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  • Listening Now : Roses & Revolutions – Ghost in the Trees

    Roses & Revolutions weave haunting beauty and emotional intimacy into Ghost in the Trees, a luminous indie-folk gem wrapped in longing, memory, and subtle supernatural mystique. Driven by steady tambourine rhythms, shimmering electric guitar lines, and Alyssa Coco’s captivating vocals, the track creates a cinematic atmosphere that feels both warm and ghostly. Balancing folk-pop elegance with melancholic storytelling, the song drifts through shadowy emotional landscapes where nostalgia and mystery intertwine effortlessly. Tender, atmospheric, and deeply evocative, Ghost in the Trees captures the duo’s gift for transforming quiet emotion into something spellbinding and timeless.

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  • Listening Now : KASIA – Reflections

    KASIA crafts an immersive blend of ethereal electronica and introspective hip-hop on Reflections, a hypnotic track centered around self-awareness, emotional duality, and personal growth. Floating synth textures, spacious production, and rhythmic vocal delivery create a dreamlike atmosphere where vulnerability and empowerment coexist effortlessly. Anchored by the striking refrain “your reflection is me,” the song explores how the people around us often mirror our own fears, strengths, and hidden truths. Atmospheric yet emotionally direct, Reflections showcases KASIA’s ability to merge club-oriented electronic soundscapes with deeply personal storytelling in a way that feels both cinematic and intimate.

    Connect:

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  • INTERVIEW: REXORIA Talk ‘Fallen Dimension’ & Their Powerful New Sound

    On episode 17 of 50 Shades of Slaids The Rockpit caught up with Frida Ohlin & Jonas Gustavsson of Swedish power metal bands Rexoria to talk all things their new album “Fallen Dimension” which is out on Black Lodge Records on May 8. While the broader spectrum of genres and sub genres is deep Rexoria fall into their own genre which is known as Royal Metal. What is Royal Metal? Check out the interview and find out what it’s all about.

    We dive into the evolution of the band over the last decade and why “Fallen Dimension” is the bands most complete, concise and true to their style, spirit and approach. There is something very special within this collection of eleven songs. Each one a tale within itself. No two tracks are alike as Rexoria bring so many styles together and make a record that moves in many ways. We talk about writing the record, the recording process, the vision for this collection of songs and how it all came together. The latest single ‘Heart Of Sorrow’ is a duet with Joey Gioelli of hardline and Axel Rudi Pell fame is a stunning ballad and is sure to stir something inside you. Ohlin’s voice is what has been missing from female fronted rock/metal for many years.

    Rexoria are set to make 2026 theirs and “Fallen Dimension” is exceptional in every way. Check out Rexoria on their socials and visit www.rexoria.com to buy “Fallen Dimension” and score some great exclusives when you pre order.

    A huge thank you to Frida & Jonas for their time and a special thank you to Maric Media for making it happen.

     

    The post INTERVIEW: REXORIA Talk ‘Fallen Dimension’ & Their Powerful New Sound appeared first on The Rockpit.

  • “We are over the moon!” Kate Bush is now an award-winning film director

    Kate Bush’s directorial film debut Little Shrew was inspired by the war in Ukraine
  • “Take My Breath Away” — Tymbro and Dear Company Collaborate in Video for Haunting Dreamwave Single “Skin”

    I was scared to fight someone like you.
    I was scared to realize my mistakes.
    That you’d lie to anyone.
    And die to anyone

    Tymbro, the solo project of Gianpiero Timbro, seems drawn to the charged space between composition and design, where a song can behave like a room with constantly changing proportions. On Skin, he joins Dear Company, the Rome-based duo of guitarist and composer Martino Cappelli and vocalist Elisa Pambianchi, for a piece of restrained electro-pop that treats intimacy as a fragile arrangement, made tender by the threat of collapse.

    The track moves with a careful economy. Its electronics are spare but alert, leaving enough air around Pambianchi’s voice for each phrase to feel exposed without turning theatrical. Cappelli’s presence gives the music a quiet pressure, a sense of shape forming at the edges, while Timbro’s background in ambient, post-rock, and audiovisual work can be heard in the way the arrangement prefers suggestion to excess. The result is sleek and uneasy, polished without becoming sealed off from feeling.

    Skin is preoccupied with the strange cruelty of closeness: the way desire can become surveillance, the way fear can dress itself as caution, the way a person can reach out while already preparing to withdraw. Its emotional drama is compact, almost clinical, yet the track never feels cold. Dear Company’s affinity with dark pop and cinematic restraint gives the song a bruised elegance, with traces of Chromatics, London Grammar, Beach House, Daughter, and TR/ST present as points of reference rather than a borrowed wardrobe.

    Simone Serafini’s black-and-white video sharpens the song’s private unease. Following a couple (including Giovanni Santolla of The Spoiled) through rooms, exteriors, glances, and separations, it borrows something from the clipped seduction of 1990s advertising (think: David Lynch’s perfume commercials) while stripping away the promise of glamour. Bodies share space, then fail to inhabit it together. The editing stresses distance as much as contact, letting attraction curdle into misrecognition.

    “We wanted Skin to feel intimate but unstable, like a moment of connection constantly slipping away,” says the artist.

