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  • ALBUM REVIEW: Black Hurst – Purgatory of Flesh Bizarre

    New York black metal mystics Black Hurst have unveiled their debut full length album. Out now via Nuclear War Now Productions, Ixiol Productions and Signal Rex.

    A burst of lively guitars and malicious vocals atop devastating drums fires into a contorting mass of blackened magick. The intensity does not build, rather force-feeding you it from the onset. Cleverly intricate bass lines serpentine around venomous riffing and snappy drum work, a classic assault of metallic fury met by these eerily snarled vocals. Synths and leads provide more expansive flares to the already interesting rhythm work, showcasing technicality but also uniqueness with their estranged black metal blend. Honestly, the solos on this record totally rip! There are parts that remind me of Greek and Italian black metal, equally US legends such as Negative Plane and Absu can be felt in the mix too. Having said this, Black Hurst may have common characteristics with other bands but still do something largely their own and do not feel like a direct copy of anything. I adore how wild the guitar work is, often going off-piste in bold and adventurous directions that may feel unorthodox to the easily-herded mainstream but will certainly leave a twinkle in the eye of the underground listener who favours a more obscure sound. There is a dry percussiveness to the mix that slaps you with the raw and untempered onslaught of the bizarre record, allowing all of its charms to bewitch you.

    Writing unique black metal without going into pretentious meanderings or straying too far from that all-important metal part of the genre is not easy. Black Hurst manage to keep that riff-laden, pounding and headbang-able glory ever-present and yet with atmospheric and progressive flourishes likenable to more far-reaching bands. Their sense of melody is strong and the songwriting is equally impressive. Of course this is their debut album, with a 2023 demo and 2024 EP under their belts already, not to mention the members’ various other endeavours. As such the musicality of the record feels like that of experienced songwriters but there is also that first album sense where a few things could be refined. Nothing is too haphazard but some of the changes can feel a little too on-the-nose. It definitely feels like a lot of very different ideas were poured into the creative pot and the majority work really well. “Possession Absurd” is a real stand-out with its Mortuary Drape-ish essence dragging the wild beast of a record into the catacombs for a more sombre subterranean quest. For me this is a record with a huge potential to be built upon, while being perfectly enjoyable in its own right. The instrumental work is superb and the vocals are fittingly grim, with the songs taking plenty of interesting twists into their stride and conjuring an archaic and evocative atmosphere.

    A hugely varied, dynamic and courageous debut album that dares go beyond what many black metal bands would, especially on their first LP. I think Black Hurst have enormous potential to become a wrecking force of the underground where they stand out from the vast majority. It is no secret that I prefer my black metal with huge doses of heavy metal and this record definitely delivers a lot of those elements I value. As I mentioned earlier, I feel that there is some refinement that could be undergone to concoct something truly timeless and epic, but this is a really impressive first step that holds tons of value and in a world of uniformity among bands trying to be different; here is a rare example of one that actually is. So please take my criticisms with a grain of salt, this is something special and totally worthy of your time.

    Rating: 8 out of 10.
  • Skeletal Remains’ Chris Monroy Under Fire for Alleged Misconduct on 70K Tons of Metal, Officials Issue Statement

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    There’s been a lot of chatter online lately regarding allegations that Skeletal Remains’ frontman Chris Monroy got far too drunk and sexually assaulted a number of women while aboard this year’s 70,000 Tons of Metal Cruise. Eyewitness accounts from attendees and cruise staff alike share very similar details regarding incidents that allegedly left Monroy banned from the cruise and confined to his quarters or thrown in the ship’s brig for the duration of the trip.

    And while many accounts suggest Monroy was punished for his alleged actions, the metal cruise’s organizers told MetalSucks that the matter was addressed at the time and “no further action was warranted on board”.

    “Our security team was made aware of a situation during the cruise and promptly interviewed all parties involved to defuse the matter. After reviewing the information available at the time, no further action was warranted.

    “70000TONS OF METAL is a very friendly and inclusive environment, and we take the safety and well-being of our guests, crew, and artists extremely seriously. We also have a clear code of conduct that we hold everyone on board to, including guests and musicians alike.”

    Word of Monroy’s alleged misdeeds began spreading last week on the unofficial 70,000 Tons of Metal Facebook group when two users, one of which opted to remain anonymous, posted their alleged experiences with the band’s frontman. Those posts were then shared on social media and Reddit, where even more people shared similar stories of Monroy allegedly being a massive creep.

    “I’d like to give a big sarcastic shout out to the guitar player of Skeletal Remains for being a total drunk piece of shit who was groping women on the boat. Learn some consent before we ass fuck you next time you come around. Fuck you and your band.”

    In another instance, a woman named Maddy Raymond posted a quick ‘fuck you’ to Monroy on Facebook, while another user on Reddit claimed that they were the one to report Monroy while on the ship. In their comments, they said Monroy wouldn’t leave them alone, constantly touching them after being told to “fuck off multiple times.”

