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Simon Ostini Unleashes Blazing New Instrumental Single “Waltz of the Vultures” – Out April 17, 2026 – @thebeast
FOR IMMEDIATE RELEASE
Simon Ostini Unleashes Blazing New Instrumental Single “Waltz of the Vultures” – Out April 17, 2026
Rising Austrian guitar virtuoso Simon Ostini is set to release his explosive new instrumental single Waltz of the Vultures on April 17, 2026, via Hellbound Records. Fusing high-octane shred, melodic metal, and cinematic flair, the track delivers a relentless showcase of precision, speed, and expressive guitar mastery that’s guaranteed to turn heads in the global metal scene.
Fans of Gus G. , Andy James , and Marty Friedman will find plenty to sink their teeth into, as Ostini channels both technical firepower and memorable phrasing into a track that balances flash with feel. Waltz of the Vultures isn’t just a shred fest, it’s a calculated, dynamic composition that highlights his evolution as both a player and a songwriter.
Simon Ostini’s journey began at the age of seven, quickly developing into a lifelong pursuit of excellence. During his teenage years, he cut his teeth with hard rock outfit StageFright, recording an album and an EP while touring internationally. Those early experiences laid the groundwork for his reputation as a highly skilled and dedicated guitarist.
As his online presence grew through jaw-dropping guitar performances, Ostini caught the attention of major brands like Marshall Amplification , Beyerdynamic , and Polychrome DSP , leading to collaborations that further cemented his standing in the guitar community.
After relocating to Sweden post-graduation, Ostini released his solo album Witches and expanded his reach as a session guitarist, contributing to multiple projects including a feature appearance on the debut album of Swiss metal band I Won’t Skye . In August 2025, he joined German metal act ELA , contributing guitar work to several singles and their upcoming studio release.
Drawing inspiration from legendary players such as John Sykes , Doug Aldrich , Satchel , Buckethead , and Vinnie Vincent , Ostini continues to push his sound forward while staying rooted in the traditions of classic and modern metal guitar.
Production Credits:
Simon Ostini – Guitar, Bass
Glenn Welman – Drums
Stefan Iwainsky – Mixing, Arrangement
Paris Parasidis – Mixing, Mastering
Oskar Andersson – Gear
Rene Wolf – Supervision
Patrick Cerny – Video Director
Marvin Heine – Video Color Grading
With Waltz of the Vultures , Simon Ostini proves he’s not just another fast player, he’s building a name as a serious force in the modern instrumental metal world. Expect soaring leads, razor-sharp execution, and a track that hits just as hard emotionally as it does technically.
Pre-Save Now:
https://simon-ostini.ffm.to/waltzofthevultures
Connect:
Linktree: https://linktr.ee/simonostini
Contact:
Simon Ostini
simonostini@gmail.com
Label:
Hellbound Records -
Sight of Emptiness Unleashes Crushing Nu-Metal Tribute with “Break Stuff” (Limp Bizkit Cover) – @thebeast
FOR IMMEDIATE RELEASE
Sight of Emptiness Unleashes Crushing Nu-Metal Tribute with “Break Stuff” (Limp Bizkit Cover)
Costa Rica’s long-reigning metal force, Sight of Emptiness, returns with a powerful and deeply personal release: a reimagined cover of “Break Stuff,” the iconic anthem by Limp Bizkit . Dropping March 25th, this version is more than a tribute. It’s a full-force statement from a band that has spent two decades carving its own path through the global metal underground.
Blending Nu Metal intensity with Groove Metal weight, Sight of Emptiness injects their signature sonic identity into the track while honoring the raw energy that defined an era. Fans of Deftones , Korn , and Limp Bizkit will find themselves right at home in this explosive reinterpretation.
Originally conceived as a passion project celebrating the golden age of late ‘90s and early 2000s metal, the release took on deeper meaning following the passing of Sam Rivers in 2025. What began as homage evolved into a heartfelt, posthumous tribute, honoring Rivers’ influence and the sonic blueprint that continues to inspire generations.
Produced, mixed, and mastered by acclaimed producer Thomas “Plec” Johansson (known for his work with Opeth and Soilwork ) at Bohus Studio in Sweden, the track strikes a rare balance between old-school authenticity and modern precision. The result is a version of “Break Stuff” that feels both nostalgic and urgently relevant.
Sight of Emptiness brings serious pedigree to the table. Over a 20-year independent career, they’ve released five albums, toured globally from Iceland to Japan, and shared stages with heavyweights like Testament , In Flames , Arch Enemy , Behemoth , Nightwish , Dimmu Borgir , Dark Tranquillity , and Machine Head . They’ve ignited crowds at Bloodstock Open Air and made history as the first Central American band to perform on the 70000 Tons of Metal .
