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  • Nevermore Reveal Work Permit Delays Are Hampering Their U.S. Touring Plans

    The band have also been forced to drop from this year’s ‘ProgPower USA’ festival.

    The post Nevermore Reveal Work Permit Delays Are Hampering Their U.S. Touring Plans appeared first on Theprp.com.

  • Madeline Goldstein Radiates Defiant Unity in Video for Luminous Synthpop Single “One Star One Body”

    The mind is not a ghost riding inside the body, but a movement of the whole being, like a wave that cannot be separated from the sea. To be fully alive is to stop treating thought and flesh as adversaries and to feel them as one unfolding process. In that recognition, the body ceases to be merely a personal vessel; it becomes part of the great human current, joined to every hand, every breath, every sorrow, every joy. What we call self is not sealed off, but woven continuously into the living fabric of humankind.

    Madeline Goldstein’s lovely new track One Star One Body arrives with the cool blaze of a private revelation beamed through a busted public world. As the final single before her new album Speaking To The Body drops on April 10th, it carries a sense of gathering consequence, as though Goldstein has been building a small altar out of dread, desire, discipline, and steel-lit beauty, then finally decided to set the whole thing ablaze. The song reaches toward the spiritual without going soft in the knees about it. It is tense, elegant, and full of pressure.

    Those precise melodic turns and clear, glassy textures bring to mind Berlin, Eurythmics, and Til Tuesday, though Goldstein handles those touchstones like tools rather than trophies. The effect is theatrical, sleek, and a little severe, with a living-room intimacy pulled through chrome and voltage. There is anxiety in it, modern and intimate, bound up in the blur between the digital self and the physical one, in the daily business of watching the world deform people while trying to keep your own face from cracking in the mirror.

    That emotional and political current runs straight through her lyrics. “This song is a protest song in a sense, trying to protest against the feelings of being paralyzed in the face of the inhumanities we visualize everyday,” says Goldstein. “It’s about fighting to become human again before we’ve lost our world. Our one star is our planet, our sun, our universe. And we have one body, our own with which we choose either to unite with the human body or to isolate.” That statement lifts the track beyond style and places it squarely in the realm of spiritual emergency.

    The video, directed by Molly Dario and shot by Antonio Zapiain Luna, places Goldstein in a realm that feels suspended between ritual, simulation, and pop martyrdom. She appears transformed, heightened, almost transmitted from somewhere just beyond ordinary flesh, with a visual presence that calls to mind Enya meets early-90s Madonna by way of some celestial public-access fever dream. Every frame has a clean, stylized force to it. Goldstein moves through these synthetic environments like someone searching for communion in a world built from projection, code, memory, and want.

    “I wanted to make a video where the universe it lived in was synthetic and created from nothingness,” says Goldstein. “It seemed the most fitting to represent the worlds we create for ourselves now online, both a source of creative freedom and of imprisonment and torture. Molly Dario is an amazing VFX artist who creates limitless retro-futuristic landscapes. This was our creative homecoming, as we both worked together in the infancy of our projects, and now have grown our distinct creative voices.”

    One Star One Body feels like a transmission from somebody trying to pull spirit back through the machine before the machine swallows the signal whole.

    Watch below:

    Listen to One Star One Body below and pre-order Madeline Goldstein’s forthcoming new album, Speaking to the Body, here.

    Follow Madeline Goldstein:

    Photo by Melinda May

    The post Madeline Goldstein Radiates Defiant Unity in Video for Luminous Synthpop Single “One Star One Body” appeared first on Post-Punk.com.

  • Hardcore Torchbearers PRO-PAIN Drop 2nd Single “March Of The Giants” + video!

    Hardcore torchbearers PRO-PAIN share “March Of The Giants”, the second single off their long-awaited album Stone Cold Anger, out May 15, 2026 via Napalm Records. With their first album in 11 years, the New York legends—rising alongside Madball, Agnostic Front, and Sick Of It All—prove that they stayed on top of their heavy game throughout the years. “March Of The […]

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  • Bruce Soord announces new solo album ‘Ghosts in the Park’ and new single “Pillars”

    As founding member and principal songwriter of The Pineapple Thief, Bruce Soord has spent the last decade steadily refining a voice that balances emotional directness with musical restraint. Set for release on May 15th, Ghosts In The Park, his latest solo album, is his most personal and unguarded work to date: a record shaped by loss, memory, and the quiet spaces that reveal themselves when life continues to move while everything else appears to stop. Bruce has shared the first single from the album, titled ‘Pillars’ alongside a new video produced by George Laycock.

    Excessive, damaging introspection, I guess is the theme of the song. I remember the day in my life when I was liberated from my god-fearing introspection. Only then could I see the damage it had done to me and was still doing to the people around me. The song is about that: the damage I have witnessed. It’s framed around religion and penance, but it’s not anti-religion, it’s about balance. Oh and the line about pillars. It’s a bit of a playful reference to Saint Simeon Stylites, a Christian ascetic from around 400 AD. Legend has it he perched on top of a pillar for 37 years, taking himself away from the world in order to dedicate his life entirely to prayer, fasting, and repentance. I thought it was quite apt.

    I’ve been working with George Laycock from Blacktide Productions for years now, it’s incredible what he can do with his imagination and camera. – Bruce Soord

    Written over a two-year period while Soord was touring extensively with The Pineapple Thief, the album emerged in hotel rooms, unfamiliar cities, and moments of enforced solitude. Against this backdrop, Soord was navigating the drawn-out decline and eventual death of his father, alongside the continued progression of his mother’s Alzheimer’s. These experiences form the emotional spine of Ghosts In The Park – grief in motion, memory surfacing unpredictably, and the quiet determination to keep moving forward.

