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  • Savage Master – To Tour Europe With High Spirits

    American heavy metal bands, Savage Master and [band id=8658, will join forces for tour over Europe. ‘A Light In The Dark Tour’ is scheduled for March, 2027.
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  • Sallow Moth – Hydrophilous Brood Review

    [Cover art by Clare McCarthy]

    A brutal death metal album with a beautiful cover? Consider me intrigued by the contrast alone. 

    Release date: July 24, 2026. Label: Willowtip Records
    Brutal death metal, despite its typical gory imagery, lyrics, and tone, has a peculiar charm. But it’s not just the gore, but rather its hypnotic nature. The guttural vocals, consistent high BPM, lowwww-tuned guitars, and chunky bass create something that I guess falls into the ASMR-like category of metal subgenres, at least in my opinion. It’s all just one giant deep voice. Think Morgan Freeman narrating a nature documentary on the most beautiful places to visit during a zombie apocalypse. 

    And maybe this is a ridiculous example, considering the rawness of bands like Repudilation and Scattered Remnants. 

    But brutal death metal has evolved significantly since the release of the iconic ‘90s records from the aforementioned bands. Exhibit A: listen to any New Standard Elite release. But I digress. While BDM continues to resonate most strongly with those of us who drag our knuckles, some folks are adding at least some IQ points to the tunes, respectfully. Look no further than Garry Brents, mastermind behind the proggy/technical brutal death metal project Sallow Moth, now out with a fresh release. 

    First and foremost, I must say…Willowtip was the perfect label to drop the project’s new record Hydrophilous Brood. Garry certainly channels the spirit of the label’s early roster — bands like Defeated Sanity, Harakiri, and Kalibas. The latter of which I hear quite a bit in the vocal arrangements. See “Distended in Panglacial Advent,” for example. The song is also filled with dissonant arpeggios, malignant gurgles, and even some cosmic clean tones at the halfway point — very much in the vein of Long Island, New York’s Artificial Brain. And perhaps similar to Wormed or Mortal Decay, Sallow Moth follows a similar approach in throwing everything but the kitchen sink at the listener. Each riff within the songs, while similar, don’t necessarily circle back around. In their purest forms, they’re used really just once with slight variations — “Driftmoth Vivisector” follows that formula, most notably, to my ears. The beginning and end sound like cousins rather than siblings. In essence, they’re distinct enough to maintain their noticeable uniqueness. 

    In terms of the progressiveness of Hydrophilous Brood, Brents sprinkles bits and pieces of Cynic’s Focus throughout, but most prominent on a track like “Biohybrid Virulence” which comprises super sick jazz chords and intricate dissonant death metal passages. Speaking of which, you’ll hear that and then some on the closer “Serene Aqueous Leech,” throwing in actual jazz bars bestowing a beautiful horn section. 

    If you’re a fan of just straight gut-punching brutal death metal in the vein of Deeds of Flesh, you’ll enjoy the title track and “Nebulous Appendages of Vacillant Seafoam.” Like a maze, both tracks twist and turn between blastbeats and chaotic fret work. And another thing I’ll add here is that Garry’s addition of a live drummer (Allen Gingerich) rather than programming, without a doubt, boosted the record’s presence. Admittedly, I prefer live drummers, but objectively, this one is noticeably heavier and more natural than 2025’s Mossbane Lantern. And when you include the tranquil sounds of bubbling water — see “Arcane Benthic Umbilicus” — it just makes sense to give the album a more natural sound, right? That track slays, too, by the way. 

    As a die-hard fan of brutal death metal, I would be doing you a disservice if I didn’t acknowledge the genre’s tendency to stagnate. It’s a challenge to distinguish between bands at times, for sure. However, I believe Sallow Moth does enough to distance itself from that cliché. Not only is it different than the year’s heavy hitters from Trichomoniasis, Ecchymosis, and all the other –osis bands, Hydrophilous Brood is just as good. Point blank, it’s a must listen, especially if you’re into the whole swamp-humanoid-moth-monster thing. 