On their home turf, they’ve supported legends such as Black Sabbath , Slayer , Megadeth , and Amon Amarth , cementing their status as Costa Rica’s premier metal export.
The band shares:
“Seeing Limp Bizkit play our home soil confirmed that recording this track was the right move. The emotions from that live experience reaffirmed the power of these anthems today—they feel fresher and more necessary than ever. It’s about catharsis. You get that release through music without actually having to act it out. Why did we do it? Why not? It’s a necessary purge.”
Far from a carbon-copy cover, this version of “Break Stuff” channels the chaos, brotherhood, and emotional release that defined a generation—while pushing it forward with modern firepower.
Stream the track now:
https://sightofemptiness.bandcamp.com/track/break-stuff
Release Date: March 25, 2026
Genre: Nu Metal / Groove Metal
Label: Independent
Connect:
https://linktr.ee/sightofemptiness
Contact:
Eduardo Chacón
sightofemptiness@gmail.com -
Dawn Staley and Geno Auriemma Lip-Reading Video is Going Viral
South Carolina head coach Dawn Staley had a now-viral handshake with UConn head coach Geno Auriemma at the end of their Final Four game.
The post Dawn Staley and Geno Auriemma Lip-Reading Video is Going Viral appeared first on Audio Ink Radio.
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HEL HATH FURY UNLEASH PRO-SHOT LIVE VIDEO FOR “GARMR” — FILMED AT DENVER’S ICONIC FEDERAL THEATRE – @thebeast
FOR IMMEDIATE RELEASE
HEL HATH FURY UNLEASH PRO-SHOT LIVE VIDEO FOR “GARMR” — FILMED AT DENVER’S ICONIC FEDERAL THEATRE
Colorado’s rising metal force Hel Hath Fury is back with something raw, real, and loud as hell. The band has just dropped a pro-shot live video of their track “Garmr,” captured in full fury at The Federal Theatre in Denver on February 12th, 2026.
Filmed by Agita Ennui Productions, this isn’t some shaky phone footage from the back of the room. This is the real deal. Crisp visuals, crushing sound, and a front-row view of a band that’s quickly building a reputation for delivering the goods on stage. If you want to know what Hel Hath Fury is all about, this is it.
“Garmr” hits with the kind of intensity that only comes from a band grinding it out the old-school way. Tight, aggressive, and locked in. The live setting brings out a different kind of energy too. You can feel the crowd, the sweat, the volume. It’s the kind of performance that reminds you why live metal still matters.
This release follows the momentum of their latest single “Halt Ragnarok,” which marked a major step forward in the band’s evolution from DIY beginnings to a more polished, professional sound. Between studio growth and now a high-quality live visual to back it up, Hel Hath Fury is proving they can hit just as hard in any setting.
Beyond the stage, the band has been steadily making waves. From features in Decibel Magazine to podcast appearances and growing buzz across the underground, they’re putting in the work and it’s paying off.
And they’re not slowing down.
LIVE & LOUD – UPCOMING SHOW:
May 16 – Moe’s Original BBQ, Denver
With When Darkness Falls, Human Paint & Cruxvae
With more content, more shows, and bigger moves on the horizon, Hel Hath Fury is kicking the door open and daring anyone to keep up.
Watch the pro-shot live video for “Garmr” now:
Stream “Halt Ragnarok”:
https://distrokid.com/hyperfollow/helhathfury/halt-ragnarok
Hel Hath Fury isn’t coming quietly. Stay tuned.
Follow the band at these links:
https://helhathfury.my.canva.site/
https://www.facebook.com/helhathfury
https://www.instagram.com/helhathfury.band/
https://helhathfury.bandcamp.com/
https://open.spotify.com/artist/4JGqPEkaIuwFoCFC5Xcu1D
https://music.apple.com/us/artist/hel-hath-fury/1697767999
Contact: Zach Haveman (helhathfuryband@gmail.com)
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CHOKE ME UNLEASH “A VIOLENT PHENOMENON” — OUT MAY 1, 2026 VIA RIOT READY RECORDS – @thebeast
FOR IMMEDIATE RELEASE
CHOKE ME UNLEASH “A VIOLENT PHENOMENON” — OUT MAY 1, 2026 VIA RIOT READY RECORDS
Los Angeles, CA – Rising from the filth and fury of the West Coast underground, Choke Me are set to drop their latest sonic assault, “A Violent Phenomenon,” on May 1, 2026 via Riot Ready Records.
