The second new single to emerge since last November’s release of their third studio album.
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“Devastated” Conor Oberst Addresses Bright Eyes’ Forest Hills Show Evacuation
Over the weekend, Bright Eyes were slated to conclude their 21st anniversary tour for I’m Wide Awake, It’s Morning and Digital Ash In A Digital Urn at New York’s Forest Hills Stadium. Due to severe weather, the show was truncated, with Conor Oberst and co. only making it through the first half of the set. Now, the frontman has shared a statement.
The post “Devastated” Conor Oberst Addresses Bright Eyes’ Forest Hills Show Evacuation appeared first on Stereogum.
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Chad Gray Defies Mudvayne Hiatus with Fall 2026 Solo Tour Announcement to Reanimate Hellyeah and Unleash 30 Years of Madness Across America
The extreme music landscape has just been thrown into a beautiful state of absolute chaos, sending massive shockwaves through the global nu-metal and hard rock communities. With his primary powerhouse outfit Mudvayne officially stepping off the global touring grid for the remainder of the year to rest after four consecutive years of non-stop action, iconic frontman Chad Gray refused to let the fire burn out. Turning an initial five-date experiment into a full-scale, coast-to-coast sonic assault, Gray has officially announced his massive Fall 2026 “30 Years of Madness” North American solo headlining tour—uniting the catalogs of Mudvayne and Hellyeah under one roof alongside special guests Butcher Babies and Devil’s Cut.
Listen to Today’s Metal Breakdown Daily:
Want the direct, real-time insider tracking on solo artist breakaways, premium ticket presale codes, and live bootleg setlists transforming the heavy music underground? Turn up the Loaded Radio Daily Podcast on your preferred streaming network to hear our full audio breakdown of Chad Gray’s solo expansion, or stream 24/7 high-decibel commercial-free metal directly through our native digital deck below.
Bridging the Divide: Mudvayne and Hellyeah Reunited on One Stage
For the past three decades, Chad Gray has operated as one of the most polarizing, viscerally charged frontmen in heavy music history. From the boundary-shattering, progressive nu-metal madness of Mudvayne’s landmark 2000 debut L.D. 50 to the southern-fried groove metal violence of Hellyeah, Gray has continuously spilled his guts on stage.
Because Hellyeah has remained completely inactive since early 2020 following the tragic, sudden passing of legendary groove architect Vinnie Paul and subsequent pandemic tour cancellations, fans believed they would never hear those definitive tracks live again. The “30 Years of Madness” production solves that problem, dropping a full-band retrospective that honors both historic catalogs.
Reflecting on the successful spring pilot run that birthed this nationwide expansion, Gray delivered an incredibly emotional message directly to his global metal family: “The initial five ’30 Years Of Madness’ shows were absolutely incredible!” Gray shared in an official press dispatch. “The band, the fans, the venues and all involved completely blew me away.
“Since the beginning, I’ve wanted to bring this to all my fans everywhere. From here in America and everywhere abroad. And now I have the opportunity, so I’m gonna take it. This fall, I’m hopefully going to come to a town near you and we are gonna walk in a room, let go of life and its problems and have some fun! Heavy metal saved my life and each and every one of you have done the same for me. We save each other because we lean on each other when things are as bad in life as they can be.”
Check Out – The 13 Best Nu Metal Bands: The Genre-Defining Powerhouses That Shaped a Generation
Assembling the New Architects of Madness
To capture the hyper-technical polyrhythms of Mudvayne and the freight-train groove velocity of Hellyeah, Gray didn’t just hire generic studio session hands. He meticulously assembled an elite solo lineup capable of delivering maximum sonic brawn.
By retaining the structural wizardry of Marcus Rafferty alongside the crushing percussive precision of Devin Attard and Nick Villarreal, Gray ensures that timeless tracking masterpieces like “Dig,” “Not Falling,” “Moth,” and “Alcohaulin’ Ass” hit the audience with authentic, white-knuckle intensity.