    All in all, Sallow Moth proves that sometimes being drawn to the flame of weirdness doesn’t always end in disaster, rather in one of the year’s best brutal death metal records. 

    And, no, that isn’t a Metallica reference. 

    The post Sallow Moth – Hydrophilous Brood Review appeared first on Last Rites.

  • Gothminister – Post New Track

    Gothminister put out a brand new single, “My Revenge”, as part of the upcoming LP release Pandemonium II: The Battle Of The Underworlds. The accompanying visualizer video was filmed with mobile phone by Gothminister in a single day somewhere in the Norwegian woods.
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  • Bywater Call Release ‘Way To Go’ From New Album ‘Broken Souvenirs’

    On Wednesday, July 29th critically acclaimed Southern soul and roots rock band Bywater Call returns with its most adventurous studio album to date (review here), supported by an extensive international tour. Due to popular demand, two new dates have been added to Bywater Call’s January and February 2027 UK Tour, as well as a headlining […]

    The post Bywater Call Release ‘Way To Go’ From New Album ‘Broken Souvenirs’ appeared first on ROCKPOSER DOT COM.

  • WARGASM Sign To Hopeless Records, Unleash Rallying New Track ‘Get Down’

    WARGASM have kicked off a whole new chapter in their incendiary story with the announcement that they have a new label.

    The band have signed to the legendary Hopeless Records, and celebrated in some style with a song that demonstrates every element that makes them who they are.

    That track is ‘Get Down’, a combination of pulsating electronica, caustic metal and rock swagger that rips and tears at the ear with endless glee. It’s bold, boisterous and belligerent, a combination of intents that have carried the band throughout this decade that are now launching them into a new area of the great unknown.


    It’s the band’s first music since ‘Small World Syndrome’, which arrived last year and sounds like this:


    The band are set to make their claim across the US later this year as they head out as support for Scene Queen. Here are all the dates you can catch them:

    SEPTEMBER

    15 – ATLANTA The Masquerade – Heaven
    16 – NASHVILLE The Basement East
    18 – COLUMBUS Ace of Cups
    19 – LAKEWOOD The Roxy
    20 – MCKEES ROCKS Roxian Theatre
    22 – ST. LOUIS Delmar Hall
    23 – LAWRENCE Granada Theatre
    25 – HOUSTON Scout Bar
    26 – SAN ANTONIO Paper Tiger
    27 – DALLAS The Echo Lounge & Music Hall
    29 – MESA The Nile Theater


    OCTOBER

    01 – SAN DIEGO House of Blues
    03 – LOS ANGELES The Regent Theater
    04 – LAS VEGAS 24 Oxford
    07 – ENGLEWOOD Gothic Theatre
    09 – CHICAGO House of Blues
    10 – INDIANAPOLIS Deluxe at Old National Centre
    11 – GRAND RAPIDS The Intersection
    13 – CUDAHY X-Ray Arcade
    14 – DETROIT Saint Andrew’s Hall
    16 – NEW YORK Racket NYC
    17 – PHILADELPHIA Brooklyn Bowl
    18 – WORCESTER Palladium Upstairs
    20 – CHARLOTTE Music Farm
    23 – ST. PETERSBURG Jannus Live
    24 – FORT LAUDERDALE Revolution Live
    25 – ORLANDO House of Blues

    The post WARGASM Sign To Hopeless Records, Unleash Rallying New Track ‘Get Down’ appeared first on Rock Sound.

  • Multiple women accuse Jared Leto of sexual misconduct when they were teenagers in new BBC documentary

    This story has been updated to include a statement from Jared Leto.

    Multiple women accuse Thirty Seconds To Mars frontman and Oscar-winning actor Jared Leto of sexual misconduct in a new BBC documentary.

    The programme, Jared Leto: Hollywood’s Dark Secret, airs tonight (July 29) at 9pm on BBC Three and 10:45 on BBC One. It reports that the alleged offences took place between 2002 and 2016, when the accusers were in their teens and Leto was in his 30s and 40s.

