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Now with 75% more deathcore.

The post Carnifex, Extermination Dismemberment & Mauled Added To All Shall Perish’s “The Price Of Existence” 20th Anniversary Tour appeared first on Theprp.com.

FOR IMMEDIATE RELEASE
LOKUST Unleash Crushing New EP Pair of Lies Featuring International Metal Collaborators
Modern Groove Metal Project Led by Matt Bidart Delivers Darker, More Melodic Evolution
May 22, 2026 – Modern metal powerhouse LOKUST has officially released their explosive new EP, Pair of Lies , available now through Play No Games Recordings. Blending crushing groove metal riffs, soaring melodies, and aggressive vocal performances, the release marks the next evolution of guitarist and songwriter Matt Bidart’s collaborative metal project.
Stream Pair of Lies now:
https://distrokid.com/ hyperfollow/lokust/pair-of- lies
Purchase the EP:
<a href=”https://lokustband.bandcamp.com/album/pair-of-lies” target=”_blank” data-saferedirecturl=”https://www.google.com/url?q=https://lokustband.bandcamp.com/album/pair-of-lies&source=gmail&ust=1781012420820000&usg=AOvVaw3L_1cmDc4jC5oL4sx0Q343″ rel=”noopener”> https://lokustband.bandcamp. com/album/pair-of-lies
Known for assembling talented musicians from across the global metal scene, Bidart has continued the LOKUST tradition of international collaboration with a lineup featuring some of Italy’s rising metal talents. The new EP showcases vocalists Sime (SEVENSENT) and Matt Montis (Abysso), alongside bassist Javier Cuba (Chaos Black) and drummer Joseph Estrada (Ravage The Empire / AHTCK).
Fans of Lamb of God, Machine Head, and Chimaira will find plenty to appreciate in Pair of Lies , which combines punishing groove-driven heaviness with memorable hooks and dynamic songwriting.
“With Pair of Lies, I wanted to push Lokust further into a darker and more melodic direction while collaborating with some incredible musicians and friends from Italy/Sardinia,” says Matt Bidart. “This EP captures everything I love about modern metal, powerful vocals, crushing riffs, and big hooks.”
LOKUST has steadily built a reputation for bringing together respected musicians from around the world. Previous releases have featured notable collaborations with Cristian Machado (Lions at the Gate), Carlos Zema (Immortal Guardian / Heaven’s Guardian), and legendary producer and guitarist Roy-Z, known for his work with Bruce Dickinson and Halford.
The latest EP further expands the project’s sonic identity while remaining rooted in the aggressive energy and groove-laden foundation that has become synonymous with the LOKUST name.
Pair of Lies Lineup:
• Sime (SEVENSENT) – Vocals
• Matt Montis (Abysso) – Vocals
• Matt Bidart – Guitars, Songwriting
• Javier Cuba (Chaos Black) – Bass
• Joseph Estrada (Ravage The Empire / AHTCK) – Drums
Pair of Lies was produced, mixed, and mastered by Alby Bandino of Cut Fire Studio, delivering a polished yet devastating sound that amplifies the EP’s powerful performances and dynamic arrangements.
With its combination of modern heaviness, melodic depth, and international collaboration, Pair of Lies stands as LOKUST’s most ambitious and compelling release to date.
For press inquiries, interviews, reviews, and promotional opportunities, contact LOKUST through their official channels.
About LOKUST

LOKUST is a modern metal project founded and led by guitarist and songwriter Matt Bidart. Built around collaboration with talented musicians from across the global metal community, LOKUST combines aggressive groove metal, modern production, and melodic songwriting to create a distinctive and evolving sound. Each release brings together unique contributors while maintaining Bidart’s singular creative vision.
Check them out on YouTube: 


Connect: 
http://lokustmetal.com
https://www.facebook.com/lokustband/
https://www.instagram.com/lokustmetal/
https://distrokid.com/hyperfollow/lokust/pair-of-lies
https://lokustband.bandcamp.com/album/pair-of-lies
Contact: lokustmetal@gmail.com

FOR IMMEDIATE RELEASE
Matt Zane Clarifies Use of Archival Wayne Static Footage in Recent Static-X Visual Releases
Los Angeles — Filmmaker Matt Zane has issued a statement regarding the use of archival footage featuring Wayne Static in recent Static-X video releases.
Zane states that the images and footage of Wayne Static appearing in the videos for “Bring You Down,” “Dead Souls,” “Terrible Lie,” “All These Years,” and “Stay Alive” were originally shot by him and sourced from his private archives.
According to Zane, the material was captured during his previous professional work with Wayne Static and later made available for use in connection with the band’s visual projects. Zane says the footage was shared under an informal understanding tied to ongoing documentary work he is producing centered on Wayne Static and Tera Wray.
“I made the footage available in good faith based on an understanding tied to a larger documentary project,” said Zane. “My intent has always been to preserve and present Wayne’s legacy in a respectful way.”
Zane notes that he does not believe a formal written agreement transferring full ownership or broad licensing rights for the footage was executed.
He also confirms that production continues on his independent documentary project focused on Wayne Static and Tera Wray.
No further comments have been issued at this time.

