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  • The Paradise Riflebirds Much Doom Review

    The Paradise Riflebirds Much Doom Review

    The song opens with a gripping rhythm. An intricate arpeggio coupled with a psychedelic and mysterious voice creates an atmosphere reminiscent of a mystical mirage. This ambiance feels ritualistic, drawing listeners into a hypnotic trance. There is a decadent and visionary quality that enhances the overall experience. Such qualities make this track kaleidoscopic, shedding light on the musical freedoms of past eras. In this context, The Paradise Riflebirds channel an instinct that transcends mere composition.

    The Paradise Riflebirds Much Doom

    Simon J from Cairns, Australia, and John Tulloch from Edinburgh, Scotland, lead the musical endeavor. Their aim is not solely to produce music, but to provide listeners with a profound experience. This single offers a unique journey, akin to a trip that explores the hidden corners of the soul.

    The song also features a complementary video clip filmed in Caracas. This visual narrative furthers the song’s themes. In it, a woman in a café observes a couple dancing. As she watches, she embodies the dancer herself, engaging in a cathartic process. This moment perfectly reflects the visionary vibes of the song. It allows for the development of intricate, dream-like thoughts.

    Much Doom – Sound and Atmosphere

    Lyrically, the song dives deep into the subconscious, evoking feelings and images that are ethereal. Its contemplative nature prompts deep reflections, leading to an exploration of complex emotions and ideas. The blend of sounds invites listeners to drift into a reverie, fostering a connection that feels personal yet universal.

    Throughout the track, rhythmic variations keep the momentum alive. It draws in listeners further with every passing second. The looping melodies create a sense of continuity, almost like a never-ending spiral that invites exploration.

    Much Doom – Performance and Production

    Vocally, Simon J’s timbre shines through with an ethereal quality. His delivery feels personal and expansive, inviting listeners to reflect on their own experiences.

    The clarity of sound gives each layer space to breathe, allowing listeners to appreciate the artistry at play. The mixing creates a balance that makes the music feel vast and intimate.

    “Much Doom” ultimately defies categorization. It blends genres and influences, creating a style that feels innovative. The journey it offers is one that resonates with many, allowing for personal interpretation and connection. The Paradise Riflebirds have crafted a piece of art that invites repeated listens, as new layers reveal themselves upon each experience.

    This single not only showcases the talent of Simon J and John Tulloch but also reflects their intent to explore the deeper realms of human emotion and consciousness.



    Dreamlike

    🔥 If you love this music: Discover More


    Find The Paradise Riflebirds here:
    Spotify | Instagram

    The post The Paradise Riflebirds Much Doom Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Post Script Philosophy Butterflies Review

    Post Script Philosophy Butterflies Review

    The song begins with an appealing drum rhythm. The solid and powerful sound of the snare stands out prominently. Distorted guitars enter, evoking vibes reminiscent of the 1990s. As the vocals enter, the song dynamically lowers, creating space for a melody that feels nostalgic and refined. The underlying rhythm continues to build with intensity. The song then erupts again with strong, intentional distortions, delivering an alt-rock feel that wraps around the listener.

    Post Script Philosophy Butterflies

    Post Script Philosophy carries a unique story. Seventeen years ago, their musical journey faced a significant pause due to the unfortunate loss of their bassist. Today, the band has chosen to return, pursuing their musical dreams to honor their late friend. The song embodies the authentic vibe of the late 1990s and early 2000s. Elements of punk and emo intertwine throughout the track, contributing to its genuine essence.

    The production quality is excellent, with a solid chord progression that underpins the song’s structure. The dynamics are skillfully executed, allowing the song to rise and fall while keeping the listener engaged. This approach effectively emphasizes the emotional weight of the music. The contrasts in volume keep the audience on their toes, delivering an engaging listening experience.

    Butterflies – Sound and Atmosphere

    The lyrics resonate with themes of nostalgia and personal reflection. Each note feels intentional, providing a backdrop for the vocal narrative that unfolds.

    The blend of punk and emo influences adds depth to the overall composition. The performance feels genuine, reflective of the band’s journey and dedication. This isn’t just a comeback; it’s a revival of a passion that has been patiently waiting to surface.

