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Anglo-Spanish atmospheric doom metal collective TodoMal have signed to Season of Mist.
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After leaving Arch Enemy in late 2025, Alissa White-Gluz has formed a new band Blue Medusa . She is joined in the group by guitarists Alyssa Day (Mindscar) and Dani Sophia (ex-Till Lindemann). Bassist Alicia Vigil (DragonForce) and drummer Delaney Jaster (Stitched Up Heart) will also take part in band’s live shows.
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American death metal outfit Six Feet Under has announced the release of their fifteenth studio album, Next To Die, scheduled for release on 24 April through Metal Blade Records. A lyric video for the newly released single “Unmistakable Smell Of Death” is available for streaming below.
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Is Into Oblivion Lamb Of God’s Best Album In Years?

Yes. Into Oblivion feels like a full-force creative resurgence, delivering some of Lamb Of God’s most aggressive riffs, sharpest songwriting, and most energized performances in over a decade.

TL;DR

• Into Oblivion is Lamb Of God’s strongest and most aggressive record in years
• Randy Blythe delivers some of his most venomous vocal performances in recent memory
• The album balances classic groove metal riffs with darker experimentation
• Standout moments include “Parasocial Christ,” “Sepsis,” and “St. Catherine’s Wheel”
• Loaded Radio Rating: 4.5 / 5

Lamb Of God Still Have Something To Prove

There’s always a moment in a band’s career where fans start wondering whether the fire is still there.

For Lamb Of God, that question has quietly floated around the metal world for the last few releases. The Richmond veterans have remained consistently solid, but the explosive intensity of classics like Sacrament and Wrath has felt slightly out of reach.

Into Oblivion puts that debate to rest immediately.

From the first seconds of the album, it’s clear Lamb Of God came into this record with a chip on their shoulder. The energy feels sharper, the riffs hit harder, and the entire band sounds like they’re playing with renewed purpose.

This isn’t a nostalgia trip. It’s a statement.

Fans interested in seeing Lamb Of God live can find tickets here.

The Riffs Are Back At Full Strength

A huge part of what makes Into Oblivion work so well is the guitar chemistry between Mark Morton and Willie Adler.

The duo have always been one of modern metal’s most underrated riff-writing partnerships, and here they sound completely locked in. The album leans heavily into thick, groove-driven riffing, but with enough technical twists to keep things unpredictable.

Tracks like “Parasocial Christ” showcase that balance perfectly. The song moves between crushing rhythmic sections and sudden bursts of speed, giving the entire track a restless, volatile energy.

Meanwhile “Sepsis” crawls forward with a suffocating heaviness before erupting into a faster, almost thrash-like attack. It’s the kind of controlled chaos Lamb Of God built their reputation on.

Loaded Radio Recommends – Lamb Of God Albums Ranked: The Definitive Legacy Guide

Randy Blythe Sounds Absolutely Furious

Randy Blythe has always been one of metal’s most distinctive vocalists, but on Into Oblivion he sounds particularly unhinged.

There’s a venom in his delivery that feels more intense than it has in years.

His lyrics continue exploring themes of corruption, social decay, and personal collapse, but what makes them hit harder here is the conviction behind every line. Blythe doesn’t just sound angry — he sounds energized by the chaos.

That rage explodes on “Bully,” a track built around massive, stomping riffs and biting commentary that feels very much rooted in the current state of the world.

Art Cruz Continues To Elevate The Band

Since joining the band, Art Cruz has injected a fresh rhythmic edge into Lamb Of God’s sound.

On Into Oblivion, his drumming feels relentless.

Whether he’s driving the band through blistering double-kick assaults or locking into complex groove patterns, Cruz gives the album a constant forward momentum. His performance especially shines on “The Killing Floor,” where the drums weave through the riff structure with surgical precision.

It’s the kind of performance that reminds listeners how rhythmically sophisticated Lamb Of God have always been.

Check This Out – Chris Adler Reveals Why He Was Fired From Lamb Of God: “I Haven’t Talked About This Before” [Exclusive]

Atmosphere And Melody Add Depth

While aggression dominates the album, Into Oblivion also contains moments that expand the band’s sonic palette.

“El Vacio” stands out as one of the record’s most atmospheric pieces. The song builds tension slowly, with darker melodic textures and a haunting vocal delivery from Blythe that shows a slightly different side of the band.

Later in the record, “A Thousand Years” adds another layer of melody without sacrificing heaviness, creating one of the album’s most memorable moments.

