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  • Rose Cora Perry & The Truth Untold – Toronto, Canada


    Rose Cora Perry & The Truth Untold – Toronto, Canada
    https://soundcloud.com/rosecoraperry/

    2025 Tour Dates

















    Photo from the video shoot of “The Cure”
    Youtube link for “The Cure” https://youtu.be/CwMdaoIKBa0?si=fGNGkSnmdwEaOfzD


    Rose Cora Perry & The Truth Untold are BACK and they aren’t pulling any punches with their latest politically-charged rock’n’roll anthem, “The Cure”.

    Armed with her trusty six string, Perry has once again penned a tune that beautifully captures the current sociopolitical climate of heightened dissatisfaction with the ‘powers that be’…and it just so happens to be catchy as hell.

    Managing to snarl while also sounding sweet, the band’s frontwoman asks of listeners:

    “Tell me, tell me, who are they fighting for when we’re all fighting to be heard?
    Tell me, tell me who are we dying for when we’re all begging for the cure?”

    Like her rock’n’roll predecessors who didn’t shy away from challenging the status quo, Perry is intent on making ‘music that matters’. 

    Judging by the success of her band’s last release, “Not My Time” (2022) – which achieved airplay on 50 stations across North America and over 100,000 views on Youtube, all on a shoestring DIY budget – the marketplace is ripe for the return of unapologetic in-your-face rock. 

    Powerhouse frontwoman, Rose Cora Perry and her band, may just be the answer to ushering in the next generation of women rockers and appropriately so, as she hails from the same province as her childhood hero, Alanis Morissette.





    Exclusive interview with Rose Cora Perry by Joe Tell.
    1. What first got you into music?
    My parents enrolled me in classical voice lessons at a very young age so I must have demonstrated some sort of interest or ability in music right from the get-go. Being that I was only four at the time, I don’t remember how it happened exactly but I DO remember loving being on stage – even early on – and how that love continued to grow the more I performed.

    2. Who inspired you to make music?
    The very first song I ever wrote was actually about my concerns on the effects of pollution and oil spills on the environment – pretty heavy subject matter for a seven year old. I guess you could say even before I acknowledged the power of music and how it’s truly a universal language, I knew on some level it was a form of media through which you could reach others and discuss important issues. Where my inspiration comes from is still a mystery to me – I just “hear” melodies in my head and then set them to words.

    3. How would you describe the music that you typically create?
    I was recently asked that when setting up the distribution for my band’s new EP “Other Side of the Story” and the only option that seemed to make sense was “brooding”. Lol. In other words, I think people would consider me a “serious” songwriter in that my music is inspired by very real events and very real emotions that I feel. I aim to write very authentically – without any preconceived notions of how a song “should” sound or flow. The same goes for my lyrics – I write what and how I feel from my heart. If I had to choose a genre, I suppose I’d say “alternative” because while my music is based in the rock genre, it embraces a wide range of influences from classical to jazz to metal and grunge.

    4. What is your creative process like?
    Unpredictable and “odd”. I’ll have dry spells for some time wherein I won’t write anything for months. Then, all of a sudden I write a number of songs in a row in one sitting. My emotions largely drive my songwriting too so I have to be in a particular state of mind to write and again, as already mentioned, melodies just kinda come into my head without warning.

    5. Who would you most like to collaborate with?
    Ooooh that’s such a tough question as there are so many incredible artists out there (past and present) that I’d be so very honoured to work with! I think vocally I’d love to be able to harmonize with my fellow Canadian talents Ian Thornley, Alanis and Loreena McKennitt. I would die and go to heaven if Richie Sambora wanted to play lead guitar on one of my songs.

    6. If you could go open a show for any artist who would it be?
    Joan Jett or Pat Benatar or a double bill with both!

    7. What is one message you would give to your fans?
    Follow your dreams and what’s in your heart. You may not always find success, but it’s a lot worst always wondering “what if” than never trying at all.

