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  • NECROCENE set release date for PERSONAL RECORDS debut album, reveal first track

    On September 18th internationally, Personal Records is proud to present Necrocene‘s highly anticipated debut album, Scumocracy, on CD format. There is a crushing weight bearing down on the globe presently, an unbridled destruction that breeds indifference. It is from this bleak reality that Necrocene draw their breath, subverting geological terminology into a grim political statement on the unstoppable, death-driven momentum of modern […]

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  • Eaten By Sharks Featured In Metal Injection’s Weekly Injection Of New Releases As The Undertow Of Hate Is Out Now Via CDN Records – @thebeast

    FOR IMMEDIATE RELEASE
    Eaten By Sharks Featured In Metal Injection’s Weekly Injection Of New Releases As The Undertow Of Hate Is Out Now Via CDN Records
    Canadian Technical Death Metal/Deathcore Standouts Continue Momentum Following Exclusive Decibel Magazine Album Premiere
    CANADA, July 17, 2026. Canadian technical death metal/deathcore powerhouse Eaten By Sharks continue their unstoppable momentum as their brand new full length album, The Undertow Of Hate , has been featured in Metal Injection’s Weekly Injection of New Releases alongside some of the week’s biggest heavy music releases.
    The recognition comes just days after the band landed an exclusive full album premiere at Decibel Magazine , where listeners received an early glimpse into the crushing new record before its official release. Now officially available worldwide through CDN Records , The Undertow Of Hate is making an immediate impact across the metal community.
    Blending technical precision, devastating deathcore grooves, progressive songwriting, slam fueled aggression, and an immersive nautical horror concept, The Undertow Of Hate showcases Eaten By Sharks at their most ambitious and uncompromising. From blistering riff work and relentless drumming to crushing breakdowns and cinematic atmosphere, the album delivers a relentless listening experience that rewards repeat spins.
    Metal Injection’s inclusion in this week’s Weekly Injection of New Releases places The Undertow Of Hate among the most anticipated new heavy albums available now, further solidifying the band’s growing reputation within the global extreme metal scene.
    Earlier this week, Decibel Magazine described the album as a “crushing, composition-focused plunge into nautical horror, psychological collapse and total oceanic ruin,” praising the band’s evolution and ambitious songwriting.
    Speaking previously about the album, the band stated:


    “We took time to fully immerse ourselves in the writing process and build a cohesive concept rooted in a single cinematic moment of horror. This album reflects a deeper understanding of who we are as artists.”


    Fans of Fit For An Autopsy , Gojira , Cattle Decapitation , and Fallujah will find plenty to appreciate throughout The Undertow Of Hate , an album that balances technical mastery with unrelenting brutality and memorable songwriting.
    With major support from both Decibel Magazine and Metal Injection during release week, Eaten By Sharks have firmly established The Undertow Of Hate as one of this week’s essential extreme metal releases.
    Listen to The Undertow Of Hate now on your favorite streaming platform and order physical editions directly from CDN Records.
    Purchase the album:
    https://cdnrecords.com/shop/eaten-by-sharks-the-undertow-of-hate-bundle/

    Read Metal Injection’s Weekly Injection of New Releases:
    https://metalinjection.net/upcoming-releases/weekly-injection-of-new-releases-the-week-of-7-17-2026



    Learn more about Eaten By Sharks:
    Website: https://linktr.ee/eatenbysharks
    Facebook: https://www.facebook.com/eatenbysharksband/
    Instagram: https://www.instagram.com/eatenbysharksmetal/
    Twitter/X: https://x.com/EatenbySharks00
    YouTube: https://www.youtube.com/@EatenBySharksVideo
    Bandcamp: https://eatenbysharks.bandcamp.com/album/eradication
    Spotify: https://open.spotify.com/artist/0y0jhJGgy98Whl3y5PsikD
    Apple Music: https://music.apple.com/us/artist/eaten-by-sharks/1482997266
    TikTok: https://www.tiktok.com/@eatenbysharksband
  • I SEE RED return with new single “Pestilent Breed”

    Athens-based melodic death metal band I See Red have released their new single, “Pestilent Breed.” Arriving after six years of silence, the track introduces a renewed lineup, a sharper sound and a darker creative direction. Formed in 2014, I See Red combine melodic death metal with the aggression of hardcore and the atmosphere of black […]

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  • MARILYN MANSON Releases Second Single “Front Toward Enemy” From “One Assassination Under God – Chapter 2”

    Marilyn Manson has released “Front Toward Enemy,” the second single from his forthcoming fourteenth studio album, One Assassination Under God – Chapter 2. co-produced and co-written with longtime collaborator Tyler Bates, the album is due August 14 via Nuclear Blast Records — days before the start of Manson’s late-summer co-headline tour with Rob Zombie.

