Japanese noise rock veterans Melt-Banana have booked a set of headline shows in United States, including appearances at Levitation Festival (Austin, TX) and Riot Fest (Chicago, IL). Read more…
Blackened death metal ensemble from Germany, Horresque, has released a brand new single/video “Behind The Door”. The track serves as the first glimpse of the band’s upcoming third full-length, Chasms Pt. III – The Dread, Unveiled, scheduled for early 2027 release. Recorded by Victor Bullock at Woodshed Studio in Landshut, Germany. Mixed and mastered also by Victor Bullock. Read more…
An age-old challenge for critical houses like ours is that, while they simultaneously represent a cohesive vision, each editor should have their own unique voice. As time passes, writers come to AMG and go like so much beef through a meat grinder. All this faffing about to say, we have vastly different opinions, and as senior writers drop bands, new blood comes in to offer a fresh perspective. To this end, our Dear Hollowdid not have a glowing opinion of Fuming Mouth’s previous album, Last Day of Sun. For me, it was one of my favorite albums that year and a record I spin frequently to this day. It was a conceptual cavalcade of crushing riffage, emotional asides, and Radiohead-esque interludes all wrapped in the blanket of melancholy that is surviving cancer. Mark Whelan’s epic battle with the dreaded disease inspired their best work, and represented a band at their most powerful, driven, and potent. With their latest, The Ringing Bell, does this inspiration give their latest life? Or are we calling the pallbearers?
If Last Day of Sun was the atmospheric slow-burner, The Ringing Bell is the bludgeoning, neanderthal club. Fuming Mouth’s patented brand of death-infused hardcore in the vein of bands like Gatecreeper, Creeping Death, and Venom Prison is alive and well on their latest record. A more direct analogue to their initial release, The Grand Descent, their latest is efficient, brutal as hell, and full of a downright stupid amount of knuckledraggery. Mark Whelan remains the star of the show with his absurd number of chunky grooves and cragged riffs that fill the record, as well as his Nails-inspired vocals with their trademark frothiness and fuzz. His cleans (while only appearing on a single track this time) remain ethereal, forlorn, and spacious, making the title track an absolute highlight; melding a potent concoction of hardcore death with atmospheric cleans. Jay Weinberg (yes, previously of Slipknot fame) is the newest member, and his style and taste seem much more suited to an act as natural-sounding and raw as Fuming Mouth. His rhythmic drumming, rollicking fills, and snare abuse are more at home within hardcore than the chaotic nu-metal of Slipknot.
For those who felt Last Day of Sun was a letdown, The Ringing Bell will surely please you. There is no shortage of bulldozing riffs, explosive vocals, and blistering drumming. Tracks like “Self-Exhumed”, “Barbian Scourge”, and “Respect Mortality” are sure to topple crowds and maim concertgoers at Fuming Mouth’s next show. Mark Whelen’s divisive clean singing is all but cut from the record, and the album comes in at a slim thirty-four minutes. For many, it will be the antidote to Last Day of Sun. For me, while still a strong record in its own right, I couldn’t help but feel let down by The Ringing Bell. Gone is much of the creativity, replaced by simplified lyrics that feel downright silly at times and a detrimental dedication to destruction. The album bleeds together, and I felt myself hoping and waiting for songs as creative as “The Silence Beyond Life”, “Leaving Euphoria”, and “Postfigurement”. It was a genuine relief when the title track came on and held hints of what made Last Day of Sun so damn affecting to me even to this day.
The Ringing Bell is solid, well played, full of great moments, and genuinely heartfelt in its execution. The production is spot-on with the perfect amount of raw grit and depth, letting the hardcore hit and the death disturb. Kurt Ballou’s mixing is on point as always. Despite these positives, I found the record disappointingly shallow compared to their last album. Song after song follows the same themes of fighting back and positivity in the face of adversity to the point of silliness. I appreciate the message, and it is especially rare in the genre, but it feels childish juxtaposed with the lyricism and emotion of Last Day of Sun.
The Ringing Bell is a tale of two tastes. Those who loved their previous record may find it lacking, especially compared to contemporaries like Gatecreeper’s Dark Superstition or Tribal Gaze’s Inveighing Brilliance. But if you hated Last Day of Sun, The Ringing Bell is here to resurrect your love of Fuming Mouth. Either way, it is a solid record, but whether or not it is truly great depends on your taste for all-out destruction versus the more thoughtful musings of their previous work.
Three months after releasing their latest album Too Fast To Die to much critical acclaim, Archspire quietly dropped a mini documentary of its recording process yesterday. Read more…
DENIAL delivers a dark, hard-hitting fusion of melodic techno and industrial electronica on Wasted, pairing relentless rhythms with brooding atmospheres and razor-sharp production. Pulsing basslines, hypnotic synth sequences, and cinematic sound design create an immersive late-night intensity, while subtle melodic flourishes prevent the track from losing its emotional edge. Balancing underground club energy with meticulous craftsmanship, Wasted evolves with purpose, rewarding listeners through its dynamic tension and expertly controlled momentum. Powerful, immersive, and undeniably addictive, Wasted marks Denial as an exciting new voice in forward-thinking electronic music.