    Bruce Soord – Ghosts In The Park
    https://brucesoord.lnk.to/Ghosts_In_The_Park
    Concepcion [01:25]
    Pillars [03:10]
    Meet Me On The Downs [03:05]
    Kept Me Thinking [06:34]
    Day Of Wrath [04:21]
    Our Predicament [03:43]
    Stared Down [04:33]
    You Made A Promise [02:56]
    Ghosts In The Park [12:52]

    The post Bruce Soord announces new solo album ‘Ghosts in the Park’ and new single “Pillars” appeared first on The Prog Report.

  • UNVERKALT’s darkest vision, peformed live in studio

    Héréditaire out now on Season of Mist “A band worthy of the ‘Rising of 2026’ list” — Metal Hammer DE Over the past decade, UNVERKALT have drawn closer and closer to the edge. On their new album, the post-metal luminaries pull the veil from our cursed existence in search for an answer to one pervasive questions: What do we […]

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  • Comeback Kid Have Been Working On Their 8th Studio Album

    You an peruse a list of working titles for now.

    The post Comeback Kid Have Been Working On Their 8th Studio Album appeared first on Theprp.com.

  • FROZEN SOUL release new single/ video “Invoke War (Feat. Machine Head)”!

    Frozen Soul unleash “Invoke War” featuring Machine Head’s Robb Flynn. The gripping new single from Texas’ beloved death metal / hardcore band “is about the internal battle we all have to fight when navigating loss, grief, guilt, and depression,” tells vocalist / frontman Chad Green. “It’s about getting back up. It’s meant to be the […]

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  • VARG Release New Live-Single, “Morgenrot” + Video!

    VARG invite their fans to another ritual with the second single off of their upcoming live album, Live at Wolfszeit Festival 2024, out May 22, 2026 via Napalm Records. With “Morgenrot”, the pagan metal band presents a duet between growler Freki and singer Fylgja, showcasing their ability to skillfully blend brutal sounds with epic melodies. During the show […]

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  • Is a New Lindsey Buckingham and Stevie Nicks Collaboration Coming?

    Former Fleetwood Mac couple mended their relationship with last year's 'Buckingham Nicks' reissue. Continue reading…

  • Austin’s Sinclair Noire Confronts the Surveillance State and Digital Panopticon in Video for ‘Blackshore”

    Sinclair Noire comes stomping out of Austin with their latest video for Blackshore like they’ve been locked in a back room with a busted television, a stack of J.G. Ballard paperbacks, and a police scanner that won’t shut up. Somewhere in that splendid civic sickness, they’ve found a beat fit for the age. This is darkwave with a dirty mirror held up to the digital state, gothic rock with nightclub nerve, industrial percussion with enough blunt-force momentum to make your ribs feel like they’ve joined the argument. Ethan Stafford leads the charge with the kind of presence that suggests a man who has seen the wires behind the walls and come back with a grin that is equal parts warning and dare.

    The track itself moves with severe purpose. Cold synth lines spread out like fluorescent weather over Stephen Fernandez’s bass, which carries the tune with a lean, limber menace, while Von Dasa’s drums keep landing like steel doors slamming in some municipal basement where all the ugly truths get filed and forgotten. The guitars cut in at just the right moments, bent and needling, like somebody etching bad news into the side of a train. William Faith’s mix gives the whole thing a hard gleam without sanding off the abrasion, and that matters because Blackshore lives on abrasion. It feeds on it.

    What Stafford and company are chasing here is bigger than atmosphere and smarter than mere alarm. “Blackshore is our current moment,” says Ethan Stafford. “A parasocial macrocosm under constant watch, where even dissent is observed, indexed, and co-opted. The video captures the tension between chaos, altered states of consciousness, and the fragmentation of reality by technologies like artificial intelligence. From the streets, to the nightclub, to the stage; and the struggle to assert agency in a world that constantly erodes it with surveillance.”

    That could read like mere theory if the band didn’t make it feel so bodily, so bruising, so close to the skin. This track understands that modern control is slick, seductive, ridiculous, and rotten clear through.

    The video pushes that idea into a full-blown fever pageant. Stafford prowls city streets lit like a bad omen, wanders through protest wreckage, stares down a warped media circus populated by grotesques in Epstein and Charlie Kirk masks, then plunges into a nightclub chase that feels half pursuit, half possession. There’s a room scrawled with graffiti, a glitched rave, gang violence, cameras everywhere, and finally a purple-lit studio where power, lust, image, and authorship all get thrown into the same blender. By the time Von Dasa finds Stafford collapsed and the codename Blackshore flashes across every screen, the point has landed with ugly elegance: the machine can market your rebellion before you’ve even caught your breath.

    And then there’s that shouted line, “Our nation’s bloodied; the tempest’s fate!” – a grand, ragged cry that drags Shakespeare through the Epstein Files and somehow makes it sound appropriate for the republic we’ve built, this peep-show panopticon where every scandal gets swallowed, tagged, and sold back to us by morning.

    Watch the video for Blackshore below:

    Sinclair Noire’s Blackshore is out now. Order Here.

    Follow Sinclair Noire:

    The post Austin’s Sinclair Noire Confronts the Surveillance State and Digital Panopticon in Video for ‘Blackshore” appeared first on Post-Punk.com.