“It’s an ode to everyone living in their car, bleaching their roots in a truck stop bathroom, refusing to disappear quietly.”
The post Evil Island’s (The Blood Brothers, Ex-Glassjaw, Etc.) “King Death” Music Video Premieres appeared first on Theprp.com.
Supertramp created one of rock music’s most distinctive catalogs by blending progressive arrangements, piano-driven pop, jazz, blues, art rock, and emotionally direct songwriting. This complete A-to-Z guide gathers the band’s eleven studio albums, non-album singles, B-sides, and every song included in the supplied catalog through July 2026. Supertramp, the British rock band known for blending progressive rock with pop sensibilities, formed in London in 1969. Rick Davies and Roger Hodgson became the group’s principal songwriters, while the classic lineup also featured John Helliwell on woodwinds and backing vocals, Bob Siebenberg on drums, and Dougie Thomson on bass. The contrast between
The post Complete List Of Supertramp Songs From A to Z appeared first on ClassicRockHistory.com.
Every week the Stereogum staff chooses the five best new songs of the week. The eligibility period begins and ends Thursdays right before midnight. You can hear this week’s picks below and on Stereogum’s Favorite New Music Spotify playlist, which is updated weekly. (An expanded playlist of our new music picks is available to subscribers on Spotify and Apple Music, updated throughout the week.)
The post The 5 Best Songs Of The Week appeared first on Stereogum.
Thirteen essential metal and hard rock albums hit their 40th anniversary in 2026, and almost none of them are a coincidence — 1986 is widely regarded by historians and musicians alike as thrash metal’s single most important year, the moment three of the genre’s defining records landed within months of each other. From “Master of Puppets” to “The Final Countdown,” here’s the full list, worst-kept secret of the decade included: 1986 might be the best single year heavy music ever had.
Ronnie James Dio’s third solo album after departing Black Sabbath found the band leaning further into fantasy-rock grandeur, with “Rock ‘n’ Roll Children” giving the record its most enduring single. It’s a transitional record in Dio’s catalog — not as iconic as “Holy Diver” or “The Last in Line,” but a reminder that even a “lesser” Dio album from this era is still built on one of metal’s greatest voices.
Lemmy Kilmister’s crew delivered one of their heaviest, most aggressive records with “Orgasmatron,” a title track later covered by Sepultura that’s become one of the band’s most quietly influential songs among extreme metal acts. It marked a genuine sonic hardening for Motörhead, arriving right as the thrash scene they’d helped inspire was cresting.
King Diamond’s first solo album after Mercyful Fate’s initial split introduced the horror-story-concept-album format that would define the rest of his career, built around a genuinely unsettling narrative about a woman’s ghost and her murdered child. It’s the blueprint for everything King Diamond would do for the next four decades.
Frequently cited by musicians of the era as one of 1986’s most underrated releases, “The Dark” showcased a heavier, more technical direction for Metal Church that influenced the coming thrash and power metal scenes more than its commercial performance ever reflected. The title track remains a deep-cut favorite among genre historians.
Coming off the shock-rock theatrics of their earlier records, W.A.S.P. pushed toward a more polished, arena-ready sound on “Inside the Electric Circus” — a pivot that split fans at the time but positioned the band for the bigger commercial ambitions of the late ’80s.
The glam-metal explosion’s commercial arrival point. “Talk Dirty to Me” turned Poison into an MTV fixture almost overnight, and whatever critics thought of the hairspray-and-lipstick aesthetic, this album is inseparable from how mainstream America experienced “metal” by decade’s end.
One keyboard riff turned a Swedish hard rock band into a global phenomenon. “The Final Countdown” the song has become inescapable at sporting events and pop culture moments for four decades running — a rare case of an album’s title track eclipsing the record itself almost entirely.
Sammy Hagar’s debut as Van Halen’s frontman, replacing David Lee Roth, was a genuine gamble that paid off — “5150” became the band’s first Billboard 200 No. 1 album, proving Van Halen could survive its most dramatic lineup change without missing commercially.
Ranked at No. 13 on Loaded Radio’s own Judas Priest countdown, “Turbo” remains one of the most divisive records in the band’s catalog — guitar synths over traditional metal riffs, a bet that alienated purists at the time but has aged into a genuine cult favorite, with “Turbo Lover” now an indestructible arena anthem four decades later.
Ranked at No. 5 on Loaded Radio’s own Iron Maiden countdown, “Somewhere in Time” was Maiden’s own synth gamble the same year as Priest’s — guitar synthesizers layered over the band’s established sound, delivering “Wasted Years” and “Stranger in a Strange Land” as two of the most enduring singles of their catalog. Notably, it’s the only album on this list the band has still never played in full live, largely because the epic closer “Alexander the Great” has never once been performed.
Dave Mustaine’s response to being fired from Metallica three years earlier arrived as a genuine statement of purpose — politically sharp, technically ferocious, and home to the title track whose bassline became so iconic MTV literally used it as the network’s news-bumper music for years. Alongside the two albums below it, this is one of the three records most historians point to as thrash metal’s defining moment.
“Reign in Blood” compressed thrash metal down to its most violent, efficient form, clocking in at under 29 minutes and producing “Angel of Death” and “Raining Blood,” two of the most influential songs extreme metal has ever produced. Producer Rick Rubin’s involvement — his first with Slayer — helped push the band’s sound into territory that directly birthed death metal as a genre in the years that followed. It’s frequently cited as thrash’s single most extreme statement, and forty years on, nothing has really topped it on pure violence alone.