    8. Do you sing in the shower? What songs? 
    Yes and usually my vocal warmups.

    9. Which famous musicians do you admire?
    My fav band of all time is Veruca Salt. I adore the songwriting and vocal chemistry of Nina and Louise – it’s nothing short of magical. I respect the heck out of Madonna for all that she’s accomplished throughout her incredible career and how much she’s opened doors for women in music. I think Paul McCartney has gotta be the coolest most down-to-earth rockstar in existence and Steven Tyler is my fav rock’n’roll frontman.

    10. What’s next for you and the band?
    I guess you’ll just have to wait and see! Follow us on social media to keep in the loop:
    www.facebook.com/rosecoraperryofficial
    www.twitter.com/rosecoraperry
    www.instagram.com/rosecoraperry 


    Rose Cora Perry & The Truth Untold – Other Side Of The Story EP music review by Joe Tell.



    The Other Side Of The Story is a great introduction to Rose’s dynamic music and heartfelt singing. Don’t let her good looks fool you, her fiery singing and raw guitar playing add plenty of passion and power to the heavy rhythms. The first thing you hear when you play the Other Side Of The Story is Rose’s strong and striking mezzo soprano vocals alongside a muffled, distorted guitar. The intro on For What It’s Worth conveys a feeling of anticipation and a tense buildup waiting for what’s coming up next. The full band kicks in bringing a hard and edgy alternative rock sound to the song. The sound is big and powerful with its chugging guitars and multi-layered vocals.
    Next up is Easy Prey, Check out the Youtube video for the song below…


    A slamming drum beat by Tyler Randall starts off the track before the band joins in. Cora sings an soaring operatic aria over a hard-hitting rhythm track.
    Don’t is the most musically adventurous song on Other Side Of The Story. Rose delivers a strong vocal over an emotional and reflective rhythm track. The track takes a twist with a staccato driven passage. A familiar sounding guitar part starts to strum and Rose confirms that the music is Nothing Else Matters from Metallica which fits in perfectly with the tempo and feel of Don’t. 
    A cover of Rolling In The Deep by Adelle is up next. Rose proves that she has the talented vocal chops to pull this song off with as much passion as the original version.
    Check out the video on Youtube below.



    Darkest Days has a melancholy feel. Rose’s somber sounding lyrics float perfectly over the top of the heaviest track of Other Side Of The Story. The track breaks down featuring Rose’s stirring vocals and her guitar carrying the song into its conclusion.
    To hear Other Side Of The Story online goto https://soundcloud.com/rosecoraperry/

     Music & Lyrics by Rose Cora Perry except for Rolling In The Deep.
     Vocals & Rhythm Guitars by Rose Cora Perry.
     Lead Guitars by Rose Cora Perry & Tyler Randall.
     Drums by Tyler Randall.
     Bass parts written by Rose Cora Perry & Ariel Kasler, additional arrangement by Tyler   Randall and Justin Dow.
     Bass Performed by Amber Gorham.
     Recording & Editing by Justin Dow, SLR Studios.
     Additional Vocal & Guitar Tracking for Rolling In The Deep by Jamie Dean, The Sugar 
     Shack. 
     Mixed and Produced by Kevin O’Leary
     Mastered by Roger Lian
     Photography by Mystery Man
     Hair, Makeup, Styling & Photo Editing by Rose Cora Perry
     CD art by HER Media Inc.



    From Warped Tour to Music is Art 
    “Rock’s Not Dead”…At Least Not for This Canadian Band

    Being handpicked by the founder himself to rock the final Vans Warped Tour.
    Being selected as the only Canadian act to showcase at Summer Namm.
    Getting the crowd revved up at the legendary Whisky a Go Go for Ultimate Jam Night.
    Opening for Smashmouth at Pittsburgh’s Three Rivers Regatta.

    These are just a handful of standout moments Canadian rock band, Rose Cora Perry & The Truth Untold, have already accomplished since forming in 2016.

    Said to capture the vocal essence of Benatar paired with the punk rock sensibility of Jett, Rose Cora Perry & The Truth Untold are set to release their highly anticipated debut EP this year entitled, “Other Side of the Story”.

