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Minneapolis, MN deathcore outfit WASTE have premiered a new music video for their track “Concrete Casket.” The song serves as the opening cut on their upcoming six-track EP, “The Weight Of Everything,” which is slated for an April 24th release through Seek & Strike. Read More/Discuss on Metal Underground.com

AlphaSix have recruited Ryan Vail — frontman of LarcɆnia RoɆ and Synestia — for their newly released single, “No Gods No Kings Only Mother.” Both the track and its accompanying artwork take inspiration from the acclaimed BioShock series. A music video for the song has also premiered, with the band commenting, “Ryan brought a ferocity to this tr… Read More/Discuss on Metal Underground.com

Lenny Kaye’s Nuggets Live at the BBC (IN.2 Records) 10′ Vinyl Aviailable 18th April 2024 American guitarist and composer Lenny Kaye, best known for his work with Patti Smith and Her Band, has announced details of his first release for Johnny Depp’s new record label, IN.2 Records. The four-track EP, Lenny Kaye’s Nuggets Live At […]

The post Lenny Kaye’s Nuggets Live at the BBC to be released on Johnny Depp’s IN.2 Records appeared first on Louder Than War.

24 years after their start, TERROR still reign as one of the most influential bands in hardcore. Now TERROR announce their tenth full length record, STILL SUFFER, releasing April 24th through Flatspot Records. Working with producer (and former guitarist) Todd Jones, the band created ten fast, aggressive, in-your-face tracks that embrace the themes that made TERROR so influential in the first place. 

Stream “STILL SUFFER” HERE

Single “STILL SUFFER,” out today, is a two and half minute display of the heavy and unwavering hardcore that has made TERROR an institution in the genre. The video for “STILL SUFFER” was directed by Derek Rathbun and follows the chaos of TERROR’s January 2026 tour in Latin America.

TERROR will head out on a U.S. tour starting February 26th with support from Mongrel and Combust on select dates. The band will headline LDB Fest in Louisville, KY on February 28th. With the release of STILL SUFFER, it’s clear TERROR has no sign of letting up, continuing to succeed on their mission to deliver hardcore authentic to themselves.

In addition to Jones’ production work, STILL SUFFER was rounded out with engineering and some additional production by Taylor Young at The Pit Recording Studio, mixing by Jon Markson, and mastering by Brad Boatright at Audiosiege, with additional vocal engineering by Jay Zubricky at GCR Audio, and drum engineering at Studio 606 by Taylor Young and Oliver Roman. Guest vocals on the album come from Jay Peta of Mindforce on “Beauty in the Losses,” Brody King of God’s Hate and Dan Seely of King Nine on “Deconstruct It,” along with Hot Water Music’s Chuck Ragan providing an assertive delivery on “Fear The Panic,” a song which was also co-produced by New Found Glory’s Chad Gilbert.

TERROR is Scott Vogel – vocals, Martin Stewart – guitar, Jordan Posner – guitar, Nicholas Jett – drums, and Christopher Linkovich – bass.

The post TERROR Announce New Album ‘STILL SUFFER’ Out April 24th On Flatspot Records appeared first on The Rockpit.

This week’s “Dark Wave,” hosted by Matt Sebastian, featured music by Danielle Dax, Nitzer Ebb, The Gun Club, Wall of Voodoo, Bauhaus, The Comsat Angels and more.

INXS fans, get ready – Former INXS frontman JD FORTUNE is returning to Australian stages after his highly successful 2025 debut Australian tour, bringing his band back for another explosive celebration of the Best of INXS. The powerhouse Canadian vocalist will deliver iconic hits including Need You Tonight, Never Tear Us Apart, New Sensation, Mystify, Devil Inside, Don’t Change, Suicide Blonde, and Original Sin, along with the INXS tracks he co wrote, Pretty Vegas and Devil’s Party.

Stellar reviews for his Australian tour flowed with Hear 2 Zen commenting ‘’The show was a dynamic, emotionally charged experience. More than just a concert, it was a celebration of music, legacy, and passion’’ whilst May The Rock Be With You stated ‘’He truly loves these songs and you can see it in his performance. I’m so glad he came here to sing these songs again for us, I hope it won’t be the only time” and No Barriers observed ”The crowd were almost at boiling point. The band said goodnight and left the stage. The noise asking for the band back was deafening.”

JD Fortune grew up idolising INXS and once told Rolling Stone that he “wanted to be Michael Hutchence, he was just so damn cool.” Fast forward to 2005, and Fortune’s life took a surreal turn when he shot to international fame as the winner of Rock Star: INXS. From 2005 to 2011, he fronted the band and recorded their final studio album, Switch.

These shows honour the legacy of INXS while spotlighting JD Fortune’s unmistakable voice, magnetic charisma, and commanding stage presence.

For INXS fans, this is unmissable.

Tickets:
Pre-Sale: Wednesday, 4th March 2026 10:00 AM Local
General Public On-Sale: Friday, 6th March 2026 10:00 AM Local Time
From: https://metropolistouring.com/jd-fortune-canada-plays-inxs-2026/

The post JD FORTUNE ‘Plays The Best Of INXS’’ This October for His 2026 Australian Tour appeared first on The Rockpit.

chest. unleash controlled chaos on cor, a blistering collision of noise rock abrasion and cathartic intensity. Built on jagged guitars, pummeling rhythms, and a vocal performance that teeters between chant and confrontation, the track feels urgent and unfiltered. There’s a raw, almost physical energy in the production—feedback squeals and distortion surging forward without apology.

Yet beneath the sonic assault lies tight musicianship and deliberate tension, proving this is precision disguised as disorder. cor doesn’t aim for subtlety; it detonates, leaving behind a charged atmosphere of grit, defiance, and uncompromising sonic force.

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Morning Verses blend folk intimacy with indie rock lift on Have Mercy, a heartfelt reflection on hardship and the quiet kindnesses that help us endure. What begins with acoustic sincerity gradually expands into a fuller, nostalgic soundscape—echoing early-2000s emo-tinged indie without losing its personal core. The vocals carry a lived-in vulnerability, grounding the track’s gentle swell in authenticity rather than melodrama.

Have Mercy feels both confessional and communal, turning private struggle into a broader call for compassion. It’s a reminder that even small mercies can echo loudly—and sometimes that’s enough to carry us through.

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Him & Earl explore the quiet weight of unspoken emotions on Bottled Up, a tender yet honest reflection on communication and restraint in relationships. Anchored by undulating finger-picked guitar, the track gradually blossoms into a rich, organic arrangement—earthy clarinet lines weaving through delicate, celestial strings. Olly’s sublime vocal delivery carries both warmth and vulnerability, perfectly capturing the tension between keeping things inside and confronting what lingers beneath the surface.

Gentle but emotionally resonant, Bottled Up transforms everyday frustrations into something poetic and immersive—proof that sometimes the softest songs carry the deepest truths.

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The post Delusions of March 2026 – Part 1 appeared first on Still in Rock.