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  • Festival Review: Takedown 2026 Day 1 – Portsmouth Guildhall (3rd April 2026)

    Portsmouth Guildhall is the perfect venue for Takedown Festival, and it really defines the meaning of a ‘takeover’ event. The main hall served as the Phil Campbell Kerrang! (PCK) Stage this year, supplemented by two smaller performance areas, one of which—The Total Rock Café Stage (TRC)—is usually the café. The press room was hidden away … Continue reading Festival Review: Takedown 2026 Day 1 – Portsmouth Guildhall (3rd April 2026)
  • Sturgill Simpson Disputes Fan Reports That Johnny Blue Skies Ticket Prices Went Up

    Sturgill Simpson wants to clear something up — and no, it’s not the origins of his teenage rap video that just hit the internet.

    The post Sturgill Simpson Disputes Fan Reports That Johnny Blue Skies Ticket Prices Went Up appeared first on Stereogum.

  • DRACONIAN Shares Second Single “Misantrophe River” From Upcoming Album “In Somnolent Ruin”

    Swedish gothic doom metal entity Draconian reveal their new single, “Misantrophe River”, the second offering cut from their upcoming full-length, In Somnolent Ruin, to be released on May 8 via Napalm Records.

    “Misantrophe River” confronts listeners in true Draconian fashion with life’s hardest questions, exploring feelings of alienation when swimming against the stream, and the search for direction in unfamiliar territory.

    Ander Jacobsson comments about the new single: “‘Misanthrope River’ was the first song written for this album. The initial idea goes back to the early days of Under a Godless Veil, but it remained dormant until work on this record began. It’s an emotional gothic doom track- fairly minimalist, yet expansive in feel, with subtle touches that hint at post-metal and give the atmosphere a broader sense of depth. There’s a suggestion of something ancient and mysterious running through it. Although interactive, at its core, the song deals with separation and isolation in a world where the larger truth has been kept from you and how those feelings slowly turn into resentment. You’re pushing against the current wading upstream while doubting the way forward. In that struggle you’ll be grasping at straws for any sense of peace while unintentionally shutting out the one closest to you. Shot in the Faroe Islands, the video places its actors within vast, striking landscapes. It was directed by Gaui H., the same director behind “Cold Heavens””.

    In Somnolent Ruin promises to be one of the most personal records in Draconian‘s discography, revealed through a dream-like journey across 9 tracks and the poetic lyricism of vocalist Anders Jacobsson. The new album also marks the return of long-time vocalist Lisa Johansson — the band’s vocalist for their first five records.

    The album captures the essence of a band that no longer needs to prove anything — and yet still does. Active since the mid-1990s and having released their debut album, Where Lovers Mourn, in 2003, Draconian have continuously demonstrated their unmatched ability to craft otherworldly doom melodies and searing heavy instrumentation, complemented by lyrics that read like poetry. Their art cuts deep, compelling listeners to confront their inner demons, wander through the darkest shadows, and even embrace emotional numbness, only to emerge with a sense of inner peace. This album confronts listeners with life’s hardest questions, exploring feelings of alienation and the search for direction in unfamiliar territory.

    In Somnolent Ruin will be available in the following formats:

    • 2 CD 36-page Earbook incl. In Somnolent Ruin & Bonus CD with 2 Tracks only available with this format (exclusively available via Napalm Records Mailorder)
    • 2 LP Gatefold Picture Vinyl incl 24 pages 12″’ booklet (exclusively available via Napalm Records Europe Mailorder)
    • 2 LP Gatefold Splattered Black Smoke/White Orange Black Vinyl incl 24 pages 12″ booklet (exclusively available via Napalm Records Mailorder)
    • 2 LP Gatefold Gold Vinyl incl lyric sheet (exclusively available via Napalm Records Mailorder)
    • 2-LP Gatefold Black Vinyl incl lyric sheet
    • 1 CD Digipak
    • Digital Album

    Six years have passed since the band released its predecessor, Under a Godless Veil, Draconian‘s most successful record to date. Much has changed since then, yet everything feels familiar: After introducing new guitarist Niklas Nord (Myteri, DeathTrap, The Random Victims) in spring 2022, the band announced the return of vocalist Lisa Johansson, who now once again shares vocal duties with Anders Jacobsson, promising even more enigmatic music to come.

    Johansson had been the band’s vocalist for their first five records before leaving Draconian in 2011 for personal reasons. In Somnolent Ruin marks her official comeback, following several live performances at festivals over the past years. The band’s renewed lineup is rounded out by Daniel Johansson (Antikult, ex-Wormwood), who joined Draconian as a full member in 2025 following Jerry Torstennson’s departure. Prior to that, Johansson had served as the band’s session drummer since 2019. It’s the first album on which longtime member Daniel Arvidsson can be heard on bass, to which he switched from guitar in 2022.