    In conjunction with their forthcoming disc, Perry and crew will be embarking on “Part Deux” of their “Canadian Invasion” tour, which last year saw them play close to 50 shows in 10 states, along with select performances within their locale of Southwestern Ontario.

    On Saturday September 7th, Rose Cora Perry & The Truth Untold will be making a pitstop in Buffalo for this year’s 17th annual Music is Art Festival.

    Each September, The Music is Art Festival attracts tens of thousands from WNY and the world for its one-day, all-day, admission-free summer farewell celebration. The annual homegrown festival showcases over 700 musicians, dozens of DJs, hundreds of dancers, and over 75 display and live artist installations. 

    Family-friendly attractions include non-profit booths, an ever popular interactive kid’s village, an instrument zoo, and plenty of food and drink. 

    The event runs from 11:00 am until 2:00 pm at RiverWorks (359 Ganson St, Buffalo, NY 14203, USA) and RiverFest Park (249 Ohio St, Buffalo, NY 14204, USA)

    Rose Cora Perry & The Truth Untold will be rocking the Ganson & Michigan Outdoor stage located at RiverWorks at 1:15 pm.



    Rose Cora Perry & The Truth Untold, will be making their Buffalo debut on Thursday September 6th at Nietzsche’s. 


    Award-Winning Canadian Act Makes Buffalo Debut

    Hot off of Vans Warped Tour, award-winning Canadian rock trio Rose Cora Perry & The Truth Untold, are slated to make their Buffalo debut on Thursday September 6th at renowned local venue, Nietzsche’s.

    In support of Perry’s latest album, “Onto the Floor”, the band’s Buffalo stop is just one of many US dates in their latest “Canadian Invasion” tour which has included boastworthy appearances at: The Whisky a Go Go (Los Angeles), International Pop Overthrow (Chicago), Jersey Shore Festival (New Jersey), East Coast Music Conference (Virginia), Twin City Ribfest (North Carolina), Taste of Wisconsin (Kenosha) and Yellow Streets Spring Fair (Ohio).

    Formed in 2016, within six months of coming together, Rose Cora Perry & The Truth Untold conquered audiences of 25,000+ , performing at notable festivals and winning over crowds of 20-somethings & babyboomers alike.

    Acclaimed one of the Top #10 talents across Canada, last year the group was selected as the only Canadian act to showcase at Summer NAMM (Nashville). A month following their “Music City” success, Rose Cora Perry & The Truth Untold took the stage as the opening act for 90’s hitmakers SmashMouth at Pittsburgh’s Three Rivers Regatta; an event which attracts on average, 1.5 million attendees. 

    Other accolades the group has racked up include being: awarded Best “Pop Rock” Music Video for “Away I Go”, nominated for “Best Rock Artist” at the Toronto Independent Music Awards and featured as an international “buzzworthy” act by MusicDish China.

    The band’s Buffalo debut is 21+ with a $5 cover; Perry and crew are set to take the stage at 10:00 pm with local openers Radio Static & Rabbit Jaw. Doors open at 8:00 pm.


    To learn more about Rose Cora Perry & The Truth Untold, connect with them on social media at:
    www.facebook.com/rosecoraperryofficial
    www.twitter.com/rosecoraperry
    www.instagram.com/rosecoraperry

  • Ticket Give Away: Fu Manchu at the Black Cat 9/18/25

    Fu Manchu has been one of the pioneers of the stoner scene since the 90s and their big riffs have made them fans with metal heads, stoners and skaters alike! On Thursday, September 18th, the band is playing the legendary Black Cat and we’re so excited that we’re giving away a pair of tickets to one of you lucky DCHM readers! To enter: just leave a comment on this post telling me your favorite stoner or desert rock album ever. Then on Saturday, September 13th, 2025, at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. When you leave a comment you must click the little email icon and enter your email in (only I can see the email address you enter) otherwise I won’t be able to contact you if you win. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.