If you have never been to a Steel Panther show, you would not know why it is extremely hard to write about it while maintaining family-friendly language. I will try, while writing about their gig at London’s O2 Forum Kentish Town. But I can not make promises. You will see why.
As I get close to the location of the show and stop for a pint with one of my MetalTalk colleagues, it is very obvious that these boys have lost none of their popularity. If anything, it has grown.
Steel Panther – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
There is a massive queue at the entrance, and a lot of said queue is made up of people dressed in such a way that you would be forgiven if you were thinking you were in 1987 Los Angeles. And there is a reason I am using that specific year here (stay tuned). But I can only say that tons of hairspray or, failing that, wigs, plus a lot of neon-coloured spandex. It is all there, in all its ’80s glory.
Steel Panther get on stage before 9 PM, and nobody cares about anything anymore. Not the England game that will start in an hour, not anything else that happens outside this space. Or time. It is just a full O2 Forum Kentish Town, with one collective smile on its face. And, a lot of the time, that smile is accompanied by a hearty laugh.
Steel Panther – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
But let us start with the serious bit. Steel Panther are, before adding humour to the whole thing, excellent musicians. These guys can play with the best of them. For example, guitarist Satchel could easily be in almost any band on this planet and do a fantastic job.
Do not tell anyone, but before this, among other things, you could hear him playing on an album by Fight, a band led by a guy you might have heard of, named Rob Halford.
Steel Panther – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
Now, the fact that Steel Panther choose to add a metric ton of humour on top of that does not in any way diminish their musical ability. It only makes everything even more entertaining. It also makes it completely unrecommended for those without a sense of humour or, more importantly, easily offended.
Because this is no ordinary humour. They inhabit the characters of a Glam Metal band, with all the clichés that go with that. And the fact that some people actually take what is supposed to be funny seriously is probably even funnier.
The humour, whether you appreciate it or not, is an important part of why they are successful. Safe to say that this is not an ordinary hard rock/Heavy Metal show. And you should know that when you see that the stage is adorned, aside from the massive logo background, with two exotic dancer poles.
Steel Panther – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
As the band burst onto that stage, so do the two dancers joining them, dressed in bikinis that do not leave a lot to the imagination. They are introduced later, jokingly of course, as the stepdaughter and granddaughter of some of the members of the band. You also can not help but notice guitarist Satchel’s t-shirt, with the imprint Fet’s Luck…
They start with Eyes Of The Panther, and it is another reminder of how well they can sound. But the show truly starts with Tomorrow Night, a song about the occupations one can have on his own when the party of the century is tomorrow night. It features one of the best, or crudest, some might say, lyrics ever, expressing what one can do the night before that gathering. Spoiler alert. It is not getting a good rest.
Steel Panther – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
The boys on stage are obviously in a great mood, with the show a mix of great playing, the filthiest lyrics you will ever hear, and ironic/self-deprecating banter between songs. It is brilliant when Satchel says that we are lucky to witness one of the top 175 Heavy Metal bands in the world tonight. He also expresses his happiness that his gonorrhoea is gone. They even discuss the idea of offering free cocaine at the end of the show, but renounce that idea.
The infamous Asian Hooker is preceded by the funniest band introduction you will ever hear. I will not ruin it for you if you plan to see them on this tour, but I will say that drummer Stix Zadinia has one hell of a stage name. Read that out loud. There you go.
Steel Panther – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
But back to Asian Hooker. They are, of course, joined by not one, as usual, but two Asian ladies, and they make sure they live up to the track. As the whole room shouts the lyrics, said ladies pull their tops up, in case one more reason was needed to keep this an 18+ show.
Just Like Tiger Woods sounds very good as well, with its lyrics about the the ladies in the neighbourhood sung, like pretty much the whole set, by the whole audience together with frontman Michael Starr. Hell, they even manage to instigate a moshpit at one point, during Friends With Benefits.
The thing with Steel Panther is that they have this ability to write, along with very funny lyrics, absolute bangers that will be stuck in your head for days. Worryingly enough, you might end up singing out loud. It could happen in the supermarket, while at the fruit section. So I heard, at least.
Steel Panther – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
Death To All But Metal is another example. Apart from a great riff, it manages to offend half the music industry, all mentioned by name. I will refrain from quoting, but it is worth a listen, also for the great riff.
The second part of the set includes the latest single, The Mother’s Day Song, an ode to loving other people’s mothers. At this point I look at the gentleman next to me, brave enough to be joined for this by his girlfriend. He sings all the lyrics and, a few seconds later, I realise she is as well. If that is not having things in common as a couple, I do not know what is.
