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  • Decibel Celebrates 40 Years of THE TRANSFORMERS: THE MOVIE: THE SOUNDTRACK! Pre-Order Our New Issue!

    Decibel celebrates the 40th anniversary of The Transformers: The Movie and its iconic gateway metal soundtrack with not one but TWO covers honoring The Reformatted Edition of the soundtrack and the lasting impact of both the movie and the original soundtrack on ’80s metal fans.

    All Decibel subscribers will receive the “A” version of the cover, featuring Optimus Prime, as part of their subscription (along with a Spirit Adrift flexi disc), while the “B” version of the cover, featuring Unicron, will be offered as a Decibel webstore exclusive. Please note that the “B” version of the issue does NOT include the Spirit Adrift flexi disc.

    NOTE: This is a pre-order due to be released on or around July 1, 2026. All details, including release date, are subject to change.

    The post Decibel Celebrates 40 Years of THE TRANSFORMERS: THE MOVIE: THE SOUNDTRACK! Pre-Order Our New Issue! appeared first on Decibel Magazine.

  • Taylor Swift Sings With Randy Newman, Performs New Single At Toy Story 5 Premiere

    Earlier this spring, The New York Times published a huge package on the 30 greatest living American songwriters. Taylor Swift was in there, obviously. She sat for an interview, which basically turned her into the headliner for the entire thing. One person who was not on the list was Randy Newman, and that was certainly one of the more puzzling omissions. On Tuesday night, under the aegis of the Disney corporation, Taylor Swift and Randy Newman sang together.

    The post Taylor Swift Sings With Randy Newman, Performs New Single At <em>Toy Story 5</em> Premiere appeared first on Stereogum.

  • 10 brilliant bands that broke up far too soon

    Commemorating the metal and hardcore heroes who disbanded with so much more to give
  • Yes, ‘Aurora’: Album Review

    An unexpected period of stability offers this chance to reckon with the heavy musical baggage they inherited. Continue reading…
  • Brazilian Rock Trio Loss Releases Explosive Live Album Recorded at Historic London Venue

     Loss: álbuns, músicas, shows | Deezer

    Brazilian rock powerhouse Loss has officially released their new live album, Live In London (A Night At Cart’n’Horses), capturing the raw energy and intensity of the band’s Human Factor European Tour. Recorded in October 2025 at the legendary Cart’n’Horses pub in London, a venue famous for hosting some of Iron Maiden’s earliest performances, the album delivers an authentic snapshot of Loss at full power.

    The release features eight tracks recorded during that unforgettable London performance, alongside two bonus recordings captured at iconic European venues: La Java in Paris and The Cave in Amsterdam. Together, these recordings showcase the band’s signature blend of classic rock foundations and modern hard rock energy.

    Live In London (A Night At Cart’n’Horses)

    Live In London serves as both a celebration of the band’s European journey and a testament to their growing international presence. The album faithfully reproduces the chemistry, power, and spontaneity that have become hallmarks of Loss’ live performances.

    Formed in Belo Horizonte, Brazil, Loss consists of Marcelo Loss (vocals and bass), Adriano Avelar (guitar and backing vocals), and Teddy Bronsk (drums). Their sound combines deep, commanding vocals, precise guitar work, and powerful drumming while honoring classic rock traditions through a contemporary lens.

    Since emerging on the international scene, the band has steadily expanded its reach. Their debut EP Let’s Go was released through European label DyMM Records and mixed/mastered by acclaimed producer Tue Madsen, known for his work with Rob Halford, Meshuggah, and Behemoth. Subsequent releases including Storm and Human Factor further strengthened their reputation among rock audiences worldwide.

    With Live In London (A Night At Cart’n’Horses) now available across streaming platforms and a physical edition scheduled for later this year, Loss continue to establish themselves as one of Brazil’s most compelling modern rock exports. The upcoming physical release will include exclusive artwork and additional tour-related material.

    Listen Now:

    https://open.spotify.com/album/7j9JfgayR0XjUksJ6FtJcb

    Explore More:

    • Official Website: www.lossband.com
    • Latest Rock & Metal News: MTView Metal

  • Brazilian Rock Trio Loss Releases Explosive Live Album Recorded at Historic London Venue

     Loss: álbuns, músicas, shows | Deezer

    Brazilian rock powerhouse Loss has officially released their new live album, Live In London (A Night At Cart’n’Horses), capturing the raw energy and intensity of the band’s Human Factor European Tour. Recorded in October 2025 at the legendary Cart’n’Horses pub in London, a venue famous for hosting some of Iron Maiden’s earliest performances, the album delivers an authentic snapshot of Loss at full power.

