Textures have shared their long-awaited new album today, Genotype, alongside a new video for the track ‘Measuring The Heavens’. Coinciding with the album release is Textures’ European tour with progressive metallers Jinjer, kicking off today in Cologne. Speaking on the new video in no uncertain terms, Stef Broks from the band shared –
 
“A big part of songwriting is to tease the listener to a climax as long possible. In this case, we’re building up tension for 6 minutes to finally kick you in the nuts and leaves you naked in the desert with your calculator still in hand. Measuring The Heavens may not be for mortals.”

WATCH THE NEW VIDEO FOR ‘MEASURING THE HEAVENS’
Credits:
Music and lyrics by TEXTURES
Lyric video production by Remko Tielemans
Additional liquid footage by Dan Cristian Păduret

Serving as the conceptual counterpart to 2016’s acclaimed Phenotype, Genotype is not a continuation but a rebirth. For nearly a decade, fans speculated about its existence, but what arrives now is not a relic of unfinished ideas – it’s something entirely new, written from scratch and self-produced. Genotype distils the essence of TEXTURES’ DNA into eight new songs, mixed by Forrester Savell (Karnivool, Dead Letter Circus). Lyrically, the album speaks to the unheard – introverts, outsiders, and those navigating internal worlds that often go unseen, standing as an ode to authenticity and resilience.

GENOTYPE COKE BOTTLE GREEN SPLATTER VINYL LP + WHITE AND BLUE MARBLE VINYL IN GATEFOLD SLEEVE WITH PRINTED LYRIC INSERT

GENOTYPE CLASSIC BLACK VINYL LP WITH PRINTED INSERT AND CD DIGIPAK

TEXTURES have built a passionate global following over this time. In India, they rose to headline festivals and perform for thousands of devoted fans. In Europe, they became a staple at major events such as Hellfest, Wacken Open Air, Graspop Metal Meeting and Brutal Assault. Their electrifying performances cemented their reputation as one of progressive metal’s most unmissable live acts – and now, they are set to reclaim that stage on the upcoming European Tour supporting Jinjer, that runs from January till March 2026.

TEXTURES – Genotype
 
Void – 3:49
At The Edge Of Winter – 6:42
Measuring The Heavens – 6:51
Nautical Dusk – 5:35
Vanishing Twin – 5:49
Closer To The Unknown – 4:08
A Seat For The Like-Minded – 5:01
Walls of the Soul – 7:52

PURCHASE THE NEW ALBUM GENOTYPE, OUT NOW

TEXTURES have built a passionate global following over this time. In India, they rose to headline festivals and perform for thousands of devoted fans. In Europe, they became a staple at major events such as Hellfest, Wacken Open Air, Graspop Metal Meeting and Brutal Assault. Their electrifying performances cemented their reputation as one of progressive metal’s most unmissable live acts – and now, they are set to reclaim that stage on the upcoming European Tour supporting Jinjer, that runs from January till March 2026.

“It’s a milestone for us to go out on this extensive 5,5-week tour across Europe with Jinjer and Unprocessed. Let’s meet up!” – Stef Broks

TEXTURES TOUR DATES
January 23, 2026 – Cologne – Palladium – Germany
January 24, 2026 – Tilburg – 013 – Netherlands
January 25, 2026 – Brussels – Ancienne Belgique – Belgium
January 27, 2026 – Glasgow – SWG3 – Scotland
January 28, 2026 – Dublin – Olympia – Ireland
January 29, 2026 – Manchester – O2 Ritz – England
January 30, 2026 – Birmingham – O2 Institute – England
January 31, 2026 – London – O2 Kentish Town Forum – England
February 2, 2026 – Paris – L’Olympia – France
February 3, 2026 – Lyon – Le Transbordeur – France
February 4, 2026 – Toulouse – Le Bikini – France
February 6, 2026 – Lisbon – Lav – Portugal
February 7, 2026 – Madrid – Wagon – Spain
February 8, 2026 – Bilbao – Santana 27 – Spain
February 10, 2026 – Trezzo Sull’Adda – Live Club – Italy
February 11, 2026 – Zürich – X-Tra – Switzerland
February 12, 2026 – Stuttgart – LKA Longhorn – Germany
February 13, 2026 – Wiesbaden – Schlachthof – Germany
February 14, 2026 – München – Tonhalle – Germany
February 16, 2026 – Budapest – Barba Negra – Hungary
February 17, 2026 – Vienna – Gasometer – Austria
February 19, 2026 – Prague – Sasazu – Czech Republic
February 20, 2026 – Leipzig – Felsenkeller – Germany
February 21, 2026 – Berlin – Astra – Germany
February 22, 2026 – Warsaw – Progresja – Poland
February 24, 2026 – Helsinki – Kulttuuritalo – Finland
February 25, 2026 – Tampere – Tavara Asema – Finland
February 27, 2026 – Stockholm – Fallan – Sweden
February 28, 2026 – Oslo – Sentrum Scene – Norway
March 1, 2026 – Copenhagen – Amager Bio – Denmark
March 2, 2026 – Hamburg – Große Freiheit 36 – Germany