    In Somnolent Ruin’s journey begins with “I Welcome Thy Arrow,” which captivates from the very first seconds through haunting melodies and a vocal interplay that embodies fragility and strength alike. Tracks such as “The Monochrome Blade” and “The Face of God” introduce increased tempo and eruptive vocal dynamics. “Anima” features Swedish artist Daniel Änghede, adding layers of emotional depth and confronting listeners with their darker impulses, capturing the sense of being lost and questioning one’s place in the world. “Asteria Beneath the Tranquil Sea” serves as a transitional interlude between “I Gave You Wings” and “Cold Heavens”, the latter exploring the delicate balance between life and death and not finding relief in any of both, while delivering the album’s most intense vocal performance. “Misanthrope River” opens with an extended instrumental passage and narration by Simon Bibby, slowing the tempo but by no means reducing the emotional weight, reflecting life’s daily struggles and obstacles. The closing track, “Lethe,” references the river of forgetfulness in Greek mythology. Those who drank from it would lose all memory. “Oh, shooting star… Drown in me! Drink. Forget. Repeat,” mourns Jacobsson through devilish growls. And yet, In Somnolent Ruin remains a work of art one wishes not to forget — not a single blink of an eye.

    Pre-order In Somnolent Ruin here.

    The post DRACONIAN Shares Second Single “Misantrophe River” From Upcoming Album “In Somnolent Ruin” appeared first on Sonic Perspectives.

  • proun Announce Debut Album Maybe Luck: Hear “Miracles”

    proun are an Austin trio who put a dreamy, emo-folk spin on classic alternative rock. The band started as the solo project of singer/guitarist Jamie Weed, and after putting out a couple of EPs in the past few years and welcoming bassist Dante Zatto and drummer/engineer Alex Peterson into the fold, their debut album Maybe…

    The post proun Announce Debut Album <em>Maybe Luck</em>: Hear “Miracles” appeared first on Stereogum.

  • Vana Streams Her New Single “In Your Name”

    The second song of her Sumerian Records era has arrived.

    The post Vana Streams Her New Single “In Your Name” appeared first on Theprp.com.

  • Thrown To Premiere New Song “Split” Next Week

    Fans of thrown may recall that the Swedish nü-metalcore outfit ended 2025 with a tease of new music to come in 2026. As we now enter the fourth month of the year, the group are set to finally deliver on that promise. A new track titled “split” is scheduled to premiere next week, with a…

    The post Thrown To Premiere New Song “Split” Next Week appeared first on Theprp.com.

  • MOB RULES Announces “Stories From The Verdant Vale” And Releases First Single “Master Of The Black Crow”

    German heavy metal veterans Mob Rules have announced Stories From The Verdant Vale, set for release on August 21 via Roar – A Division Of Reigning Phoenix Music. To mark the announcement, the band unveil the first single, “Master of The Black Crow”, a high-energy track that pulls no punches.

    Driven by a striking, Celtic-inspired guitar hook, the song stands out for its uncompromising compactness. In its direct approach and razor-sharp structure, the track recalls the raw energy of Black Sabbath’s classic Paranoid: not a single ounce of excess, no detours: the song gets straight to the point and unleashes its full impact in the shortest possible time.

    With Stories From The Verdant Vale, Mob Rules return to the narrative world introduced with their latest album Rise Of The Ruler (2025), which was widely praised and marked a major milestone in the band’s career. The material originates from songs written during the final stages of those sessions, now presented as a special standalone release.

    As vocalist Klaus Dirks explains: “During the final stages of completing the album, we discussed possible bonus material for the earbook edition with the label. We were reluctant to use demo versions or similar material. This motivated us to write a few new songs. We were well aware of what we were getting ourselves into, but we also wanted to challenge ourselves a little.”

    The songs reveal a slightly more direct and compact approach compared to Rise Of The Ruler while staying true to the band’s signature blend of melodic power metal, atmosphere and storytelling. Expanding the original concept from a different perspective, the material forms a natural extension of Rise Of The Ruler, while each track also stands strong on its own.

    Originally conceived in part as exclusive material, Stories From The Verdant Vale now receives a proper release on vinyl and digital platforms. The record was mixed by Markus Teske, with artwork created by Stan W. Decker.

    Pre-order Stories From The Verdant Vale here.

    Formed in Northern Germany in the early 1990s, Mob Rules have established themselves as a constant force in melodic power metal. Known for their concept-driven albums, strong melodies and atmospheric depth, the band has built a loyal international following over the decades.

    With ten studio albums to date, including the critically acclaimed Rise Of The Ruler, Mob Rules have continuously refined their sound while staying true to their roots. Their blend of classic heavy metal influences and modern production has secured them a lasting place within the genre.

    Mob Rules is:

    Klaus Dirks: Vocals
    Sven Lüdke: Guitar
    Florian Dyszbalis: Guitar
    Markus Brinkmann: Bass
    Jan Christian Halfbrodt: Keys
    Sebastian Schmidt: Drums

    The post MOB RULES Announces “Stories From The Verdant Vale” And Releases First Single “Master Of The Black Crow” appeared first on Sonic Perspectives.

