Midrone 2025 From Barcelona to eternity, art-minded trio stream their storytelling across the dancefloor. Given that the last two platters from this collective were covers-centered, and the last original offering from Paul J. No’s project was “reFascination” which emerged in … Continue reading
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Support came in the form of Japan’s genre-defying force Crystal Lake, and from the outset it was clear Perth had shown up early for a reason. Making their long-overdue return to Australia for the first time in six years, and their first ever visit to Perth – they played like a band with everything to prove and absolutely nothing to lose. From the moment the drummer stepped out, raised his sticks, and pointed straight at the band’s logo, the tone was set. What followed was pure intensity -relentless, uncompromising, and completely commanding. It was an absolute joy to witness and in the crowded pit right up and close the photographers applauded every song.
There’s a precision to Crystal Lake that sets them apart. Every breakdown landed like a bomb, every atmospheric passage gave just enough breathing room before the next blast hit. Their songs felt enormous in the room – there was not a hint of filler, no let-up, nowhere to hide. It was the kind of set that demands your full attention, and the crowd had no choice but to give it. Bodies surged forward, and from barrier to back wall it was constant motion. For a band returning after years away, this was a masterclass – it was sonic domination and it was simply unmissable.
Opening the night, local outfit Patient Sixty-Seven held their own in serious company—they didn’t look out of their depth for a second, and with bands like this to learn from, their trajectory only looks steeper from here.
But as intense as the support was, the anticipation for Of Mice & Men had been building for over a decade. Thirteen years, seven albums, and countless missed opportunities—it’s the kind of absence that turns interest into hunger. Add in the timing, riding the wave of back-to-back heavy tours hitting Perth, and the atmosphere inside the venue felt primed for something very explosive and very, very special.
When the lights dropped and the intro track kicked in , that weight of pent-up expectation exploded.
From the opening punch of ‘Another Miracle,’ Of Mice & Men were nothing short of monstrous. ‘Feels Like Forever’ and ‘Would You Still Be There’ hit early and hard, each one met with a roar that felt like it had been building for thirteen years. Tight doesn’t even begin to cover it – this was a band operating at absolute peak efficiency. Riff after riff crashed through the room with surgical precision, backed by a rhythm section that hit like a freight train. It’s easy to throw around phrases like “well-oiled machine,” but tonight it felt like controlled chaos executed flawlessly and with a passion you could raise your first and touch.
Frontman Aaron Pauley was a force unto himself. Seamlessly shifting from guttural screams to soaring clean vocals, his performance anchored the entire set. Tracks like ‘You Make Me Sick,’ ‘Obsolete,’ and ‘Another You’ showcased that dynamic range he’s famous for; whilst ‘Back to Me’ and ‘Flowers’ added emotional weight without losing an ounce of intensity. Every line landed, every chorus soared, and the connection with the crowd was one you rarely see. When he spoke about Australia feeling like family, it didn’t feel rehearsed, you knew it was real, and Perth who had waited so long had more than earned that welcome.
The setlist pulled heavily from across their catalogue, giving Perth a long-overdue taste of everything they’ve built since that 2013 appearance. ‘Troubled Water’ swelled with atmosphere before giving way to the chaos of ‘O.G. Loko’ and ‘Bones Exposed,’ both of which sent the crowd into absolute overdrive. By the time they closed with ‘Second & Sebring,’ you knew it was more than a mere finale, more than a release, it was a night that will be burned into our collective memories. After thirteen years of waiting, we were finally here and it all detonated in one last massive singalong.
What’s most striking about Of Mice & Men in 2026 is how far they’ve evolved. Once seen as an underground force, they’ve transcended that label entirely. With a catalogue of arena-sized songs, a billion streams, and a live show that rivals the best in the genre, they now stand firmly among metalcore’s elite and nights like this prove it.
This wasn’t just the first night of another Australian tour: this was a reckoning, a return long overdue, delivered with power, precision, purpose and passion. After thirteen years away, Of Mice & Men didn’t just come back to Perth they made sure no one here forgets them and I can almost guarantee you that next time both they and Crystal lake won’t overlook the West. And now I’m looking at you Eastern States – if you thought you’d already seen the best heavy double bill of the year – think again and prepare to be blown away.
PHOTO GALLERY ON THE WAY TONIGHT
The post LIVE REVIEW: Of Mice and Men, Crystal Lake and Patient Sixty Seven at Magnet House Perth 6th May 2026 appeared first on The Rockpit.