TICKETS AND UPDATES

TEXTURES is:
Daniël de Jongh – Vocals
Bart Hennephof – Guitars
Joe Tal – Guitars
Remko Tielemans – Bass
Uri Dijk – Keyboards
Stef Broks – Drums

FOLLOW TEXTURES
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Good Day Noir Family,
Ben Heyworth’s “Image of Roads” opens with a sly rhythmic pulse that hints at mystery.

Image of Roads is Ben Heyworth’s Single Out Now

The groove moves with a careful, almost teasing gait, and while it feels slightly shadowed, it never signals exactly where the song will land.

Curiosity takes over early. The track doesn’t rush; it takes its time, letting the mood settle before revealing its shape.

As the arrangement develops, the song grows step by step. The verses keep things restrained, holding back melody and harmony with intention. However, when the chorus arrives, the track opens up in a way that feels earned. The harmony expands, yet it avoids easy hooks. That choice works in the song’s favor, because it shows Heyworth’s strong instinct for composition rather than chasing quick impact. Also, the contrast between the reserved refrain and the broader chorus adds depth without breaking cohesion.

Sonically, there’s a clear thread of classic rock running through the track. Still, it doesn’t feel retro for the sake of nostalgia. That influence gives the song weight and character. The atmosphere leans toward the nocturnal, yet there’s also something desert-like in its openness, as if the music stretches into wide, empty spaces. That dual feeling creates tension, which keeps the listener engaged.

What stands out further is how the song occasionally pauses. These moments feel deliberate, almost like signposts marking the start of a new chapter. Then the rhythm returns, slightly altered, pushing the track forward again. Because of this structure, the song seems to exist in its own limbo, suspended between motion and stillness. While many tracks aim for constant momentum, this one finds strength in restraint.

Heyworth’s songwriting shines through subtle decisions rather than flashy gestures. The melody lingers because it quietly stays with you. By the end, the track leaves a clear impression of an artist with real vision and control. For listeners who appreciate songs that reveal themselves gradually, “Image of Roads” offers a rewarding experience and marks Ben Heyworth as a talent well worth following.

Image of Roads is Ben Heyworth’s Single Out Now!

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Liminal!

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Ben Heyworth has a long history of making music in Manchester, UK. He was the songwriting force behind the hotly tipped band Minorplanet in the early ’00s and then went on to release two beautiful and experimental electronic pop albums under the name “This Morning Call” in 2010 – 2014, released on the Swedish “Substream” indie label. From May 2025, he is excited to be releasing brand new material under his own name – expect acoustic “urban folk”, indie rock bangers, chill-out post-party relaxers and even the odd country song. New music expected throughout 2026/7.

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Find Ben Heyworth Here:

Spotify
Instagram

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Discover New Bands Click Here

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The post Image of Roads is Ben Heyworth’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

“‘Indifferent’ is about reliance turning into absence. The quiet shock of realizing that the person you lean on is no longer there emotionally” explains vocalist and frontman Joel Ekelöf. “Carried by the fantastic Atlantis string quartet, the song lets tension and restraint speak louder than anger. Connection carries risk, but it’s worth the attempt” adds founding member and drummer Martin Lopez.

Reliance will be released this Friday on January 16. Available as a CD, 12” Vinyl Album in Black & colour variants, digital formats & special D2C products & bundles. Pre-orders: https://lnk.to/SoenReliance

Watch the previously released videos ‘Primal’, ‘Mercenary’ & ‘Discordia’ here: • SOEN – RELIANCE
‘Primal’ & ‘Mercenary’ videos by Freakshot Film, ‘Discordia’ video by Linda Florin

Dancer: Oxana Panchenko
Director & Producer & Editor: Paul M Green
Camera Operator: Gwyn Hemmings
Executive Producer: Silver Lining Music
Choreographer: Joss Carter (YOUR WORST NIGHTMARE)
Producer: VANITAS
Prosthetics makeup designer & artist, costume designer: Begoña Fernández Martín (BBsFX)
Key prosthetics makeup assistant: Jojo Davies
Prosthetics makeup assistants (trainees): Varvara Zabezhinskaya, Juno Crowther
Workshop assistant (for BBsFX): Varvara Zabezhinskaya
Runner: Jason Christopher Ludwig

Soen is a Swedish progressive metal band formed in 2010. The group consists of vocalist Joel Ekelöf, guitarist Cody Lee Ford, bassist Stefan Stenberg, drummer Martin Lopez and keyboardist Lars Åhlund. They are currently signed to Silver Lining and have released seven studio albums.