    The release features eight tracks recorded during that unforgettable London performance, alongside two bonus recordings captured at iconic European venues: La Java in Paris and The Cave in Amsterdam. Together, these recordings showcase the band’s signature blend of classic rock foundations and modern hard rock energy.

    Live In London (A Night At Cart’n’Horses)

    Live In London serves as both a celebration of the band’s European journey and a testament to their growing international presence. The album faithfully reproduces the chemistry, power, and spontaneity that have become hallmarks of Loss’ live performances.

    Formed in Belo Horizonte, Brazil, Loss consists of Marcelo Loss (vocals and bass), Adriano Avelar (guitar and backing vocals), and Teddy Bronsk (drums). Their sound combines deep, commanding vocals, precise guitar work, and powerful drumming while honoring classic rock traditions through a contemporary lens.

    Since emerging on the international scene, the band has steadily expanded its reach. Their debut EP Let’s Go was released through European label DyMM Records and mixed/mastered by acclaimed producer Tue Madsen, known for his work with Rob Halford, Meshuggah, and Behemoth. Subsequent releases including Storm and Human Factor further strengthened their reputation among rock audiences worldwide.

    With Live In London (A Night At Cart’n’Horses) now available across streaming platforms and a physical edition scheduled for later this year, Loss continue to establish themselves as one of Brazil’s most compelling modern rock exports. The upcoming physical release will include exclusive artwork and additional tour-related material.

    Listen Now:

    https://open.spotify.com/album/7j9JfgayR0XjUksJ6FtJcb

    Explore More:

    • Official Website: www.lossband.com
    • Latest Rock & Metal News: MTView Metal

  • LUNA KILLS Return With New Single ‘LOWER’

    Photo: Lucy Alienne Visuals

    Following the release of their highly anticipated album DEATHMATCH last year, Finnish alternative metal powerhouse LUNA KILLS are already charging forward with a brand-new single LOWER via Sharptone Records.

    Speaking about the single, the band shares: “The lyrics of the song are about dealing with the feeling that you don’t belong anywhere. You feel the weight of not fitting into the expectations that society or others have placed upon you, or even the expectations you have for yourself. It makes you question your reality, and at the same time, you slowly begin to feel like you’re fading away piece by piece and turning into someone you don’t recognize. The song carries a theme – both in lyrics and music – about the contrast between the softness of accepting yourself and the world you have built around yourself and the crushing weight of a never leaving dread whispering whether you made the right choices.”

    Following the explosive momentum of DEATHMATCH and standout tracks including WAVES, LEECH, sugar rushslay ur enemies and love u, the band continue to evolve their unmistakable blend of crushing heaviness, modern production, and emotionally charged songwriting.

    LUNA KILLS have added new dates to their 2026 tour schedule, featuring major festival appearances and headline shows across Europe, as well as select support slots for Future Palace and Vianova.

    LOWER – out now
    https://bfan.link/lower

    LUNA KILLS is:
    Lotta Ruutiainen – Vocals
    Samuli Paasineva – Guitar
    Jimi Kinnunen – Drums
    Lassi Peltonen – Bass

    The post LUNA KILLS Return With New Single ‘LOWER’ appeared first on The Rockpit.

  • Clay DuBose – Father Time & Mother Nature

    “Absence makes the heart grow fonder.” I’m pretty sure the original intent of that comment was directed to relationships. I’ve observed it to be true about almost anything someone is passionate about, though. Step away from it for a while, and when you come back you rediscover what attracted you in the first place along […]
  • Reviews: Divided By Design, Slakter, Bayonet Dismemberment, Vow (Matt Bladen)

    Divided By Design – Stages To Osiris: Rebirth (Self Released)

    Instrumental prog trio Divided By Design have decided to follow up their previous album A Canvas For The Universe by reimagining their 202 debut record.

    Stages To Osiris: Rebirth is technically their fourth studio full length, but it seems them going back to their first record with the skill and experience they have now having released a lot more music, cultivated a huge online following and even winning M2TM and going on to play Bloodstock.

    The original album was conceptually driven by the grief cycle and this one follows the same inspiration but delivers it in a different way, with a much broader musical résumé and advanced production skills from band founders Tom Chambers (drums) and Liam Stephenson (guitar).