LIVE & LOUD: Stream the World’s Hardest Radio Station 24/7Step-by-Step Presale & General Ticketing Timeline
Because Gray is hitting intimate premium venues like the House of Blues and independent theaters, ticket capacities are highly restricted. The official Citi cardmember presale window launches today, Tuesday, June 9th at 12:00 PM local time.
Additional localized promoter, Spotify, and venue presale events will run concurrently throughout the week before the floodgates open for the wide general public on-sale this Friday, June 12th at 10:00 AM local venue time.
“30 Years of Madness” Fall 2026 Complete Itinerary
- 07/17 – Cadott, WI @ Rockfest * * 08/28 – Bloomington, IL @ The Castle Theater
- 08/29 – Kansas City, MO @ VooDoo at Harrah’s
- 08/30 – Des Moines, IA @ Wooly’s
- 09/01 – St. Louis, MO @ Delmar Hall
- 09/02 – Lincoln, NE @ The Bourbon Theatre
- 09/03 – Minneapolis, MN @ Varsity Theater
- 09/05 – Milwaukee, WI @ The Rave/Eagles Club
- 09/06 – Chicago, IL @ Outset
- 09/08 – Cadillac, MI @ The Venue
- 09/09 – Cleveland, OH @ House of Blues
- 09/11 – Boston, MA @ Big Night Live
- 09/12 – Huntington, NY @ The Paramount
- 09/14 – Philadelphia, PA @ Theatre of Living Arts
- 09/15 – New York, NY @ Irving Plaza
- 09/17 – McKees Rocks, PA @ Rosina Theatre Presented by Citizens
- 09/18 – Louisville, KY @ Louder Than Life Festival
- 10/02 – Sacramento, CA @ Aftershock Festival
- 10/04 – Los Angeles, CA @ The Bellwether
- 10/05 – San Diego, CA @ House of Blues
- 10/06 – Santa Ana, CA @ Observatory OC
- 10/10 – San Antonio, TX @ The Aztec Theatre
- 10/11 – Houston, TX @ White Oak Music Hall
- 10/12 – Dallas, TX @ The Studio at The Factory
- 10/14 – New Orleans, LA @ House of Blues
- 10/16 – Clearwater, FL @ OCC Road House & Museum
- 10/18 – Charlotte, NC @ The Underground at The Fillmore
- 10/19 – Atlanta, GA @ Buckhead Theatre
- 10/20 – Nashville, TN @ Brooklyn Bowl* Denotes Official Festival Appearances
FAQ: Chad Gray’s “30 Years of Madness” Tour
Is Mudvayne breaking up or on hiatus in 2026?
No. Chad Gray confirmed that Mudvayne is simply taking a well-deserved, pre-planned break from touring and recording throughout 2026 after four straight years of high-intensity reunion tours since reclaiming the stage in 2021.
Will Chad Gray perform Hellyeah songs on this tour?
Yes. The entire concept of the “30 Years of Madness” solo campaign is to present a full-band production featuring the absolute biggest hits from both Mudvayne and Hellyeah back-to-back on the same stage.
Who is opening for Chad Gray on the 2026 fall tour?
Direct support across the entire headlining itinerary will be provided by heavy rock favorites Butcher Babies and rising underground outfit Devil’s Cut.
Also Recommended – The 13 Most Brutal Metal Breakdowns Ever Recorded (Ranked)
The Nu-Metal Legacy of Chad Gray
Formed in Peoria, Illinois in 1996, Mudvayne rose to prominence by weaponizing an incredibly complex, progressive strain of math-metal hidden beneath striking, theatrical face paint and conceptual alter-egos. Anchored by Chad Gray’s distinct shift between raw, animalistic roaring and soaring clean melodies, records like L.D. 50 and The End of All Things to Come achieved gold and platinum status, securing an MTV Video Music Award and positioning them as critical legends of the nu-metal explosion.
