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  • Swedish post-rock duo OH HIROSHIMA release new single ‘Exit Cloud’

    And the Dead Tree Gives No Shelter due 5th June via Pelagic Records Swedish post-rock duo Oh Hiroshima have unveiled their powerful new single, ‘Exit Cloud’, the final preview of their forthcoming album And the Dead Tree Gives No Shelter, set for release on 5th June via Pelagic Records. Suspended between crushing weight and fragile beauty, ‘Exit Cloud’ unfolds as a slow-burning meditation […]

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  • FIMBUL WINTER (Former AMON AMARTH) Present New Single “Crowned in Ash”

    Forging a sound that is heavy, melodic and atmospheric, FIMBUL WINTER honor the legacy of their death metal foundations producing music that feels familiar yet is modern in its approach. “Crowned In Ash” is the latest release from FIMBUL WINTER following the 2025 debut EP What Once Was.  With a line-up formed of three previous members of AMON AMARTH, and […]

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  • THE GHOULSTARS – Full album stream live now ahead of Friday release

    Hear the horror-punk’s blockbuster debut album before it comes out this Friday “Imagine the vibes of Van Halen, Rob Zombie and surf punk all combined into something even more indebted to full-on fun” — New Noise THE GHOULSTARS, the Finnish horror punk supergroup, release their debut album The Dark Overlords of the Universe through Season of Mist tomorrow, […]

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  • Bladee Announces New Album Sulfur Surfer: Hear “Blondie”

    If you’ll allow me to channel the spirit of David Letterman for a moment: Bladee, “Blondie.” “Blondie,” Bladee. (Yes, I am choosing to pronounce Bladee as “Bladey,” not as “Blade,” even though Blade is the correct pronunciation. He will always be Bladey to me, and if he didn’t want people to call him Bladey he…

    The post Bladee Announces New Album <em>Sulfur Surfer</em>: Hear “Blondie” appeared first on Stereogum.

  • Xenosis – Unleash New Track

    “Sea Of Teeth”, the new advance single from progressive/tech death metal band Xenosis‘ soon-to-be-released studio record Hermetic Transmutation, has premiered online.
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  • REPENTANCE announce new album “Retaliate”; unleash crushing title track as first single!

    Chicago metal outfit REPENTANCE has announced their upcoming third full-length album “Retaliate”, set for release on July 17th, 2026 via Noble Demon. Alongside the announcement, the band has unleashed the record’s title track as the first single, offering an intense glimpse into what promises to be their most hard-hitting and focused release to date. “Retaliate is a straight punch to […]

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  • E.G. Phillips Signals in the Dark Review

    E.G. Phillips Signals in the Dark Review

    The album begins with a fantastic noir atmosphere in “Empathy for the Night.” A saxophone greets you, creating a refined sense of mystery associated with the night. You can easily envision a city where neon lights reflect off the asphalt after a rainstorm. The vocals eventually emerge, providing an intimate and theatrical interpretation of the song.

    E.G. Phillips Signals in the Dark

    The next track, “The Music I Still Adore,” carries a rich retro jazz vibe. It has elements that hark back to cabaret, enveloping the listener in a warm embrace of nostalgia. The instrumentation complements the vocal delivery, transporting the audience to a different era, where elegance and charm prevail.

    “Dreamcatcher” introduces a female voice that is truly moving. This jazz piece takes you into a smoky New Orleans club, filled with energy and life. The melody wraps around you like a silky fabric, and the performance captures the essence of jazz music’s intimate nature.

    Signals in the Dark – Sound and Atmosphere

    Following this, “Please Don’t Make Me Come Back From The Moon” presents an interesting shift. This delicate yet playful song showcases the artist’s ability to evoke genuine emotions. The lyrics incorporate an ironic twist that adds depth and intrigue. It’s a song that balances lightness and thoughtful reflection, showcasing the artist’s versatility.

    Next up is “Radio Silence Mode,” which begins with a more urgent rhythm. In this track, the visionary artist continues to deliver refined emotions that are infectious. The tempo invites listeners to engage deeper, enhancing the overall experience of the album.

    The album then presents “Make Me a Latte,” which reveals the playful side of this music. Drawing from an Armstrong-like tradition, the track manages to engage listeners while ensuring they have fun. The lyrics bring a light-heartedness that contrasts well with the other tracks, exhibiting the artist’s range and nuanced understanding of jazz traditions.

    Signals in the Dark – Performance and Production

    E.G. Phillips embodies a blend of avant-garde and experimental styles without losing sight of jazz’s beauty. The music integrates songwriting elements and blues influences, creating a unique experience for listeners. Each track varies in emotion and rhythm but maintains a cohesive artistic vision.

    “Signals in the Dark” showcases E.G. Phillips’s distinctive approach. With a mixture of intimate and theatrical performances, each song resonates with the listener. The album captures moments of both tenderness and liveliness, pushing the boundaries of traditional jazz while staying true to its roots.

    E.G. Phillips’s ability to evoke imagery through sound stands out throughout the album. By combining retro vibes with modern sensibilities, the artist invites listeners on a journey. “Signals in the Dark” is an album that deserves attention for its creativity and emotional depth.

