalog powering their setlists and Live at Mohegan Sun reinforcing their reputation as one of hard rock’s most formidable live acts, Godsmack bring that global, arena-level momentum back to North America this fall for another round of explosive performances. Live at Mohegan Sun is available now in digital and physical formats, including Double Vinyl, Blu-Ray, and CD here.
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