    “Front Toward Enemy” follows “Exit Wound,” the album’s first single, which arrived in June 2026.

    Manson’s current touring band features guitarist Nick Annis — previously known for his work with Dorothy and Kesha — alongside bassist Tim Skold, who first played with Manson’s group between 2002 and 2008 before returning. Piggy D., originally the band’s bassist, has moved into a co-lead guitar role alongside Annis.

    One Assassination Under God – Chapter 2 arrives as the follow-up to its predecessor, One Assassination Under God – Chapter 1, which was released in November 2024 via Nuclear Blast. Standout tracks from that record included “Sacrilegious,” “Raise The Red Flag” and “As Sick As The Secrets Within,” the latter of which marked Manson’s first release under his deal with the German label. Both chapters were recorded and produced with Bates.

    Manson returned to the stage on August 2, 2024 at Hersheypark Stadium in Hershey, Pennsylvania — his first live performance since before the pandemic — as part of Five Finger Death Punch’s summer arena tour. Before that, he had not played live since the conclusion of his fall 2019 headlining tour. His previous co-headline run with Rob Zombie, the “Twins of Evil: Hell Never Dies” tour, wrapped on August 18, 2019.

    Over the past several years, Manson — born Brian Warner — has been named in a series of civil lawsuits alleging sexual, emotional and physical abuse. Most notably, actress Evan Rachel Wood publicly identified him as her alleged abuser in 2021. Manson has denied all allegations, countersued several accusers, and a number of the lawsuits against him have been dismissed by courts.

    The post MARILYN MANSON Releases Second Single “Front Toward Enemy” From “One Assassination Under God – Chapter 2” appeared first on Sonic Perspectives.

  • The 12 best new metal songs you need to hear right now

    Anyone else done with summer yet? Now, we’re not saying we hate the long, glorious hours of daylight, but a bit of crepuscular cooling wouldn’t go amiss. Still, we’re right in the thick of it so far as festival season is concerned, with Inkcarceration happening in the US this week, while Wacken, Bloodstock and ArcTanGent are all to come in the next few weeks.

    But, we digress. We’re here to talk about new music, so let’s round-up the results of last week’s vote! Indian prog metallers Fallen Letters sailed into third place with A Familiar Absence, while thrash legends Anthrax nabbed second with The Edge Of Perfection. Our overall winners however were Japan’s Hanabie., Life Is Short, O Brave Girl almost taking double the votes of the competition.

    It’s all to play for this week as we have returning metal veterans and exciting new talent alike with the likes of Mastodon and In This Moment up against Burner, Brat and Loathe. Don’t forget to cast your vote in the poll below, and have an excellent weekend!

    A divider for Metal Hammer

    Loathe – No Stranger To You

    It’s been a long wait for a proper follow up to I Let It In And It Took Everything. But Loathe are back and swinging for the fences on new album A Stranger To You, latest single No Stranger To You capturing the band at their most shoegaze inspired with a sense of both heft and gorgeous, weightless melody.

    Mastodon – Snakes For Dinner

    Speaking of new albums with a lot of hype and interest, Mastodon have announced their upcoming ninth album. Titled Marrow Deep, it’s their first without founding member and lead guitarist Brent Hinds, and will be out August 28. The retooled ‘Don have been out on the road since last summer so we kind of already knew they were still firing on all cylinders, but Snakes For Dinner confirms it with delightful gusto, the band even drafting in Josh Homme for a surprise guest vocal that fits surprisingly well amidst their cosmic-yet-earthy sound.

    In This Moment – Crawl

    With some real pop’n’lock industrial beats, In This Moment are getting good and sweaty in the club on new single Crawl. Taken from new album Witch, due August 28, it’s a seriously infectious track that makes us want to shimmy and headbang till our spines crumble like stale cookies.

    Red Method – Detonate

    Championing the heavier end of the nu metal revival, Red Method are in full feral force on newest single Detonate. Tight, claustrophobic grooves are met with what sounds like a wolverine operating a turntable, old school record scratches fitting in well amidst this delightfully vicious showing from the band’s new EP As In Life, which is out today.

