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“That’s Love” (written by Stephen Bruton) is a song that immediately resonated with Sunjay for its honesty and perspective. Rather than presenting it as a gentle roots’ interpretation, Sunjay wanted his version to feel alive and full-bodied, leaning into groove, energy, and warmth.

Built around a dynamic band performance, the arrangement blends blues, Americana, and classic pop influences. The production avoids overcomplication and Sunjay lets the song’s message speak directly to lived experience.

Commenting on the single Sunjay says, “This song captures love exactly as it is,  joyful, chaotic, and impossible to control. We wanted the recording to feel just as alive as the lyric.”

Drawing on a rich musical and cultural background, Sunjay has quickly established himself as one of the UK’s rising stars in the blues and roots scene. His performances have been praised as “mature and confident,” while his guitar playing has been described as “superb, brilliant, experienced, intricate, and faultless.” His style moves effortlessly between folk and blues, creating a sound that is both authentic and distinctive.

“That’s Love” follows the release of Sunjay’s first single, “Take Out Some Insurance,” which has already received airplay on BBC Radio 2. Sunjay is also set to appear on The Blues Show with Cerys Matthews on Monday 30th.

LIVE DATES 2026  
17 MAY – FOREST FOLK CLUB, FOREST OF DEAN
18 MAY – WARWICK FOLK CLUB
20 MAY – BANBURY FOLK CLUB
21 MAY – ANCHOR FOLK CLUB, SURREY
29 MAY – STABLES 2, MILTON KEYNES
31 MAY – SALTBURN BLUES CLUB
2 JUNE – SWALLOW THEATRE, DUMFRIES
3 JUNE – DUNFERMLINE FOLK CLUB
6 JUNE – NETTLEHAM LIVE, LINCOLNSHIRE

“That’s Love” OUT NOW on all digital platforms HERE

Split The Sheets will be released September 18^th, 2026
Pre-orders now open via https://www.sunjay.tv/

WEBSITE | FACEBOOK | INSTAGRAM |  YOUTUBE

The post Award-Winning British Blues And Roots Artist SUNJAY Releases New Single & Video “That’s Love” From His Tenth Studio Album, “Split The Sheets” appeared first on The Rockpit.

Moodring symbolizes transformation.

The musical entity’s name hints at volatility — color, emotion, and temperature in flux. Nowhere is that more evident than in death fetish, a defining album for a haunting and defiant new chapter. For founder and frontman Hunter Young, this is more than a record.

It’s survival, reflection, and metamorphosis. It is art made from the raw materials of pain, purpose, and persistence.

The album, steeped in nu metal, alt, and industrial influences is out now via SharpTone Records. Get it here.

The moment is big for Moodring, whose sole goal was being as real as it gets. That might cause some discomfort, sure, but it’s also the raw material for an incredibly genuine record.

“I just want to make authentic records,” says Young. “I don’t care about trends. I’m a producer, so I know when something’s fake. I know when the drums are programmed, when the vocals are tuned to death. I didn’t want to put out an album about the most human experience —losing control of your body and mind — and have it be fake. We did the whole thing with real amps, drums, and takes. I just wanted to make a dark, honest record, and if people don’t like it, I don’t really care. I had to do it for myself.”

The band has also dropped the visualizer for STFA.

The Moodring origin story puts the timber and tone of the music in clear view.

Young conceived Moodring alone, in his bedroom, an exercise in catharsis through art. The resulting debut EP, 2021’s Showmetherealyou, resonated with a surprising number of diverse listeners. That connection inspired Moodring to evolve into a creative outlet that transcended its simple origins.  Both sensual and suffocating, the Stargazer album followed in 2022. In a glowing review, Kerrang! praised the full-length as “hefty from the get-go” and likened it to “a cool wave of water lapping over you.” The album’s “vivacious” vocal work and vibe made new Moodring fans around the world.

The following year’s EP, Your Light Fades Away, expanded the palette further, fusing ferocity, shimmering melody, and nü-metal groove into something equally cinematic and claustrophobic.  The “black-velvet nu-metal melodies and bleak-booming breakdowns” (Revolver) of 2025’s half-life were, sadly, inspired by a life-changing medical diagnosis that left Young unable to tour with Moodring or his accomplished deathcore outfit, SharpTone Records labelmates PSYCHO-FRAME.

Unable to tour and unwilling to compromise, Young focused on writing and recording new music. death fetish  is the sound of transcendence—an artist refusing to disappear, even as the light fades.

For all its darkness, death fetish is not a surrender. It’s a reclamation. It’s Young taking back control of his narrative — body failing, mind racing, still creating, still here. “I just wanted to make a dark, honest record,” he says. “And if people don’t like it, I don’t really care. I had to do it for myself.”

Moodring, once a more traditional “band”, now exists as something far more elusive and infinite: A vessel for transformation, a mirror for mortality, and a living testament to pain and creation.

