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Stream / Download “Freedom Concept”: https://sonataarctica.rpm.link/freedomPR

Finnish power metal pioneers SONATA ARCTICA have unleashed a brand-new single titled “Freedom Concept.” The track arrives as a powerful statement in the band’s 30th anniversary year, followed by an extensive touring schedule, and delivers the melodic intensity and energy fans have come to expect.

“Freedom Concept” captures the signature blend of soaring melodies, driving rhythms and emotional depth that has defined SONATA ARCTICA for three decades. At the same time, the song explores a thoughtful and timely subject: the complex idea of freedom and the responsibility that comes with it.

Frontman Tony Kakko comments: ”Freedom Concept”, a song about understanding and misunderstanding the concept of freedom, often forgetting it comes paired with responsibility, and how what ever values and thoughts you may have are not automatically transferred to your offspring and how in most cases that’s an effin great thing…(breath in) has been sitting on my desk for a while and we figured this kind of melodic power metal blast we’re known of would be a good way to celebrate the 30th anniversary ”tourette” we’ve started at the end of January 2026 WHILST also working on our next studio album. This song’s NOT gonna be on it. So…extra special snack in between meals. Enjoy!”

Stream/Download “Freedom Concept”: https://sonataarctica.rpm.link/freedomPR

SONATA ARCTICA:
Tony Kakko (vocals)
Elias Viljanen (guitars)
Tommy Portimo (drums)
Henrik “Henkka” Klingenberg (keyboards)
Pasi Kauppinen (bass)