    Fu Manchu burst out of the Southern California desert rock scene with their own high energy take on the stoner sound and formed a devoted fan base after releasing classic albums of the genre like The Action is Go! and King Of The Road and an iconic stoner style cover of the Blue Öyster Cult hit song “Godzilla.” Several of Fu Manchu’s tracks ended up on various Tony Hawk skateboard video games that were hugely popular on the Playstation 2, gaining them an even wider audience. The band still puts out studio albums full of killer riffs, including 2024’s The Return of Tomorrow. Now go get in the comments and tell me what your favorite stoner or desert rock album of all time is!

  • Cillë – , but you can call me silly! – EP Album Review – Pop-rock from New York City, USA

    Cillë - , but you can call me silly! - EP Album Review - Pop-rock from New York City, USA

    Today I am writing about my discovery of a Danish-born, New York City-based artist, Cillë, and her latest EP; , but you can call me silly!, released recently on the 25th of August, 2025.

    First and foremost, to me, but you can call me silly! is a pop-rock album that incorporates both modern and traditional elements of the genre, performed in a rock band setting by professionals and led by the vocalist, Cillë, who not only contributes with her voice but gives the entire work its identity. During each of my listening experiences so far, I ended up with positive emotions. It takes almost no effort for the album to resonate with the listener – and when that happens, it’s never a coincidence. The work stands out for its commercial value, rich production, industry-standard sound, familiar musical blend, and live-performing energy. But let me go into some more details.

    Musically, the album reminded me of acclaimed names such as Avril Lavigne, Lady Gaga, and Pink, while keeping in mind that not all the songs belong to the same period (some were released as singles on different dates). In the end, I got the impression that Cillë is moving toward a direction where she embraces more modern pop and electronic influences in her music – which suits her well. As a fan of Lady Gaga, I felt a strong resemblance in the opening track Neon Trooper, especially in the intro where synths play behind the vocals, as well as in Cillë’s singing style itself. Nevertheless, her band does not abandon the principle of being a live-performing rock unit; in fact, rather making it a foundation of her music.

    Furthermore, the album’s production, with its international standards and commercially rich sound, qualifies it as a great-sounding release in my opinion. Surprisingly, I found myself sharing much in common with the producer’s approach to how this kind of music should be recorded. It sounds lively and real because it captures live performances with a careful balance between rawness and overly processed – even though bass, keys, and rhythm guitars were all performed by the same person, Benjamin Hull. Looking at the final result, the album clearly aims for a radio-friendly pop-rock sound with catchy vocals and entertainment value.

    Cillë - , but you can call me silly! - EP Album Review - Pop-rock from New York City, USA

    On the other side of the coin, if the artist weren’t identifying herself as a professional, but rather just making art for personal reasons, there would be no debate about the outcome. However, I don’t think that’s the case here. When I look at Cillë and her ambitions, I would just say keep on doing what you love. Nevertheless, if I were to offer her a tip or two, I’d share these thoughts.

    While the work in general checks out as a successful album, I still believe the real breakthrough will come once Cillë acknowledges that the only element that can take this music further is her vocals. The significance of such music lies in a world expressed through the human voice. In but you can call me silly!, we hear a vocalist who acts as a band member rather than fully leading it – entirely understandable, but also questionable. From my own experiences, I know the vocals are the one element where everything else exists in service. From now on, she will be asked to perform everywhere, in every setting, and expected to win crowds with her voice and presence.

    Cillë - , but you can call me silly! - EP Album Review - Pop-rock from New York City, USA

    In conclusion, but you can call me silly! is a promising step forward for Cillë, offering an entertaining pop-rock sound that combines modern energy with nostalgic roots, distinguished by its story and language. While the band chemistry is strong, her voice will ultimately decide how far this music travels. Thank you for reading.