    One woman, using the pseudonym Isabel, claims that the actor/musician sexually assaulted her in a motel bathroom in 2002, when she was 17 and he was in his early 30s.

    “I don’t think there was many words exchanged and he opened the shower curtain and started kissing me,” she claims. She says that he then grabbed her hand and used it to masturbate himself.

    Another woman, Alex, says he threatened her with sexual assault when they were alone in a London hotel room in 2013, when she was 19 and he was 41. She claims she “felt the need” to pretend that she was 17 to protect herself, to which Leto allegedly answered: “Age is just a number, and anyway, we’re in Europe.”

    She adds that, when she asked if she could sleep on the room’s chaise longue, he told her, if she did, she’d wake up “with a dick in her ass”.

    A third accuser, Clara, alleges that she had sex with Leto at his California home when she was 17 and he was 34, which constitutes statutory rape. “He told me, ‘I would like you to call me daddy.’ And it was either pretend to be a little girl or ‘my little girl’,” she tells the BBC.

    When Clara attempted to start a conversation about the age of consent in California being 18, Leto allegedly “shrugged it off, like it wasn’t a huge concern for him”. It was the first of three or four visits to his home, according to Clara.

    A fourth woman, Taylor, says that, when she was attending a signing with her mother aged 14, Leto made a lewd comment about her breasts. “He chose to sign my shirt across my breasts, and he told me, ‘You have a nice rack,’” she claims.

    He then allegedly told a security guard to take Taylor backstage. After Taylor’s mother confronted Leto, “he looked at her and said, ‘It’s still a nice rack,’” the accuser says.

    Other women allege that they received often sexual messages and phonecalls from Leto when they were younger. One, using the pseudonym Etta, says that she met Leto when she was 16, when she walked into a modelling agency in Los Angeles with her mother in 2014.

    Etta claims that Leto asked for her email address and that the nature of their online conversations quickly turned sexual. He allegedly asked “Are you a virgin? Do you have any kinks?” and “did at least once mention him and I having sex at some point”.

    She adds that she was presented with a non-disclosure agreement (NDA) in 2016 but refused to sign it. The BBC says it has seen the NDA, as well as multiple text messages that corroborate Etta’s claims.

    The BBC has made repeated attempts to contact Leto regarding the allegations, but he has not responded.

    Leto rose to prominence as an actor in the 1990s, appearing in Fight Club (1999), Girl, Interrupted (1999) and American Psycho (2000). His performance as a drug addict in 2000’s Requiem For A Dream was critically acclaimed and is regarded as his breakout role. For his performance as a trans woman in Dallas Buyers Club (2013), he won the Academy Award for Best Supporting Actor.

    His band Thirty Seconds To Mars have won multiple awards and gone Platinum in several countries. Their albums Love, Lust, Faith And Dreams (2013) and America (2018) were top-10 hits in the US.

    Leto was accused of sexual misconduct by nine women in an article published by Air Mail last year. One woman accused Leto of being completely naked in front of her when she was 17 and masturbating in front of her when she was 18. A representative of Leto “expressly denied” the accusations.

    Update: Jared Leto has responded to the accusations, telling the Associated Press, “I have never sexually assaulted anyone in my entire life. These claims are absolutely and categorically false.”

  • Album review : ICONIC II

    ICONIC 150 II imageFrontiers Music [Release date : 31.07.26] Long haired, MTV look rock bands are well and truly back in fashion, in an under the mainstream radar kind of way. Cue Iconic. Recruited from headline bands Stryper, Whitesnake, Blue Murder, and the … Continue reading →

    The post Album review : ICONIC II appeared first on Get Ready to ROCK!.

  • “He’s back from the dead!” Peter Gabriel’s grandiose new nine-minute single One By One reintroduces his Mozo character to o\i

    Peter Gabriel‘s latest single, the nine-minute epic-sounding One By One, reintroduces his Mozo character to his modern-day i/o and o\i world.