Blending the raw aggression of grindcore, the urgency of hardcore, and the crushing weight of metal, Choke Me deliver a no-frills, DIY-fueled attack that pulls zero punches. Helmed by songwriter, guitarist, and frontman Wesley Richards, the band has carved out a reputation in the LA underground for their unfiltered intensity and refusal to play it safe.
A Violent Phenomenon is exactly what the title promises. Relentless, pissed off, and unapologetically heavy, the release channels both personal and political rage into a barrage of punishing riffs and thought-provoking lyricism. Tackling everything from the current and historical political climate to the suffocating grip of systemic power, Choke Me aim straight for the throat.
As Staxx Tightsey puts it:
“Relentless, pissed off and punishing metal blended with thoughtful lyrics.”
Fans of Darkest Hour, Magrudergrind, and Punch will find plenty to latch onto here, but Choke Me aren’t just following in anyone’s footsteps. They’re stomping their own path straight through the concrete.
The record was written, recorded, and mixed by Wesley Richards at Riot Ready Records, capturing the band’s raw, unfiltered energy at its source. Mastering was handled by Brad Boatright at Audiosiege, adding the final layer of sonic devastation, while artwork by Matt Worthington visually captures the chaos within.
With A Violent Phenomenon , Choke Me aren’t just making noise, they’re making a statement. Loud, ugly, and impossible to ignore.
Release Date: May 1, 2026
Label: Riot Ready Records
For Fans Of: Darkest Hour, Magrudergrind, Punch
Credits:
Written, Recorded & Mixed by Wesley Richards at Riot Ready Records
Mastered by Brad Boatright (Audiosiege)
Artwork by Matt Worthington
Contact:
https://www.instagram.com/chokemeband/
Wesley Richards: info@riotreadyrecords.com -
SICARIUS: Nex
Out April 10, 2026 Via Adirondack Black Mass Words by: Courtney Stark Some bands fade. Others collapse under their own weight. And then there are those that die — only to be dragged back, reanimated with something far more bitter running through their veins. SICARIUS fall firmly into the latter. Formed in 2014 with a […] -
TARASK: Sitra Ahra
Out 7 April, 2026 Via Antiq Words by: Courtney Stark There’s something about one-man black metal projects — they exist in a space that feels both deliberate and inevitable. Born from misanthropy, disgust, or simply the desire for complete creative control, they occupy the more obscure fringes of an already extreme genre. And yet, those […] -
ESTRADA Music Project Sacred Heart Review
ESTRADA Music Project – Sacred Heart Review
A distant pulse emerges from the silence—ESTRADA Music Project invites you into a space where reflection and tension slowly intertwine. “Sacred Heart” unfolds like a vision, suspended between dream and revelation.
The track begins with a restrained and atmospheric approach, allowing each sonic layer to breathe. Gradually, the composition expands, introducing a subtle groove that grows with quiet determination. This progression feels inevitable, drawing the listener deeper into its hypnotic core.
There are echoes of Depeche Mode in the mood and texture, blended with melodic nuances reminiscent of Genesis. However, the artist reshapes these influences into something personal, using them as a foundation rather than a destination. The result highlights a refined compositional ability that stands on its own.
ESTRADA Music Project Sacred Heart Review
The atmosphere evokes the image of a deserted shoreline, where thoughts drift freely and deeper questions begin to surface. Themes of inner conflict and moral tension emerge, touching on something ancient and universal. In this sense, “Sacred Heart” feels less like a song and more like a meditation on human nature.
As the track evolves, the intensity rises with precision. The rhythm gains momentum, while the arrangements become denser without losing clarity. Meanwhile, the vocal delivery remains ethereal, enhanced by a reverberated texture that gives it an almost prophetic quality. It feels as if the voice is guiding the listener through a personal yet collective experience.
Toward the end, the groove transforms into a steady, pulsating force, echoing the beating of a heart. This shift reinforces the emotional weight of the piece, bringing everything full circle. “Sacred Heart” stands as a minimalist yet powerful exploration of sacrifice, belief, and the fragile pursuit of goodness.
Trascendent!
If you love dreamy music like this:
Discover More Bands Here
For fans of:
Nick Cave • Depeche Mode • Placebo
The post ESTRADA Music Project Sacred Heart Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Longtime Van Halen Engineer Donn Landee Dead at 79
He also worked on famous records by the Doobie Brothers, Little Feat and more. Continue reading…