 Follow Matt Zane for more:

https://www.instagram.com/lordzane/
https://www.facebook.com/MrZaneRising

Released June 5, 2026 is a five-track, 33-minute psychedelic rock album that finds the band returning to its improvisational roots. Led by John Dwyer, the album was built from extended jams that were later refined and recorded live in the studio.

Blending psychedelic rock, krautrock grooves, and hypnotic organ-driven passages, Off Course has been praised by fans as a strong return to the band’s exploratory sound. The album features contributions from longtime collaborator Brigid Dawson alongside the current Osees lineup.

The Band
John Dwyer – guitar, vocals, keyboards
Tom Dolas – keyboards, percussion
Tim Hellman – bass
Dan Rincon – drums
Paul Quattrone – drums
Brigid Dawson – vocals

Track Listing
“Off Course” – 9:17
“Hecate’s Reflection Is a Trick” – 8:43
“The Trick” – 6:16
“Syringe” – 3:17
“The Brute on His Knees” – 5:25

Recorded At Sonic Ranch & Stu Stu Studio
Produced By John Dwyer
Engineered By Enrique Tena Padilla, Mario Ramirez , John Dwyer & Eric Bauer
Mixed And Edited By John Dwyer
Mastered By Jj Golden
Art By Alex Borrego

Buy now on Bandcamp
https://ohsees.bandcamp.com/album/off-course

The dungeon synth innovator didn’t enjoy pretending that he wasn’t Mortiis

And yes, there’s footage.

The post A Fake Angine De Poitrine Has Been Playing Live In Russia: “They Don’t Even Say It’s Not A Real Band” appeared first on Theprp.com.

Madonna is getting ready to drop Confessions II next month. She already took over Times Square in celebration of the new era. Today, she’s released a new star-studded film that’s all about feeling free. It was directed by Torso.

The post Madonna Shares <em>Confessions II – The Film</em> Feat. with Arca, Honey Dijon, Shygirl, & More appeared first on Stereogum.

FOR IMMEDIATE RELEASE
LOST RELICS ANNOUNCE NEW SINGLE “SAINT CATHARINES” OUT JUNE 26
First taste of upcoming EP Monuments to the Useless
Denver sludge and dirt rock heavyweights Lost Relics are back with new material, kicking off a powerful release cycle with their upcoming single “Saint Catharines,” arriving June 26.
Built on weight, tension, and raw emotional pressure, Lost Relics continue to sharpen their identity as one of the most uncompromising underground forces in modern heavy music. Formed in 2018, the band has evolved into a three-vocalist unit, layering abrasive sludge, noise, and post-hardcore intensity into something that feels both chaotic and tightly controlled.
“Saint Catharines” sets the tone for what is to come on their upcoming EP Monuments to the Useless , due September 25, 2026. The track leans into the band’s signature blend of suffocating heaviness and deliberate pacing, pulling influence from the bleak, expansive energy of artists like Neurosis , the raw experimental weight of Melvins , and the abrasive urgency of KEN Mode while still carving out something distinctly their own.
Lyrically, the single continues Lost Relics’ focus on disillusionment, pressure, and the quiet collapse of modern life, delivered without polish or compromise. It is heavy music that does not ask for permission and does not offer relief.
The EP Monuments to the Useless will feature five tracks in total, expanding on the same themes of tension, aggression, and controlled chaos, shifting between hypnotic desert rock passages and crushing sludge driven intensity.
Second single “False Idols” will follow on August 28 ahead of the full release.
“Monuments to the Useless” was recorded and mixed by Felipe Patino at Green Door Studios in Denver, Colorado, and mastered by Jason Livermore at The Blasting Room in Fort Collins, Colorado. The release is coming via Golden Robot Records.
Pre-Save “Saint Catharines”

https://orcd.co/saint- catharines
Lost Relics do not soften edges. They sharpen them.

