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  • JONESTOWN Unleash Long-Awaited Debut Album Promise of Enlightenment – @thebeast



    FOR IMMEDIATE RELEASE
    JONESTOWN Unleash Long-Awaited Debut Album Promise of Enlightenment

    Stockholm Heavy Metal Veterans Deliver 75 Minutes of Thrash, Progressive Firepower, and Classic Metal Craft
    Release Date: May 29, 2026
    Genre: Thrash Metal / Heavy Metal
    For Fans Of: Metallica, Anthrax, Dream Theater
    Stockholm, Sweden – After nearly seventeen years of evolution, setbacks, and renewed determination, Swedish heavy metal force Jonestown have finally released their long-awaited debut full-length album, Promise of Enlightenment , available now independently through Bandcamp and all major streaming platforms.
    Formed in 2009, Jonestown’s debut is the culmination of years of songwriting, growth, and perseverance. The album features nine original compositions alongside two unexpected cover selections: the Ramones classic “Wart Hog” and Nirvana’s “Breed.” Clocking in at approximately 75 minutes, Promise of Enlightenment is an ambitious statement that showcases the band’s ability to merge crushing thrash aggression, traditional heavy metal songwriting, progressive arrangements, and melodic vocal delivery.
    The album was recorded at Studio for Nations in Stockholm , produced by bassist Linus Larsén , with co-production and sound engineering by Daniel Jedrzejewski . The record was mixed and mastered in Warsaw by Sebastian Has , known for his extensive work with Polish extreme metal legends Behemoth.
    Lyrically, Promise of Enlightenment explores themes of religious fanaticism, geopolitical conflict, war, and horror, delivering a thought-provoking backdrop to the band’s dynamic and technically driven compositions.
    “The album gave us the chance to show the width of our influences and capabilities, and it let every band member shine in different aspects,” says vocalist and guitarist Einar Svensson . “It was never really in doubt that these nine songs should end up on our first album.”
    Bassist and backing vocalist Linus Larsén adds:
    “The basic structure of all songs has probably been around since at least 2013. But performance-wise, I think the difference after the reunion is big, to the better, luckily.”
    Jonestown’s lineup features Einar Svensson (vocals, guitar, keys), Jacob Zetterberg (lead guitar), Linus Larsén (bass, backing vocals), and Johan Hambring (drums, backing vocals) . The current lineup represents a reunion of four of the band’s original members, who returned in the early 2020s with a renewed focus on bringing their long-developed material to life.
    The band’s ambition and musicianship have already earned praise from Swedish metal media. Sweden Rock Magazine awarded the album high marks, with Jonas Wettmark describing Promise of Enlightenment as:
    “a mastodon record at 75 minutes” and noting that Jonestown’s sound is “both progressive and punk.”
    With influences ranging from classic thrash giants to progressive metal innovators, Jonestown have crafted a debut album that refuses to follow a single path. Promise of Enlightenment is a bold introduction from a band that spent years refining their sound and waiting for the right moment to strike.
    Listen to Promise of Enlightenment now:
    Bandcamp: https://jonestownsweden.bandcamp.com/
    Spotify: https://open.spotify.com/artist/3yvHYLJvu19quFYSkOOBNf
    Apple Music: https://music.apple.com/us/artist/jonestown/1884778060


    Follow Jonestown:
    Facebook: https://www.facebook.com/JonestownSweden
    Instagram: https://www.instagram.com/jonestownband
    YouTube: https://www.youtube.com/@JonestownMusicSweden

    For press inquiries:
    Jonestown
    jonestownsweden@gmail.com

  • WE ALL RISE Earns Major Feature At BraveWords With New “Dead And Rotting” Music Video Featuring Biohazard’s Billy Graziadei – @thebeast

