You may know him better as Laszlo Cravensworth.
The post ‘What We Do In The Shadows’ Star Matt Berry Narrates New Video For The Claypool Lennon Delirium appeared first on Theprp.com.
Blog
-
Kat Madleine Heat of the Night Review
Kat Madleine Heat of the Night Review
“Heat of the Night” begins with an intense and mysterious atmosphere, propelled by guitar notes that reach deeply into the soul. Kat Madleine’s voice enters the track, establishing a sense of sincerity and profound self-reflection. This artist does not shy away from expressing her thoughts openly, delving into intensely personal themes. By the first thirty seconds, the listener is met with a chorus that resonates with psychedelia, marked by an energetic interplay between the lead vocals and the background harmonies. This dynamic exchange elevates the emotional trajectory of the song.
The structure of “Heat of the Night” brings the music down into the verses before launching back into the exhilarating chorus, creating a compelling ebb and flow. The song echoes vibes reminiscent of the 1990s, presenting itself as a heartfelt and genuine piece. One of the standout features is the bridge, adorned with harmonies that evoke the mythical sounds associated with mermaids. This section feels ethereal, pushing the theme of self-identity further. The lyrics encourage listeners to express their true selves, resisting the pressures to conform to societal expectations.
The message of individuality resonates throughout the track. Each person is an entity with unique traits, and it is this uniqueness that defines our special essence. Kat Madleine sings not just for herself but for everyone who feels the weight of expectations placed upon them. The depth of introspection is commendable. The artist strikes a chord as she navigates personal subject matter with grace.
Heat of the Night – Sound and Atmosphere
The sonic journey offered by “Heat of the Night” is refreshing and enlightening. The production quality enhances the powerful emotions conveyed through the lyrics and instrumentation. Each guitar riff and vocal note feels thoughtfully placed, creating a rich auditory experience.
Listeners can expect to be drawn into Kat Madleine’s world, as she lays bare her thoughts and feelings. The juxtaposition of uplifting melodies with introspective lyrics forms a vivid contrast that keeps the listener engaged.
Every part—from the shimmering guitar lines to the striking chorus—contributes to a unified whole. The arrangement intelligently guides the listener through various emotional landscapes, reinforcing the central theme of self-discovery.
Heat of the Night – Performance and Production
Kat Madleine crafts a narrative that resonates with anyone who has felt the need to stand apart from the crowd.
Madleine’s artistry shines through in this single, demonstrating emotional depth and a brilliance in execution. Her ability to connect with listeners on a personal level elevates the track, making it a must-listen for those who appreciate honesty in music.
Empowering
Explore More
If you love this music: Discover More
The post Kat Madleine Heat of the Night Review appeared first on Edgar Allan Poets – Noir Rock Band.
-
Claudine Longet, Entertainer Who Shot Olympian Boyfriend, Dies at 84
A singer and actress, she drew wide attention for the fatal 1976 shooting of Spider Sabich. She was convicted of negligent homicide. -
Mclusky’s New In-Studio Session For KEXP Released
Ripping through seven songs this past March.
The post Mclusky’s New In-Studio Session For KEXP Released appeared first on Theprp.com.
-
You Can Now Watch A Static Lullaby’s 25th Anniversary In Studio Performance Of “…And Don’t Forget To Breathe”
The group have thrown up the entire set on YouTube.
The post You Can Now Watch A Static Lullaby’s 25th Anniversary In Studio Performance Of “…And Don’t Forget To Breathe” appeared first on Theprp.com.
-
“Cloaked in False Knowledge” — Seattle Darkwave Artist Mutual Shock Indicts the Kleptocrat Class in Video for “Charlatans”
Parallax
A fertile path
Magnify theory
Recast what’s worthyDan Powers, doing business in the rainy voltage district as Mutual Shock, has coughed up Charlatans, a sleek little poison pellet from the forthcoming EP Tools of Western Aggression, and it arrives with the kind of cold grin usually seen on a lobbyist leaving lunch with three senators and somebody else’s pension fund. Seattle has always been good at making weather feel like a moral condition; here, the drizzle has gone electronic, each synth line lacquered in suspicion, each drum hit landing with the civic courtesy of a boot heel on a briefcase.
