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  • Listening Now : Morning Verses – Have Mercy

    Morning Verses blend folk intimacy with indie rock lift on Have Mercy, a heartfelt reflection on hardship and the quiet kindnesses that help us endure. What begins with acoustic sincerity gradually expands into a fuller, nostalgic soundscape—echoing early-2000s emo-tinged indie without losing its personal core. The vocals carry a lived-in vulnerability, grounding the track’s gentle swell in authenticity rather than melodrama.

    Have Mercy feels both confessional and communal, turning private struggle into a broader call for compassion. It’s a reminder that even small mercies can echo loudly—and sometimes that’s enough to carry us through.

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  • Listening Now : Him & Earl – Bottled Up

    Him & Earl explore the quiet weight of unspoken emotions on Bottled Up, a tender yet honest reflection on communication and restraint in relationships. Anchored by undulating finger-picked guitar, the track gradually blossoms into a rich, organic arrangement—earthy clarinet lines weaving through delicate, celestial strings. Olly’s sublime vocal delivery carries both warmth and vulnerability, perfectly capturing the tension between keeping things inside and confronting what lingers beneath the surface.

    Gentle but emotionally resonant, Bottled Up transforms everyday frustrations into something poetic and immersive—proof that sometimes the softest songs carry the deepest truths.

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  • Delusions of March 2026 – Part 1

    Every Monday morning, Still in Rock kicks off the week with an article featuring a bunch of new releases. At the end of each month, I dedicate a playlist to the best of these articles (link). Don’t miss out and join Still in Rock on Facebook (here), WhatsApp (here), and Instagram (here). Cheers.
    ***
    Landowner – Assumption
    LP, Exploding in Sound Records, 27 February 2026
    [post-punk]
    🇺🇸
    In one sentence: the best cathartic post-punk you’ll find!

    ***
    Avee Mana – Layers
    LP, Howlin Banana Records, 20 February 2026
    [indie pop]
    🇫🇷
    In one sentence: Somewhere between The Jesus and Mary Chain, Blonde Redhead, and Suicide.



    ***
    Uni Boys – “Abra”
    Single, Curation Records, 6 February 2026
    [power pop]
    🇺🇸
    In one sentence: Uni Boys are the best power pop band around right now, “Abra” is all the proof you need.

    ***

    Wine Lips – “Semi-Detached Furnished Home”
    Single, Stomp Records, 19 February 2026
    [indie rock]
    🇨🇦
    In one sentence: Slightly epic indie rock just the way we like it.

    The post Delusions of March 2026 – Part 1 appeared first on Still in Rock.

  • VARIOUS ARTISTS – Play On: A Raspberries Tribute

    VARIOUS ARTISTS – Play On: A Raspberries Tribute

    Think Like A Key 2025 Going almost all the way, seasoned veterans and young performers infuse the spirit of their favorite foursome with fresh juice. For all their BEATLES-like harmonies and STONES-esque shuffle, RASPBERRIES were never very popular outside the … Continue reading

    The post VARIOUS ARTISTS – Play On: A Raspberries Tribute appeared first on DMME.net.

  • Listening Now : Dino DZ x The Disco Godfathers x HAWD HITTA – BOUNCE

    Dino DZ, The Disco Godfathers and HAWD HITTA unite for BOUNCE, a peak-time tech house weapon engineered for packed dancefloors. Driven by muscular basslines, crisp percussion, and a punchy, chant-ready vocal hook, the track wastes no time locking into groove. The production is tight and kinetic, built around rolling low-end energy that keeps momentum high from drop to drop.

    With its international collaborative edge and mainstage-ready impact, BOUNCE delivers exactly what its title promises—pure, unfiltered club propulsion designed to move bodies and ignite late-night chaos.

  • Listening Now : Dayydream – Proximity

    Dayydream capture the emotional whiplash of heartbreak on Proximity, a dynamic standout from their forthcoming EP Trace. What begins as an uptempo, hook-laden indie rock cut gradually unravels into a distorted, cathartic breakdown—mirroring the messy aftershocks of a breakup. Chloe Trappes’ diaristic lyrics feel raw yet melodic, floating over dreamy textures before the track swells into shoegaze-tinged intensity.

    Recorded to tape, there’s a tangible warmth beneath the noise, balancing accessibility with emotional weight. Proximity is both immediate and expansive—an aching reflection that crescendos into release, blending indie pop shimmer with grunge-laced vulnerability.