In 2006, Gray expanded his musical footprint by co-founding the groove-metal supergroup Hellyeah alongside Pantera icon Vinnie Paul and Nothingface guitarist Tom Maxwell, racking up multiple Top 10 Billboard Hard Rock debuts over a highly successful six-album run. By taking ownership of both catalogs for this solo run, Gray is establishing a masterclass blueprint in legacy preservation, proving that real artistry carries on through raw attitude and complete commitment to the fans.
Now that the parameters of Chad Gray’s massive solo touring expansion have officially been laid down, the floor belongs to the Loaded Radio family. Are you hitting the ticket booths early to witness “Death Blooms” and “Alcohaulin’ Ass” on the exact same night, or does a solo backing band alter the formula too much for you? Let us know your regional routing choices and setlist requests in the comments section below!
TL;DR
- The Madness Multiplies: Metal icon Chad Gray (Mudvayne, Hellyeah) has expanded his solo live campaign into a massive, nationwide Fall 2026 U.S. headlining tour titled “30 Years of Madness.”
- Dual-Catalog Annihilation: Gray will perform a full-production, career-spanning setlist delivering the absolute biggest hits from both the Mudvayne and Hellyeah discographies on the same night.
- An Elite Solo Unit: Gray’s backing band features Mudvayne touring guitarist Marcus Rafferty, Joe Bonasorte, bassist Nick Villarreal (ONI), and powerhouse drummer Devin Attard (The Word Alive).
- Ticketing Details: Official Citi cardmember presales launch today, Tuesday, June 9th at 12:00 PM local time, with general public tickets unlocking this Friday, June 12th at 10:00 AM local time.
Never miss a breaking autumn tour routing, an official tracking leak, or an exclusive icon interview feature. Download the free Loaded Radio App for [iOS App Store] and [Google Play Store] today to lock into our live 24/7 high-decibel digital stream and catch the Daily Podcast on demand. ***
The post Chad Gray Defies Mudvayne Hiatus with Fall 2026 Solo Tour Announcement to Reanimate Hellyeah and Unleash 30 Years of Madness Across America appeared first on Loaded Radio.
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ABELA FLICK MY HAIR Review
ABELA FLICK MY HAIR Review
ABELA’s Flick My Hair EP opens with an irreverent attitude from the start of “Wicked.” She is not here to play nice. She throws a raw, punk-charged rock energy straight in your face, with enough attitude to make even Billy Idol look tame. There is a sacred fire of rock running through this artist, and she does not seem interested in asking anyone for permission.
“Wicked” explodes with riffs reminiscent of The White Stripes, while ABELA’s vocal delivery feels sly, ironic, and fiercely punk. It is bold, direct, and full of personality.
“Bled for This” reveals another side of the artist. The song opens mysteriously, keeping you unsure of where it is taking you until around the 37-second mark, when the tension begins to rise. For about twenty seconds, the track keeps building before finally exploding into the chorus. Imagine Courtney Love colliding with early Gwen Stefani, and you begin to understand the sonic world ABELA is creating.
FLICK MY HAIR – Sound and Atmosphere
The title track, “Flick My Hair,” is wild, theatrical, and slightly grotesque in the best possible way. Blues and rock influences wrap around the song, creating a rush of pure adrenaline. The rhythmic variations, moving from faster sections to slower, heavier moments, keep you hooked from the first second to the last.
“Stole the Gun” is another track with strong dynamics. More atmospheric passages leave room for moments where the energy rises sharply, while ABELA’s voice remains solid, recognizable, and full of character throughout.
FLICK MY HAIR – Performance and Production
ABELA’s commitment to her craft shines through every moment on this EP. Her influences are clear, yet she carves out her own path without imitating others. This music resonates not just for its sound but for its attitude, reflecting a fierce independence. With her fearless approach, she invites the audience not just to listen, but to feel every note resonate within them.
Music lovers seeking authenticity in their playlists will find joy in FLICK MY HAIR. ABELA encourages listeners to break free from the ordinary and embrace the wild energy of her sound. Her work is a celebration of rock, punk, and everything in between, encapsulating the spirit of rebellion in modern music.
