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  • “Why So Glum?” — Sacramento Post-Punk Party Goths Creux Lies Return With Batty Video for “Jubilate”

    Drifting through its grasp together
    Gilding guide this blood for me
    Pull me close, release me never
    Feeling fangs so tenderly 

    Ahead of their gig at Wave Gotik Treffen in Leipzig, Sacramento’s Creux Lies celebrates with Jubilate, the first single from Jubilation, the band’s forthcoming third album, due at summer’s end through Young and Cold Records, and it wastes little time announcing that their old cathedral gloom has learned a few new dance steps. The bass is wound tight, the drums keep hustling, and the synths move with the smooth contempt of a machine.

    There’s a breed of post-punk tracks that spends its energy admiring its own cheekbones. Jubilate has other appetites: motion, contact, release, and a little unabashed absurdity. The band has talked about this as a hinge point, a doorway into the next record, and the word feels right: you hear familiar Creux Lies architecture: grand outlines, romantic pressure, the heavy perfume of old rooms, while the track pushes its hips toward dark disco and house music’s clean command. Depeche Mode, Visage, and Blancmange are useful ghosts at the edge of the party, watching Sacramento’s black-clad children find a fresh route to the floor.

    The hook “You’ve got a good hold on me” lands with the cruel simplicity of any attachment worth fearing. Nobody needs an eight-page seminar on that line. Everybody who has been pinned by another person’s charm, mercy, boredom, beauty, or convenient cruelty knows the deal, and Creux Lies have the decency to deliver it as chant, confession, and dare in one breath. The central cry, “Bury deep the rumination! Jubilate!” is where the record stops circling its own skull and throws the skull at the wall. That line could have turned into corny self-help detonation, yet here it has bite because the song has already shown the drag of mental repetition. You can hear the loop tightening before it breaks. Then the beat shoves the body forward.

    The video, directed by Creux Lies and shot over four years in Los Angeles, San Diego, Vancouver, San Francisco, and Sacramento, turns that idea into a joke with wings, fangs, and probable rabies paperwork. A giant bat wanders through the underbelly of cities, bumping into scene figures like one of Chuck E. Cheese’s cousins after a difficult psychic quarter. The goth imagination has spent decades confusing severity with depth, and this marvelous beast gives Jubilate a badly needed grin without draining its tension. It turns the release into a romp through civic grime, clubland mythology, and mascot tragedy, which sounds insane until you remember that half the best music videos have always been built from batty ideas pursued with religious commitment.

    Watch the video for Jubilate below:

    Creux Lies formed in Sacramento, California, bringing a sleek, romantic strain of post-punk and darkwave out of the city’s underground. Across their previous releases, the band has built a sound of dramatic basslines, sweeping synths, sharp guitar work, and vocals that carry equal parts desire, dread, and devotion. Their music has always leaned toward the grand and nocturnal, but never as museum-piece revivalism; Creux Lies work best when old club architecture becomes a living room for present-tense longing.

    With Jubilate, that room opens wider. The single pulls their darker instincts under brighter house lights and sees which ones can still move. The track’s pleasure comes from pressure, from the sense that release has to be earned by pushing through your own repetitions until they turn useful. Jubilate is a command, a punchline, a title, and maybe a survival tactic. It is also, crucially, a blast: sleek enough for the club, strange enough for the alley behind it, and alive to the ridiculousness of needing anyone this much.

    The single arrives as Creux Lies head to Europe for a run of dates, including an appearance at Wave-Gotik-Treffen in Leipzig, followed by shows in Milan, Bristol, and London. More dates are expected to be announced soon.

    Creux Lies will also return stateside for Murder of Crows Fest in New York City on September 4th.

    Listen to Jubilate below and order the single here.

    Tour Dates (more to be announced soon)

    • May 24: Wave-Gotik-Treffen in Leipzig, Germany
    • May 27 C.I.Q. in Milan, Italy
    • May 29: Zed Alley in Bristol, United Kingdom
    • May 30: The Old Blue Last in London, United Kingdom
    • September 4 Murder of Crows Fest NYC

    Follow Creux Lies:

    The post “Why So Glum?” — Sacramento Post-Punk Party Goths Creux Lies Return With Batty Video for “Jubilate” appeared first on Post-Punk.com.

  • Big Country Brewing Company – Hazy IPA

    Imagine a nice grapefruit-juice IPA but poured into a Pabst Blue Ribbon. There. That is the review. Oh fine, we will add more: it has a nice earthy flavor, good bitterness, excellent alcohol.

    On the whole, this is an entirely pleasant beer, but it keeps one foot in the world of American adjunct style beers where grain fermentation rises to the top like a corpse in a water trap. But the citrus side is great.

