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The post William Shatner to team up with Rob Halford for reimagined version of “You’ve Got Another Thing Comin’” first appeared on Sleaze Roxx.

MNTN GOAT’s The Witch crawls out of the shadows with a thick, swampy presence, where fuzz-drenched riffs coil around a hypnotic, ritualistic groove. The track feels less like a song and more like an invocation, driven by raw, unfiltered energy and a sense of looming tension. Guitars snarl and smolder while the rhythm section locks into a slow-burning pulse that refuses to break. There is something primal at its core, equal parts menace and seduction.

The Witch thrives in its own darkness, pulling listeners into a hazy, nocturnal trance that lingers long after the final note.

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Tommy Douglas Keenan’s Rockinghorse feels like a faded myth replaying in slow motion, a mock cowboy epic where illusion and self-perception quietly blur. Ghostly vocals hover above spacious, drifting guitars, creating a sense of distance that is both cinematic and deeply personal. There is a playful irony embedded in its core, yet it never undercuts the emotional weight beneath. The track sways between sincerity and subtle satire, like a lone figure romanticizing their own reflection.

Rockinghorse lingers as a hazy, offbeat tale where nostalgia, humor, and quiet melancholy coexist.

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Last month, Sylosis released their career-defining record The New Flesh. The album is a towering testament to destructive riffing, incisive melody and refined brute force. The band’s seventh full-length offering is a powerful showcase for the state of Sylosis in 2026: lethal, uncompromising, and avowedly metal as all hell. Now they have released the live […]

Maxton Hunter’s Dhara Drone unfolds like a slow horizon, expansive and deeply immersive, where time feels stretched and softened at the edges. Rooted in a glowing D major tonal space, the piece blends gentle field recordings with the aching beauty of Joe Harvey-Whyte’s pedal steel, creating a fluid dialogue between earth and atmosphere. There is no urgency here, only gradual transformation, as textures drift, overlap, and dissolve into one another.

The result is quietly transportive, a meditative passage that invites stillness while subtly reshaping your sense of space and presence.

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Lucie Antunes’ Parkour is pure motion translated into sound, a restless, pulse-driven composition that never stands still. Built on hypnotic arpeggios and tightly wound percussion, the track evolves like a body in constant movement, shifting, accelerating, recalibrating. There is a cinematic tension running throughout, a sense of urgency that feels both mechanical and instinctive. Dark electronic textures flicker in and out, adding depth and a subtle retro-futuristic glow.

Parkour surges forward, capturing the thrill of momentum and the beauty of controlled chaos in a finely tuned sonic rush.

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Portrayal of Guilt have toured the world over, creating their own musical eco-system and released three seminal full-length albums that have seen the Austin trio consecutively reinvent themselves. They’ve done it in a manner that avoided compromise, welcomed free experimentation and avoided labels outside of “menacing,” “compelling” and “must hear.” …Beginning of the End, their […]

Beloved Ohio emo veterans Hawthorne Heights have announced local supports for their return to Australia next month to celebrate 20 years of their seminal album If Only You Were Lonely. Alternative rockers Heaven//Alone will open festivities in Perth, before passing the baton to post-hardcore band Tapestry, who will warm crowds in Adelaide, Melbourne, Sydney and […]

Las Vegas post-hardcore heavyweights Escape The Fate will make their long overdue return to Australia this June, bringing with them US metalcore mainstays The Word Alive – taking in every capital city and a couple of regional ones too. Australia has always held Escape The Fate close to their hearts with the bands fanbase being […]

The brother of the actor Jon Voight, he wrote songs for Frank Sinatra, Janis Joplin, Anne Murray and, with “Angel of the Morning,” Juice Newton.