For those seeking a genuine connection through music, this EP is an essential addition. The artistry displayed within highlights ABELA’s dedication and skills. Her vibrant persona and raw talent ensure that she remains a significant figure to follow in the evolving landscape of music.
Wild
If you love this music: Discover More
For fans of:
Billy Idol • Courtney Love • Gwen Stefani
The post ABELA FLICK MY HAIR Review appeared first on Edgar Allan Poets – Noir Rock Band.
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SI-KEY THE COLOURS Review
SI-KEY THE COLOURS Review
The EP begins with “Colourss,” where beautiful guitar strumming sets the tone. The track evokes vibes reminiscent of Creedence Clearwater Revival. The arrangement features an acoustic style, driven by guitar and voice. This minimalistic approach showcases the artist’s compositional skills. The vocal performance is credible and solid, exuding confidence throughout. Despite its simple production, the song stands strong on its own.
Halfway through, background vocals enter, enhancing the intensity of the lead vocals. This addition adds depth and richness, creating a fuller listening experience. The track then transitions into an engaging bridge featuring spoken-word elements. This unexpected shift captures attention before returning to the melodic structure.
Following this, “From My Window” takes listeners on a more nostalgic journey. This ballad dives into emotional depths and resonates with the audience. The artist effectively crafts melodies that invoke profound feelings. There is a notable sense of reflection and introspection in this piece, allowing listeners to connect personally.
The final track, “Like Me,” introduces a slightly more produced feel. It features gentle percussion complementing the guitar, adding a rhythmic element to the arrangement. Additionally, the background vocals beautifully emphasize the song’s message, creating an atmospheric blend of sound. This concluding track encapsulates the reflective nature of the EP.
THE COLOURS – Sound and Atmosphere
All three songs reveal intimate themes involving personal struggles. The artist shares positive and negative experiences, effectively portraying life’s complexities. This collection of songs demonstrates that life resembles a rollercoaster, marked by ups and downs. The emotional honesty in these tracks allows listeners to reflect upon their own experiences.
The EP “THE COLOURS” is a strong showcase of the artist’s ability to transform personal emotions into music. These songs resonate deeply and invite listeners into a space of introspection and connection. Each track offers a unique glimpse into the artist’s journey and emotional landscape.
THE COLOURS – Performance and Production
“THE COLOURS” is an impressive work that balances simplicity and emotional depth. The artist presents raw feelings through thoughtful songwriting, understated arrangements, and heartfelt vocal performances. The EP stands out in its ability to convey authenticity while drawing listeners into its narrative. It invites reflection while providing an enjoyable musical experience.
The overall vibe of this EP successfully balances raw expression with a melodic sense. Each track offers listeners comfort and contemplation, inviting them to explore their feelings alongside the music.
The journey through “THE COLOURS” is engaging and thought-provoking. The artist not only shares their story but also encourages listeners to reflect on their own potential struggles and triumphs.
Introspective
If you love this music: Discover More
The post SI-KEY THE COLOURS Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Graveir – The Festering Triad Review
Previously, I have banged on about my relationship with black metal being a slightly strange one, and rarely do I nab a black metal release from the promo sump. And though my interest in modern black metal is hit or miss, the timing seems ripe for the picking. Following some personal hardship and soul searching my listening habits have gravitated heavily towards the blackened arts, specifically binge listening of legendary acts such as Darkthrone, Emperor, Dimmu Borgir, and Bathory. Embracing the past has led to this present-day slab of blackened extremity from the contrastingly sunny shores of Brisbane, Australia. Unheralded act Graveir return with their third LP, The Festering Triad, hellbent on transporting the listener through a bleak, ugly vortex of demented groove, bleak atmosphere, and unsettling stabs of dissonance. However, let us explore whether Graveir possess the songwriting chops to match their grimly effective ingredients.Armed with a foreboding presence and feral streak, Graveir pull no punches, nor are they interested in adorning their abrasive and dread-soaked sound with any bells or whistles. The Festering Triad goes for the throat and refuses to relent across an appropriately lean and efficient thirty-seven-minute blast. Anguished croaks and ominous, measured tempos open proceedings on the ominously moody trudge of “Lords of Misrule.” While not catchy in a traditional sense, the arrangement has enough subtle and intriguing components to maintain interest, as the atmosphere effectively oozes bleak, depressive vibes.