We get to 1987. This is a song that, underneath the similarly styled lyrical moments, is a great ode to a much simpler, more rock ‘n’ roll time. It ends with the band paying tribute to fallen heroes like Lemmy, Ozzy and Vince Neil. When warned that Vince Neil is, fortunately, still very much with us, Starr mentions he was referring to old Vince Neil.
Steel Panther – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
And this is where the show goes even more bonkers. They bring up a lady from the crowd, and each take turns writing parts of a song for her. She is fabulously composed, has a great singing voice, and the moment does not look staged. This is confirmed by the chat my colleagues had with her later, when they happened to run into her in a pub.
Girl From Oklahoma is played with her on stage, a beautiful acoustic moment. And a great track, which I urge you to listen to at work. If you want to get fired, that is.
It could not end without 17 Girls In A Row, during which a lot of ladies from the crowd join the band on stage, dancing and doing the things one does on stage at a Steel Panther show.
Steel Panther – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
Party Like Tomorrow Is the End Of The World ends the regular set in its entire catchy glory, and with the essential advice that, if the end of the world is coming, you should be coming too. To the party that this occasion demands, presumably.
Of course, there is the matter of the encore, and they oblige, with Community Property and Gloryhole. Now, if this is not a fun rocking night out, I do not know what is.
Black Sonic Pearls
Tonight was supposed to also feature Kelsy Karter & The Heroines, a band that I was looking forward to after their dynamic set opening for Halestorm recently. Unfortunately, travel issues prevent them from making it.
Black Sonic Pearls – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
Black Sonic Pearls, the other band opening the set tonight, are an interesting combination of sounds and influences. They play a dynamic set, with some pretty impressive vocals and guitar playing. They would have sounded even more interesting if the sound mix helped them.
Black Sonic Pearls – O2 Forum Kentish Town – 18 July 2026. Photo: Dominic Beaven/MetalTalk
Unfortunately, despite their ability to get those present moving at various points, it does not. Even like that, their mix of hard rock, Metal, alternative, with some grunge thrown in makes them an interesting moment. They even play a pretty tasty cover of Michael Jackson’s Earth Song, believe it or not.
Famously, The Damned were the first UK punk band to release a single, their debut seven inch New Rose emerging on Stiff Records on October 22, 1976. Six months later, the London quartet also became the first UK punk band to tour America, playing shows in New York, Boston, Los Angeles and San Francisco.
The band’s first US show found them playing two sets at CBGB in New York on April 7, 1977. The Damned open both sets with I Feel Alright, the final song on their debut album Damned Damned Damned, and closed both sets with So Messed Up, the album’s penultimate song. The group would play the venue again on April 8, 9 and 10.
“New York was the most amazing place I’d ever seen,” drummer Rat Scabis recalls in a new interview with MOJO magazine. “To suddenly be in what appeared to be the set of Kojak, but for real, with the sirens and yellow taxicabs and steam coming out of the manholes in the road… And we’d see Joey Ramone in the street and say hi. I loved New Yorkers, and their directness.”
Scabies was less impressed, however, by New York’s legendary punk mecca CBGB.
“There was sawdust on the floor, dogshit everywhere, and tables so people could eat pizza while they watched the Ramones,” he complains. “It didn’t have any of the commitment that English punk had. You don’t eat pizza and watch the band – that just isn’t done! It was like some Andy Warhol experiment.”
Following their New York residency, The Damned played two nights at the Rathskeller in Boston. Faced once again with a pizza-eating audience, at the beginning of their second set on night two, the group dragged tables and chairs onstage, with guitarist Brian James telling the audience, “We can sit on our asses just like you.”
“I felt like a monkey in a cage again, and got confrontational,” Captain Sensible tells MOJO. “I had the road crew scare up a table and chairs, and we stopped playing for 10 minutes and ate some pizza ourselves on-stage, while the crowd watched.”
The tour closed with shows at The Starwood in Hollywood, and at San Francisco’s Mabuhay Gardens.
“We didn’t have enough money for our air fare back to Blighty,” recalls Sensible, “so we put a collection box on the stage during the shows, with a sign reading, ‘If you want rid of these “damned limeys” give generously to the fly-them-back-to-the-UK fund.’ We actually managed to make enough money to get us back home!”
With their sophomore album entitled “Internal Inferno“, scheduled for September 25th 2026 via War Anthem Records, German black metallers NAIL BY NAIL make a powerful statement – uncompromising, emotionally charged, and showcasing a level of artistic maturity that leaves no doubt the band is carving out its own distinctive path. While the debut laid the […]
An age-old challenge for critical houses like ours is that, while they simultaneously represent a cohesive vision, each editor should have their own unique voice. As time passes, writers come to AMG and go like so much beef through a meat grinder. All this faffing about to say, we have vastly different opinions, and as senior writers drop bands, new blood comes in to offer a fresh perspective. To this end, our 