    “Posting here bc privacy versus other social media outlets. I was the one who reported him on the ship. He would not leave me alone after I got off of my volunteer shift and went to the casino bar with one of my best friends. Chris continued to approach me and grab me by the waist on my bare skin. I told him to fuck off multiple times. He would then continue to walk by me and grab me as he was walking by several times.

    “I then sat at the bar with my friend, and he grabbed my cigarette out of my hand and my drink, and began to smoke my cigarette and drink my drink and grab me by the waist at the same time. I was telling him to fuck off extremely loud and he simply would not get the point. People sitting next to us started to notice and asked if we needed security and I said yes I told the bartender also to call security and they never showed up. I then decided to take action the next day and reported it to the higher ups of 70 K because I knew action needed to be taken.

    “It is really upsetting to then hear that his behavior was happening in other instances on the ship and in previous events. Why no one has come forward before me? I’m not sure but there’s tons of video footage of what happened that entire ship has cameras everywhere. As per the security/police team and the information that they told me when they were reviewing my statement, not to mention, that ship also has 75% audio accompanying that footage so if anyone questions this decision made by 70000Tons Of Metal and their decision believe me that it’s official.”

    As of this posting, Skeletal Remains has yet to comment on the allegations and they’ve turned off commenting on their social media posts. We have personally reached out to the band for comment but they have not responded to our requests.

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    The post Skeletal Remains’ Chris Monroy Under Fire for Alleged Misconduct on 70K Tons of Metal, Officials Issue Statement appeared first on MetalSucks.

  • THEY MIGHT BE GIANTS Announce New Album ‘THE WORLD IS TO DIG’ Out April 14 + Share Lead Single ‘Wu-Tang’

    Photo: Shervin Lainez

    Brooklyn legends They Might Be Giants proudly announce the arrival of their highly anticipated new LP, The World Is to Dig. The 18-song album arrives April 14 in all formats at TMBGshop.com and on streaming services; plus an exclusive 180-gram vinyl colour variant will be available at indie retail shops on April 17. This is the band’s first full-length album since 2021’s Grammy-nominated BOOK, and the project blends sharp song writing and bold experimentation into a refreshingly original collection.

    The album’s lead single, ‘Wu-Tang,’ is out now. While the song’s lyric celebrates the power of Wu-Tang Clan over a fan as a transformative force, TMBG’s trademark melodicism sweetly buoys the listener along with waves of ‘60s-style pop hooks.

    John Linnell says, “Many years ago, we discussed the idea of celebrating an artist or a style of music, but in the form of a completely unrelated genre of music. The original idea was a Tin Pan Alley-style song extolling the greatness of heavy metal. ‘Wu-Tang’ was written more or less along those lines, partly inspired by their TV biopic, but void of any musical reference to the great hip-hop collective. Are we fans? Sure! Would we ever attempt to emulate their sound? Not publicly.”

    ‘Wu-Tang’: Listen / Watch

    Follow They Might Be Giants:
    Website | Facebook | Twitter | Instagram I YouTube | Spotify | Apple Music | Bandcamp

    The post THEY MIGHT BE GIANTS Announce New Album ‘THE WORLD IS TO DIG’ Out April 14 + Share Lead Single ‘Wu-Tang’ appeared first on The Rockpit.

  • The 25 Biggest Rock Stars Who Never Issued a Solo Album

    Some of music's most recognizable names have never appeared on the cover of an LP. Continue reading…
  • THE ANIMALS Announce The House Of The Rising Sun Tour 2026

    THE ANIMALS were a major force in the British Invasion of the 1960s, blending blues, R&B, and rock into a sound that has inspired generations. Their music remains as relevant and powerful today as it was back then!

    Britannia ruled the airwaves in the 60’s. In the front ranks, marching in formation behind The Beatles, were The Animals, who became the second British band to top the American charts after The Beatles. Featuring original member John Steel alongside Danny Handley, Barney Williams and Norman Helm, music fans can expect a fantastic concert of the Best of The Animals.

    Still on the prowl, The Animals remain a seminal rhythm & blues band. Commanding great respect amongst their peers as well as from fans of all ages – crowds still adore their timeless classics, ‘We Gotta Get Out Of This Place’, ‘Boom Boom’, ‘Don’t Let Me Be Misunderstood’, ‘It’s My Life’, ‘Bring it on Home to Me’ and the bands’ iconic multi-million selling, and Number One worldwide, hit – ‘House of The Rising Sun’

    After all these years, the legend still grows… Great Songs. Great Memories. Join THE ANIMALS this October as they perform all their Greatest hits on The House of the Rising Sun Tour

    Tickets
    Pre-sale: Wednesday, 18th February 2026 @ 10:00am Local Time
    General Public On Sale: Friday, 20th February 2026 10:00am Local Time
    From: https://metropolistouring.com/the-animals-uk-2026/

    The post THE ANIMALS Announce The House Of The Rising Sun Tour 2026 appeared first on The Rockpit.

  • STORY OF THE YEAR Release Highly Anticipated 7th Album ‘A.R.S.O.N.’ Out Everywhere Now

    Photo: Ryan Smith

    Story Of The Year has released their seventh studio album, A.R.S.O.N., out everywhere now via SharpTone Records.