SONATA ARCTICA 30th Anniversary Tour:
28.02.2026 (FI) – Kemi – Kemi Areena
09.04.2026 (SE) – Johanneshov – Slaktkyrkan
10.04.2026 (SE) – Göteborg – Pustervik
11.04.2026 (DK) – Roskilde – Gimle – Epic Fest
23.04.2026 (IT) – Ciampino – Orion Live Club
24.04.2026 (IT) – Trezzo Sull’adda – Trezzo Sull’adda
12.06.2026 (FI) – Hyvinkää – Hyvinkään Vilatehdas – Hyvinkää Rock
13.06.2026 (FI) – Vaasa – Moottorikatu Vasikiluoto – Lisää Löylyä Festival
18.06.2026 (BE) – Dessel – Graspop Metal Meeting
19.06.2026 (HU) – Székesfehérvár – FEZEN Fesztivál
25.06.2026 (SK) – Snina – Rock Pod Kamenom
03.07.2026 (FI) – Oulu – Rokki Raikaa
09.07.2026 (DE) – Balingen – RV Bang Open Air Festival
10.07.2026 (FI) – Turku – Vauhti Kiihtyy! – Festivaali
24.07.2026 (FI) – Tampere – Rokki Raikaa
07.08.2026 (FI) – Vantaa – Vauhti Kiihtyy! – Festivaali, Vantaa
13.08.2026 (CZ) – Moravsky Krumlov – Rock Castle Open Air
14.08.2026 (FI) – Lahti – Vauhti Kiihtyy! – Festivaali, Lahti
28.08.2026 (FI) – Jyväskylä – Vauhti Kiihtyy! – Festivaali, Jyväskylä
29.08.2026 (FI) – Valkeakoski – Waltikan Venetsialaiset
09.09.2026 (MX) – Chihuahua – Pistoleros House Of Show
10.09.2026 (MX) – Torreón – Centro de Convenciones de Torreón
11.09.2026 (MX) – Monterrey – Cafe Iguana
12.09.2026 (MX) – Ciudad Obregón – Centro Magno
14.09.2026 (MX) – Ciudad de México – FORO TEAMBRO
16.09.2026 (MX) – Santiago de Querétaro – Foro Arpa
17.09.2026 (MX) – León – Teatro Manuel Doblado
18.09.2026 (MX) – Guadalajara – C3 Stage
20.09.2026 (CR) – Zapote – Pepper Disco Club
22.09.2026 (CO) – Bogotá – Ace Of Spades – Club
23.09.2026 (EC) – Quito – Teatro San Gabriel
24.09.2026 (EC) – Guayaquil – Auditorio Simón Bolivar – MAAC Cine
25.09.2026 (PE) – Lima – Centro de Convenciones Teatro Leguia
27.09.2026 (CL) – Santiago – Teatro Coliseo
29.09.2026 (AR) – Buenos Aires – El Teatro Flores
30.09.2026 (UY) – Montevideo – Live Era
02.10.2026 (BR) – Limeira – Studio Mirage Eventos
03.10.2026 (BR) – São Paulo – Audio
26.10.2026 (UK) – London – O2 Forum Kentish Town – w/ Beast In Black
27.10.2026 (BE) – Bruxelles – Ancienne Belgique – w/ Beast In Black
28.10.2026 (NE) – Tilburg – Poppodium 013 – w/ Beast In Black
29.10.2026 (DE) – Leipzig – Haus Auensee – w/ Beast In Black
31.10.2026 (AT) – Wien – Gasometer – w/ Beast In Black
01.11.2026 (HU) – Budapest – Barba Negra – w/ Beast In Black
02.11.2026 (CZ) – Zlín – NOVESTA SPORT, Ltd., Sports Hall Euronics – w/ Beast In Black
03.11.2026 (PL) – Gliwice – Prezero Arena Gliwice – w/ Beast In Black
05.11.2026 (DE) – Berlin – Columbiahalle – w/ Beast In Black
06.11.2026 (DE) – Hannover – Swiss Life Hall – w/ Beast In Black
07.11.2026 (DE) – Ludwigsburg – MHP Arena – w/ Beast In Black
08.11.2026 (DE) – Offenbach – Stadthalle Offenbach – w/ Beast In Black
09.11.2026 (FR) – Paris – L’Olympia – w/ Beast In Black
11.11.2026 (ES) – Barcelona – Razzmatazz 1 – w/ Beast In Black
12.11.2026 (ES) – Madrid – Sala Riviera – w/ Beast In Black
13.11.2026 (ES) – Bilbao – Sala Santana 27 – w/ Beast In Black
14.11.2026 (FR) – Ramonville-St-Agne – Le Bikini – w/ Beast In Black
15.11.2026 (FR) – Villeurbanne – Transbordeur – w/ Beast In Black
17.11.2026 (CH) – Zürich – Komplex AG – w/ Beast In Black
18.11.2026 (IT) – Milan – Alcatraz – w/ Beast In Black
20.11.2026 (DE) – München – Zenith – w/ Beast In Black
21.11.2026 (LU) – Esch-sur-Alzette – Rockhal – w/ Beast In Black
22.11.2026 (DE) – Oberhausen – Turbinenhalle – w/ Beast In Black
23.11.2026 (DE) – Hamburg – Inselparkhalle – w/ Beast In Black
24.11.2026 (SE) – Göteborg – Eriksbergshallen – w/ Beast In Black
25.11.2026 (SE) – Stockholm – Fryshuset – w/ Beast In Black

More on SONATA ARCTICA:
Website | https://www.sonataarctica.info

Facebook | https://www.facebook.com/sonataarctica

Instagram | https://www.instagram.com/sonataarcticaofficial/

reigningphoenixmusic.com

Source: C Squared Music

Edit: After posting this piece, co-founding members Brandon Gallagher and Zak Kessler released an exclusive statement with Lambgoat that they won’t be participating in the “reunion.” Their statement has been added below.

Festival season is like Christmas coming early, and an even earlier Christmas comes towards the beginning of the year, when said festival’s start slowly announcing their lineups. Hellfest is giving us a big juicy sack of gifts with who they’ve announced so far—particularly Old Wounds, who are slated to play Hellfest New Jersey.

What’s so tea about this is Old Wounds like, never turn up anywhere. Not that they ghost on their shows or appearances, but they just don’t really perform very much, especially over the last number of years. For the record, Old Wounds hasn’t played a show since 2019, with a set at Aura fest in Savannah, Georgia. Before then, they did less than a handful of shows in 2018. The rest of the lineup so far consists of Elysia, Vision of Disorder, and First Blood. More bands will be announced at some point and I’m sure there will be a few more surprises thrown in there.