    Cillë
    Video’s delen met vrienden, familie en de rest van de wereld
    Cillë - , but you can call me silly! - EP Album Review - Pop-rock from New York City, USA
    Cille
    Cillë - , but you can call me silly! - EP Album Review - Pop-rock from New York City, USA
    Cecilie ‘Cillë’ Maria (@cille_songwriter) • Instagram photos and videos
    2,355 Followers, 2,383 Following, 462 Posts – See Instagram photos and videos from Cecilie ‘Cillë’ Maria (@cille_songwriter)
    Cillë - , but you can call me silly! - EP Album Review - Pop-rock from New York City, USA
  • ARBITER ~ TOWARDS THE BURNING MOON … review


    Desert Psychlist described Arbiter’s debut full length release “Ambrosia“, in a blurb on the albums Bandcamp page, as a “mind blowing mix of prog-metal, heavy psych and space that occasionally wanders into left of field and quirky territories“, a description we stand by still and one that could just as easily be applied to the bands latest album “Towards the Burning Moon” only this time preceded by the words “an even more…“. Arbiter, Caleb Blackwell (guitar/vocals); Robert John Garcia (bass/synthesizer), and Jonah Gonzalez (drums), are a band with sound like no-one else, a band who play music that always seem to teeter on the edge of chaos but never quite tips over, something you’ll discover for yourselves when giving “Towards the Burning Moon” a spin.


    Things begin with “Light The Torches!,” a brief instrumental filled with droning feedback and sampled narrative, the piece setting the stage for the first track proper, “Black Lotus” a shape-shifting tome made up of grooves that merge heavy psych with proggish doom and elements of Middle Eastern exoticism, the results of which are decorated in “weedian” flavoured vocalisation. The next track, “The Deep Heavy” opens with a seductive bass motif, sparse yet effective guitar textures, and delicate drumming, only to explode into a throbbing mix of prog and stoner metal featuring vocals that transition from clean and phased to throaty and harsh beneath which an undercurrent of synthesized madness and refrain-driven mayhem holds sway.. For “Atop the Anthill,” Arbiter incorporate quirky rhythms and off kilter riffs, reminiscent of Belgium’s Gnome, to create an offbeat groove complemented by a swaying, playful vocal melody. “Form” introduces a new wave/punk vibe, while “Oh Spirit! Oh Mother!” showcases Arbiter’s knack for pulling victory from the jaws of chaos with a song that constantly leaps between folkish prog languidity and metallic core-like cacophony. “Faustian Hymn” dials things back with lilting nursery rhyme-like melodies delivered over a backdrop of lightly picked guitar arpeggios and synth generated brass effects, Desert Psychlist will be surprised if we are not the only ones getting a “Wicker Man/ Midsommar” vibe from this number. Title track “Towards the Burning Moon” is probably the albums most accessible and straight forward song, its lilting clean vocal melodies are underscored by tight solid drumming and booming bass over which crunching power chords, searing lead and swirling keyboard textures combine to create a groove not too far removed from something you might find gracing a Green Lung album. For the albums final number, “Venus in Dido“, Arbiter take that same straight down the line rock approach they opted for on the previous  track but this time mix things up by splicing that straight-forwardness with elements of both metallic and neo prog as well as some of those off-piste and quirky essences explored elsewhere on this wonderfully schizophrenic album.


    Arbiter’sTowards the Burning Moon” is an album that defies all conventional norms, an album packed with music that ranges from the exuberant and extravagant to the chaotic and angular. Listening to “Towards the Burning Moon” is like being taken to the top of a tall building and asked to admire a familiar view, only to suddenly find yourself being dangled out of said same window and asked to look at that same view from an entirely new perspective… a crazy, scary yet at the same time exhilarating experience.
    Check it out …. 

    © 2025 Frazer Jones
  • ARBITER ~ TOWARDS THE BURNING MOON … review


    Desert Psychlist described Arbiter’s debut full length release “Ambrosia“, in a blurb on the albums Bandcamp page, as a “mind blowing mix of prog-metal, heavy psych and space that occasionally wanders into left of field and quirky territories“, a description we stand by still and one that could just as easily be applied to the bands latest album “Towards the Burning Moon” only this time preceded by the words “an even more…“. Arbiter, Caleb Blackwell (guitar/vocals); Robert John Garcia (bass/synthesizer), and Jonah Gonzalez (drums), are a band with sound like no-one else, a band who play music that always seem to teeter on the edge of chaos but never quite tips over, something you’ll discover for yourselves when giving “Towards the Burning Moon” a spin.