DEATH FETISH TRACK LISTING:
01. Half-Life
02. Cannibal
03. Masochist Machine
04. Gunplay (Suicidal 3way)
05. Ketamine
06. Anywhere By Here
07. STFA
08. Oxidiezed
09. Bleed Enough
10. Sickf_ck
11. Die Slow
12. ColdMetalKiss

DEATH FETISH – OUT NOW
https://bfan.link/death-fetish

The post MOODRING Release New Album ‘death fetish’ Out Now Via SharpTone Records + Band Shares Visualizer For ‘STFA’ appeared first on The Rockpit.

Fire .

The post Fire ‘N Ice announce new guitarist Sparrow first appeared on Sleaze Roxx.

On their third album, No Speed Limit For Destruction, Canada’s INEPSY leave the d-beat behind in favor of some Tank-meets-Motӧrhead NWOBHM influenced hard rock/metal/punk. Initially released in 2007, the final full-length from Canada’s now legendary rock ‘n’ roll crust punks released on Friday, March 27th, on CD and limited-edition vinyl via Tankcrimes.

INEPSY notoriously existed from 1999 to 2011, unloading a barrage of EPs and LPs in their twelve years of activity. Now, Tankcrimes honors the band’s revered legacy with physical reissues of their entire catalog.

“We wanted to do something different,” said bassist J.P. Hearse of No Speed Limit For Destruction in an interview with Bandcamp Daily last year. “We were always known for our d-beat/rock ‘n’ roll sound, but we wanted to focus more on the rock ’n’ roll side – mid-tempo stuff. When [late guitarist] Steve [Bennett] left the band, we brought in [guitarist] Bob-E to take over [on] rhythm guitar. The album wasn’t well received at first, but over time, we realized either people hated it, or they thought it was our best material. There was no middle ground. Looking back, we discovered there was an issue with one of the guitar tracks. It wasn’t loud enough, so without realizing it, we had unintentionally dialed back the distortion, shifting the overall sound of the band a bit. Despite all that, we still loved the album and had a blast playing those songs live.”

“That was courage on a fucking twelve-inch, dude,” said Tankcrimes owner Scotty Heath. “They were the kings of crust and had ushered in an entire new style of music.” [Read the full interview HERE].

The No Speed Limit For Destruction vinyl edition is available in the following color variants:

Crystal Clear (Ltd. 100)
Splatter (Ltd. 250)
Blood Red (1500)

Order yours today at the Tankcrimes webshop HERE where the band’s See You In Hell debut EP (2002), Rock ‘N’ Roll Babylon debut LP (2003), and City Weapons (2005) releases can also be purchased.

Stream the entire INEPSY catalog at Bandcamp HERE.

No Speed Limit For Destruction – Track Listing:

1. Rock N Roll Is The Only Way
2. No Speed Limit For Destruction
3. Among The Remains
4. 10 Packs Of Smokes
5. Run Away
6. Time Bomb!
7. Warriors Of The Wasteland
8. Fast Way To Die
9. Wild City Night

https://www.tankcrimes.com

https://www.facebook.com/tankcrimes

https://www.instagram.com/tankcrimes

Source: EARSPLIT PR

Dark Mofo returns to Hobart between 11 – 22 June 2026 for another season of dark art, performance and culture.

Tickets will be on sale from April 1 for the extended feast that will include performances and appearances by Power Trip, Chat Pile, Acid Mothers Temple, Dry Cleaning, The Black Angels, Blackwater Holylight, Protomartyr, Lord Spikeheart and more, a truly international spread of metal, punk and musical extremity. Added to that is Hymns to the Dead, Mofo’s evening of metal this year featuring Tiamat, Negative Plain, Emasculator and Grave Upheaval.

Beyond the music, there are art installations, performance art, spoken word and the Nude Solstice Swim in the Derwent to also look forward to – sign up to the website for all information and ticketing.

Early 90s Sydney rock institution Asteroid B-612 came streaking back last year with their first album in decades.

Now the garage rockers are back with a new original, Fallen Slow, backed with a classic Easybeats cover, St. Louis. Available from April 10, the songs can be pre-ordered now.

Pretty .

The post Pretty Boy Floyd unleash new single “Lovesick” from upcoming album ‘Wet Dreamz’ first appeared on Sleaze Roxx.

The titan of modern blues-rock, Joe Bonamassa, has just announced a project that’s clearly very close to his heart. On 19th June, he’ll be releasing The Spirit Of Rory Live From Cork via J&R Adventures. It’s a massive tribute to the legendary Rory Gallagher, recorded right in Rory’s hometown of Cork during a run of … Continue reading Joe Bonamassa celebrates Rory Gallagher with new live album and film

Melbourne vintage rockers Devil Electric have released their first album in five years.

The follow-up to 2021’s Godless, Tahlia is out on all digital platforms and available in physical form from the band’s BandCamp page. New single Weirdos is also out – check it out below.

“This album being a reinvention, we didn’t want the same old sh*t.”

The post Neurosis On Welcoming Aaron Turner: “The Only Hesitation About Aaron At First Was That It Seemed So Obvious” appeared first on Theprp.com.