Charlatans take square aim at kleptocrats, those business-and-politics goblins who erode public trust the way termites devour a staircase. Powers does not shout at them from the barricades…he gets close enough to smell their expensive cologne. The song slips between the judging whisper of an angel and the low, oily encouragement of a devil, both perched near the ear of some sanctified fraud counting spoils while the crowd stands around looking freshly unplugged. The opening question, “What’s in your hands?” feels like an audit from beyond the grave, and by the time the song turns toward blank-eyed spectators and collective decline, the target has widened from the con man to the entire room that let him keep talking.
The value of restraint shines through, as the track rides a bassline with real bodily intelligence, something sly and serpentine enough to make the hips cooperate before the brain has finished reading the indictment. Analogue synths snip and glower around it, cool wave surfaces bruised by industrial pressure, while Max Zara Bernstein’s drums give the song a lean, physical snap. You can hear the family resemblance to Black Marble and Molchat Doma in the gray romantic machinery, and the NIN and Cabaret Voltaire influence in the way pleasure gets filed down into menace. Matt Bayles’ mix keeps everything dry, close, and dangerous, while Rachel Field’s mastering gives it the final polished edge of a blade passed across a silk tie.
The Tess Martin-directed video makes a smart, strange companion piece. Rather than dressing Powers up as a doomed prophet or staging another warehouse sermon for the smoke-machine faithful, it plunges into macro footage of oil, water, and reactive substances shifting into tiny unstable planets. The liquids bloom, break, swallow, and divide, turning chemistry into corruption with a laboratory wink. The psychedelic visuals suit the bassline’s sensual creep and Powers’ croon, suggesting a world where every beautiful surface has a toxic transaction underneath.
Watch the video for Charlatans below:
Charlatans is protest music for a population too sedated to notice the robbery until the furniture is gone. It slinks, accuses, and smirks, carrying its disgust like a silver flask. Listen to the song below and order the single here.
Follow Mutual Shock:
The post “Cloaked in False Knowledge” — Seattle Darkwave Artist Mutual Shock Indicts the Kleptocrat Class in Video for “Charlatans” appeared first on Post-Punk.com.
-
This Week In Metal: New Anthrax, Beartooth, and 5FDP Lead 6 Essential Tracks
STREAM THE METAL BREAKDOWN DAILY BELOW:
It is a massive Friday for heavy music. Today, May 15, 2026, marks a rare alignment where thrash legends, modern metalcore giants, and brand-new supergroups have all decided to drop career-defining tracks at once.
From the long-awaited return of Anthrax to the debut of Alissa White-Gluz’s new powerhouse project, we’ve sifted through the noise to bring you the six essential songs that define the current state of metal. Whether you’re looking for technical prog mastery or raw, cinematic aggression, this week’s “Nuggs” deliver the goods.
1. Anthrax — “It’s For The Kids”
After a decade-long studio silence, the “Big Four” icons have finally returned. “It’s For The Kids” is the lead single from their upcoming album Cursum Perficio (due September 18 via Nuclear Blast/Megaforce). Guitarist Scott Ian describes the track as a throwback to the band’s first era—angry, fast, and featuring a massive chorus. Recorded at Dave Grohl’s Studio 666 with producer Jay Ruston, it’s a four-minute thrash clinic that proves Anthrax hasn’t lost a step in 10 years.
2. Beartooth — “Pure Ecstasy”
Caleb Shomo is officially in his “final boss” form. The title track from Beartooth’s newly announced sixth album (dropping August 28) is a collaborative monster featuring Misha Mansoor and Jordan Fish. “Pure Ecstasy” is the heaviest thing the band has done in years, trading the polished radio-rock of recent hits for “the dumbest, heaviest chugs” Shomo could find. It’s raw, vulnerable, and absolutely massive.