    They’re joined by Sam Young on bass and the trio run the full spectrum of progressive metal and rock. Denial begins with a heartbeat and then shifts towards Dream Theater-like riffs and organ tones, weaving it’s way through riff driven flurries and virtuosos solo sections as the guitar takes the form of the melodies.

    The bass and undulating rhythm for it to build on as the drums often play at counterpoint to the rhythm with fills inspired by jazz playing, taking the band into the Djent heaviness of Reactionary. Now the main riff of The Negotiation rips off Schism by Tool, the rest of it goes full jazz fusion meets organ led doom, but that riff is exactly the same as Maynard & co.

    Thankfully Collapsing Reality brings back originality as The Fatalist pairs orchestrations with twitchy atmospherics as it closes this re-envisioned chapter in Divided By Designs story. Some bands take a risk by messing with material that they’ve already released but this instrumental trio have made a good record even better, with the experience they’ve gained since then. 7/10

    Slakter – Infernal Exekution Reign (Witches Brew)

    Infernal Exekution Reign is a throwback to the early days of the thrash scene, when it was volatile, violent and evil, informed by satanic rituals, horror and war, the riffs bit hard, the vocals shouted and the production made it sound like they recorded it in their bathroom. 40 years later Slakter from Indonesia have captured those early days brilliantly with their debut full length. 

    Produced as if it’s been tape traded over and over again, audiophiles need not apply as this comes straight from the underground where style shouldn’t get in the way of substance and production is overrated anyway. You can feel the energy and excitement of the band, they rip through the eleven songs with a sense of reckless abandon that’s dangerous and defiant. 

    They raise their steel to Venom, Slayer, Sodom and Kreator as the bass is super high in the mix, the drumming takes one blasting route and sticks with it and the guitars are buzzsaws and the vocals sandpaper. 

    Abrasive but with moments of melody Infernal Exekution Reign doesn’t redefine anything, rather it just pays as much deference to the early thrash scene as possible without copying. They even bring some nuance to their retro worship on Hammer Of Blasphemy, Benediction and the two part closer Acts Of Depravity

    Whether the production is your thing or not, Infernal Exekution Reign does a great job of emulating the sound of early 80’s thrash extremity. Slakter come from the South East Asian underground bearing riffs. 7/10

    Bayonet Dismemberment – Skull Crushed By A Tank (Iron Fortress Records)

    You’ve got to give it to Iron Fortress Records, they known their audience! The record label that brought you Tombseeker, Emaciated and Infinite Misery now bring you some more disgusting death metal, featuring a snare that sounds like a church bell! 

    Vancouver band Bayonet Dismemberment bring the horrors of mechanised warfare right to your earholes with new EP Skull Crushed By A Tank, this isn’t the WWI or WWII inspired noise though, Bayonet Dismemberment stick with 21st Century and the wars in the Middle East perpetrated by Bush and Blair. 

    The title track is about as obvious as you can get, a slow, punishing dirge through muddy fields as Ricky Myers from Suffocation joins in with some sick gutturals, it’s not subtle, this is death metal to bludgeon. Mutilated presses on the gas as Alex Sason of Unearth joins the frenzy, the riffs slice into each other with technical brutality. 

    Razorwire Laceration has blasts obliterating your skull as it evolves into a grunting chug. Mixed just enough to sound raw and nasty, Skull Crushed By A Tank closes with Decapitation and you’re neck will surely be hanging by a thread at the end of this brutal EP if you choose to bang along to it. A cavalry charge of the mechanical kind as these Canadians deliver yet more brutal death on this third EP. 7/10

    Vow – Death Will Be My Bridge (Iron Fortress Records)

    Another Iron Fortress Records release now but this time it’s not skull fracturing brutal death but some melodeath from Chicago. Inspired by the European sound of melodeath meeting the stomping style of NWOAHM from the early 2000’s, Vow dwell in dark atmosphere, introspective ideas and frenzied aural assaults with plenty of lead guitar brilliance, unstoppable blast beats and ferocious growls. 

    At just six tracks they manage to grab you by the throat with the opening duo Name Not The Fallen and New Patterns In The Blood, the former built on pinched harmonics and breakdowns while the latter has harmony guitars and technical rhythms. 

    After a brief acoustic Interlude Vow dive deep into the NWOAHM on Bells Made From Bullets, adding a bit of blackened battery for good measure. Vow have the chops definitely, their playing is highly skilled, but they can use them to make some well composed, anthemic melodeath, shown on the double hit finale of aggro stomp Still Breathing and the blistering title track. 