What’s so not tea is that not all of the original members will be there. Co-founding members Brandon Gallagher (drums/vocals) and Zak Kessler (guitar) won’t be participating, as revealed in a statement shared with Lambgoat:

“Just wanted to drop in a clarify a few things considering the mostly excited comments about this announcement, were focused around a record that Zak and I had written during our time with this band. This ‘Old Wounds’ reunion, is not an OG line up reunion. We know it’s confusing because they used a logo I made, one that is very representative of that era of the band, on the marketing assets.

“Last year Zak started some initial discussions about doing a reunion with the 4 of us, but it didn’t come to fruition in a way we felt was right for us. We felt like we needed to say something to avoid any disappointment who were stoked to see Zak and my involvement back with Old Wounds.”

Brandon & Zakimage

Hellfest is a collaboration from Trustkill, Ephyra, and Takedown Events. The New Jersey fest will happen over the holiday weekend of July 3–5 at The Dome at Adventure Crossing in Jackson, NJ.

Early bird tickets are sold out, but you can purchase weekend passes and regular tickets here.

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The post Old Wounds to Make Rare Appearance at 2026 New Jersey Hellfest appeared first on MetalSucks.

On this first day of meteorological spring, The Dahlmanns have birthed something fresh and beautiful. Life in Reverse is their first full-length album in more than 14 years. It’s part of a brilliant second act for one of my favorite bands. For nearly a month, I’ve been walking around like a grinning child who’s fighting valiantly to hold on to a secret. I could not wait to write about this album! Now release day has arrived. The O.G. of punk rock zine bards has already weighed in, and I am delighted to spread the gospel!

The title Life in Reverse is shared with one of the songs on the album, but at a deeper level it reflects the theme of this LP. Andre and Line Dahlmann, joined by Magnus Gulbrandsen on guitar; Jan-Erik Hoel on bass; and Ole S. Nesset on drums, have taken a deep dive into all the music they’ve loved from their teen years to present day. If the last album, 2011’s All Dahled Up, was a quintessential example of power pop by way of the Ramones, Life in Reverse is something else entirely. It’s not quite what you were expecting from The Dahlmanns, yet it sounds absolutely like The Dahlmanns. This is music full of melody and life, and Line’s voice has never sounded better. Having covered everyone from ABBA to Men Without Hats to Sylvain Sylvain to Suzi Quatro to Katrina and the Waves over the years, Andre and Line had already made it clear that their musical influences transcended one specific genre. And so Life in Reverse feels like a logical progression in The Dahlmanns’ oeuvre. While certainly not a “power pop” record per se, it’s a shining example of what great pop music ought to be.  

Kicking off with the 1-2 punch of last year’s singles “Leatherboys” and “Dark Side with You,” Life in Reverse quickly establishes itself as something quite different from The Dahlmanns. The former is a Detroit-inspired rocker that brings plenty of sleaze and stomp; the latter channels the spirit of Roky Erickson. From there, Side 1 of the album unfolds in a very pop-leaning way. “What’s Inside a Mind” exudes gorgeous melancholy and chilly day sunshine. It’s truly a perfect pop song. “Sandalwood” is pristine guitar pop operating at full maturity. The gentle “In the Dark” brings more laidback vibes, and then “Ride On” is the album’s token shot of power pop by the book. After easing you into their evolved musical approach, The Dahlmanns really let their hair down on Side 2. On the scorching “From the Universe,” the band flashes the action rock moves that are practically its birthright. “The Golden One” is full-on modern rock — a song that’s moody and haunting yet undeniably powerful. The stunning title track is ’80s-ish synth-pop with a modern Nordic indie pop twist. “Fire Fades” feels the like ’90s with its bittersweet, heart-on-sleeve jangle. The extraordinary album closer “Old Ghosts Say” is all warm ’70s breeze and sun-kissed melody — “A fjord twist on Laurel Canyon,” as the venerable Mr. Hutton puts it. 

My personal history of writing about The Dahlmanns dates back nearly 15 years. This is my 14th occasion writing about this band, and it’s a joy to observe that they’ve grown as much as I have since the dawn of the last decade. The 2011 version of me might have been taken aback by The Dahlmanns making a record like this. The current version of me wouldn’t have it any other way. Do you really want a band to sound exactly the same when 14+ years of living life and absorbing new influences separate two albums? I get the sense that the band is expecting Life in Reverse to be a polarizing release. But I’m anticipating reviews and (more importantly) fan reactions to be almost universally positive. This is an extraordinary album. When it comes to songwriting, musicianship, production, and vocal performances, this record leaves everything else in The Dahlmanns’ catalog in the dust. It’s still close enough to power pop to appeal to longtime fans, but it doesn’t need to limit itself in terms of musical style. I love hearing this band show that it can rock both harder and softer than expected — and break all sorts of new ground in the process. 