Featuring a rugged backbone of pummeling percussion and dense, stormy riffage, the depressive stomp of “A Futile Exhortation” eventually turns its menacing plod into crackling bursts of speed, a climactic variation that pays off. Bolstered by its disso edge, crunching intensity, and grimly oppressive atmosphere, The Festering Triad simmers with tension, occasionally broken up with groovier, riffy beatdowns, such as the horns-up riffage on the title track. Later in proceedings, “By the Will of the Goat” injects a raw and nasty second wave bluster, adding welcome variety, hammering intensity, and punky edge. Despite the album’s relative brevity, the songwriting occasionally struggles to distinguish from song to song, and a sense of familiarity and monotony seeps through Graveir’s ragged exterior. Genuinely infectious and gripping moments are sparsely strewn across the album. And too often, the upfront drums overpower everything else, and the riffs don’t provide the noteworthy punch frequently enough.
Band performances are generally on point, though the production and mixing choices detract from the experience. The drums are busy and occasionally explosive when breaking free from the more stock and repetitive blasting; however, the mixing forcefully jams them distractingly up front, also blunting the edge of the guitars. Meanwhile, the overly loud, brick-walled mastering does the album no favors. It’s a damn shame these production and songwriting elements unseat some of The Festering Triad’s more appealing and aggressive attributes, resulting in an unsettling though mixed final product. Even the album’s efficient length feels overly long by the conclusion due to an unfortunate combination of ear fatigue and songwriting that bleeds through and fails to leave a lasting impression.
Overall, Graveir’s third LP is an effectively intense, gritty black metal platter, which fires more successfully when the tempos shift, and Graveir break the shackles and insert greater structural variation into their volatile attack. This shit no doubt would rip live, and mileage is likely to vary. Unfortunately, the songwriting cannot quite match Graveir’s seething delivery to keep the listener consistently engaged to warrant a wholehearted endorsement. While failing to land the knockout blow, Graveir possess the fundamental skills to unleash a more substantial, higher quality album, so I’m intrigued how they develop next time round.
Rating: 2.5/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Apocalyptic Witchcraft
Websites: Bandcamp | Facebook
Releases Worldwide: May 29th, 2026The post Graveir – The Festering Triad Review appeared first on Angry Metal Guy.
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Shearwater – “Slugs In The Marigolds” (Feat. Doug Wieselman)
Jonathan Melburg announced the new Shearwater album The New World last month alongside the release of “Daydream Unbeliever” and “More And More.” Now he’s back with a new single for fans of slugs and saxophones.
The post Shearwater – “Slugs In The Marigolds” (Feat. Doug Wieselman) appeared first on Stereogum.
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Knocked Loose Announce Manchester ‘Outbreak’ Aftershow, Bryan Garris Checks In With Bell’s Palsy Update
The second episode of their webseries highlighting their summer European/UK tour with Metallica & Gojira has also just debuted.
The post Knocked Loose Announce Manchester ‘Outbreak’ Aftershow, Bryan Garris Checks In With Bell’s Palsy Update appeared first on Theprp.com.
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Fires In The Distance – Deliver New Single And Lyric Video
Before their highly-anticipated new album Circadian Promise officially comes out this Friday, Fires In The Distance debut a lyric video for the last single “By This Time Tomorrow”. The song also features guest guitar solo by Johan Reinholdz of Dark Tranquillity.
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Décembre Noir – Tracking New Material
German death/doom battalion Décembre Noir revealed that they are currently tracking new music for their next music output, the successor to 2023’s Your Sunset / My Sunrise.
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