    Bury Tomorrow – Sx

    While this isn’t the first time Bury Tomorrow have made a stylistic shift, we’ll admit we were pretty surprised to hear them swinging for some industrial thump on new single Sx. Coming with the announcement they’ve launched their own independent label imprint Death Records, it sounds like the British band are tiring of the metalcore pool and looking to expand their sonic horizons.

    Employed To Serve – A Moment Gone Too Soon

    It’s always oh so gratifying to hear Employed To Serve let rip. Whether it’s the booming swing of I Spend My Days or the Araya-like howl of Treachery, they’ve shown they know how to go hard in a satisfying way, and new single A Moment Gone Too Soon is no exception to that form. From it’s blast like opening to the steady rhythmic bombardment that lends it a sense of infectious invigoration, it’s exactly the kind of tune that’s made for sweaty club pits. Lucky that there’ll be plenty of chances to see them on tour in the UK in November, then.

    Scene Queen – Metalicious

    They don’t call her the queen for nothing. Bimbocore pioneer Scene Queen is offering up a crash course in the subgenre on newest single Metalicious, taking 00s pop and culture then brutalising it with some thick, thumping grooves and riffs. It’s short and straight to the point, and while it might not have the killer hook of 18+ or Finger, it has an addictive quality that’ll have the refrain “I’m hitting the mosh” sticking in your head for days. The full Metalicious EP is coming September 11.

    Brat – Manslayer (Hell Hath No Fury)

    Surely a Brat/Scene Queen tour would be a slam dunk? Granted, Brat profess to be champions of Barbiegrind rather than bimbocore, but we reckon the overlap between two audiences is nothing to sniff at. Nor is Brat’s latest single, for that matter, Manslayer (Hell Hath No Fury) a straight ahead brute of a track that shows Brat aren’t fucking about when it comes to the nasty stuff with lashings of 90s death metal chucked in for good measure.

    The Ocean – Belligerence

    We’re starting to get a real sense of what this new line-up of The Ocean is all about now. Where previous single Light Pollution was based heavily on melody, Belligerence balances the melody out with the seismic, crashing-tectonic-plate riffs that were so prevalent on their earlier records when the band leaned harder towards post-metal than prog. New album Solaris is coming on September 25 and promises to be an odyssey.

    Burner – What Will You Give? (ft. Josh Middleton)

    After gatecrashing their way into Hammer‘s Top 50 albums of 2023 with their debut It All Returns To Nothing, Burner are back with a new record. Titled No One Is Coming To Save Us, it’s due September 25 and first single What Will You Give shows off some deft extreme metal nuances, one minute a slavering, death metal brute, the next chucking hardcore pace-shifts like Hatebreed gorging on Cannibal Corpse. With a guest appearance from Sylosis’ Josh Middleton, they’re clearly looking to stake their territory in the British metal landscape.

    Soulgrind – Jylhä metsämies

    Careening in on a hard riff and then unleashing some of the gnarliest, tumorous vocals we’ve heard in a hot minute, Soulgrind might take the prize for the hardest single of this week. The Finnish extreme metallers clearly delight in chucking out curveballs: kicking around since the 90s, they started out doom but these days have more of a blackened bent, albeit with surprise forays into prog that add a nice twist to their sound. New album Ad Pulchram Mortem comes on August 14 – stick it on if you want your brain melting a bit.

    Native James – Never Been Scared (ft. Frisco)

    Grime metal is still in its infancy, but Native James looks to be stepping up as one of the subgenre’s stars. Intense flows meet clanging, juddering riffs as James spits his flows with guest vocalist Frisco. The pair debuted the track at this year’s Download Festival and if you’re looking for a harder strain of rap metal, you’d do well to give this a spin.

  • AVULSED 4th cover song unveiled: MACABRE END

     AVULSED‘s journey through the darkest roots of Scandinavian Death Metal reaches its 4th chapter with a brutal rendition of “Spawn of Flesh“, taken from the demo recorded by Sweden’s MACABRE END (pre-GOD MACABRE) in 1990. You can listen to the song here:Youtube: https://youtu.be/Lq7c1-ZTu2wDigitals: https://music.imusician.pro/a/axE3rmvF Dave Rotten himself comments the following about this song:       “Some of you may be wondering […]

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  • Mike Tramp / Songs Of White Lion Roars To Life At Northfield Park

    Mike Tramp - Songs Of White Lion - Northfield Park Casino, Ohio - 10 July 2026. Photo: Jim Balentine/MetalTalk

    After the ’80s rock ‘n’ roll scene was over, it took quite a while for it to resurface. Luckily, here in 2026, we can still relive a few of our favourite bands from that era, one being Mike Tramp, who brought the Songs Of White Lion last Friday night to Northfield Park Casino in Northfield, Ohio, just south of Cleveland.