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  • Listening Now : TRAITRS – Dream Drowning

    TRAITRS channel a strong The Cure influence on Dream Drowning, especially in the vocals, which echo that unmistakable blend of fragility and dramatic intensity. The delivery carries a yearning, slightly distant quality—melancholic yet forceful—floating above motorik drums and icy synth layers. Guitars shimmer and cut in equal measure, reinforcing the post-punk lineage while maintaining a modern darkwave edge.

    The result feels both nostalgic and urgent: brooding, romantic, and steeped in shadow. Dream Drowning captures that Cure-esque emotional tension—where vulnerability and darkness intertwine—while still sounding unmistakably like TRAITRS.

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  • Album Review: Desert Storm – Buried Under The Weight of Reason

    Album Review: Desert Storm – Buried Under The Weight of Reason

    Reviewed by Matthew Williams

    Oxford’s formidable stoner metal quartet Desert Storm are back with nine new weighty tracks that are set to shake the foundations of British metal to its very core. Having been fortunate to catch up with the Cole twins when they’ve been touring as Wall, the expectation levels for this new release have been palpable from within the metal community.

    They have returned with tracks that cover many different areas, from the wilderness, ceremony and chaos of human condition, all whilst pushing their own boundaries, combining sludge, doom and heavy metal with periods of softness, space and vulnerability. “Newfound Respect” has that vast sound that the group are renowned for and then the raspy vocals of Matt Ryan hit you during the slow and heavy melody.

    They are fronting up from the very beginning and when the riff kicks in, it’s like an immoveable object, however, “Shamanic Echoes” is a complete 180, more hypnotic and hulking, with imposing and domineering vocals from Ryan. There’s a huge presence in the composition yet there’s a sombre moment that gives time for reflection with a guitar solo that’s calming and reassuring. “Woodsman” sees them embracing their delicate side, with destructive shots juxtaposing the narrative, as another powerful track emerges.

    Album Review: Desert Storm – Buried Under The Weight of Reason

    With additional guitars from Chris White spread across the album, the songs have a heavier edge, as he works well in tandem with Ryan Cole. The rhythm section of Andrew Keyzor on bass and drummer Elliot Cole, power the songs and release the energy for the other to shine. “Cut Your Teeth” is a fine example of this, as they grind you down before the subtle solo giving a reassured presence. The meandering “Rot to Ruin” has an air of malevolence surrounding it, but a drum fills takes it off in a different direction, more magical, but still as fearsome. And just when you think it’s over, they take off down another path to broaden the experience further.

    “Carry The Weight” is a thought-provoking instrumental number, with textured guitars over a more ambient sound building up before it’s slowed down to allow “Dripback” to rip your head off. This is probably my favourite song on the album, as it’s heavier and faster, and at just over 2 minutes in length, it’s a short, sharp furious blast. They return with further melodic musings on the epic “Law Unto Myself”, as the drums get a proper thumping and the song rattles along at a lively pace. My only complaint with this song is that it’s too short, as I could have listened to that for ages, so I just kept pressing replay.

    Bringing up the rear is the raucous “Twelve Seasons” which is fast and heavy, however there’s a different edge to Ryan’s vocal, a bit space age in parts, which is great to hear, before the guitars go a bit mad and spill over into riff heaven. It’s showing how the band are developing and expanding their sound without losing any of what they do best.

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Album Review: Desert Storm – Buried Under The Weight of Reason appeared first on The Razor's Edge.

  • Metallica, 1986’s ‘Master of Puppets’ — Classic Album Review

    Metallica, “Master of Puppets” review: There’s a moment in “Battery” when you realize this record isn’t interested in easing you in.

    The post Metallica, 1986’s ‘Master of Puppets’ — Classic Album Review appeared first on Audio Ink Radio.

  • Listening Now : Adam Janota Bzowski – OK To Make Mistakes

    Adam Janota Bzowski offers a quietly profound moment with OK To Make Mistakes, a delicate instrumental cue taken from his score to the documentary Holloway. Built on restrained, emotive motifs and subtle textural swells, the piece carries a deep sense of reflection and vulnerability. There’s a cinematic patience in the composition—each note allowed space to breathe, mirroring the intimacy and emotional gravity of the film’s subject matter.

    Rather than dramatizing, Bzowski leans into tenderness and nuance, crafting a soundscape that feels compassionate and contemplative. OK To Make Mistakes resonates as a gentle reminder of humanity, fragility, and the quiet strength found in honest self-examination.

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