The Dahlmanns, in honoring some of the favorite artists of their lives, have made a record for people who love music. You can feel the love in these songs. And at a time when we need music more than ever as a retreat from the darkness of the world, Life in Reverse will take you to a place of joy and hope. It’s available now from FABCOM! Records in the U.S.A. and Waterslide Records in Japan. European releases are coming soon!

On this first day of meteorological spring, The Dahlmanns have birthed something fresh and beautiful. Life in Reverse is their first full-length album in more than 14 years. It’s part of a brilliant second act for one of my favorite bands. For nearly a month, I’ve been walking around like a grinning child who’s fighting valiantly to hold on to a secret. I could not wait to write about this album! Now release day has arrived. The O.G. of punk rock zine bards has already weighed in, and I am delighted to spread the gospel!

The title Life in Reverse is shared with one of the songs on the album, but at a deeper level it reflects the theme of this LP. Andre and Line Dahlmann, joined by Magnus Gulbrandsen on guitar; Jan-Erik Hoel on bass; and Ole S. Nesset on drums, have taken a deep dive into all the music they’ve loved from their teen years to present day. If the last album, 2011’s All Dahled Up, was a quintessential example of power pop by way of the Ramones, Life in Reverse is something else entirely. It’s not quite what you were expecting from The Dahlmanns, yet it sounds absolutely like The Dahlmanns. This is music full of melody and life, and Line’s voice has never sounded better. Having covered everyone from ABBA to Men Without Hats to Sylvain Sylvain to Suzi Quatro to Katrina and the Waves over the years, Andre and Line had already made it clear that their musical influences transcended one specific genre. And so Life in Reverse feels like a logical progression in The Dahlmanns’ oeuvre. While certainly not a “power pop” record per se, it’s a shining example of what great pop music ought to be.  

Kicking off with the 1-2 punch of last year’s singles “Leatherboys” and “Dark Side with You,” Life in Reverse quickly establishes itself as something quite different from The Dahlmanns. The former is a Detroit-inspired rocker that brings plenty of sleaze and stomp; the latter channels the spirit of Roky Erickson. From there, Side 1 of the album unfolds in a very pop-leaning way. “What’s Inside a Mind” exudes gorgeous melancholy and chilly day sunshine. It’s truly a perfect pop song. “Sandalwood” is pristine guitar pop operating at full maturity. The gentle “In the Dark” brings more laidback vibes, and then “Ride On” is the album’s token shot of power pop by the book. After easing you into their evolved musical approach, The Dahlmanns really let their hair down on Side 2. On the scorching “From the Universe,” the band flashes the action rock moves that are practically its birthright. “The Golden One” is full-on modern rock — a song that’s moody and haunting yet undeniably powerful. The stunning title track is ’80s-ish synth-pop with a modern Nordic indie pop twist. “Fire Fades” feels the like ’90s with its bittersweet, heart-on-sleeve jangle. The extraordinary album closer “Old Ghosts Say” is all warm ’70s breeze and sun-kissed melody — “A fjord twist on Laurel Canyon,” as the venerable Mr. Hutton puts it. 

My personal history of writing about The Dahlmanns dates back nearly 15 years. This is my 14th occasion writing about this band, and it’s a joy to observe that they’ve grown as much as I have since the dawn of the last decade. The 2011 version of me might have been taken aback by The Dahlmanns making a record like this. The current version of me wouldn’t have it any other way. Do you really want a band to sound exactly the same when 14+ years of living life and absorbing new influences separate two albums? I get the sense that the band is expecting Life in Reverse to be a polarizing release. But I’m anticipating reviews and (more importantly) fan reactions to be almost universally positive. This is an extraordinary album. When it comes to songwriting, musicianship, production, and vocal performances, this record leaves everything else in The Dahlmanns’ catalog in the dust. It’s still close enough to power pop to appeal to longtime fans, but it doesn’t need to limit itself in terms of musical style. I love hearing this band show that it can rock both harder and softer than expected — and break all sorts of new ground in the process. 