The call between this and “Reign in Blood” for the top spot is close enough that plenty of critics refuse to make it — but “Master of Puppets” earns it here on completeness. It’s Metallica’s most fully realized artistic statement of the decade, balancing thrash’s aggression with genuine compositional ambition across eight sprawling tracks. It’s also, tragically, the last album Cliff Burton ever recorded with the band. Burton died on September 27, 1986, when the band’s tour bus crashed in Dörarp, Sweden, while they were still touring behind this exact record. Forty years later, “Master of Puppets” isn’t just remembered as a masterpiece — it’s remembered as the album that closed out one of metal’s most important creative partnerships far too soon.
Put this alongside Slayer and Megadeth above it, and 1986 didn’t just produce three great albums. It produced the actual blueprint for American thrash metal, all within about seven months of each other.
Among the most significant: Metallica’s “Master of Puppets,” Slayer’s “Reign in Blood,” Megadeth’s “Peace Sells… But Who’s Buying?,” Iron Maiden’s “Somewhere in Time,” and Judas Priest’s “Turbo” — all released in 1986.
1986 produced three of thrash metal’s most foundational albums within about seven months of each other — Metallica’s “Master of Puppets,” Slayer’s “Reign in Blood,” and Megadeth’s “Peace Sells… But Who’s Buying?” — a concentration of genre-defining releases historians point to as unmatched by any other single year.
Yes. Bassist Cliff Burton died on September 27, 1986, in a tour bus accident in Sweden while the band was touring behind “Master of Puppets,” making it his final studio album with the band.
Iron Maiden’s “Somewhere in Time” and Judas Priest’s “Turbo” both experimented with guitar synthesizers, while Europe’s “The Final Countdown” and Poison’s “Look What the Cat Dragged In” marked hard rock and glam metal’s commercial peak the same year.
Written by Scott Penfold Last Updated: July 2026
Which 1986 album means the most to you — and did we get the order right? Let us know in the comments. Follow Loaded Radio for daily rock and metal news.
The post 13 Metal Albums Turning 40 In 2026, Including The One MTV Turned Into Its News Theme Song appeared first on Loaded Radio.
You like really intense lyrics about post-breakup epiphanies? Well, here’s one for you: “You thank me for a good year and go/ And you say it like you have to leave/ You’re sorry for the good parts, as well as what you really did wrong/ But it’s all the same to me.” Those are the opening lines from the British-born, Brooklyn-based singer-songwriter Fenne Lily’s new song “Thank You Sorry.” She gets right to it!
The post Fenne Lily – “Thank You Sorry” appeared first on Stereogum.
Metallica will launch their extended Life Burns Faster residency at the Sphere Las Vegas on October 1, and drummer Lars Ulrich is already excited about the challenge of staging the ultimate Metallica live experience at the “intimidating” high-tech Nevada venue.
With the San Francisco quartet’s massive M72 World Tour, now officially certified as the 10th highest-grossing tour of all time, finally complete, the band are turning their attention to their upcoming stay at Sphere, where they have shows lined up in October and November, plus January, February and March 2027.
In playing at Sphere, Metallica will follow in the footsteps of U2, Eagles, Phish, Dead and Company and more, and Ulrich is aware that past residencies at the venue have raised the bar for live concert experiences.
“I was there opening night [of the U2 residency],” the drummer tells U2 guitarist The Edge on his Close To The Edge show on SiriusXM, “and was so just fucking awestruck, inspired, energized, all of it. And it was just, like, Holy shit, this is somehow another frontier.
“Obviously, you guys were the first ones in,” Ulrich continues, “and it was just so incredible to see that night. And so in that spirit, three years later, when we start here in a few months, we’re so excited and definitely have heard from a few folks about the filming and all of it.
“It’s gonna be challenging… it’s overwhelming and fucking intimidating. But hopefully when we step out on stage that first night, we’ll have it somewhat together. And as you know, that’s a place maybe we don’t end up in often enough, because we have a tendency to put ourselves in environments that we completely control and know. And so I think it’s really good to be able to throw yourself for a loop like that.”
Oct 01: Las Vegas Sphere, NV
Oct 03: Las Vegas Sphere, NV
Oct 08: Las Vegas Sphere, NV
Oct 10: Las Vegas Sphere, NV
Oct 15: Las Vegas Sphere, NV
Oct 17: Las Vegas Sphere, NV
Oct 22: Las Vegas Sphere, NV
Oct 24: Las Vegas Sphere, NV
Oct 29: Las Vegas Sphere, NV
Oct 31: Las Vegas Sphere, NV
Nov 05: Las Vegas Sphere, NV
Nov 07: Las Vegas Sphere, NV
Jan 28: Las Vegas Sphere, NV
Jan 30: Las Vegas Sphere, NV
Feb 04: Las Vegas Sphere, NV
Feb 06: Las Vegas Sphere, NV
Feb 18: Las Vegas Sphere, NV
Feb 20: Las Vegas Sphere, NV
Feb 25: Las Vegas Sphere, NV
Feb 27: Las Vegas Sphere, NV
Mar 04: Las Vegas Sphere, NV
Mar 06: Las Vegas Sphere, NV
Mar 11: Las Vegas Sphere, NV
Mar 13: Las Vegas Sphere, NV