    Listeners will find themselves immersed in the world E.G. Phillips has created. The intricate layers of sound and lyrics paint a vivid picture. This album is a delightful experience for anyone who appreciates jazz and its evolution.

    This album is a must-listen for those who seek new musical experiences.



    Unique

    🔥 If you love this music: Discover More


    Find E.G. Phillips here:
    Spotify | Instagram

    The post E.G. Phillips Signals in the Dark Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Repentance – Third Full Length Due In July

    Chicago-based metalcore representatives Repentance will release third long player, Retaliate, on July 17th, 2026 via Noble Demon. Alongside disclosed details, the band also shared the first streaming single “Retaliate”.
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  • Modern Witchcraft: Why the Witch Archetype Is Rising Again

    Modern Witchcraft: Why the Witch Archetype Is Rising Again

    The witch never disappeared—it waited. Beneath trends, beneath noise, beneath a world obsessed with speed, something older remained. Today, that presence is returning. Not as fear, but as identity. Modern witchcraft is not about spells—it is about reclaiming power, intuition, and self-definition.

    Modern gothic witch surrounded by candles and dark atmosphere representing contemporary witchcraft and identity

    From Fear to Identity

    For centuries, society defined witches through accusation. Today, people define them by choice. This shift marks one of the most significant cultural transformations in modern times.

    As explored in witches in history, the archetype was once shaped by fear and control. Now, it is being reclaimed as a symbol of independence and awareness.

    The Rise of Personal Ritual

    Modern witchcraft is deeply personal. It is not bound to rigid systems or institutions. Instead, it focuses on intention, ritual, and connection—whether that connection is to nature, emotion, or inner balance.

    Candles, symbols, and quiet moments replace spectacle. The practice becomes less about performance and more about presence.

    Edgar Allan Poe gothic t-shirts featuring The Raven, The Tell-Tale Heart, and dark literary quote apparel in a noir gothic fashion banner.

    Aesthetic and Identity

    The visual language of modern witchcraft blends seamlessly with gothic culture and gothic aesthetic. Dark clothing, minimal palettes, and symbolic accessories create an identity that feels timeless and contemporary.

    Close-up of a modern gothic witch with red candlelight, shadowed face, and ritual atmosphere representing contemporary witchcraft

    Digital Age, Ancient Archetype

    Modern witchcraft has gained visibility through social media. What was once hidden is now shared, discussed, and reinterpreted globally.

    Yet the core remains unchanged. The witch archetype still represents autonomy. It still challenges systems of control. It still asks the same question: who defines power?

    The Connection to Other Archetypes

    The return of the witch mirrors the enduring presence of the vampire. As seen in why vampires never die, both archetypes exist at the edge of society—feared, desired, and misunderstood.

    Even in gothic vampire fashion, the influence is visible. The same tension between elegance and darkness defines both identities.

    The Sound of the Modern Witch

    Modern witchcraft is not only visual—it is atmospheric. Music plays a crucial role in shaping that atmosphere, blending cinematic tones with emotional depth.

    Listen to Edgar Allan Poets, The Noir Rock Band, inspired by Poe & Hitchcock


    Why This Movement Matters Now

    The rise of modern witchcraft reflects a broader cultural shift. People are seeking meaning beyond structure. They are looking inward rather than outward.

    This is why modern witchcraft continues to grow—not as a trend, but as a response. A response to control, to noise, and to the need for something more personal.

    👉 Explore gothic art and apparel inspired by this aesthetic


    What was once feared is now chosen.

    The post Modern Witchcraft: Why the Witch Archetype Is Rising Again appeared first on Edgar Allan Poets – Noir Rock Band.

  • Video Premiere: Windswept – “Cenote”

    Windswept is a black metal band from Wellington, New Zealand. The group came together in 2024 and sought to bring a raw black metal assault that still maintained a melodic sensibility and punk-inspired chaos. Two years later, Windswept now stands ready to unleash Howling in Baptismal Filth, and has provided Decibel with its video for “Cenote.” One thing that immediately jumps out about the song is the guitar work, which reminds me a lot of bands like Dark Fortress and Blodsrit — heavily distorted riffs that stay with you long after the first listen.

    Here’s how the band’s lead singer, Rachel Collins, describes the song:

    “Cenote” is a lament that explores guilt, identity, and self-destruction. The feeling of weaving a sophisticated web of lies, eventually becoming all-consuming and drowning in the responsibility and consequences of one’s ego. “Cenote” manifests as a raw ritualistic abstraction of fear, loss and nihilism.

    And drummer Steve Francis adds an amusing anecdote about the video: “We shot the video with filmmaker Amber Beaton on a Sunday in the middle of a very busy hiking trail. The locals were definitely not expecting to be visually and sonically assaulted as they embarked on their peaceful hike!” Yes, I can imagine being a little started to see someone screaming with an axe in their hands while on my constitutional walk. But luckily enough, the song rips, so there’s definitely worse things to find in the woods.

    Check out the song and video below. Howling in Baptismal Filth comes out on May 29 via Northern Void Records, you can find preorder information here. You can also follow the band directly at their Bandcamp page.

    The post Video Premiere: Windswept – “Cenote” appeared first on Decibel Magazine.