    Tymbro and Dear Company have made a small, precise drama out of touch and retreat, where the skin is both threshold and barricade, and where the most painful distance is measured in inches.

    Watch the video for Skin below:

    Skin is out May 28 via Pop-up Records. Pre-save here.

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    The post “Take My Breath Away” — Tymbro and Dear Company Collaborate in Video for Haunting Dreamwave Single “Skin” appeared first on Post-Punk.com.

  • Delta Generators: ON & ON Review

    The latest album from Delta Generators, ON & ON, drops on May 22. Delta Generators have been around since 2008, releasing six albums, playing regional venues, and building a loyal fan base. Their sound has been described as a swampy blend of blues, R&B, and Americana with raw rock energy.

    ON & ON is a more focused blend of Texas roadhouse and Mississippi juke joint raw grit, intensely greased up with a lot of slide guitar and powerful harmonica leads. With that blending of Southern sounds, it may be surprising to learn that founding brothers Charlie O’Neal (guitar) and Rick O’Neal (bass) come out of the Boston music scene, with tenures in bands like Benjamin Orr’s band and alongside Johnny A. Rounding out the four-piece band are Jeff Armstrong on drums and Brian Templeton on vocals and harmonica. Templeton, a veteran of the Boston blues scene and former frontman of The Radio Kings, replaced original vocalist Craig Rawding after the band’s fourth album, Hipshakers and Heartbreakers, in 2016.

    As a band, they have shared stages with Robert Cray, Jimmie Vaughan, Walter Trout, Sonny Landreth, Johnny Winter, and Three Dog Night. They have also appeared on Keeping the Blues Alive at Sea, building a more global following along the way. Their website describes their approach as “Real music by real people, played live and recorded live.” This mantra is lived out in the recording process for ON & ON. The entire album was written, arranged, and rehearsed in eight days, then recorded literally “live to tape” in two days at Power Station New England by Evan Bakke, who has collaborated with Prince and Warren Haynes.

    That minimalized approach gives ON & ON a very grounded, rustic feel, like you are in a dark bar lit only by neon beer signs and dusty bulbs, until the opening track “I Got You” electrifies the setting with its crescendo opening into a toe-tapping beat. Its possessive mantra is the perfect opener for an album or a live set. It is also the first single released and a tone-setter for the rest of the album. The following tracks cover various real-world themes, all served with a thick, greasy layer of rock and blues. The second single, “Mr. Vain,” a slow, rhythmic, and interesting take on vanity, is already getting some streaming traction. “Poker Face,” with its cool, greasy slide guitar, and the harmonica-led toe-tapper “Mr. C” spin tales of seedy characters we all hope to avoid. “Little Rat” is a stripped-back, almost a cappella junkyard rhyme about a poor fool who crosses those seedy characters. “Deep State of Mind” is a fun track with an interesting theme around “deep state” paranoia framed in a fast-paced rockabilly-style rant.

    However, ground zero for blues themes has always been affairs of the heart, or just plain lust, and ON & ON does not disappoint. “Bet” has a swampy waltz feel that leads into a slow, thick solo with the refrain, “you better bet on me.” “Ginny Mae” is a Chicago blues thumper about that one girl you want who seems to be everywhere. “Strength in Numbers” tells a humorous, harmonica-led, toe-tapping tale about her “crew.” “Never Again” is a slide-oozing piece of self-talk we can all relate to. The longest tracks on the album are a pair of rockers. “Drone” laments being on the wrong end of a domineering relationship with a thick, swampy beat and haunting harmonica reminiscent of Led Zeppelin’s version of “When The Levee Breaks.” “Baby Bomb” is a heavy, semi-psychedelic grinder about an “explosive” temperament that may be my favorite track on the album.

    The album also has a trio of short tracks, each less than a minute long, that are not labeled as intros but have interesting placement in the track sequence with their titles. “Button” precedes “Poker Face,” a song about a gun for hire. “Hernan’s Stomp” precedes “Mr. C,” a song about a leader of nefarious characters, and “Fuse” fittingly precedes “Baby Bomb.” Intentional or not, it is a fun quirk on a thoroughly enjoyable album.

    Guitarist Charlie O’Neal noted that the record “perfectly captures the live spirit of the band.” They certainly will not have to figure out how any of the tracks work on a live stage.

    ON & ON is a fun listen that puts you on a creaky, uncomfortable bar stool or a dusty, crowded dance floor, simply enjoying gritty blues rock as it was meant to be heard, with a sense of gritty realism that is often absent from studio recordings. Delta Generators bottled that into a record that feels alive from the very first note.

    The Review: 8/10

    Can’t Miss Tracks

    – Baby Bomb
    – Mr. Vain
    – Drone
    – Strength in Numbers
    – Deep State of Mind
    – Ginny Mae

    The Big Hit

    – Baby Bomb

    The post Delta Generators: ON & ON Review appeared first on Blues Rock Review.

  • Premiere: SOUND AFFLICTION ‘Frozen’

    Brisbane rock outfit Sound Affliction have released a powerful new track, Frozen, taken from their Behind The Walls album released via XMusic. The band says of the song; “Frozen is about feeling like your heart is trapped in ice from past trauma. It talks about one moving on with life and trying to find love […]