    A.R.S.O.N. is where energy, emotion, and precision collide. It proves that Story of the Year thrives in the tension between rage and restraint, destruction and rebirth, channeling catharsis with deliberate control. An acronym for All Rage, Still Only Numb, the title sets the stage for a record that turns their explosive intensity and heaviest material yet inward, grappling with anxiety, emotional unrest, and the shadows we carry. Fusing the sharp, modern post-hardcore sound that’s earned them countless fans with polished production and flashes of their early roots, A.R.S.O.N. captures a band pushing forward: matured, focused, and fearless as ever.

    Listen to A.R.S.O.N. HERE

    With A.R.S.O.N., we wanted to continue the energy and momentum that we built on Tear Me To Pieces. We once again put every bit of heart and soul into writing songs that we truly love and connect with,” shares frontman Dan Marsala. A.R.S.O.N. has some of the heaviest songs we’ve ever written, but also some of the biggest choruses of our career. We’ve never been afraid to take chances with our writing, and this record is no different! We went back with the amazing Colin Brittain to produce and co-write, with help from co-producers Dan Book and Kevin McCombs. Such an amazing team of talented humans! They continue to make our band sound better than ever!”

    From the emotional and instrumental intensity of Disconnected to the balance of rage and melody in focus track See Through, A.R.S.O.N. finds the band at their most sonically aggressive and evolved, finding their own version of heaviness. “The great songs are never the ones you agonize over. They just sort of happen. That is our mindset these days: nothing is forced or calculated. Lyric ideas free flow with no real agenda, and the first couple of lines begin to inform us what the song wants to be about. Same with the music: sometimes it’s heavy, sometimes it’s acoustic. It’s whatever happened to come out that day. When you get into that zone the great songs almost write themselves. It’s a beautiful place to be, and that was the mindset of A.R.S.O.N.,” explains guitarist Ryan Phillips.

    Story Of The Year exploded onto the scene with their groundbreaking debut Page Avenue, one of the first albums of its kind to sell over a million copies. The breakout single Until the Day I Die quickly became both an enduring anthem and a mission statement for the band. What began as four friends working in a St. Louis pizza joint evolved into a movement, connecting deeply with fans through every era. From Page Avenue (2003) to In the Wake of Determination (2005), The Black Swan (2008), The Constant (2010), Wolves (2017), and Tear Me to Pieces (2023) the band, comprised of Dan Marsala, Ryan Phillips, Josh Wills, and Adam Russell, has delivered a signature blend of melodic aggression, raw vulnerability, and anthems built to scream along to in the dark.

    A.R.S.O.N. TRACK LISTING:
    01.Gasoline (All Rage Still Only Numb)
    02. Disconnected
    03. See Through
    04. Fall Away
    05. 3 am
    06. Into The Dark
    07. My Religion
    08. Halos
    09. Good for Me / Feel so Bad
    10. Better Than High
    11. I Don’t Wanna Feel Like This Anymore

    Credit: Marcus Wallinder

    2026 is shaping up to be another impressive year for the band. They kicked off the year with performances on the Emo’s Not Dead Cruise, and will celebrate the release of the record with an in-store signing at Vintage Vinyl in their hometown of St. Louis today, followed by a special headlining show tomorrow. Later in the year, they’ll bring their infectious energy to the stages of The OC Super Show, Welcome To Rockville, Sonic Temple Festival, Download Festival, Upheaval Festival, and Rock Fest. A full list of dates can be found below, and tickets can be purchased at https://www.storyoftheyear.net/tour.

    The post STORY OF THE YEAR Release Highly Anticipated 7th Album ‘A.R.S.O.N.’ Out Everywhere Now appeared first on The Rockpit.

  • The 11 Best Progressive Metalcore Bands of All Time

    These bands nail mixing tricky arrangements, intense breakdowns and emotional singing! Continue reading…
  • MISS MAY I Share First New Music Of 2026 With Video For ‘Die on the Vine’

    Photo: Nate Black

    Ohio metalcore favourites MISS MAY I are thrilled to share the first taste of new music for 2026 and they drop the video for new single Die on the Vine, which is full of galloping guitars, plate-shifting breakdowns, and memorable melodies.

    Die on the Vine captures a mid-life reckoning — coming to terms with how deeply childhood experiences and unresolved trauma shape who we become,” the band explains. “The song reflects the moment where denial stops working and self-awareness sets in. If those patterns are something you have to live with, the choice becomes whether to decay under their weight or grow stronger through them. Die on the Vine leans into that tension, framing survival as adaptation: sharpening your thorns over time instead of letting the damage define you.”

    What wise words set to a metallic maelstrom! MMI will appear at both Inkcarceration Festival in Ohio and Rock Fest in Wisconsin this coming July. More live shows will be announced in due course.

    For now, though, it’s time to Die on the Vine. Die on the Vine follows last summer’s video for Pray For Silence.

    DIE ON THE VINE – OUT NOW
    https://mmi.ffm.to/die

    The post MISS MAY I Share First New Music Of 2026 With Video For ‘Die on the Vine’ appeared first on The Rockpit.