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A bonus 1991 live performance is included.

The post Paradise Lost’s “Gothic” Set For Newly Remastered 35th Anniversary Reissue appeared first on Theprp.com.

Last month, Arch Enemy announced to the world that their new vocalist was now ex-Once Human frontwoman Lauren Hart. She was coming in to fill the void left by Alyssa White-Gluz’s departure last November and right away they released a new track with Hart’s vocals, “To The Last Breath”.

Of course people online were a mixed bag of reactions to Hart’s inclusion, but a lot of what people were going to judge her on was always going to be her live performances with the group. Now, with the band touring through China, we finally have some live footage of her fronting the band at Dongsan Live in Beijing.

According to setlist.fm, the Arch Enemy setlist for the show was:

1. Yesterday Is Dead and Gone (First time since 2016)
2. The World Is Yours
3. Ravenous
4. War Eternal
5. My Apocalypse
6. To the Last Breath (Live debut)
7. Blood Dynasty
8. Bury Me an Angel (First time since 2015)
9. Silverwing (First time since 2015)
10. The Eagle Flies Alone
11. No Gods, No Masters
12. I Am Legend / Out for Blood
13. Dead Bury Their Dead
14. Blood on Your Hands
15. Enemy Within
16. Liars & Thieves
17. Snow Bound
18. Nemesis
19. Fields of Desolation

The fan filmed footage shared below gives the world its first real glimpse at how Hart will handle the role that featured other incredibly talented female vocalists like White-Gluz and Angela Gossow, who called her “Angela incarnate.”

So check out the clip and let us know in the comments what you think about Hart’s inclusion in Arch Enemy. I’m sure I didn’t have to tell you to do that since MetalSucks readers are… opinionated, to say the least.

The post Watch: Arch Enemy Played Their First Show with New Vocalist Lauren Hart appeared first on MetalSucks.

The band have also been forced to drop from this year’s ‘ProgPower USA’ festival.

The post Nevermore Reveal Work Permit Delays Are Hampering Their U.S. Touring Plans appeared first on Theprp.com.

The mind is not a ghost riding inside the body, but a movement of the whole being, like a wave that cannot be separated from the sea. To be fully alive is to stop treating thought and flesh as adversaries and to feel them as one unfolding process. In that recognition, the body ceases to be merely a personal vessel; it becomes part of the great human current, joined to every hand, every breath, every sorrow, every joy. What we call self is not sealed off, but woven continuously into the living fabric of humankind.

Madeline Goldstein’s lovely new track One Star One Body arrives with the cool blaze of a private revelation beamed through a busted public world. As the final single before her new album Speaking To The Body drops on April 10th, it carries a sense of gathering consequence, as though Goldstein has been building a small altar out of dread, desire, discipline, and steel-lit beauty, then finally decided to set the whole thing ablaze. The song reaches toward the spiritual without going soft in the knees about it. It is tense, elegant, and full of pressure.

Those precise melodic turns and clear, glassy textures bring to mind Berlin, Eurythmics, and Til Tuesday, though Goldstein handles those touchstones like tools rather than trophies. The effect is theatrical, sleek, and a little severe, with a living-room intimacy pulled through chrome and voltage. There is anxiety in it, modern and intimate, bound up in the blur between the digital self and the physical one, in the daily business of watching the world deform people while trying to keep your own face from cracking in the mirror.

That emotional and political current runs straight through her lyrics. “This song is a protest song in a sense, trying to protest against the feelings of being paralyzed in the face of the inhumanities we visualize everyday,” says Goldstein. “It’s about fighting to become human again before we’ve lost our world. Our one star is our planet, our sun, our universe. And we have one body, our own with which we choose either to unite with the human body or to isolate.” That statement lifts the track beyond style and places it squarely in the realm of spiritual emergency.

The video, directed by Molly Dario and shot by Antonio Zapiain Luna, places Goldstein in a realm that feels suspended between ritual, simulation, and pop martyrdom. She appears transformed, heightened, almost transmitted from somewhere just beyond ordinary flesh, with a visual presence that calls to mind Enya meets early-90s Madonna by way of some celestial public-access fever dream. Every frame has a clean, stylized force to it. Goldstein moves through these synthetic environments like someone searching for communion in a world built from projection, code, memory, and want.

