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Get ready for Ozzy 2.0

I was scared to fight someone like you.
I was scared to realize my mistakes.
That you’d lie to anyone.
And die to anyone

Tymbro, the solo project of Gianpiero Timbro, seems drawn to the charged space between composition and design, where a song can behave like a room with constantly changing proportions. On Skin, he joins Dear Company, the Rome-based duo of guitarist and composer Martino Cappelli and vocalist Elisa Pambianchi, for a piece of restrained electro-pop that treats intimacy as a fragile arrangement, made tender by the threat of collapse.

The track moves with a careful economy. Its electronics are spare but alert, leaving enough air around Pambianchi’s voice for each phrase to feel exposed without turning theatrical. Cappelli’s presence gives the music a quiet pressure, a sense of shape forming at the edges, while Timbro’s background in ambient, post-rock, and audiovisual work can be heard in the way the arrangement prefers suggestion to excess. The result is sleek and uneasy, polished without becoming sealed off from feeling.

Skin is preoccupied with the strange cruelty of closeness: the way desire can become surveillance, the way fear can dress itself as caution, the way a person can reach out while already preparing to withdraw. Its emotional drama is compact, almost clinical, yet the track never feels cold. Dear Company’s affinity with dark pop and cinematic restraint gives the song a bruised elegance, with traces of Chromatics, London Grammar, Beach House, Daughter, and TR/ST present as points of reference rather than a borrowed wardrobe.

Simone Serafini’s black-and-white video sharpens the song’s private unease. Following a couple (including Giovanni Santolla of The Spoiled) through rooms, exteriors, glances, and separations, it borrows something from the clipped seduction of 1990s advertising (think: David Lynch’s perfume commercials) while stripping away the promise of glamour. Bodies share space, then fail to inhabit it together. The editing stresses distance as much as contact, letting attraction curdle into misrecognition.

“We wanted Skin to feel intimate but unstable, like a moment of connection constantly slipping away,” says the artist.

Tymbro and Dear Company have made a small, precise drama out of touch and retreat, where the skin is both threshold and barricade, and where the most painful distance is measured in inches.

Watch the video for Skin below:

Skin is out May 28 via Pop-up Records. Pre-save here.

Follow Tymbro:

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Follow Dear Company:

• Instagram
• Facebook
• YouTube
• Bandcamp

The post “Take My Breath Away” — Tymbro and Dear Company Collaborate in Video for Haunting Dreamwave Single “Skin” appeared first on Post-Punk.com.

The latest album from Delta Generators, ON & ON, drops on May 22. Delta Generators have been around since 2008, releasing six albums, playing regional venues, and building a loyal fan base. Their sound has been described as a swampy blend of blues, R&B, and Americana with raw rock energy.

ON & ON is a more focused blend of Texas roadhouse and Mississippi juke joint raw grit, intensely greased up with a lot of slide guitar and powerful harmonica leads. With that blending of Southern sounds, it may be surprising to learn that founding brothers Charlie O’Neal (guitar) and Rick O’Neal (bass) come out of the Boston music scene, with tenures in bands like Benjamin Orr’s band and alongside Johnny A. Rounding out the four-piece band are Jeff Armstrong on drums and Brian Templeton on vocals and harmonica. Templeton, a veteran of the Boston blues scene and former frontman of The Radio Kings, replaced original vocalist Craig Rawding after the band’s fourth album, Hipshakers and Heartbreakers, in 2016.

As a band, they have shared stages with Robert Cray, Jimmie Vaughan, Walter Trout, Sonny Landreth, Johnny Winter, and Three Dog Night. They have also appeared on Keeping the Blues Alive at Sea, building a more global following along the way. Their website describes their approach as “Real music by real people, played live and recorded live.” This mantra is lived out in the recording process for ON & ON. The entire album was written, arranged, and rehearsed in eight days, then recorded literally “live to tape” in two days at Power Station New England by Evan Bakke, who has collaborated with Prince and Warren Haynes.

That minimalized approach gives ON & ON a very grounded, rustic feel, like you are in a dark bar lit only by neon beer signs and dusty bulbs, until the opening track “I Got You” electrifies the setting with its crescendo opening into a toe-tapping beat. Its possessive mantra is the perfect opener for an album or a live set. It is also the first single released and a tone-setter for the rest of the album. The following tracks cover various real-world themes, all served with a thick, greasy layer of rock and blues. The second single, “Mr. Vain,” a slow, rhythmic, and interesting take on vanity, is already getting some streaming traction. “Poker Face,” with its cool, greasy slide guitar, and the harmonica-led toe-tapper “Mr. C” spin tales of seedy characters we all hope to avoid. “Little Rat” is a stripped-back, almost a cappella junkyard rhyme about a poor fool who crosses those seedy characters. “Deep State of Mind” is a fun track with an interesting theme around “deep state” paranoia framed in a fast-paced rockabilly-style rant.