    Butterflies – Performance and Production

    The solid foundation of the instrumentation allows the vocals to shine. There’s an evident attention to detail, with the blend of various musical styles creating a rich tapestry. The band navigates through different emotional landscapes smoothly. Whether it’s the heavier moments or the softer, more introspective sections, they maintain a remarkable balance.

    Post Script Philosophy’s “Butterflies” deserves attention from anyone who appreciates authentic music. It’s a beautiful discovery that I highly recommend to all music lovers.



    Nostalgic

    🔥 If you love this music: Discover More


    Find Post Script Philosophy here:
    Spotify | Instagram

    The post Post Script Philosophy Butterflies Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Underoath Announce ‘Define The Great Line’ 20th Anniversary Tour

    Underoath are set to celebrate two decades of one of their most seminal albums, with a whole host of very special bands as support.

    ‘Define The Great Line’ was released on June 20 2006, and has come to be a definitive statement of what Underoath is, and continues to be sonically and emotionally. Beautifully constructed, effortlessly ethereal and wonderfully bold, it still sounds as fresh and nailed on relevant today as it did back then.

    And in taking the album on the road to celebrate, they are bringing along bands that share in their vision as well as who perfectly define the scene at the time as well as today. They are August Burns Red, Atreyu, As Cities Burn and Emery. Wow.

    Keyboardist had this to say about the tour stating, “What this album has meant to us, and so many others, over the past 20 years is hard to quantify. It gave us permission to be ourselves. It sent us around the world. It gave people the freedom to say (and scream) the things out loud they had buried deep. It will outlive us. We still play these songs on stage 20 years later and get those chills. The opportunity to devote an entire tour to presenting this album in the best way it ever has been, alongside friends we’ve had since before it was released, is going to be bucket list material for us.

    Here are all of the dates:

    NOVEMBER

    05 – ST. LOUIS The Pageant *
    06 – OKLAHOMA CITY The Criterion *
    07 – ALBUQUERQUE Revel Entertainment Center*
    09 – PHOENIX Arizona Financial Theatre *
    10 – SAN DIEGO SOMA *
    12 – LAS VEGAS Brooklyn Bowl *
    14 – SAN FRANCISCO The Masonic *
    16 – SEATTLE Paramount Theatre *
    17 – VANCOUVER PNE Forum *
    19 – SALT LAKE CITY The Union Event Center *
    21 – DENVER Fillmore Auditorium *
    23 – MINNEAPOLIS The Armory *
    24 – CHICAGO Aragon Ballroom *
    25 – GRAND RAPIDS GLC Live at 20 Monroe *
    28 – MONTREAL MTELUS ^#
    29 – BOSTON MGM Music Hall at Fenway ^

    DECEMBER

    01 – PHILADELPHIA The Fillmore ^
    03 – LANCASTER Freedom Hall ^
    04 – CINCINATTI The Andrew J Brady Music Center ^
    05 – INDIANAPOLIS Egyptian Room at Old National Centre
    06 – DETROIT The Fillmore ^
    08 – BROOKLYN Brooklyn Paramount ^
    11 – RALEIGH The Ritz ^
    12 – MYRTLE BEACH House of Blues ^
    15 – AUSTIN ACL Live at the Moody Theater ^
    16 – HOUSTON Bayou Music Center ^
    18 – TAMPA Yuengling Center ^ 

    * As Cities Burn
    ^ Emery
    # – Atreyu not performing

    The post Underoath Announce ‘Define The Great Line’ 20th Anniversary Tour appeared first on Rock Sound.

  • Robots in Love Convergence Review

    Robots in Love Convergence Review

    Right from the beginning, “Convergence” hooks you with soft, muted guitars that suggest an impending surge of energy. After ten seconds, the track explodes into a vividly futuristic sound that is powerful and innovative.

    Robots in Love Convergence

    As the song transitions into the verse, the female voice emerges, accompanied by a melody and arrangements reminiscent of bands like Muse and Ghost. The rhythm is intricate yet solid, creating a foundation that supports the layers of sound. The use of arpeggiators and pads dances behind the driving bass and drum lines, establishing an incredible rhythmic backdrop.

    The pre-chorus introduces a moment of restraint before everything is unleashed in the chorus. Here, the pads swell into an epic presence, while the guitars create a sense of urgency that elevates the intensity. The result is a sound that feels dystopian and grand, capturing the listener’s imagination.

