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“When I wrote that song I was really going through it…I was almost embarrassed by it.” From Brazil to the UK, the hardcore punk four-piece channelling Distillers fury via some deeply personal lyrics
It’s pretty impressive that Le Rox even exist, let alone putting out some of hardcore punk’s best new material -
Nick Oliveri, N. O. Hits At All Vol. 10 (Heavy Psych Sounds 2026)
Nick Oliveri has reached a milestone with his compilation series of deep cuts and unreleased tracks: N. O. Hits At All Vol. 10.
I have been listening to Nick Oliveri and watching him perform for as far back as my memory stretches. Mondo Generator is the band of his that comes first to my mind. I delighted in seeing him with The Dwarves, and I caught as many of the Stöner performances with Brant Bjork as I could. He is perhaps most revered for his Kyuss days, and maybe most famous for his stint with Queens of the Stone Age. Whatever band he is with on stage, I recognize him as an elemental fundament of desert rock history and its continuing environment.
The N. O. Hits At All series digs into Oliveri’s past and gathers together significant musical instances so that they will not be forgotten. In the tenth installment, we get songs from The Dwarves, The Black Armada, The Temple of Daemos, Nick Oliveri’s Death Acoustic, He Who Can Not Be Named, Komatsu, Thee Slayer Hippy. Winnebago Deal, and a cut with Slash.
About this particular selection of songs, Oliveri says, “This record you are holding is Volume 10 from the series of compilations in which I recorded the vocals for bands that I like, and bands that like my singing voice enough to have asked me to guest vocal on a song for them. Some of these have been released, some have not until now. I have sang and/or recorded bass on 50+ releases of bands I love and had the great honor to work with over the past 25 years, and they are now available together for you to trip out on, thanks to the good folks at Heavy Psych Sounds Records. So get your head right and put this record on and play it loud.” That last line says it best, and I am all in. Recommended.
N. O. Hits At All Vol. 10 is out on April 10th from Heavy Psych Sounds Records. Listen and buy at the links below.
Photos by Wayne Edwards.
Links.
Facebook, https://www.facebook.com/rexeverything666
Bandcamp, https://heavypsychsoundsrecords.bandcamp.com/album/nick-oliveri-n-o-hits-at-all-vol-10
Heavy Psych Sounds Records, https://heavypsychsounds.com/
© Wayne Edwards
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Complete List Of Kylie Minogue Albums And Discography
Raised in Melbourne, Kylie Minogue first gained recognition on the long-running soap opera Neighbors, where her role as Charlene Robinson made her a household name. That visibility led directly into music, and by 1987, she had signed with the production team Stock Aitken Waterman, setting the stage for a rapid transition from television star to chart-topping recording artist. Her debut album, Kylie, released in 1988, established her as a major pop presence. The single “The Loco-Motion” became a defining early hit, reaching number one in Australia and later climbing to number three on the Billboard Hot 100 in the United
The post Complete List Of Kylie Minogue Albums And Discography appeared first on ClassicRockHistory.com.
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Bilmuri Share Catchy New Track ‘WHERE TO FIND ME’ Featuring Novelists
Bilmuri’s new album ‘KINDA HARD’ is so close that you can taste it, and Johnny has shared one more sneak peek before you get the whole thing.
‘WHERE TO FIND ME’ is the name, and it is another slice of brilliant crossover country catchiness. Bridging tanged guitars and earnest sentiments with crushing riffs and an appearance by French progressive metallers Novelists, it showcases just how finely tuned Bilmuri’s sound has become. Brimming with heart and soul, and possessing the sort of melodies that get stuck in your brain for weeks on end, it’s a perfect final piece of set-up for what is guaranteed to be a barnstormer of a record.
Here it is in all its glory.
‘KINDA HARD’ will be yours on April 10.
It will also feature the already smash-hit ‘ALWAYS LET YOU DOWN’, featuring A Day To Remember. That sounds like this.
Bilmuri will be hitting the road around the world later this year in support of the album. Here are all the dates.
JUNE
06 – AMSTERDAM Melkweg Max
09 – HAMBURG Fabrik
15 – LYON Le Transbordeur
19 – BERLIN Metropole
21 – FRANKFURT Batschkapp
23 – CARDIFF Depot
25 – BIRMINGHAM Academy
27 – LONDON Brixton Academy
29 – GLASGOW Barrowland Ballroom
SEPTEMBER
04 – ORLANDO Hard Rock Live
05 – NORTH MRYTLE BEACH House of Blues
06 – BIRMINGHAM Avondale Brewing Company
08 – INDIANAPOLIS Egyptian Room @ Old National Centre
10 – PHILADELPHIA The Fillmore
11 – PHILADELPHIA The Fillmore
12 – BUFFALO Buffalo RiverWorks
13 – TORONTO HISTORY
15 – MILWAUKEE Landmark Credit Union Live
18 – COLUMBUS KEMBA Live! – Outdoor Amphitheater
20 – ST. LOUIS The Pageant
22 – OMAHA Steelhouse Omaha
23 – FAYETTEVILLE Ozark Music Hall
25 – ALBUQUERQUE Revel Entertainment Center
26 – PHOENIX The Van Buren
27 – ANAHEIM House of Blues
30 – SEATTLE Paramount Theatre
OCTOBER01 – PORTLAND Theater of the Clouds
03 – RENO Grand Theatre at The Grand Sierra Resort
04 – SAN FRANCISCO The MasonicThe post Bilmuri Share Catchy New Track ‘WHERE TO FIND ME’ Featuring Novelists appeared first on Rock Sound.