With their new album It Takes The Village arriving May 8th, New Jersey heavy metal powerhouse WHO ON EARTH continue the momentum with the release of their latest single and video, “Shadows” – a towering anthem packed with galloping riffs, soaring harmonies and the band’s signature no-frills approach to modern heavy metal.
The third single from the forthcoming album, “Shadows” channels the spirit of classic metal while reinforcing the band’s sharp lyrical perspective. Built on thunderous grooves, dual guitar harmonies, and an arena-ready chorus, the track delivers both nostalgia and urgency in equal measure.
Bassist Pete Rizzi comments:
“‘Shadows’ is our third single from It Takes The Village, and it truly epitomizes what we are all about. It’s got that old school metal vibe with a catchy chorus, guitar harmonies reminiscent of old Maiden & Priest, and a locked-in rhythm section. The lyrics also speak to a concept we touch on quite often: deception and the need to be vigilant about what you see, hear, read, eat, watch, etc., because there are a lot of bad actors trying to profit from us through manipulation, deceit, and outright lies. We don’t write love songs. Ha!”
“Shadows” follows the previously released singles “Vigilance” and “Any Other Way,” both of which offered fans an early glimpse into the sonic force of It Takes The Village—WHO ON EARTH’s most dynamic and fully realized record to date.
WHO ON EARTH will kick off a string of shows with FOZZY beginning later this week. Purchase tickets here: https://whoonearththeband.com/shows/
Watch the music video for “Shadows” here: https://youtu.be/s4CShC2gQuY
Stream “Shadows“: https://found.ee/WhoOnEarth_SHADOWS
Pre-Save It Takes The Village:
https://foundation-media.ffm.to/ittv
“ANY OTHER WAY” MUSIC VIDEO:
https://youtu.be/oKV28iAiGCM
“VIGILANCE” MUSIC VIDEO:
https://youtu.be/O6bcU4PPcEM
It Takes The Village – Track List:
1. Vigilance
2. Any Other Way
3. Shadows
4. Good Man Down
5. Closer
6. Too Close
7. Double or Nothing
8. Monster!
9. Oh, Set Me Free
10. We Don’t Belong Here
11. Ascension
12. The Unbeaten
WHO ON EARTH Tour Dates w/FOZZY:
May 8 – Charlotte, NC – Amos’ Southend
May 9 – Waynesboro, VA – The Foundry
May 12 – Philadelphia, PA – Underground Arts
May 13 – Harrisburg, PA – Capitall City Music Hall
May 15 – St. Charles, IL – Arcada Theatre
May 16 – Flint, MI – The Machine Shop
Lineup:
Coosh – Vocals
Pete Rizzi – Bass
Johnny James Barone – Guitar
Jimmy Kocha – Guitar
Howie Fallon – Drums
Follow WHO ON EARTH:
Website | Facebook | Instagram | TikTok | Youtube | Bandcamp | Spotify | Apple Music
Darkness and beauty collide throughout this EP, creating a cinematic experience filled with tension, emotion, and haunting melodies.
Antenatal – A Dry Darkness
This EP introduces listeners to a musical world that feels epic and dystopian. From the incipit, the project establishes a mysterious identity built on atmospheric textures, emotional vocals, and immersive arrangements. Each song carries its own personality while remaining connected through a dark and cinematic vision that constantly evolves throughout the record.
The opening track, A Dry Darkness, begins with an atmospheric intro that immediately creates anticipation. Slowly, the guitars emerge from the shadows before the female vocalist enters, almost completely a cappella. Her voice feels angelic and fragile at first, yet the emotional intensity behind every line gives the track remarkable strength. When the full instrumentation arrives, the song expands beautifully through a rounded bass tone, intense drum passages, and restrained yet solid guitars that never overpower the composition.
One of the strongest elements of this track is its dynamic structure. The verses intentionally leave space for the singer’s ethereal performance, while the choruses slightly increase the intensity without ever becoming excessive. This careful balance allows the atmosphere to breathe naturally. The production choices demonstrate maturity and confidence, proving that sometimes restraint creates a much stronger emotional impact than overwhelming force.
Will the Sun Rise Again further strengthens the dystopian identity of this project. The production here feels nocturnal and cinematic, almost like the soundtrack to a collapsing futuristic world. The artist demonstrates an impressive ability to blend emotional vulnerability with dark sonic landscapes. The layered atmosphere becomes one of the defining characteristics of the EP, giving every section a sense of depth and tension.