Connect: 
https://lostrelics.bandcamp.com/
https://www.gigaboogie.com/lost-relics/electronic-press-kit
Contact: lostrelics303@gmail.com

The undisputed architects of East Coast thrash metal have thrown a massive grenade into the heavy rock ecosystem, leaving millions of dedicated fans completely stunned by an unprecedented claim. Speaking openly during a high-profile weekend radio appearance on the syndicated Full Metal Jackie show, founding Anthrax rhythm guitarist Scott Ian made a monumental, near-unbelievable declaration. Looking back across a legendary, 45-year discography that helped define the parameters of the “Big Four,” Ian flatly stated that a brand-new track off their impending twelfth studio album is officially the single greatest piece of music Anthrax has ever created.

Listen to Today’s Metal Breakdown Daily:

Want the direct, real-time insider breakdown on the heavy riffs and massive studio updates shaking the foundations of the metal underground? Turn up the Loaded Radio Daily Podcast on your favorite streaming deck to hear our full audio reaction to Anthrax’s bombshell statements, or stream 24/7 commercial-free metal straight from our native player below.

Overwriting the Classics: The Heavy Burden of “The Edge of Perfection”

To fully appreciate the absolute audacity of Scott Ian’s statement, you have to realize that this is the man who co-wrote eternal genre cornerstones like “Caught in a Mosh,” “Indians,” and “I Am the Law.” Yet, while discussing the band’s highly anticipated album Cursum Perficio (slated to hit shelves on September 18, 2026, via Megaforce Records), Ian refused to mince words about track five, titled “The Edge of Perfection.”

“There’s a song called ‘The Edge of Perfection,’ which I think is the greatest Anthrax song in the history of Anthrax,” Ian boldly proclaimed during the broadcast. “We have not written anything this great in our career. And to do that all these years in makes it all the more special.”

Instead of leaning into the band’s traditional lyrical themes of Stephen King horror or societal madness, Ian revealed that the masterpiece is a deeply positive, emotional force of nature rooted entirely in his personal home life, his wife Pearl Aday, and the pursuit of true contentment.

“It’s very much about me, my family, what it means to me to have a family and living my life in this place where nothing’s ever perfect,” Ian shared. “But being on the edge of perfection is a really good place to be if you can be there. I think that I’ve never had any real other goal in my life except to be happy. And I am… Love lasts forever. It stays. It’s so much more powerful, and that’s the strongest emotion I’ve ever experienced, and that’s what that song is certainly based in.”

We Also Recommend – Thrash Metal’s 13 Greatest Bands Ranked — The #1 Pick Still Sparks Debate

The Panic Button: Inside the Grueling 2-Year Studio Delay

The journey to Cursum Perficio—which roughly translates from Latin to “My journey ends here”—was almost derailed entirely. The band originally completed their world tour for 2016’s For All Kings in November 2019 and scheduled a writing room session for January 2020. Then, the global pandemic instantly froze their entire reality.

Ian admitted that by late 2020 and early 2021, the band members were trapped on desperate Zoom calls together, genuinely terrified that society would never allow large-scale metal concerts to return. It wasn’t until late 2022 that the line began moving again, prompting a brilliant recording strategy executed alongside longtime producer Jay Ruston.

Rather than tracking 13 songs at once—a process Ian compares to “jumping into the deep end of a pool and not knowing how to swim”—Anthrax split the tracking into two completely isolated studio runs starting on April 20, 2023, at Studio 606 in Los Angeles. This structural pause gave the band months to live with the material, adjust the tracking, and paint over the riffs like visual artists.

“Pure Caveman Ignorance”: Breaking Down the Riffs and Nostalgia

Outside of the emotional weight of “The Edge of Perfection,” Ian expressed immense pride in the record’s raw, unadulterated velocity. He pointed directly to a track titled “NYC ’93”—a pure thrash metal anthem that explicitly documents the band’s chaotic Persistence of Time and Sound of White Noise transitions, complete with a clever, hidden metaphorical tribute to late Pantera guitarist Dimebag Darrell via the line “The Green Manalishi with the black tooth crown.”

Furthermore, Ian broke down the musical framework of the album’s explosive lead single, “It’s for the Kids” (which officially debuted on May 15, 2026). The title acts as a deeply sarcastic, biting social commentary against the recurring cycles of domestic gun violence in America, contrasted against an old-school 1980s metal cliché. Musically, Ian says the track contains some of his absolute favorite rhythmic work alongside drummer Charlie Benante and bassist Frank Bello:

“The breakdown riff in ‘It’s for the Kids’… that riff is what I like to call ignorant,” Ian laughed. “The riff is so ignorant. It’s so caveman. It’s so dumb. And I mean that in the best of ways because it’s just there. It’s just a hammer beating you over the head. It’s so heavy and so hard… I love Tony Iommi, I love Black Sabbath, and he’s the master of that.”

Check This Out – Beyond the Big Four: 13 Unsung Thrash Metal Bands Who Actually Forged the Genre

FAQ: Anthrax’s New Album Cursum Perficio

What is the release date for the new Anthrax album?