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“Someone put toilet paper in my back pocket and set fire to it. I sat in the sink and fell asleep. The soundtrack to that night was Gong!” How Napalm Death’s Barney Greenway got into prog
Vocalist believes there’s a strong and clear link between his band and Gong: their weirdness -
37 Houses – Helium
The alternative music scene has thrived in recent years, with many outstanding artists and bands delivering some of -
The 11 best songs from 1973
The 11 best songs from the year Kiss played their first show, Paul McCartney was fined for growing marijuana, and the oil crisis caused shortages of the vinyl needed to manufacture records -
Review: Black Oak County – Misprint
Review: Black Oak County – Misprint Mighty Music – April 10th, 2026 Reviewer – David Brighouse This is the 4th Album from the Danish hard rockers and once again Nicklas Sonne has co-written, produced, engineered, mixed and mastered the record. Opener and lead single ‘Kill The Pain‘ builds slowly into a thumping wall of sound, […]
The post Review: Black Oak County – Misprint appeared first on ROCKPOSER DOT COM.
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Live Review: Gnome – Wolverhampton
Live Review: Gnome – KK’s Steel Mill, Wolverhampton
1st April 2026
Support: WallWords: Cat Finch
Photos: Tim FinchA midweek trip to KK’s Steel Mill on April 1st might sound like a tough sell, but with Belgium’s rising stoner oddballs Gnome rolling into town, there was never any doubt this would be worth it. With Oxford duo Wall in support, the stage was set for a night of riffs, groove, and just the right amount of absurdity.
As it turned out, Wolverhampton was ready to embrace the weird, as The Razor’s Edge team arrive, the queue for merch is out of the door and we watch in awe as nearly every one of the 150+ strong crowd buys at least a red gnome hat (if not more) from the merch. It’s safe to say Gnome made a killing on merch tonight, and no doubt the rest of the tour too.
Photo Credit: Tim Finch PhotographyWall take to the stage with minimal fuss but maximum impact. As a two-piece built purely around riffs and rhythm, there’s nowhere to hide and this is exactly where their strength lies. The Cole brothers lock in immediately, delivering a barrage of thick, fuzz-drenched grooves that feel far bigger than the sum of their parts.
What really stands out is their chemistry. There’s an almost telepathic tightness to everything they do, shifting between sludgy crawl and punchy bursts of energy without missing a beat. The absence of vocals never feels like a gap, instead it allows the audience to get completely lost in the sheer weight of the sound, every riff soaked up into the audiences soul.
Photo Credit: Tim Finch PhotographyFrom the moment Gnome hit the stage, there’s a palpable shift in energy; part gig, part surreal theatre and totally bonkers. Known for blending heavy stoner riffs with a tongue-in-cheek sense of humour, they immediately pull the crowd into their bizarre, brilliant world, as a sea of 200 fans in bright red gnome hats get into the groove.
Opening with ‘Duke of Disgrace’ and ‘Wenceslas’, the band waste no time in getting bodies moving. The riffs are thick and infectious, but it’s the personality behind them that elevates everything. Frontman Rutger Verbist is a constant presence, grinning and gurning through every note, clearly feeding off the crowd’s growing enthusiasm.
Photo Credit: Tim Finch PhotographySongs like ‘Jebediah Supreme’ and ‘Golden Fool’ showcase the band’s ability to balance groove with playful unpredictability. ‘Blacksmith’ and ‘John Frum’ keep the momentum high, with the rhythm section driving things forward with relentless energy.
Closing run ‘Rotten Tongue’, ‘Old Soul’, ‘Kraken Wanker’ and ‘Ambrosius’ are nothing short of euphoric. The crowd is fully bought in by this point, singing, moving, and completely immersed in the Gnome universe (or is that the “Gnomeverse”?). It’s chaotic, it’s joyful, and it’s absolutely unforgettable.
Gnome have created an experience, and on this evidence, their cult status is only going to grow louder, weirder, and a whole lot bigger.
Photo Credit: Tim Finch Photography
Photo Credit: Tim Finch Photography
Photo Credit: Tim Finch PhotographyPhoto Credits: Tim Finch Photography
The post Live Review: Gnome – Wolverhampton appeared first on The Razor's Edge.