    Mike Tramp – Songs Of White Lion

    Northfield Park Casino, Ohio – 10 July 2026

    Words And Photography: Jim Balentine

    Mike Tramp - Songs Of White Lion - Northfield Park Casino, Ohio - 10 July 2026. Photo: Jim Balentine/MetalTalk
    Mike Tramp – Songs Of White Lion – Northfield Park Casino, Ohio – 10 July 2026. Photo: Jim Balentine/MetalTalk

    Mike Tramp has carried on the White Lion Legacy since returning to music in the mid-2000s, and he sounds and looks just as good as he did in 1989.

    Along with guitar extraordinaire Marcus Nand, who has been with the band for a few years and can deliver the great Vito Bratta’s guitar licks, and long-time band members Jerry Best on bass guitar and Troy Patrick Farrell on drums.

    Mike Tramp - Songs Of White Lion - Northfield Park Casino, Ohio - 10 July 2026. Photo: Jim Balentine/MetalTalk
    Mike Tramp – Songs Of White Lion – Northfield Park Casino, Ohio – 10 July 2026. Photo: Jim Balentine/MetalTalk

    The band performed a powerful set, opening up for great white, playing all of the classics that fans know and love. 

    It took Mike Tramp over a decade to come to the realisation that people want to hear White Lion music, and he decided a few years ago to go back out on tour first with just Marcus and a backing track of drums and bass.

    Mike Tramp - Songs Of White Lion - Northfield Park Casino, Ohio - 10 July 2026. Photo: Jim Balentine/MetalTalk
    Mike Tramp – Songs Of White Lion – Northfield Park Casino, Ohio – 10 July 2026. Photo: Jim Balentine/MetalTalk

    Now, for the past three years, he has produced a full band and has played all over the world, including festivals in Europe. 

    The third in a trilogy of Songs Of White Lion albums was released last year. “For me, the point of re-recording the old classic White Lion songs was all about letting the audience know HOW the band would sound if they came to see us live,” Mike Tramp said, “bringing the sound up today and away from a world no more.”

    Mike Tramp - Songs Of White Lion - Northfield Park Casino, Ohio - 10 July 2026. Photo: Jim Balentine/MetalTalk
    Mike Tramp – Songs Of White Lion – Northfield Park Casino, Ohio – 10 July 2026. Photo: Jim Balentine/MetalTalk

    For Tramp, the initial plan was not for a trilogy, but having completed this, he feels it makes all the more sense. “If I have to be active playing White Lion in 2026 and onward, there’s got to be a natural progression in every way. That is exactly what this Trilogy is all about.”

    Mike Tramp - Songs Of White Lion - Northfield Park Casino, Ohio - 10 July 2026. Photo: Jim Balentine/MetalTalk
    Mike Tramp – Songs Of White Lion – Northfield Park Casino, Ohio – 10 July 2026. Photo: Jim Balentine/MetalTalk

    Tonight was exceptional, with Mike Tramp and Co bringing the songs back to life with the passion, perspective, and authenticity that only decades of experience can deliver.

    The Band really enjoys each other up on stage, and after the show, they will gladly sign autographs and take pictures at no cost because that is how much they care about their fans.

    Mike Tramp - Songs Of White Lion - Northfield Park Casino, Ohio - 10 July 2026. Photo: Jim Balentine/MetalTalk
    Mike Tramp – Songs Of White Lion – Northfield Park Casino, Ohio – 10 July 2026. Photo: Jim Balentine/MetalTalk

    The Songs Of White Lion tour continues, and we fully expect them to go overseas again soon. So make sure you come and see the band and relive all the great songs from the late ’80s and early ’90s.

    Mike Tramp has reclaimed and honoured his legacy with Songs Of White Lion.