    FOR IMMEDIATE RELEASE
    WE ALL RISE Earns Major Feature At BraveWords With New “Dead And Rotting” Music Video Featuring Biohazard’s Billy Graziadei
    Groove Metal Powerhouse Continues Momentum Following Acclaimed Debut Album The Beginning Of The End
    Groove metal force We All Rise continues to make waves in the metal world as legendary publication BraveWords has featured the band’s latest music video for “Dead And Rotting,” shining a spotlight on the explosive collaboration with Biohazard guitarist, vocalist, and producer Billy Graziadei .
    The new video showcases one of the heaviest tracks from the band’s debut full-length album, The Beginning Of The End , released through Golden Robot Records . Produced by Billy Graziadei and mixed and mastered by acclaimed producer Tue Madsen (Meshuggah, Suicide Silence), the album has been praised for its crushing blend of classic ’90s groove metal, hardcore intensity, and modern heaviness.
    In its feature, BraveWords highlighted the unique creative bond between Graziadei and the band, noting We All Rise’s statement that they consider him “the fifth member of the band.” Beyond producing the record, Graziadei played a significant role in shaping the band’s development both musically and personally.
    The article also revisits another standout moment from the album, “Crown,” which features Biohazard co-founder Evan Seinfeld . According to the band, the collaboration helped reconnect Graziadei and Seinfeld after more than a decade apart, contributing to the renewed friendship that preceded Biohazard’s celebrated reunion.
    Rejecting modern studio shortcuts, We All Rise embraced a traditional recording approach, capturing live performances through real amplifiers to preserve the raw energy and authenticity that defines their sound. That same spirit is front and center in the new “Dead And Rotting” video, delivering a relentless visual assault packed with crushing riffs, aggressive grooves, and uncompromising intensity.
    The BraveWords feature marks another significant milestone for We All Rise as the band continues building momentum around The Beginning Of The End and expanding its reach across the global metal community.
    Watch “Dead And Rotting” now and experience the next chapter in We All Rise’s unstoppable rise.
    Check it out here: https://bravewords.com/news/biohazards-billy-graziadei-stars-in-new-dead-and-rotting-video-from-we-all-rise/

    About We All Rise

    We All Rise combines the crushing groove of Pantera, the hardcore grit of Biohazard, and the relentless power of Machine Head into a modern metal assault that stays true to the genre’s roots while forging its own identity. Their debut album, The Beginning Of The End , showcases a band built on authenticity, powerful songwriting, and a commitment to delivering real, uncompromising heavy music.
    For press inquiries, interviews, and review requests, contact: zach@metaldevastationradio.com
    More details on the band here: https://metaldevastationradio.com/thebeast/blog/29231/we-all-rise-release-explosive-new-music-video-for-dead-and-rotting-featuring-biohazards-billy-graziadei
  • Jim James – “Wowed Out”

    My Morning Jacket’s Jim James will soon be gracing us with his first solo album in eight years. The good Mr. Olliges announced Wowed Out in June and shared its pounding, soulful, psychedelic hymn “Come Again.” Today he’s back with the title track, which keeps the shimmering keyboard sounds and utopian language flowing.

    The post Jim James – “Wowed Out” appeared first on Stereogum.

  • Bloodstock Bound: Archaea

    Bloodstock Bound: Archaea

    As Bloodstock gets closer, we delve deep into the line up to find out more about some of the bands playing the New Blood and EMP stages at this years event.

    Today we chat with Archaea

    To introduce ourselves:

    · Dave Morgan: Lead Vocals
    · Alex Harris: Guitars & Backing Vocals
    · Lewis Crosby: Guitars
    · Peter Mansfield: Bass & Backing Vocals
    · Cal Deaves: Drums

    As a band, we hail from Merseyside, with Lewis and Alex based on the Wirral. Pete, Dave and Cal are over in Liverpool. Originally, Dave is from Barrow-In-Furness, and Alex moved to Merseyside 12 years ago from sunny Kent. Fun fact – he actually goes way back with the lead vocalist of Vampyra – this year’s winners of M2tM Kent. We’ve been following each other’s Masses’ progress and are now looking forward to a celebratory beer at the campsite!

    We’re a hybrid of a heavy metal band with some hard rock and more recently, metalcore undertones. We’ve been described as an “accessible” metal band – this, combined with our energy and power onstage, makes us stand out (or so we’ve been told!) We like to think we’re a very dynamic band, with highs and lows popping out from everywhere. We go from melodic, clean and subtle to 100% full tilt very abruptly. Our music has the balance of punchy riffs, melodic solos, killer breakdowns and catchy lyrics. We take a lot of time to write our songs to make sure each piece has its own personality that can stand on its own and not just be a filler song in an album.

    We won the Merseyside Metal to the Masses competition.

    Incredibly tough – the final ended up being a huge event which showcased virtually every band who competed across the competition. This served as a reminder of the quality throughout. The final itself came down to four bands – each completely different and incredible in their own right. It was an incredible event put on by some of the most dedicated people we’ve had the pleasure of working with.

    Playing Bloodstock is the culmination of all our hard work and bolsters our faith in the live music scene. It truly means absolutely everything. It’s an enormous achievement for us, and we worked so hard and put everything we had into winning M2tM. We’re extremely proud of what we’ve accomplished and even more proud that we get to represent our region as the ambassadors from Merseyside. Also, congrats to all at Bloodstock for hitting 25 years; here’s to 25 more!

    Energetic. Melodic. Hard-hitting, catchy and unrelenting.