3. Five Finger Death Punch — “Eye of the Storm”
The “Battleship” has returned to Los Angeles to record their 10th studio album, and “Eye of the Storm” is our first taste. Zoltan Bathory promised a return to the grit of the band’s first two records, and this track delivers. It features a cinematic undertone that feels like a film score meeting a sledgehammer. With the band celebrating their 20th anniversary, this track proves they are still the undisputed heavyweights of modern arena metal.
4. Blue Medusa — “Flying Monkey”
If you haven’t heard of Blue Medusa yet, pay attention. This is the new project from former Arch Enemy vocalist Alissa White-Gluz, and “Flying Monkey” is their sophomore single following the breakout success of “Checkmate.” It is a wickedly dark, layered, and emotionally charged piece of theatre. Alissa’s vocals are at their most “vicious yet vulnerable” here, establishing the trio as one of the most compelling new forces in modern heavy music.
5. Green Lung — “Evil In This House”
For the riff-worshippers, Green Lung has delivered the occult-rock anthem of the summer. “Evil In This House” is the lead single from their fourth studio album, Necropolitan (due September 11 via Nuclear Blast). It’s got that classic Hammer Horror aesthetic mixed with Sabbath-tier grooves. If you like your metal with a side of folk-horror and massive, fuzzy hooks, this is your new favorite song.
6. Periphery — “Heaven on High”
Culled from their brand-new album A Pale White Dot (released today via 3DOT Recordings), “Heaven on High” is a masterclass in progressive metal. This record marks the first time since 2015 that the band has strayed from their self-titled naming convention. “Heaven on High” shows off the band’s dynamic range—it’s technical, melodic, and serves as a centerpiece for what might be the band’s most ambitious record to date.
Check This Out – 13 Perfect Metal Albums With Zero Skips
FAQ: This Week In Metal (May 15, 2026)
When is the new Anthrax album coming out? The new Anthrax album, Cursum Perficio, is scheduled for release on September 18, 2026, marking their first full-length effort in over a decade.
What is the new Alissa White-Gluz band? Alissa White-Gluz has formed a new trio called Blue Medusa. Their second single, “Flying Monkey,” was released today, May 15, 2026.
Who is the guest on the new Beartooth album? While the album features collaborations with Jordan Fish and Misha Mansoor, “Pure Ecstasy” is the title track of the 11-song album arriving August 28.
Is there a new Periphery album today? Yes. Periphery released their eighth studio album, A Pale White Dot, today via their own label, 3DOT Recordings.
STAY LOUD: Catch the full breakdown of today’s stories on the Loaded Radio Daily Podcast with Scott Penfold, or crank the hard rock and metal 24/7 on our live digital stream at LoadedRadio.com.
TL;DR:
This week’s essential metal releases include the return of Anthrax, a heavy new era for Beartooth, and the debut of Alissa White-Gluz’s Blue Medusa.
Which of these six tracks is going into your permanent rotation, or did the Anthrax comeback just overshadow everyone else? Let us know in the comments.
The post This Week In Metal: New Anthrax, Beartooth, and 5FDP Lead 6 Essential Tracks appeared first on Loaded Radio.
-
Six Feet Under, Fuming Mouth & Flesher Reveal August U.S. Tour
Another decade in the grave.
The post Six Feet Under, Fuming Mouth & Flesher Reveal August U.S. Tour appeared first on Theprp.com.
-
13 Biggest Heavy Music Stars That Don’t Have Tattoos (and Why)
Ink isn't a requirement to be seen as "metal." These artists are proof. Continue reading… -
18 New Rock + Metal Tours Announced This Past Week
Get details on new tours featuring Black Veil Brides, Journey, Hayley Williams and more. Continue reading…