These brief detours give the album breathing room and prevent the relentless aggression from becoming predictable.

The Back Half Hits Like A Hammer

The second half of Into Oblivion refuses to lose momentum.

“St. Catherine’s Wheel” blends eerie atmosphere with thunderous groove metal riffs, while “Blunt Force Blues” feels like a slow-building storm, gradually tightening its grip before exploding in the final moments.

By the time closer “Devise/Destroy” arrives, the band sounds completely unleashed — Blythe snarling over a crushing mid-tempo assault that feels like the perfect final blow.

A Powerful Reminder Of Why Lamb Of God Still Matter

After decades at the forefront of American metal, Lamb Of God could easily coast on their legacy.

Instead, Into Oblivion feels like a band refusing to slow down.

The songwriting is focused. The performances are sharp. And the overall energy feels far more dangerous than many bands half their age.

If anything, the album proves that Lamb Of God still thrive when they lean fully into their darker instincts.

Loaded Radio Recommends – Lamb of God Tour 2026: The Heaviest Trek of the Year Is Coming

Final Verdict

There may have been moments over the past few years where Lamb Of God felt like they were operating in cruise control.

Into Oblivion destroys that narrative.

This is a fierce, riff-heavy, unapologetically aggressive record that reminds everyone why the band became one of the defining forces of modern metal in the first place.

Loaded Radio Rating: 4.5 / 5

Track Listing

1. Into Oblivion
2. Parasocial Christ
3. Sepsis
4. The Killing Floor
5. El Vacio
6. St. Catherine’s Wheel
7. Blunt Force Blues
8. Bully
9. A Thousand Years
10. Devise/Destroy

FAQ

Is Into Oblivion Lamb Of God’s heaviest album in years?
Yes. The album leans heavily into aggressive riffing and darker themes, giving it a far more ferocious feel than several recent releases.

Who are the current members of Lamb Of God?
The band features Randy Blythe (vocals), Mark Morton (guitar), Willie Adler (guitar), John Campbell (bass), and Art Cruz (drums).

What style of metal does Lamb Of God play?
Lamb Of God are known for blending groove metal, thrash metal, and elements of modern heavy metal.

How does Into Oblivion compare to older Lamb Of God albums?
Many fans will likely see it as their strongest work since the mid-2010s, combining the aggression of their early albums with more refined songwriting.

Band Bio: Lamb Of God

Formed in Richmond, Virginia in the mid-1990s, Lamb Of God became one of the defining bands of the New Wave Of American Heavy Metal. Albums like Ashes Of The Wake, Sacrament, and Wrath helped establish the group as one of the most influential modern metal acts. Known for crushing grooves, intricate guitar work, and Randy Blythe’s unmistakable vocals, Lamb Of God continue to command global audiences decades into their career.

The post Lamb Of God Sound Absolutely Vicious Again On ‘Into Oblivion’ appeared first on Loaded Radio.

One month prior the release of their The Descent record, French blackened death metal bringers Skaphos offer in listening the first advance single titled “Mireborn”.
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And it would appear it’s not Better Lovers-related.

The post ’68 Announce Their Farewell Tour appeared first on Theprp.com.

(Andy Synn goes all in on the unforgettable new album from Monosphere, out Friday) If yesterday was all about turning OFF your brain and cranking UP the volume (and the violence) – check out my review of the new album from Acranius for more info on that – then today is all about getting those […]

The post MONOSPHERE – AMNESIA appeared first on NO CLEAN SINGING.

He is ELUCID; he speaks for the trees. The great elliptical New York rapper ELUCID recently teamed up with Swiss-born producer Sebb Bash to record the new collaborative album I Guess U Had To Be There, and it comes out on Friday. Breezly Brewin, Estee Nack, and Shabaka Hutchings make appearances. We’ve posted the early…

The post ELUCID & Sebb Bash – “The Lorax” (Feat. billy woods) appeared first on Stereogum.

Canadian heavy metal crew Iron Kingdom will put out their sixth long player, Shadows And Dust, on June 6th 2026. Engineered by Chris Osterman and recorded at KH Studios. Mixed by Andy Boldt and mastered by Greg Reely at the Green Jacket.
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Fear Factory have announced a new addition to their 2026 touring schedule: a fall headlining run dubbed the Cybernetic Domination Tour.

The post FEAR FACTORY Announces Fall 2026 Headlining Tour With DARKEST HOUR & BROTALITY appeared first on Metal Injection.