    Mike Tramp - Songs Of White Lion - Northfield Park Casino, Ohio - 10 July 2026. Photo: Jim Balentine/MetalTalk
    Mike Tramp – Songs Of White Lion – Northfield Park Casino, Ohio – 10 July 2026. Photo: Jim Balentine/MetalTalk
    The post Mike Tramp / Songs Of White Lion Roars To Life At Northfield Park first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • LEFT TO DIE – Initium Mortis Review – @thebeast

    LEFT TO DIE – Initium Mortis Review

    Release Date: July 17, 2026
    I’ve had the pleasure of spinning Initium Mortis for the last few months thanks to the band sending me an advance copy, and let me tell you, this thing has been in regular rotation ever since. As a lifelong fan of the early days of DEATH and the entire old school death metal movement, this album hits exactly where it needs to.
    From the mind of gore metal pioneer Matt Harvey, LEFT TO DIE continues its mission of paying tribute to the legendary Chuck Schuldiner and the earliest days of DEATH. Featuring original DEATH members Terry Butler and Rick Rozz alongside Harvey and Gus Rios, Initium Mortis brings some of the earliest Mantas and DEATH material to life with modern production while keeping the raw spirit completely intact.
    The album wastes no time getting down to business.
    “Legion Of Doom” kicks things off with a riff that instantly makes me visualize a circle pit exploding right in front of the stage. It has that whipping, headbanging energy that grabs you immediately and refuses to let go.
    “Archangel” picks up the pace with a faster attack that leans further into speed metal territory while still carrying that unmistakable early DEATH vibe.
    “Power Of Darkness” throws you straight back into the 1980s. It’s one of those fist-in-the-air anthems where you’ll find yourself shouting the chorus along with the band. Sometimes the simplest hooks are the most memorable, and this one absolutely sticks.
    Then comes “Zombie,” opening with clean guitars that give your ears a brief moment to breathe before the band stomps the gas pedal and launches back into fast, ripping death metal mayhem.
    One of my personal favorites is “Witch Of Hell.” I absolutely love the way the vocals echo across the speakers when Matt screams, “Witch of Hell… Hell!” It’s those little production touches that make songs memorable. I’ve always appreciated details like that. They stick with you long after the album ends.
    “Rise Of Satan” is simply badass. No fancy explanation needed.
    “Summoned To Die” opens with a cool bass guitar and bass drum stomp before erupting into controlled chaos, while “Mantas” storms in with fury and a huge “Woooow!” scream that sounds like the soundtrack to marching into battle.
    “Slaughterhouse” continues the assault with another crushing performance before the album closes with “Death By Metal,” which feels like the perfect ending to an absolutely killer record.
    The advance version I received also included two bonus tracks.  In my opinion, they’re among the standout moments on the entire release. I’m not sure whether they’ll appear on a future special edition or another format, but I certainly hope so because they’re too good to stay hidden.
    Of course, longtime DEATH fans have heard many of these songs over the years through rough rehearsal tapes and demo recordings traded among diehard fans. That’s exactly what makes Initium Mortis so special.
    As Matt Harvey explains, the goal was to let fans hear these historic songs with the production quality they always deserved. Many of the original demos were recorded on primitive equipment and became nearly impossible to make out after countless generations of cassette tape trading. Here, those same songs finally breathe with clarity while never sacrificing the grit, aggression, or authenticity that made them legendary in the first place.
    The production walks a fine line that isn’t easy to achieve. It sounds modern enough to satisfy today’s listeners while still retaining that unmistakable classic death metal atmosphere. It never feels overproduced or polished to the point of losing its soul. Instead, it sounds exactly how these songs probably lived in the heads of the teenagers who first created them over forty years ago.
    For fans of the earliest DEATH recordings, Mantas, or the birth of death metal itself, this album is much more than another tribute release. It’s a respectful restoration of an important piece of heavy metal history performed by musicians who genuinely understand and love the material.
    As someone whose favorite era of death metal has always been those raw late 80s and early 90s releases, Initium Mortis absolutely delivers. It captures the excitement, danger, and hunger that helped define an entire genre while giving these historic songs the sound they’ve deserved all along.
    Rating: 10/10
    If you’re a DEATH fan, an old school death metal fanatic, or simply someone who appreciates where this genre began, Initium Mortis is essential listening. LEFT TO DIE didn’t just revisit history. They brought it back to life.