“I wanted to make a video where the universe it lived in was synthetic and created from nothingness,” says Goldstein. “It seemed the most fitting to represent the worlds we create for ourselves now online, both a source of creative freedom and of imprisonment and torture. Molly Dario is an amazing VFX artist who creates limitless retro-futuristic landscapes. This was our creative homecoming, as we both worked together in the infancy of our projects, and now have grown our distinct creative voices.”

One Star One Body feels like a transmission from somebody trying to pull spirit back through the machine before the machine swallows the signal whole.

Watch below:

Listen to One Star One Body below and pre-order Madeline Goldstein’s forthcoming new album, Speaking to the Body, here.

Follow Madeline Goldstein:

• Website
• Instagram
• Bandcamp
• YouTube
• Spotify
• Apple Music

The post Madeline Goldstein Radiates Defiant Unity in Video for Luminous Synthpop Single “One Star One Body” appeared first on Post-Punk.com.

Hardcore torchbearers PRO-PAIN share “March Of The Giants”, the second single off their long-awaited album Stone Cold Anger, out May 15, 2026 via Napalm Records. With their first album in 11 years, the New York legends—rising alongside Madball, Agnostic Front, and Sick Of It All—prove that they stayed on top of their heavy game throughout the years. “March Of The […]

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As founding member and principal songwriter of The Pineapple Thief, Bruce Soord has spent the last decade steadily refining a voice that balances emotional directness with musical restraint. Set for release on May 15th, Ghosts In The Park, his latest solo album, is his most personal and unguarded work to date: a record shaped by loss, memory, and the quiet spaces that reveal themselves when life continues to move while everything else appears to stop. Bruce has shared the first single from the album, titled ‘Pillars’ alongside a new video produced by George Laycock.

Excessive, damaging introspection, I guess is the theme of the song. I remember the day in my life when I was liberated from my god-fearing introspection. Only then could I see the damage it had done to me and was still doing to the people around me. The song is about that: the damage I have witnessed. It’s framed around religion and penance, but it’s not anti-religion, it’s about balance. Oh and the line about pillars. It’s a bit of a playful reference to Saint Simeon Stylites, a Christian ascetic from around 400 AD. Legend has it he perched on top of a pillar for 37 years, taking himself away from the world in order to dedicate his life entirely to prayer, fasting, and repentance. I thought it was quite apt.

I’ve been working with George Laycock from Blacktide Productions for years now, it’s incredible what he can do with his imagination and camera. – Bruce Soord

Written over a two-year period while Soord was touring extensively with The Pineapple Thief, the album emerged in hotel rooms, unfamiliar cities, and moments of enforced solitude. Against this backdrop, Soord was navigating the drawn-out decline and eventual death of his father, alongside the continued progression of his mother’s Alzheimer’s. These experiences form the emotional spine of Ghosts In The Park – grief in motion, memory surfacing unpredictably, and the quiet determination to keep moving forward.

Bruce Soord – Ghosts In The Park
https://brucesoord.lnk.to/Ghosts_In_The_Park
Concepcion [01:25]
Pillars [03:10]
Meet Me On The Downs [03:05]
Kept Me Thinking [06:34]
Day Of Wrath [04:21]
Our Predicament [03:43]
Stared Down [04:33]
You Made A Promise [02:56]
Ghosts In The Park [12:52]

The post Bruce Soord announces new solo album ‘Ghosts in the Park’ and new single “Pillars” appeared first on The Prog Report.

Héréditaire out now on Season of Mist “A band worthy of the ‘Rising of 2026’ list” — Metal Hammer DE Over the past decade, UNVERKALT have drawn closer and closer to the edge. On their new album, the post-metal luminaries pull the veil from our cursed existence in search for an answer to one pervasive questions: What do we […]

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You an peruse a list of working titles for now.

The post Comeback Kid Have Been Working On Their 8th Studio Album appeared first on Theprp.com.

Frozen Soul unleash “Invoke War” featuring Machine Head’s Robb Flynn. The gripping new single from Texas’ beloved death metal / hardcore band “is about the internal battle we all have to fight when navigating loss, grief, guilt, and depression,” tells vocalist / frontman Chad Green. “It’s about getting back up. It’s meant to be the […]

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VARG invite their fans to another ritual with the second single off of their upcoming live album, Live at Wolfszeit Festival 2024, out May 22, 2026 via Napalm Records. With “Morgenrot”, the pagan metal band presents a duet between growler Freki and singer Fylgja, showcasing their ability to skillfully blend brutal sounds with epic melodies. During the show […]

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