    Death Will Be My Bridge brings extremity and melody from Chicago’s Vow, melodeath fans get on it. 7/10

  • Anthrax Guitarist Scott Ian Confirms Plans to Join Former Frontman John Bush on Stage for Live 1990s Era Concert Retrospective

    john-bush-scott-ian-2026

    The historical bloodlines of thrash metal royalty have taken an unexpected turn, completely clearing away decades of line-up friction to deliver a powerful message of artistic brotherhood. After years of quiet industry whispers regarding how the band views its past, Anthrax guitar vanguard Scott Ian has broken his silence regarding former frontman John Bush’s solo live performances. Speaking on the nationally syndicated Full Metal Jackie radio network, Ian delivered a total endorsement of Bush showcasing his 1992 through 2005 Anthrax catalog—revealing a frustrating behind-the-scenes reality where he actively tried to crash the stage as an unannounced guest performer.

    Listen to Today’s Metal Breakdown Daily:

    Want the direct, real-time tracking on legacy thrash metal line-up adjustments, exclusive radio transcripts, and live stadium collaborations shaking up the hard rock grid? Turn up the Loaded Radio Daily Podcast on your preferred streaming network to hear our comprehensive analysis of this heavy metal brotherhood, or stream 24/7 commercial-free music directly through our native digital deck below.

    Transcending the Drama: Why Scott Ian Celebrates the Bush Era

    To the casual music fan, the historical vocal shifts within Anthrax can look like a high-stakes game of corporate musical chairs. John Bush originally stepped into the group in 1992 following the firing of classic-era singer Joey Belladonna, fronting the band across four critically acclaimed, rhythmically dense studio tracking marvels: Sound of White Noise (1993), Stomp 442 (1995), Volume 8: The Threat Is Real (1998), and We’ve Come For You All (2003).

    While that tracking era was cut short when the group initiated a classic reunion with Belladonna in 2005, Ian made it abundantly clear that his personal relationship with the Armored Saint singer remains completely unbreakable: “John and I are close friends — we have been forever,” Ian shared during the broadcast. “There were whispers about this ages ago. I think it’s something that John had been thinking about for a really long time, and I think it was just a case of just figuring out the hows and the whens for him. But we’ve been nothing but supportive of it ever since.

    “Like, I remember him asking me about it once. I’m, like, ‘You don’t need to ask me. Do whatever you want, bro. I celebrate it. I love that you’re gonna go out and do this.’ John and I are good friends, and that kind of transcends. That’s really all that matters to me. And I’m stoked that he did that, and I’m stoked that there’s a new Armored Saint record.”

    🤘 LIVE & LOUD: Stream the World’s Hardest Radio Station 24/7 Below

    The Frustrating Near-Miss: Ian’s Request for a Third Guitar Spot

    The real revelation centered on how close fans came to witnessing an official, onstage reunion of the Sound of White Noise writing team. Ian admitted he was so eager to perform the classic groove-thrash tracks again that he specifically reached out to Bush to insert himself directly into the live setlist layouts: “The only bummer for me was when he did the run of dates where he played L.A. and he played New York, I was in the opposite cities. I missed him both times,” Ian explained with visible frustration.

    “And I was hoping, like, I even asked him, I said, ‘Hey,’ ’cause I thought I was gonna be home for the L.A. show. And I said, ‘Can I come up and play a couple of songs?’ And then he said to me, ‘They’re your songs. You don’t need to ask me.’ And then it turned out I couldn’t be there. So, I would love to get to do that again at some point.”

    Also Recommended – Thrash Metal’s 13 Greatest Bands Ranked — The #1 Pick Still Sparks Debate

    john-bush-anthrax

    Why John Bush Took Control of the Overlooked Tracking

    For his part, John Bush has been transparent regarding the ultimate motivation behind assembling this specialized tour. When asked by journalists if he would still be performing these shows if the current, highly successful Joey Belladonna-fronted lineup of Anthrax integrated his material into their arena itineraries, Bush delivered a definitive reality check.

    Outside of performing the mega-hit single “Only” on rare occasions, the current Anthrax touring entity completely ignores the entire 13-year John Bush era.