    We hit the stage hard and showcase not only heavy headbanging riffs but soaring shreddy solos, mixed with powerful singing and even more powerful screaming – throw in a cohesive and tight rhythm section – and we are quite the force to be reckoned with. What people aren’t really going to get from simply listening to our tracks, or even the live session tracks (we had to stay incredibly still with the headphones on), is the energy we bring to the stage. We’re excited to be there when we’re on stage, and we think it shows.

    Hopefully it’s contagious, and we’re not to be missed.

    We are performing on Friday, on the New Blood Stage!

    We’re working on finishing some new songs with a view to getting back into the studio by the end of this year – for our next release in 2027. We have a number of songs which we have been rotating into our recent setlists which haven’t been officially released yet, so we’re excited to get these recorded. (Some you’ll hear on the New Blood stage!) Also, plans to expand our merch line, more gigs, invest in our stage show, behind-the-scenes clips, gig documentaries, elevate our stage craft, gear upgrades and more!

    Through M2tM we’ll be at artist camping, so we’ll be there for the full event!

    Dave: Whatever lager is cheapest.

    Alex: Lots of water, interspersed with crispy pints.

    Lewis: Any good beers I can find!

    Pete: I love drinking cider; however, I always have to keep water or a bottle of Coke nearby! Cal: Beer, lots of berry-flavoured Volvic and a cheeky Dr. Pepper from time to time!

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Bloodstock Bound: Archaea appeared first on The Razor's Edge.

  • PHIL CAMPBELL’S BASTARD SONS announce the “Phil Forever” tour

    Phil Campbell’s Bastard Sons are heading back to the stage, fueled by a mission that goes beyond the music. Following the passing of their father, the legendary Phil Campbell, the band is moving forward with an unwavering sense of strength, heart, and purpose, ensuring that the rock and roll flame he ignited continues to roar…. Continue Reading →
  • Bloodstock Bound: Dead Bait

    Bloodstock Bound: Dead Bait

    As Bloodstock gets closer, we delve deep into the line up to find out more about some of the bands playing the New Blood and EMP stages at this years event.

    Today we chat with Dead Bait

    We’re Dead Bait, an independent metal band from Cambridgeshire. The lineup is Kyran on vocals, Bobby and Alfred on guitars, Victor on bass and Toby on drums.

    Our sound changes from song to song. We pull influence from hardcore, metalcore and punk, but we never want to write the same track twice. Every song has its own identity while still sounding like Dead Bait.

    We entered our local Metal to the Masses competition. It was our third time competing, and this time everything clicked. Winning our regional final and earning a place at Bloodstock was an incredible feeling.

    Metal to the Masses is always stacked with great bands, but this year felt especially competitive. Everyone was on form, so when our name was announced it made the win even more rewarding. It genuinely felt like we’d earned our place.

    Metal to the Masses is an incredible opportunity for emerging bands. Everyone enters chasing the same dream, so to win and earn a Bloodstock slot means everything to us. Hearing our name announced was one of those moments we’ll never forget. Now we’re ready to give everything we’ve got and show people exactly what Dead Bait are about.

    Pure energy and aggression. We leave everything on stage every single show and we want the crowd to do the same. If you like heavy riffs, big energy and a bit of chaos, come and find us on Saturday.

    Saturday on the New Blood Stage

    Lamb of God, Bleed From Within and Northlane are all massive for us, but we’re just as excited to spend time around the New Blood stage discovering new bands. You never know—you might be watching future main stage headliners.

    Bloodstock is a huge milestone, but we see it as the beginning rather than the finish line. We want to make the most of every opportunity, meet as many people as we can and keep building momentum. Every year we’ve taken a step forward, and our goal is to make next year our biggest yet.

    We’ll be in the artist campsite, but we’ll be out around the festival as much as possible. If you spot us, come and say hello, we’re always happy to chat.

    We’ll be on the soft drinks until after we’ve played. we need to stay sharp! After that, we’ll definitely enjoy a few celebration beers. Although, knowing us, you’ll probably find us at the food vans before the bar. We’re determined to sample as much festival food as possible.

    We can’t wait to see everyone at Bloodstock. Come and catch us on Saturday at the Newblood Stage, and let’s lose our minds together!

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Bloodstock Bound: Dead Bait appeared first on The Razor's Edge.

  • Judy Announce New EP Death Of A Ladies’ Mutt: “Denim Girls”

    Judy is the duo of Diners’ Blue Broderick and Agriculture’s Leah Levinson. They linked up in December as a songwriting and recording exercise, cooking up two EPs in five days. The first, Songs OF Mutt And Hate, dropped in April. The second, Death Of A Ladies’ Mutt (you get it) is out next week, and its lead single “Denim Girls” is available to stream now.

    The post Judy Announce New EP <em>Death Of A Ladies’ Mutt</em>: “Denim Girls” appeared first on Stereogum.