The closing track, When the Time Comes, reveals the heavier and more metal-oriented side of the project. This song carries a stronger sense of urgency and power compared to the previous tracks. The rhythmic changes and harmonic progressions remain varied and unpredictable, showing a clear openness toward experimentation. Instead of following safe structures, the band constantly searches for emotional movement and dramatic evolution inside the compositions.
Overall, this EP feels like a beautiful discovery. The artist succeeds in building a dark and immersive universe filled with emotional depth, dystopian tension, and strong musical identity. The production remains rich without becoming overcrowded, while the performances continuously maintain emotional authenticity. This is a release that deserves attention from anyone who appreciates atmospheric music capable of blending cinematic darkness with powerful emotional expression.
Haunting
If you love this music: Discover MoreThe post Antenatal A Dry Darkness Review appeared first on Edgar Allan Poets – Noir Rock Band.
Melbourne Metal outfit Melting, share new single “The Sword“, a punishing burst of raging power off their upcoming sophomore EP, A Pathetic Excuse For A Life out Friday 29 May via Greyscale Records. Clocking in at just 1:01, “The Sword” doesn’t waste a single second getting to the point. Driven by a rapid-fire rhythm section and a chugging backbone, the track is unrelenting. While […]A tour partnership over two decades in the making, THEORY OF A DEADMAN and SEVENDUST are teaming up for The Dead / Seven Tour. This 36-date co-headline tour promises to be more than just another show. It’s an unforgettable evening comprised of hard rock anthems, raw energy, and decades of fan-favorite hits. Whether you’ve been with them since day one or just found your new favorite track, this tour promises to deliver it all!
The Dead / Seven Tour is scheduled to kick off on August 7th in Duluth, MN, and run through September 29th, where it ends in Bozeman, MT. Along the way, it will make stops in Fargo, ND (August 11), Detroit, MI (August 23), Atlanta, GA (September 5), Corpus Christi, TX (September 12), and Riverside, CA (September 20) to name a few.
“We are beyond pumped to hit the road with one of the most beloved rock bands and friends, Sevendust. Playing shows with them going back to 2002, man, this tour is gonna crush! Cannot wait to play some new tracks and some old ones too. Excited for rockers Return to Dust to join us as well,” explains Tyler Connolly of THEORY OF A DEADMAN.
“Man, hearing Tyler say that takes me back. We’ve been throwing down together for a long time, and it’s always been nothing but love and high energy. Theory of a Deadman always brings it, so we already know this tour is going to be something special. We’re beyond excited to get out there, share the stage again, and give the fans moments you can’t recreate anywhere else. Our friends in Return to Dust will be there too. Much respect to those guys, and we’re ready to crush this thing together,” adds Lajon Witherspoon of SEVENDUST.
More information on tickets and individual band VIP packages can be found at https://www.theoryofficial.com and https://sevendust.com.
THE DEAD / SEVEN TOUR 2026
THEORY OF A DEADMAN returns with their hard-hitting new single, “Barricade.” Marking a new chapter for the band, comprising Tyler Connolly, Dave Brenner, Dean Back, and Joey Dandeneau, the track delivers their signature mix of gritty riffs, anthemic hooks, and unfiltered lyricism with a renewed sense of urgency.
Driven by a tense, simmering energy, “Barricade” builds from restrained verses into a massive, cathartic chorus, capturing the push-and-pull emotion at the core of the song while maintaining an undeniable arena-ready punch.
Watch the Official Visualizer for “Barricade” below:
Touring in support of their 15th studio album ‘ONE,’ GRAMMY® Award–nominated metal icons Sevendust prove once again why they remain a vital force nearly three decades into their career. Comprised of Lajon Witherspoon (vocals), Clint Lowery (guitar), John Connolly (guitar), Vince Hornsby (bass), and Morgan Rose (drums), the band once again delivers the signature sound that has earned them both critical acclaim and a fiercely loyal fanbase. Early reviews of ‘ONE’ make it clear: Sevendust has not lost their edge.
‘ONE’ is now available via Napalm Records in multiple configurations, including digital downloads now: http://lnk.to/Sevendust-One.
The post THEORY OF A DEADMAN and SEVENDUST Join Forces for 36-Date Co-Headline Tour of North America appeared first on Go Venue Magazine.
Last month, Kevin Barnes announced a new of Montreal album called aethermead and unleashed “When,” an infectious, intense anthem boasting sexual bravado. Now he’s switching gears for the melancholy, ’60s-inspired followup single, “Already Dreaming,” which comes with a music video directed by his daughter. “I wrote this song while still living in Vermont,” Barnes explains. “I can…
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