Follow
https://www.facebook.com/SoenMusic
https://www.instagram.com/soenmusic/
https://www.soenmusic.com/

Benidorm will host the second edition of the Dark City Fest on May 29 and 30, 2026, a festival dedicated to the darker and gothic sounds, taking place at Sala Penélope. The event promises to bring together fans of gothic rock, post‑punk, industrial, and dark wave, featuring a lineup that combines legendary acts with emerging international talent.

Headlining the festival are Finnish band The 69 Eyes, known for their goth ’n’ roll style that mixes classic rock riffs with dark atmospheres and horror-inspired lyrics. Also performing are Turkish duo She Past Away, key figures in contemporary post-punk and dark wave, whose minimal and melancholic sound has won audiences worldwide.

From Canada, Front Line Assembly will bring their pioneering electro-industrial and EBM sound, with decades of experience creating dense, powerful electronic textures. Spanish veteran Ana Curra, known for her time with the iconic band Parálisis Permanente and a key figure in the Movida Madrileña, will also perform, showcasing her influential career in post-punk and Spanish gothic rock.

The festival isn’t limited to live concerts: there will also be DJ sets and electronic sessions, offering a full experience for fans of the dark culture in all its forms. Under the motto “Holidays in the Sun”, Dark City Fest 2026 combines the Mediterranean atmosphere of Benidorm.

Buy tickets: https://mutick.com/e/entradas-dark-city-fest-benidorm-2026

The post Benidorm Gears Up for Dark City Fest 2026 first appeared on FemMetal – Goddesses of Metal.

The post‑punk duo Edges, made up of Nick Ruvalcaba and Cristina Sardón, is back on the scene with a new single titled “One Bad Move”, officially released on January 16, 2026. The song marks another step in the band’s sonic evolution, combining urgent guitars, enveloping synthesizers, hardcore energy, and the vocal duality that defines the project.

Since its beginnings in Los Angeles as Nick’s solo project, Edges has developed a sound that blends post‑punk, shoegaze, darkwave, and hardcore, bringing that energy to Europe since 2019. Cristina’s addition in 2023 enhanced the band’s expressiveness, providing vocals that contrast and complement Nick’s intensity, establishing Edges as a duo capable of balancing emotion and urgency.

In One Bad Move, Edges explore the tension of indecision and the fear that a single mistake can change everything, with a production defined by nervous riffs, subtle electronic textures, and vocal interplay that conveys introspection and drama. The track captures the band’s essence: emotional intensity, dense atmospheres, and a post‑punk and hardcore pulse that never lets up.

“It’s a song about the fear of messing up, about feeling that a single move could change everything. We wanted that to be heard in every chord and every word,” the duo comments about the single.

The single is now available on Bandcamp, Apple Music, and other streaming platforms.

LISTEN TO THE SONG: https://open.spotify.com/artist/0f2Erd4P3Bl0ZUfI5grfVU?si=gRx86wpOR-ig-mnVpPhzBQ

Follow Edges:

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The post Nick and Cristina (Edges) return with ‘One Bad Move’ first appeared on FemMetal – Goddesses of Metal.

  The Band Of Holy Joy: celebrating their 40 years of recordings (Part 4) In this concluding part, Martin Gray re-evaluates the Band Of Holy Joy’s most exemplary series of recordings yet, after having signed to Tiny Global Productions, their current label, and expresses total wonder (and indeed joy!) that the group continue to mine […]

The post The Band Of Holy Joy : celebrating their 40 years of recordings (part four) appeared first on Louder Than War.

On January 2, 2026, the darkwave/post‑punk scene received an unexpected gift: The Spoiled, the Italian project led by Giovanni Santolla, and Swedish artist aux animaux (Gözde Düzer) joined forces to release the single “Immacolata”, a collaboration that blends the best of both worlds.

Immacolata fuses the hypnotic nocturnal energy of The Spoiled with the sinister atmosphere of aux animaux. From the very first seconds, the listener is immersed in a dark and enveloping soundscape, where deep basslines, hypnotic synthesizers, and precise percussion merge with dramatic, evocative vocals, creating an unforgettable sonic journey.