    Its strength really is its consistency, which means that this beer tastes about the same top-to-bottom, and the high quality of ingredients. Once the bog beer taste recedes, you have a nice bitter IPA to spend some time with.

  • Combichrist’s “Here For A Good Time” Music Video Debuts

    The final advance single from “The Venom In The Mouth Of God”.

    The post Combichrist’s “Here For A Good Time” Music Video Debuts appeared first on Theprp.com.

  • Premiere: ENGRAVED ‘Pressure’

    Australian metalcore merchants Engraved have released their new album, Hymns For The Hollow, along with new single, Pressure, today via XMusic! From the get go, Pressure makes its intentions clear. Blistering guitar work tears through the track at full force, underpinned by thunderous, rapid-fire drumming that refuses to let up. Against this wall of sound, […]
  • A Night of Community and Darkness at Spain Goth Day II

    Darkness once again took over Madrid on May 16 with the second edition of Spain Goth Day II, a gathering organized by Dark Entries Spain, a project led by artist and promoter Bárbara Banu, who continues working to strengthen and give visibility to the goth and alternative scene within the Spanish underground landscape.

    From 5:30 p.m., when the doors of Sala Pirandello opened, dozens of attendees began arriving – not only from different parts of Spain, but also from other countries – highlighting the increasingly international character of the event. The anticipation was palpable from the very beginning, with long conversations among friends, carefully crafted dark aesthetics, and an atmosphere that transformed the Madrid venue into a true refuge for lovers of post-punk, darkwave, gothic rock, synthpop and industrial.

    With an estimated attendance of around 350 people, the festival consolidated itself as a resounding success, proving the growing interest and strong health of the dark scene both nationally and internationally. Throughout the day, the atmosphere remained highly participatory, with the audience singing, dancing, and fully engaging both in the live area and the DJ floor.

    The program officially started at 6:00 p.m., structured across two distinct spaces. Room 1 hosted the main live performances, while Room 2 kept the club side of the event alive through DJ sets and performances.

    The concerts began at 6:30 p.m. with Daniel Knutz, who performed from within the room in a more intimate format rather than a traditional stage setup, creating a strong sense of closeness with the audience. He was joined on stage by his wife, the artist HANKA, who performed a song with him, adding emotional depth and a strong sense of connection to the set.

    At 7:30 p.m., Blood Desire took over -a project formed by Bárbara Banu and John Saints – delivering an intense and energetic gothic rock set that included both original material and covers warmly received by the crowd. Among the highlights was their rendition of Eurythmics’ Sweet Dreams (Are Made of This), alongside fan favorites such as Hate Me and Welcome to My Dark World, which helped ignite the room and created one of the night’s most powerful moments.

    At 8:10 p.m., Echoberyl – composed of Cecilia Dassonneville and Adriano Lacoangeli – delivered a deeply ritualistic darkwave performance that fully transformed the space. Their hypnotic, expressive dancing became contagious, leading the audience to follow them in an almost ceremonial, collective movement. Tracks such as Morgana and Salomé were performed and received with strong enthusiasm.

    The live program closed at 9:30 p.m. with NNHMN (also known as Non Human), the duo formed by Lee Margot and Michal Laudarg. Their set turned the room into an explosion of collective energy, with a euphoric audience jumping non-stop in a celebratory atmosphere where even the artists themselves joined in. Tracks such as Cold Like Steel contributed to one of the most intense and liberating moments of the entire night.

    Meanwhile, Room 2 kept the nocturnal club spirit alive from 6:00 p.m. with DJ AmyLadyGoth from Barcelona, followed by DJ Elbereth Noir from Chile, DJ Exploding Boy (Nuno) from Portugal, DJ Vade Retro (Arif) from London, and DJ Terrorissmo (Ray) from Austria. Each of them blended post-punk, EBM, synthwave, and darkwave classics with more contemporary sounds, reinforcing the event’s strong international identity.

    One of the most memorable and widely discussed moments of the night was the appearance of Carmina de Bríes, who performed a piece inspired by Sopor Aeternus. Her theatrical, melancholic, and decadent staging perfectly captured the essence of the project’s aesthetic, adding an artistic and emotional layer that further enriched the festival experience.

    The event also featured a dark market, alternative literature, and various community spaces, reinforcing its cultural and communal dimension far beyond the concerts themselves.

    A beautiful way to celebrate such a special date for many as World Goth Day (May 22), reaffirming the sense of community, aesthetic resistance, and cultural celebration that connects dark alternative scenes around the world.

    Watch Videos here

    The post A Night of Community and Darkness at Spain Goth Day II first appeared on FemMetal – Goddesses of Metal.