    Mozo is a recurring, fictional outsider character that Gabriel used in early songs such as Here Comes The Flood and Down The Dolce Vita from his 1977 debut album and On The Air and Exposure from 1978’s Peter Gabriel 2/Scratch. Gabriel returned to the character on 1986’s So, with both Red Rain and That Voice Again.

    “This is another song that comes out of the brain show that I am working on and the character has been effectively torn apart and is trying to reassemble himself one piece at a time. I needed a character for the story and I’d always wanted to do a little more with Mozo, who I had introduced many years back, and I thought, well, let’s give him another blast here. He’s been brought back from the dead.

    “What was interesting for me about Mozo was that he was not fully of the world and not fully outside it. For the original second album narrative, he was found on this waste tip, and there was a reference to alchemy, and how you only really get the opportunity to create gold out of the lowest material; shit. In Japanese culture, they also have kintsugi (kin: gold, tsugi: repair) where a broken cup is repaired with gold or precious metals and the repaired cup with its faults showing ends up more valuable than the original. It’s a beautiful symbol for humanity, because we’re remarkably easy to break and trying to reassemble self, psyche and sanity, is really the journey of the song.

    “There are two or three story songs on the record, and I actually like the length of time they occupy, and I like the fact that you have to stay in it for the ride to understand the story. It’s like when you arrive in some hut in the woods, and it takes a while just to settle in and get yourself tuned in to the pace of that place. I wanted a bit of that in the song. If people are on for the full ride, they’re going to take it through to the end. It’s a long journey, but I think its place in the show, which is percolating in my head, it’ll be towards the end, if not the end.”

    As he did with 2023’s i/o album, Gabriel is releasing a new track every full moon. One By One is the eighth track he’s released ahead of his upcoming album, o\i, which is due out later this year.

    He’s also highlighting the work of an artist he admires with every release. For One By One, it’s Pieces by Canadian sculptor David Altmejd, which you can see below. Gabriel had discovered David Altmejd’s work through his 2022 piece, 9x9x9, and then asked him to create a new work in response to the music.

    “One of the things I loved about what David does is that he seems to get these images and ideas and then cuts them up and reassembles them,” says Gabriel. “Almost like moments of time or maybe like an old-fashioned flick book where you get just an incremental movement from one image to the other. It looked like David had a similar direction in that he’s taking the same thing and cutting it up and reassembling it. That worked perfectly for this song and I was excited that David was happy to be part of this project.”

    “One By One evokes a kind of spiritual evolution by piecing together the broken parts of oneself,” adds Altmejd himself. “This resonates deeply with me because I understand my sculptures as being made the same way. They start by forming themselves in matter, then they are destroyed, and finally reassembled in a way that makes them transcend materiality.”

    Peter Gabriel One by One cover art

    (Image credit: David Altmejd )
  • Old Man Jones – Highway Song

     

    Founded by former From Nothing songwriter John Amoriello, Old Man Jones delivers hard-hitting Rock & Roll with a punk attitude, bridging the gap between The Cult and Clutch. When the 2020 global pause brought his award-winning metal band to a final stop, Amoriello channeled his hunger for live music into a new era. Alongside Kyle Ragan and C.A. Moon of Weatherly Studios, Old Man Jones recorded two full-length albums in two years and continues to tear up live stages as a full band. 

    The new song Highway Song is “about a guy who realized his woman is 2 timing him and giving him the run around and everyone tried warm him them he realizes it and just takes on a drive and decides to write a song about it and isn’t going stop til he’s finishes song and realizes he MD and is now in TN and eventually finishes the song but is now stuck in FL and cant get home”, says the artist.

    It’s a catchy tune, with very inspired guitar (what a sound!) and overall amazingly written, performed and produced as well. It’s got some country bits but with an aggressive sound. A quality song, with catchy vocals as well. The song is part of the playlist Rock Rotation. Give it a go by clicking on the Spotify player below and follow Old Man Jones if you like what you hear.

  • Ma Rainey, Mother of More Than Just Blues, Comes Alive on New Release

    Working from archives and private collections, engineers restored notes and uncovered previously unheard details for a compilation that displays Rainey’s wide-ranging impact.