The song represents a meeting point between two of the most interesting projects in the European dark scene:

The Spoiled has built a reputation since 2015 by combining post‑punk, darkwave, and industrial elements. Their latest album, Living Ghosts (2025), explored themes of loss, guilt, and introspection, establishing Giovanni Santolla as a unique creative force in the European underground.

Aux Animaux , meanwhile, has stood out with her darkwave and hauntwave work, incorporating synths, theremin, and a visual aesthetic that reflects her commitment to animal rights and sonic experimentation. Singles such as Lost Souls and Night have already demonstrated her ability to create dense, cinematic atmospheres.

The collaboration on Immacolata merges these worlds to deliver a hypnotic and dark track, ideal for fans of industrial post‑punk as well as lovers of modern darkwave. The song has been available since its release on Apple Music, Bandcamp, and other streaming platforms. (music.apple.com)

Both projects also have upcoming concerts you won’t want to miss:

The Spoiled will perform alongside Dark Ways on February 1, 2026, at Tenax, Italy.

Aux Animaux will play in Madrid on February 5, 2026, sharing the stage with Edges and Potochkine at the Vampires Spain Festival.

Buy tickets for shows here: 

The Spoiled: https://www.songkick.com/es/concerts/42966129-darkways-at-tenax

Vampires Spain Festival: https://www.mobydickclub.com/vampiresfestival5febrero2026.php

Listen to ‘Immacolata’: https://open.spotify.com/album/42WgvHuJiEh3J1I5Z40TKQ?si=Qg7GBnuZQQK_60nXriDc5g

The post Immacolata: The Spoiled and Aux Animaux Join Forces in a Dark Anthem first appeared on FemMetal – Goddesses of Metal.

For three decades, Rock ’N’ Roll Fantasy Camp has built a reputation few music experiences can match. For 30 years, Rock ‘N’ Roll Fantasy Camp has done something no one thought possible — bringing everyday musicians into rehearsal rooms, studios, and onto stages with the greatest rock legends of all time.

Founded by music industry veteran David Fishof, the camp evolved into a global destination for fans who want more than a meet-and-greet. It connects musicians of all backgrounds with artists they grew up listening to, creating an immersive experience that blurs the line between fan and performer. As the camp enters its 30th anniversary, it does so with one of the strongest lineups it has ever assembled.

The 2026 camp feature high-profile headliners, including Roger Daltrey (The Who), Stewart Copeland (The Police), and Tommy Lee (Mötley Crüe). Together, these artists represent three of the most influential bands in rock history, making this anniversary year a standout moment for the camp. Full dates and additional talent details are available here.

Over the years, Rock ’N’ Roll Fantasy Camp has drawn participants far beyond the typical music scene. Past campers have included coach John Benton of the Seattle Seahawks, a former lieutenant governor of Kentucky, and professionals ranging from college professors to doctors, lawyers, engineers, and tech innovators. One of the most notable participants is Ed Oates, co-founder of Oracle, highlighting how the camp appeals to high-level thinkers and creators across industries.

In recent years, the camp has also become known for its inclusive environment. More than 40% of Rock Camp participants today are women, many of whom arrive as highly skilled musicians. In an industry historically dominated by men, the camp has become a space where women collaborate, perform, and share the stage with major artists. The program also offers “Women’s Only” camp, along with dedicated songwriting-focused sessions.

The impact extends to the artists themselves. The late Jeff Beck once called the camp “the best way to give back” after everything music had given him. Roger Daltrey says in the documentary “Rock Camp” that the experience reminds him of what it felt like when he was just starting out. Kiss bassist Gene Simmons has said he wishes Rock ’N’ Roll Fantasy Camp had existed when he was younger so artists could learn directly from the legends.

Rock Camp’s reach has carried into mainstream pop culture, with appearances and coverage across “The Simpsons”, “Billions”, “Saturday Night Live”, “The Today Show”, and “Pawn Stars”.

The documentary Rock Camp is currently available for free on Amazon, YouTube, and all major streaming platforms. The “Rock Camp” podcast continues to share stories from both artists and campers, offering a deeper look into what happens behind the scenes.

Reflecting on the milestone, founder David Fishof said: “For 30 years, Rock Camp has been about one thing — changing lives through music. We’ve watched people rediscover their passion, gain confidence, and fulfill dreams they never thought possible. And we’ve seen the artists experience the same joy by giving back.”