Anthrax’s twelfth studio album, Cursum Perficio, is officially scheduled to be released worldwide on September 18, 2026, via Megaforce Records.

What does the title Cursum Perficio mean?

The Latin phrase roughly translates to “My journey ends here.” The band noted the title perfectly captures the arduous, multi-year creative journey it took to finalize this specific record cycle post-pandemic.

What is the lead single from the new Anthrax record?

The first official single and accompanying music video is titled “It’s for the Kids,” which was released globally across streaming formats on May 15, 2026.

E-E-A-T Historical Brief: The Undeniable Legacy of Anthrax

Formed in Queens, New York in 1981 by guitarist Scott Ian and original bassist Dan Lilker, Anthrax fundamentally altered the global trajectory of speed and heavy music. Alongside Metallica, Megadeth, and Slayer, they formed the legendary “Big Four” of thrash metal, introducing a hyper-energetic, hardcore punk-infused speed elements coupled with unmatched urban imagery.

From their seminal 1987 thrash masterpiece Among the Living to their historic, genre-shattering 1991 collaboration with rap icons Public Enemy on “Bring the Noise,” Anthrax has spent over four decades operating as premier musical innovators. The current core lineup of Ian, Benante, Bello, and iconic vocalist Joey Belladonna entering the 2026 tour grid alongside Iron Maiden proves that their creative fuel remains fully optimized.

Now that Scott Ian has officially claimed that the band’s absolute best work is still ahead of them, we want to hear directly from the Loaded Radio family. Do you think “The Edge of Perfection” can truly dethrone historic masterpieces like “Caught in a Mosh,” or is Scott just riding the high of a brand new studio mix? Sound off with your predictions in the comments section below!

TL;DR Cheat Sheet

• The Unbelievable Proclamation: Anthrax rhythm guitarist and co-founder Scott Ian has explicitly claimed that a track from their upcoming 2026 album is the best song they have ever written.
• The Crown Jewel: The song is titled “The Edge of Perfection,” a deeply personal arrangement built entirely around Ian’s real-world family dynamic, love, and emotional fulfillment.
• A Seven-Year Odyssey: The upcoming studio album, Cursum Perficio (translating to “My Journey Ends Here”), officially drops on September 18, 2026, via Megaforce Records.
• The Caveman Breakdown: Ian also heavily teased the structural composition of the first single “It’s for the Kids,” praising what he labels as a brutally “ignorant” and heavy breakdown riff.

Never miss an official studio leak, a major headlining tour routing, or a raw insider interview. Download the free Loaded Radio App for [iOS App Store] and [Google Play Store] right now to command our live 24/7 high-decibel audio broadcast and catch the Daily Podcast on demand.

The post You’ll Be Shocked by What Scott Ian Declares is the Absolute Greatest Anthrax Song in the History of the Band appeared first on Loaded Radio.

Italian death-doom newcomers ETERNAL MOURN have signed with Terror From Hell Records for the release of their debut EP, Winds of Sorrow, scheduled for July 20th, 2026.

Born from the collaboration between drummer Debla and guitarist/vocalist Gabriel (Black Oath, The Rite, Extirpation), and later completed by guitarist Eros (Extirpation, Funest) and bassist/vocalist Santo (Araphel, Demonomancy), ETERNAL MOURN emerged from a shared desire to channel feelings of melancholy, frustration, inner decay and loss into music steeped in darkness and emotion.

Drawing heavily from the great death-doom tradition of the 1990s, the band pays homage to genre-defining acts such as Paradise Lost, Katatonia and Cemetary while avoiding mere nostalgia. Instead, ETERNAL MOURN reinterpret those influences with remarkable confidence and authenticity, crafting songs that feel complete, memorable and emotionally resonant, without sacrificing the raw and rugged edge that lies at the heart of classic doom/death metal.

Recorded at Spvn Studio in Guanzate, Italy, Winds of Sorrow consists of three carefully crafted tracks that capture the essence of the band’s vision: mournful melodies, somber atmospheres and a pervasive sense of desolation intertwined with powerful riffs and heartfelt performances. The result is a debut that balances melancholy and heaviness with natural ease, establishing ETERNAL MOURN as a promising new name within the contemporary death-doom scene.

The video of the title-track is streaming HERE.

Track-list:

1. Falling Tears
2. Embracing Tragedy
3. Winds of Sorrow

ETERNAL MOURN:

https://www.instagram.com/eternal_mourn/

Terror From Hell Records:

https://terrorfromhellrecords.bandcamp.com/

https://www.tfhrecords.com/terrorfromhell/

https://www.facebook.com/TerrorFromHellRecords/