    Convergence – Sound and Atmosphere

    The energy throughout “Convergence” is remarkable. This band demonstrates a remarkable ability to create music that resonates deeply. Accompanied by a stunning music video, the imagery features the band on the coast with a glowing sphere. This visual element suggests a message, perhaps hinting that the band comes from another planet, sent to Earth to deliver extraordinary music. Their mission seems unmistakably successful, as their sound is incredibly engaging.

    Robots in Love has crafted a track that is not only rich in texture but electrifying in its delivery.  The music maintains a balance that allows each element to shine without overwhelming the listener, demonstrating a well-thought-out production approach.

    The juxtaposition between the subdued introduction and the energetic explosion embodies a journey. Every section flows into the next, with transitions that maintain the listener’s interest through emotional crescendos and dynamic shifts.

    Convergence – Performance and Production

    The band’s choice to incorporate various musical techniques adds layers to the composition. The rhythmic patterns create grooves that are danceable and thought-provoking. They encourage movement while simultaneously inviting introspection, making this track suitable for diverse listening environments.

    As the song reaches its climax, the fusion of all elements creates an overwhelming sense of exhilaration. This kind of musical experience not only entertains but also invokes emotion.

    Overall, the creative depth and energetic presentation make “Convergence” a significant contribution to contemporary music. This single challenges expectations and sets the stage for what is sure to be an exciting journey ahead for the band.



    Electric

    🔥 If you love this music: Discover More


    Find Robots in Love here:
    Spotify | Instagram

    For fans of:

    Muse • Ghost


    The post Robots in Love Convergence Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • BLEAK SQUAD Add Mystery Melbourne Show To Upcoming Run

    Photo: Felix Oliver

    On the back of their AMP Award-nominated debut album Strange Love, latest single ‘Black & White’, their headline tour, festival appearances including Golden Plains and handful of shows as special guests of Pulp, Bleak SquadAdalita from Magic Dirt, Mick Harvey from Bad Seeds/Birthday Party/PJ Harvey, Mick Turner from Dirty Three/Mess Esque/Fancy Weapon and Marty Brown from Clare Bowditch and Art of Fighting – have a run of shows coming up in late July and August. In addition to previously announced shows in Brisbane, Eumundi, Murwillumbah and Adelaide, the band has just announced a new Melbourne date. And it’s one with a twist; the venue won’t be announced until the day of the show, Friday August 7.

    The band has announced and explained the show on their socials: “OK, we’ve added a Melbs show to our run in August. But it’s a little bit different. You know how it’s always the twenty-somethings that do secret, pop-up shows in super cool spaces? And we’ve all gone to the same venues a thousand times to the point that they feel like an extension of our lounge rooms?

    Well, we might be just a couple of years past our twenties, but we thought we’d get in on the secret venue action too. So on Fri Aug 7th we’ll be presenting just that. Melbs, Inner north, venue location will be disclosed on the day of the gig, 7:30pm doors, everything wrapped up by 10:30pm. Lighting design by Let There Be Light. Interstitial music by Matty Vehl and Daisy Kilbourne. Super limited capacity in what we think will be an adventurous, immersive night. Tickets only available to people on our emailing list (coz we need to email you the address!)”

    Sign up at www.bleaksquad.com (probably best to now-ish, and make sure you click on the Confirm Subscription link to ensure you get all the info.)

    Tickets onsale this Weds morning 10am.

    In other (big) news, Bleak Squad are happy to let it be known they’re working on album #2 and they’ll be playing UK and European shows in November. Stay tuned for updates.

    Bleak Squad 2006
    Jul 30 – Princess Theatre, Brisbane
    Jul 31 – Imperial Hotel, Eumundi
    Aug 1 – The Regent Cinema, Murwillumbah
    Aug 2 – The Gov, Adelaide

    Aug 7 – Secret Venue, Melbourne
    Tickets and more info from www.feelpresents.com

    The post BLEAK SQUAD Add Mystery Melbourne Show To Upcoming Run appeared first on The Rockpit.

  • Drummer MIKKEY DEE: “I Told the SCORPIONS Boys: ‘I Don’t Do F***-Ups.’ And They Were Laughing. I Said, ‘No, No, I’m Serious’”

    In a new interview with Matty Roberts of the Percussion Discussion podcast, former Motörhead and current Scorpions drummer Mikkey Dee discussed how he keeps his drumming in shape when off the road, and why his nearly six decades of experience have made him a more precise performer than ever.