  • Gig Review: Hellripper / Schizophrenia / Devastator – The Saltbox, Nottingham (3rd April 2026)

    Three bands at the start of their collective tours joined forces for a night of unforgettable mayhem. The start of the bank holiday made everywhere feel deserted, that was until the doors of the Saltbox in Nottingham opened, at which point it felt as if the entire city had poured into the venue. This was … Continue reading Gig Review: Hellripper / Schizophrenia / Devastator – The Saltbox, Nottingham (3rd April 2026)
  • Reviews: Gus Drax, Temor, Decipher, Faceless Envoy (Matt Bladen)

    Gus Drax – Theories Of Imperfection (Theogonia Records)

    Being or having been a member of Sunburst, Black Fate and Suicidal Angels, Gus Drax is a player you can consider a virtuoso, within these bands he’s the melodic intensity, firing off solos and leads galore but with his instrumental solo albums he can show off his skills without the limitations of genres and styles of bands.

    His last solo record was over a decade ago so there’s probably been a lot of writing going on in the background since then to make sure his second solo record surpasses his debut. He’s tapped into his connections to add a who’s who of musicians as his studio band.

    He has enlisted George Kollias on drums, George Charalampidis on bass, and Bob Katsionis on keyboards, so surrounding himself with only the best to make sure that the rest of the playing here is just as top class as Drax’s six string mastery. Elsewhere he has John K adding the orchestrations, Lefteris Pouliouadds sax.

    Simone Mularoni mixes and masters everything to bring that clarity that he infused through the prog/power records he’s been a part of, and it’s that prog/power influence that is at the forefront of Theories Of Imperfection, the likes of Steve Vai, John Petrucci and Michael Romeo all flowing through the fleet fingered skill of Drax.

    Tracks such as the melodic dreamscape Nocturnal Waltz, the intense metal Emotive Resonance bring the prog styles of Symphony X and Dream Theater while with Ethereal Horizon and Sombero Attack he channels the likes of Plini or Intervals with the jazzy/mathy refrains. There’s even some balladry on Final Atonement while Cosmic Shadow is duet of epic proportions as Andy James add a guest solo.

    Closing out with the euphoric and hopeful Everything’s Going To Be Alright, Theories Of Imperfection is a stellar instrumental record from this veteran of the Greek metal scene, there’s emotional depth, technical brilliance and melodic intensity with the guitar as the main voice, superb! 9/10

    Temor – Weeping Waves (Self Released)

    Temor are a melodic death/black metal band from Volos formed by guitarist Theo and vocalist Thyragon in 2023. They do something a little bit different with their sound as they employ the skills of Konstantinos Chinis on the Halldorophone an electronic cello that gives them an orchestrated drone to their muscular melodeath.

    Joined by guitarist Constantine, bass player Bill Manthos and drummer Nikitas Mandolas, Weeping Waves is their second album and it’s one that has them taking a heavier, more blackened approach, that combines the lead guitar driven style of Children Of Bodom with the groove driven sound of modern Rotting Christ and those melodeath veterans Nightrage as well.

    Weeping Waves delivers a style that is well engrained but they add an instrument you may not expect to hear, it makes for an interesting take on melodeath. 7/10

    Decipher – ΘΕΛΗΜΑ (Transcending Obscurity Records)

    Greece’s Decipher made a bold noise on their last album Arcane Paths To Resurrection with a style of black metal that honoured both the Hellenic and Scandi scenes.

    The trio comprising guitarist/vocalist Kostas Gerochristos (Lucifer’s Child), bassist Kostas Ragiadakos (Dephosphorous) and drummer Nodas Chatzopoulos, pull from heavier, broader, and more arcane influences with album number two.

    Likened to Varathron, Necormanyia and of course Lucifer’s Child, Decipher also have drawn comparison to Emperor and Bolzer, basically any band where the technicality is mirrored by ferocity.

    Θελημα (Thelema) has longer more complex songs than on their previous album, the narratives here shapeshift through various guises, driven by a classic black metal rawness but melodic intelligence. Witnessed on the blistering Bound To The Wheel and Hail Death where the influence of Celtic Frost is felt strongly.

    Focussing on how they use riffs Decipher lead a black metal charge that will get heads banging with intensity. 8/10

    Faceless Envoy – Memoirs Within (Self Released)

    Despite only appearing in 2024, Faceless Envoy arrived full forged and ready to take over the Greek music scene with their heavy grooves, percussion battery and breakdown driven style of modern groove/metalcore.

    Inspired by bands such as Gojira, Sepultura and Orbit Culture, their debut EP announced their presence as a steamrolling new force in the groove metal, giving a short bludgeoning introduction that left you impressed and wondering where they would go from there.

    Well here’s their debut full length Memoirs Within and it’s eight tracks of full force battery, driven by relentless precision of double kicks, low end dirges and repeating riffs that will hurt your neck on tracks such as Ga-Ra.

    It’s intense and aggressive but brings atmosphere too when they shift from the battery to the melodic phases, vocals that are just as potent when growling as when their clean and sonorous on tracks such as Enemy Down and The Waltz.

    Recorded at Sound Symmetry Studio, Memoirs Within, is an album that explores inner conflict and resilience through the dynamic and powerful groove metal of Faceless Envoy. 8/10