    Things begin with “Light The Torches!,” a brief instrumental filled with droning feedback and sampled narrative, the piece setting the stage for the first track proper, “Black Lotus” a shape-shifting tome made up of grooves that merge heavy psych with proggish doom and elements of Middle Eastern exoticism, the results of which are decorated in “weedian” flavoured vocalisation. The next track, “The Deep Heavy” opens with a seductive bass motif, sparse yet effective guitar textures, and delicate drumming, only to explode into a throbbing mix of prog and stoner metal featuring vocals that transition from clean and phased to throaty and harsh beneath which an undercurrent of synthesized madness and refrain-driven mayhem holds sway.. For “Atop the Anthill,” Arbiter incorporate quirky rhythms and off kilter riffs, reminiscent of Belgium’s Gnome, to create an offbeat groove complemented by a swaying, playful vocal melody. “Form” introduces a new wave/punk vibe, while “Oh Spirit! Oh Mother!” showcases Arbiter’s knack for pulling victory from the jaws of chaos with a song that constantly leaps between folkish prog languidity and metallic core-like cacophony. “Faustian Hymn” dials things back with lilting nursery rhyme-like melodies delivered over a backdrop of lightly picked guitar arpeggios and synth generated brass effects, Desert Psychlist will be surprised if we are not the only ones getting a “Wicker Man/ Midsommar” vibe from this number. Title track “Towards the Burning Moon” is probably the albums most accessible and straight forward song, its lilting clean vocal melodies are underscored by tight solid drumming and booming bass over which crunching power chords, searing lead and swirling keyboard textures combine to create a groove not too far removed from something you might find gracing a Green Lung album. For the albums final number, “Venus in Dido“, Arbiter take that same straight down the line rock approach they opted for on the previous  track but this time mix things up by splicing that straight-forwardness with elements of both metallic and neo prog as well as some of those off-piste and quirky essences explored elsewhere on this wonderfully schizophrenic album.


    Arbiter’sTowards the Burning Moon” is an album that defies all conventional norms, an album packed with music that ranges from the exuberant and extravagant to the chaotic and angular. Listening to “Towards the Burning Moon” is like being taken to the top of a tall building and asked to admire a familiar view, only to suddenly find yourself being dangled out of said same window and asked to look at that same view from an entirely new perspective… a crazy, scary yet at the same time exhilarating experience.
    Check it out …. 

    © 2025 Frazer Jones
  • New Graham Bywater Release..

    TORSO: ANNIHILATION DAY



    Ever since Grownman turned me on to Possessor in 2014 I have been a huge fan of Graham Bywater, the band’s singer, guitar player and songwriter. His new solo project TORSO has now released music in each of the last three years.  This is one of my favorites from TORSO’s August 29th release: 

    Graham, with his affinity for horror movies and 1970s art style and imagery, could be likened to Rob Zombie in terms of vision, but with a raunchier and dirtier style of music.  However you want to describe it, I love it and recommend you go check it out here on Bandcamp.

    Graham is from London.




  • New Graham Bywater Release..

    TORSO: ANNIHILATION DAY



    Ever since Grownman turned me on to Possessor in 2014 I have been a huge fan of Graham Bywater, the band’s singer, guitar player and songwriter. His new solo project TORSO has now released music in each of the last three years.  This is one of my favorites from TORSO’s August 29th release: 

    Graham, with his affinity for horror movies and 1970s art style and imagery, could be likened to Rob Zombie in terms of vision, but with a raunchier and dirtier style of music.  However you want to describe it, I love it and recommend you go check it out here on Bandcamp.

    Graham is from London.




  • The North American Farewell Tour – Rescheduled Dates

    The rescheduled dates for the two postponed shows are Xfinity Mobile Arena, Philadelphia on Wednesday September 10th and Boardwalk Hall Atlantic City on Friday September 12th.

    Purchased tickets for the original shows are valid for these dates.

    The post The North American Farewell Tour – Rescheduled Dates appeared first on The Who.