Fishof added: “What’s always amazed me is the caliber of people who walk through our doors, we’ve had government leaders, professors, doctors, tech pioneers — and an incredible number of women musicians who absolutely crush it. Rock Camp proves that music isn’t about age, gender, or profession. It’s about passion.”

As Rock ’N’ Roll Fantasy Camp marks its 30th year, its purpose remains unchanged: no competition, no judgment — just music, connection, and a rare chance to experience rock from the inside.

The post ROCK ’N’ ROLL FANTASY CAMP Celebrates 30 Years appeared first on Sonic Perspectives.

There was some sort of electricity vibrating in the air at Fort Lauderdale’s Culture Room, way before Close Enemies even hit the stage. People were shoulder to shoulder, swapping guesses about the set and waiting for that first riff, and once the lights dropped, the room flipped from chatter to full attention in seconds.

The band opened with “Rain,” then moved straight into “Sound of a Train” and “Inside Out,” which gave the night a clear identity early: tight band, hard groove, no wasted motion. “Sweet Baby Jesus” and “Take a Pill” kept the pressure on, and you could feel the crowd settle into that rhythm where nobody is looking at their phone anymore because the band has them locked in.

What made this show work was the balance between polish and attitude. Chasen Hampton kept the crowd engaged without overdoing it, Tom Hamilton held down the center of gravity on bass, and the guitar pairing of Trace Foster and Peter Stroud gave each song a little extra lift. It sounded like a band that has put in real hours together, not a one-off project, all the while Tony Brock punished the drum kit with accuracy and grace.

Mid-set, they mixed in “Midnight Rendezvous,” then rolled through “More Than I Could Ever Need,” “Love is a Battlefield,” and “Mystery of Love.” The pacing there was smart. They gave the room a breather without losing momentum, then pulled everybody back in with “Seasons of Wither.”

The final run landed hardest: “Dry Rocket,” “Wink & a Feather,” then the two Aerosmith cuts, “Sick as a Dog” and “Sweet Emotion,” which got the biggest singalong of the night. They closed with a drum solo that segued into “Head First,” and it felt like the right kind of ending for this room: loud, loose, and a little chaotic in a good way.

Overall, this was a proper club-rock show, the kind where the band sounds close enough to touch, and the crowd leaves sweaty and happy. Close Enemies did not play it safe, and Culture Room got exactly the kind of set that keeps people talking all the way to the parking lot.

CLOSE ENEMIES Photo Gallery:

The post CONCERT REVIEW: Fort Lauderdale Got The Version Of CLOSE ENEMIES You Can’t Stream: Tight, Loud & Zero Filler appeared first on Sonic Perspectives.

March 2026 marks the 40th anniversary of 5150, the first of four albums Van Halen recorded with Sammy Hagar. To commemorate the milestone, Rhino is set to release an expanded edition on March 27 that digs deeper into one of the most important eras in the band’s history.

The release includes a newly remastered version of the original album, a full disc of rare singles edits and B-sides, and a live performance that has never been officially issued. That concert was recorded on August 27, 1986, in New Haven, Connecticut, during the tour supporting the album. The set also features a Blu-ray containing the first high-definition release of the band’s 1986 live video Live Without A Net, along with a promotional video for the track “Dreams”.

A live version of “Summer Nights” taken from Van Halen’s New Haven performance has also surfaced ahead of the release.

The 3CD/Blu-ray/LP configuration of 5150 (Expanded Edition) brings together several key pieces from the period. It includes the remastered studio album, overseen in 2023 by longtime Van Halen engineer Donn Landee for The Collection II box set, a disc compiling rare non-LP edits and mixes, and the full audio from the Live Without A Net home video. The New Haven show, recorded at the New Haven Veteran Memorial Coliseum, has been newly remastered in HD and appears on Blu-ray alongside two music videos.

Originally released in 1986, 5150 became Van Halen’s seventh studio album and the band’s first to reach number one on the Billboard 200. The record has since earned six-times-platinum certification in the United States and delivered several of the group’s best-known songs, including “Dreams”, “Love Walks In”, and “Why Can’t This Be Love”, which climbed to No. 3 on the Billboard Hot 100.

The album’s title has its own history. 5150 was named after the California police term for a mentally unstable person, taken from section 5150 of the California Welfare and Institutions Code. The name also refers to guitarist Eddie Van Halen’s home studio, where the band worked on the album and helped shape a defining chapter of their catalog.

You can now pre-order 5150 (Expanded Edition) here.

The post VAN HALEN Announces Expanded 40th Anniversary Reissue Of “5150” appeared first on Sonic Perspectives.