    Initium Mortis by Left to Die
  • Black Sites – For Eternity Review

    As its creators dare, modern metal music holds the unique position of having decades of realized and celebrated sounds to guide it. Whether it’s the harmonized crunch of Iron Maiden, the forlorn, minor-scale weeping of Paradise Lost, or the twisting, chiming builds of Fates Warning, classic styles like these build a world that transcends the simple attachment of a good chorus or solo. And in the lineage of NWOBHM fury, gothic sorrows, and progressive tinkering, Mark Sugar roots his long-running prog-ish, doom-ish, always heavy Black Sites project. Album after album, Sugar has explored his wide range of musical influences to capture that hard-to-attain feeling of nostalgia without ever being comfortable living in the shadow of any one band. Does For Eternity, then, as installment number five, cement the growing legacy of this recognizable Black Sites synthesis?

    Like a worn body, scuffed pickguard six-string, Black Sites has aged with a trustworthy action in its idiosyncratic and progressive foundations. As our beloved DANG once noted, earlier albums like Exile felt like a playlist of Black Sites’ favorite metal songs recreated in the Black Sites fashion—far from a misstep when the material is as quality as Sugar and co. produce. 2021’s Untrue began the path toward a more controlled vision. But then with an extra rhythmic flashiness, 2023’s The Promised Land? saw Black Sites taking greater risks on complex, longer-form tracks contrasted with slower, crowd-ready bangers. On that latter endeavor, For Eternity doubles down and adds an even more ’80s-loaded riff flair. In the construction of tracks like “Giving Up the Ghost” and “Silent Wars,” it doesn’t take much effort to hear the homage to the deadly and moody axe-led precision of classics like Dio’s “The Last in Line” or Ozzy Osbourne’s Rock ‘n’ Roll Rebel.” Yet in the presence of these touchpoints, Black Sites never loses its course down Sugar’s own expression of heavy metal appreciation.

    Throughout For Eternity, a thundering momentum defines the Black Sites attacks. In well-paced bursts of four-to-six-or-so minutes, trademarked open string punctuation in melodies finds weight in power chord progressions, tom-heavy drum drives, and growling, thumpy bass struts.1 For those desiring a pick scrape to pull-off riff-fest, “Above Soil, Beneath Sky” and “Silent Wars” stand at attention to raised horns. And if it’s Sugar’s nimble fingers ripping between muted crunch and piercing, melodic solo work, “Aquarius Betrayed” and “When Prophecy Fails” provide all the nimble fretboard action one could ask for in this context. Whatever the mass of metal movement, Sugar’s slithering and workmanlike warble push and pull on unexpected beats with a relatable melancholy dressed as attachable choruses. While never as bright and boisterous as new co-conspirator Chris Black and his work in High Spirits, this iteration of Black Sites, no matter the tempo, plows through every bar with heavy metal purpose.

    In coordination with this honed songcraft, a touch more production panache helps For Eternity wear a bigger presence than its predecessors. The Dan “The Man” Swanö mix/master effort emboldens Sugar and new axe-partner Lee Smith (Professor Emeritus) to find a warmth in tone and classy fullness in reverb that let precise pedal action and pickup shifts feel swift, seamless, and vibrant (“When It Calls,” “Aquarius Betrayed,” “When Prophecy Fails”). And despite the diversity in total attack that each song presents, a uniformity in staging helps Sugar’s sneaky array of snippy licks stick to memory no matter how intense the main refrain or soaring the solo can be (“Aquarius Betrayed,” “Above Soil, Beneath Sky,” “Silent Wars”). Again, the veteran conductor Chris Black (Dawnbringer, High Spirits, ex-Pharaoh) as a co-producer unlocks fine details like gentle synth backings and sneaky vocal layering that add depth and tension to moody intros and triumphant crescendos (“When It Calls,” “Aquarius Betrayed,” “Unanswered for Eternity”).2 Every choice matters, and every choice elevates what For Eternity has to offer.

    With this level of calculated prowess, however, For Eternity doesn’t pack any surprises, or rather, doesn’t expand the Black Sites playbook by any significant value. But novelty for the sake of achieving novelty isn’t necessary for an album to succeed. As the fifth step in the Black Sites journey, For Eternity strikes with finesse. And sticking to a tested and refined palette of hooky, hammering, and harmonious heavy metal, Sugar has delivered an experience that, while easy to digest, unfolds new layers with each successive listen.


    Rating: 4.0/5.0
    DR: 6 | Format Reviewed: PCM
    Label: Self-Release
    Websites: blacksites.bandcamp.com | facebook.com/blacksites
    Releases Worldwide: July 17th, 2026

    The post Black Sites – For Eternity Review appeared first on Angry Metal Guy.