  • “She eyes me like a Pisces when I am weak.” The story behind Nirvana’s darkest and most disturbing love song, Heart-Shaped Box

    In July 1993, following Nirvana‘s show at New York’s Roseland Ballroom during the annual New Music Seminar, Kurt Cobain sat down with a handful of writers from select English music magazines to discuss his band’s upcoming third album, In Utero.

    Scheduled for release on September 21, 1993, the album – the follow-up to the Seattle trio’s game-changing 1991 release Nevermind – was inarguably the most anticipated record of the year, with Cobain’s lyrics destined to be pored over, dissected and analysed on a forensic level by fans and music journalists desperate to gain insights into Cobain’s state of mind in the aftermath of his band’s wholly unexpected success.

    But when Phil Sutcliffe from Q magazine sought to quiz Nirvana’s frontman on the meaning of his lyrics on In Utero, Cobain suggested that anyone trying to pull apart individual songs for interpretation might be frustrated.

    “I’ve always painted abstracts,” he said. “I love dreams that don’t make sense. I’d much rather watch a film that doesn’t have a plot. Most of my lyrics don’t connect because I’ve taken lines from lots of different poems of mine and put them together. I’ll make up a theme well after the fact, oftentimes while I’m being interviewed.”

    Nowhere was this truth of these words more evident than in Cobain’s original outline of the meaning behind In Utero‘s first single, Heart-Shaped. Box.

    Written at Cobain and Courtney Love’s apartment at 448 North Spaulding Ave in Los Angeles, Heart-Shaped Box was first demoed by Nirvana during a three day recording session at Ariola BMG Studios in Rio de Janeiro, Brazil. and re-recorded with Steve Albini at Pachyderm Studios, Cannon Falls, Minnesota during the two week In Utero sessions.

    In an interview conducted by Rolling Stone writer Michael Azerrad for Nirvana’s official biography Come As You Are, published soon after the release of In Utero, Cobain claimed that the lyrics of the song were in inspired by the pain and anguish he felt seeing children with cancer.

    “Every time I see documentaries or infomercials about little kids with cancer I just freak out,” the singer told his biographer. “It affects me on the highest emotional level, more than anything else on television. Anytime I think about it, it makes me sadder than anything that I can think of.”

    “Most of the lines in it are just from [different] poems anyway,” Cobain added. “I just thought they painted a good picture, every line, But the basic idea of the song is about little kids with cancer.”

    As much as Azerrad, as Nirvana’s trusted biographer, had assumed the responsibility of sharing Cobain’s truth with the world, his instincts as a professional music writer compelled him to point out that even a cursory reading of Heart-Shaped Box suggested that it had precious little in common with Cobain’s emotional revelations about the song’s key theme, and that, in fact, it seemed to be about Courtney Love.

    “Lines like ‘Throw down your umbilical noose so I can climb right back‘ and being ‘locked inside your heart-shaped box‘ describe an almost horrific dependency,” Azerrad noted, adding that the lyric “I wish I could eat your cancer when you turn black” seemed to be a reference to Love’s “storm-cloud disposition.’

    Although the song’s title was originally believed to have been inspired by Love’s gift to Cobain of a heart-shaped box, filled with trinkets and dolls, before they were married, an alternate interpretation put forward the idea that it was basically a tribute to Love’s vagina. This theory gained a stamp of authenticity when Love effectively confessed as much in a tweet to singer Lana Del Rey.

    After learning that LDR had covered her huband’s song during a 2012 gig in Australia, Love tweeted to say, “You do know the song is about my Vagina right? ‘Throw down your umbilical noose so i can climb right back,’ umm. On top of which some of the lyrics about my vagina I contributed. So umm next time you sing it, think about my vagina will you?”

    Earlier this year, in conversation with her long-time friend Billy Corgan, on the Smashing Pumpkins’ frontman’s podcast The Magnificent Others, Love shared another revelation, revealing that one of the song’s key lyrics, and certainly its most sarcastic line, was inspired by Cobain’s irritation with the couple’s one-time friend Kim Gordon, and specifically what they perceived as her over-officious gatekeeping of the alternative rock world.

    “You know the lyric from Kurt which is,’Hey, wait. I’ve got a new complaint / [Forever in debt to your priceless advice]’ That’s about Kim,” Love explained. “That’s literally about Kim.”

    “He was so mad at her. Kurt’s whole thing was he hid his light under a bushel for [Nirvana’s debut album] Bleach,” she continued. “Because one, Seattle, which he wasn’t from, and two Kim Gordon.”

    Heart-Shaped Box was released as a single on August 30, 1993, accompanied by an arty Anton Corbijn-directed video. The single peaked at number 5 in the UK, and reached number two on the US AOR Tracks choice, which must have caused the band some amusement.