    Dee said (transcribed by Blabbermouth) about staying active between tours: “I do different projects… I play drums when I’m off, yes. But right now, the body, actually, after a long tour with SCORPS, it’s important for your body to rest also — your shoulders, your elbows, your wrists. But I am doing some shows with ‘Mikkey Dee With Friends’; we’re out playing some stuff. And I do session work… And so I try to play as much as I can, but I also need the rest for it.”

    He elaborated on how maturity has reshaped his technique: “I think I’m way more mature on my drums. The routine I have, the lack of physical power you compensate with routine and knowledge, if you will. And I compare this to ice hockey as well, because when you were 20, you had so much physical ability, you were skating all over the place like a f***ing moron. And then when you meet the older guys, old pros and stuff, they spend maybe 40% of their energy because they are at the right place at the right time all the time. While we were skating 100% just to make it to these areas and to be right, but they already know that. Why do they do that? Well, because they have the routine and knowledge where to be on the ice. Same as a drummer. I know where to back off today. I know where I can push. I feel so much more secure behind the drums.”

    On his reputation for zero-mistakes performances, Dee recalled what he told his new bandmates when he joined the Scorpions: “I told the Scorpions boys, I said, when I joined them [a decade ago], I said, ‘I don’t do f***-ups.’ And they were laughing, and I said, ‘No, no, I’m serious. I never f*** up.’ ‘Yeah, yeah, Mikkey. We understand. It’s okay. It’s no problem. Everyone f***s up.’ I said, ‘I don’t,’ because I don’t. I don’t f*** up. I do my homework, and I know by the time I sit behind the drum kit, I don’t f*** up. And that’s because of routine. You know how to prepare yourself. You do your homework in the right way.”

    Dee also addressed the physical side of longevity at the drum kit: “You don’t have to have the same energy when you are 15, 20, 25 years old anymore. I hit the drums with a different approach. You don’t need that much muscle and energy. You have a different snap in a way. So, it compensates. And I try to stay fit, and I stay the f*** away from drugs, and I drink only beer. And so my hair keeps growing, and that’s about it. And I play a lot of hockey when I can, and I do sports and try to live a decent life. And keeping up on my drums. And that’s all I have to do, really, to stay on the level that I wanna be.”

    Earlier this year, Dee announced more than a dozen European shows for 2026 on which he will perform Motörhead classics alongside The Drippers members Viktor Skatt (bass/vocals) and Stig William Rickard (guitar).

    A Swede of Greek descent, Dee rose to prominence with King Diamond in the mid-1980s, recording the albums Fatal Portrait (1986), Abigail (1987) and Them before serving as a session drummer on Conspiracy (1989). He then joined Don Dokken for Up From the Ashes (1990), with the videos for “Stay” and “Mirror Mirror” receiving airplay on MTV’s Headbanger’s Ball, and briefly filled in with World War Three. Having been courted by Lemmy Kilmister since 1985, Dee accepted the invitation in 1992, replacing Phil “Philthy Animal” Taylor as Motörhead’s drummer; his first show with the band was Aug. 30, 1992, at Saratoga Performing Arts Center. Following Lemmy’s death and Motörhead’s dissolution, Dee joined the Scorpions in 2016. His only studio album with them to date is Rock Believer (2022).

    The post Drummer MIKKEY DEE: “I Told the SCORPIONS Boys: ‘I Don’t Do F***-Ups.’ And They Were Laughing. I Said, ‘No, No, I’m Serious’” appeared first on Sonic Perspectives.

  • Wishy Announce New Album Nature’s Pill: Hear “Lovesick”

    Wishy Wishy Wishy, can’t you see. Sometimes your tunes just hypnotize me. And I just love your catchy ways. Guess this why they’re broke and you’re getting so much love from what remains of the independent music blogosphere.

    The post Wishy Announce New Album <em>Nature’s Pill</em>: Hear “Lovesick” appeared first on Stereogum.

  • Travis Scott Reportedly Forces Early End To John Summit’s Monaco Grand Prix Show

    EDM DJ John Summit is a huge deal in the dance world, a big enough name to headline a festival like Bonnaroo or Outside Lands. But when another artist randomly and unexpectedly makes an appearance during one of his sets, the whole thing might get shut down. On Sunday night, Summit played a set at Lilly’s Club in Monte Carlo, as part of an afterparty for the Monaco Grand Prix, but the set ended early because another artist bum-rushed the stage. According to TMZ, that artist was Travis Scott.