However, ground zero for blues themes has always been affairs of the heart, or just plain lust, and ON & ON does not disappoint. “Bet” has a swampy waltz feel that leads into a slow, thick solo with the refrain, “you better bet on me.” “Ginny Mae” is a Chicago blues thumper about that one girl you want who seems to be everywhere. “Strength in Numbers” tells a humorous, harmonica-led, toe-tapping tale about her “crew.” “Never Again” is a slide-oozing piece of self-talk we can all relate to. The longest tracks on the album are a pair of rockers. “Drone” laments being on the wrong end of a domineering relationship with a thick, swampy beat and haunting harmonica reminiscent of Led Zeppelin’s version of “When The Levee Breaks.” “Baby Bomb” is a heavy, semi-psychedelic grinder about an “explosive” temperament that may be my favorite track on the album.

The album also has a trio of short tracks, each less than a minute long, that are not labeled as intros but have interesting placement in the track sequence with their titles. “Button” precedes “Poker Face,” a song about a gun for hire. “Hernan’s Stomp” precedes “Mr. C,” a song about a leader of nefarious characters, and “Fuse” fittingly precedes “Baby Bomb.” Intentional or not, it is a fun quirk on a thoroughly enjoyable album.

Guitarist Charlie O’Neal noted that the record “perfectly captures the live spirit of the band.” They certainly will not have to figure out how any of the tracks work on a live stage.

ON & ON is a fun listen that puts you on a creaky, uncomfortable bar stool or a dusty, crowded dance floor, simply enjoying gritty blues rock as it was meant to be heard, with a sense of gritty realism that is often absent from studio recordings. Delta Generators bottled that into a record that feels alive from the very first note.

The Review: 8/10

Can’t Miss Tracks

– Baby Bomb
– Mr. Vain
– Drone
– Strength in Numbers
– Deep State of Mind
– Ginny Mae

The Big Hit

– Baby Bomb

The post Delta Generators: ON & ON Review appeared first on Blues Rock Review.

Brisbane rock outfit Sound Affliction have released a powerful new track, Frozen, taken from their Behind The Walls album released via XMusic. The band says of the song; “Frozen is about feeling like your heart is trapped in ice from past trauma. It talks about one moving on with life and trying to find love […]

Brewers are not more competent now, per se, but they are much more attuned to the market, such that it is rare to have a truly horrible beer. This one is barely an IPA and tastes like tea but has a nice clean flavor.

However, would I reach for this again? Not “hell no,” but “probably not,” mainly because despite the weird tea overtones, it is boring: it tastes like Heineken and Michelob had an IPA baby that is designed for, you guessed it, all-day drinking while you tinker with your lawnmower.

That being said, there is nothing unique about this experience that I want. Women buy this beer because they want the husband to avoid getting so drunk he sets the backyard on fire (again). But it misses the IPA zing and feels like a PTA meeting.

“Voices In The Dark” & “A Wolf In Sheep’s Clothing” are now streaming.

The post Upon A Burning Body Release Two New Songs From The Upcoming Deluxe Edition Of “Blood Of The Bull” appeared first on Theprp.com.

The first two of four acts from their upcoming EP have now arrived.

The post Castiel’s “Act II: A Festering Wound” Music Video Now Streaming appeared first on Theprp.com.

Earlier this month, Charli XCX unveiled the polarizing anthem “Rock Music,” whose controversy she addressed by saying things can be “funny, earnest, sincere, and joyful all at the same time.” Since then, she’s offered more commentary, tweeting, “if you get me, you get me and if you don’t, you don’t. and thats ok <3” and…

The post Charli XCX – “SS26” appeared first on Stereogum.

That new album is headed for a July release.

The post Allt Premiere “Snowblind” Video From Their Sophomore Album “Ataraxia” appeared first on Theprp.com.

In March, Britney Spears was arrested for a DUI. She pleaded guilty to a lesser charge earlier this month, and now a video has been released that shows Spears offering officers lasagna and speaking in a British accent.

The post Britney Spears Offered Officers Lasagna, Spoke In British Accent During DUI Arrest appeared first on Stereogum.