    “Well, I’d say most likely not,” Bush admitted regarding the tour’s necessity. “I used to say, ‘Do songs from my era. I want you to do tunes.’ I understand why you don’t, but I wish they would. Because, again, it’s something that I invested emotionally and a lot of time, as well as those guys did. So, I would prefer them to play the tunes… But they don’t, with the exception of ‘Only.’ And there’s a lot of great tunes. I’ve been putting a setlist together, and it’s probably more songs than I really wanna sing, to be honest, ’cause it could be a very long set.

    “Plus I wanna play some deep tracks — I don’t wanna just play the obvious songs, like ‘Only’, ‘Room For One More’, ‘Fueled’. I wanna play ‘Safe Home’, whatever. I wanna play some deep tracks, because it will be more fun that way. So, would I do this if Anthrax was still performing songs from the Bush era live? Probably not. I would say probably not. But they’re not, so I am.”

    To deliver these tracking layouts with absolute accuracy, Bush utilized his new heavy metal supergroup, Category 7, as his live backing band. The lineup features elite performers including guitarists Phil Demmel (Machine Head/Kerry King), Mike Orlando (Adrenaline Mob), powerhouse drummer Jason Bittner (Overkill/Shadows Fall), and longtime Armored Saint bassist Joey Vera.

    Check This Out – The World’s #1 Metal City Isn’t What You Think: The Loaded Radio Top 10 Heavy Metal Cities Ranked

    anthrax-sound-of-white-noise

    FAQ: The Scott Ian & John Bush Anthrax Legacy

    Did Scott Ian give John Bush permission to tour Anthrax songs?

    Yes. Scott Ian confirmed he gave his absolute blessing, telling Bush that the songs belong to him just as much and that he fully celebrates the live retrospective.

    Why doesn’t Joey Belladonna sing John Bush era Anthrax songs?

    Anthrax has historically noted that they tailor their live sets to match the specific vocal style and definitive thrash eras of their active singers. Because Belladonna’s classic 1980s catalog is so massive, they bypass the 90s alternative-metal material outside of the single “Only.”

    What band are John Bush and Phil Demmel in together?

    John Bush and Phil Demmel are currently co-fronting the new heavy metal supergroup Category 7, who act as Bush’s live backing musicians for his Anthrax retrospective sets.

    The Power of the Bush Era

    Formed in Queens, New York in 1981 by Scott Ian and Dan Lilker, Anthrax established themselves as foundational icons of global speed music. While their 1980s run with Joey Belladonna birthed gold certified thrash monuments like 1987’s Among the Living, their 1992 structural pivot to John Bush represented a profound artistic evolution. As grunge and alternative rock completely destabilized the traditional metal landscape, the Bush-led iteration of Anthrax abandoned high-pitched vocals for low-end, industrial grit and heavy groove structures.

    The resulting records—most notably 1993’s Sound of White Noise, which debuted at No. 7 on the Billboard 200—proved the band could survive outside of the 80s thrash bubble. By maintaining a lifelong, zero-drama friendship that outlasted corporate record labels and lineup changes, Scott Ian and John Bush are setting a premier E-E-A-T benchmark for how veteran rock legends navigate creative legacies with absolute class.

    Now that Scott Ian has verified that he wants to join the stage to perform 90s tracks alongside John Bush, the floor belongs to the Loaded Radio family. Do you want to see Scott strap on his signature Jackson guitar as a special guest during the next leg of this tour, or should the 90s era stay completely separated from the current active machine? Drop your thoughts and dream setlist choices in the comments section below!

    TL;DR

    • Unconditional Support: Anthrax rhythm guitarist and co-founder Scott Ian has confirmed his absolute backing for former vocalist John Bush’s tour showcasing his 1990s thrash catalog.
    • The Onstage Near-Miss: Ian revealed he explicitly asked Bush if he could jump on stage as a third live guitar player, but layout conflicts in Los Angeles and New York ruined the plan.
    • Shunned By the Machine: Bush admitted he would never have launched this specialized tour if the current Joey Belladonna-led iteration of Anthrax actually performed his tracking live.
    • Elite Backing Framework: For these historical performances, Bush is backed directly by his new all-star supergroup Category 7, featuring guitar icon Phil Demmel and drummer Jason Bittner.

    Never miss an official live tracking leak, an unannounced festival stage appearance, or a raw insider interview feature. Download the free Loaded Radio App for [iOS App Store] and [Google Play Store] today to command our live 24/7 high-decibel digital stream and catch the Daily Podcast on demand.

    The post Anthrax Guitarist Scott Ian Confirms Plans to Join Former Frontman John Bush on Stage for Live 1990s Era Concert Retrospective appeared first on Loaded Radio.