    The post Travis Scott Reportedly Forces Early End To John Summit’s Monaco Grand Prix Show appeared first on Stereogum.

  • Melrose Avenue Announce HUGE UK/EU Headline Tour

    Melrose Avenue have announced that they are going to be heading out on a truly extensive tour across the UK and Europe at the start of next year.

    The band will be kicking off 2027 by spending over a month making their away from the continent, hitting up no less than 19 countries as they go. Pretty amazing, to be honest. They will also be joined by Arankai on all dates.

    Vocalist Vlado Saric had this to say about the run, stating, “We knew this summer would be absolute madness – packed-out festivals, sweat, chaos, and some wild crowds. So we wanted to get back to those people asap and turn the heat up even more. Bigger stages, heavier songs and louder nights. We love the beautiful chaos of touring overseas and this run is going to get wild. See you in the pit.”

    Here are all the dates you need to know.

    JANUARY

    27 – DUBLIN Academy
    28 – BELFAST Limelight 2
    30 – GLASGOW The Garage
    31 – LEEDS The Key Club

    FEBRUARY

    01 – MANCHESTER Club Academy
    03 – BIRMINGHAM Institute2
    04 – LONDON Electric Ballroom
    06 – UTRECHT TivoliVredenburg Pandora
    07 – ANTWERP Kavka Zappa
    09 – PARIS Trabendo
    10 – COLOGNE Live Music Hall
    11 – HAMBURG Gruenspan
    12 – COPENHAGEN Hotel Cecil
    13 – OSLO John Dee
    14 – STOCKHOLM Kollektivet Livet
    16 – HELSINKI Tavastia
    17 – TAMPERE Olympia
    18 – TALLINN Paavli Kultuurivabrik
    19 – RIGA Palladium
    21 – WARSAW Proxima
    22 – BERLIN Columbia Theater
    24 – PRAGUE Rock Café
    25 – VIENNA Flex
    26 – BUDAPEST Analog Music Hall
    27 – BOLOGNA Locomotiv Club

    MARCH

    01 – ZURICH Dynamo
    02 – MUNICH Technikum
    03 – BARCELONA Razzmatazz 3
    05 – MADRID Revilive
    07 – LISBON República da Música

    And here is a little taste of what to expect, with the band’s recent single ‘Taste’:

    The post Melrose Avenue Announce HUGE UK/EU Headline Tour appeared first on Rock Sound.

  • BraveWords Features Crucial Velocity’s New Single “Martyr’s Blood” Featuring Dan Mongrain of Voivod – @thebeast

    FOR IMMEDIATE RELEASE
    BraveWords Features Crucial Velocity’s New Single “Martyr’s Blood” Featuring Dan Mongrain of Voivod
    Crucial Velocity continues to gain momentum following the release of their latest single, “Martyr’s Blood,” with leading metal publication BraveWords recently spotlighting the track and its accompanying video.
    In their feature, BraveWords highlighted the band’s blend of classic heavy metal influences, progressive musicianship, and modern production while emphasizing the special guest appearance from Voivod guitarist Dan Mongrain. The publication praised Mongrain’s contribution, noting that his distinctive guitar work adds “an added layer of intensity and technical brilliance” to the song.
    “Martyr’s Blood” also features commanding vocals from Androo O’Hearn, virtuosic guitar work from Michael Harris, and powerhouse drumming from Matt Thompson of King Diamond fame.
    The recognition from BraveWords marks another milestone for Crucial Velocity as the band continues to expand its reach with one of its most ambitious and acclaimed releases to date.
    Stream “Martyr’s Blood” now:
    https://orcd.co/martyrs-blood

    Press Contact:
    zach@metaldevastationradio.com
    Check it out here: https://bravewords.com/news/crucial-velocity-release-new-single-martyrs-blood-featuring-voivod-guitarist-dan-mongrain/

        Follow the band at these links:
    https://crucial-velocity.com/ 
    https://www.instagram.com/natebauermusic/
    https://www.facebook.com/nate.bauer.12
    Contact: mrnatebauer@gmail.com