The Dahlmanns, in honoring some of the favorite artists of their lives, have made a record for people who love music. You can feel the love in these songs. And at a time when we need music more than ever as a retreat from the darkness of the world, Life in Reverse will take you to a place of joy and hope. It’s available now from FABCOM! Records in the U.S.A. and Waterslide Records in Japan. European releases are coming soon!

FOR IMMEDIATE RELEASE

Matt McGachy of Cryptopsy Talks An Insatiable Violence , 30 Years of None So Vile , and the 2026 Decibel Tour

Death metal fans, get ready— Matt McGachy of Cryptopsy tore into an exclusive interview on The Zach Moonshine Show at Metal Devastation Radio, giving listeners a front-row seat to the past, present, and future of one of death metal’s most extreme bands.
From the crushing new album An Insatiable Violence to the upcoming 2026 Decibel Magazine Tour, Matt delivered insight, humor, and exclusives that fans won’t want to miss.


A Year of Extreme Metal Chaos

Reflecting on the past year, Matt said: “Our European tour with 200 Stab Wounds and Fury and Corpse Pile celebrating the 30th anniversary of None So Vile —31 shows in 31 days, 15 sold out—was insane. Death metal is alive and thriving. It’s nonstop energy, everywhere we go.”
Highlights included back-to-back shows in Tokyo, long-awaited performances in Australia, and crushing U.S. dates with Nile . Matt emphasized how fan energy fuels the band: “Every show is a gift. After everything that’s happened in the past few years, I try to appreciate every moment, every fan, and every stage. That’s what keeps us going.”


Legacy Meets Relevance

Cryptopsy isn’t just living in their legacy. Landing a second cover with Decibel Magazine in under a year proves the band remains vital in extreme metal.
“Decibel has always been a beacon for extreme music. To be featured again shows that Cryptopsy is more than just a legacy band—we’re relevant, we’re still extreme, and we’re still evolving,” Matt said.
The band’s Juno Award nomination for An Insatiable Violence also underscores their impact. “Unlike the Grammys, the Junos actually recognize extreme metal. That’s huge for us,” he added.


Exclusive: Cryptopsy’s Next-Level Decibel Tour

Matt dropped an exclusive on the 2026 Decibel Tour: Cryptopsy is stepping up production like never before. A permanent lighting designer and a full visual stage experience will transform their shows.
“We want fans to leave saying, ‘What did I just witness?’” Matt said. While they’ll honor None So Vile , the band is mixing in new material to create a balanced set that celebrates both legacy and current work.
“We are more than a legacy band. We respect the legacy, but we’re creating something alive and current,” he emphasized.


Fans, Phones, and All-Ages Shows

Matt also discussed fan interaction, technology at live shows, and the importance of all-ages concerts:
“These kids have the stamina to pit through an entire set, and it’s amazing to see the next generation of metalheads embracing the scene.”
He even shared a hilarious on-stage moment: grabbing a fan’s phone mid-song and screaming into it. “It turns a moment of distraction into a memory for life,” he said.


Looking Forward

From celebrating 30 years of None So Vile to touring the U.S. and Canada, Cryptopsy is proving death metal isn’t just music—it’s an experience. Fans can catch them on the Decibel Tour and at the Metal and Beer Fest in Philly, complete with an exclusive craft beer collab from Atlanta.
“We want fans to have a sensory, unforgettable experience. That’s what the 2026 Decibel Tour is all about,” Matt promised.


Don’t Miss Out

Whether you’re a lifelong Cryptopsy fan or new to extreme metal, this interview is a masterclass in brutal riffs, relentless touring, and the human side of one of death metal’s most enduring bands. Grab your tickets, check out their merch, and prepare for a show that’s more than music—it’s a full-throttle assault on the senses.
The Full radio show is now available on Mixcloud: 
Track List: 
Battle Of The Bands Top Six Winners: 
1 – HETSHEADS – Paganization – (259,394 votes)
2 – NIKOLA’S CAGE – Chopped Up Jesus –  (164,058 votes)
3 – Hela – 4 Emerald Mirror – (14,707 votes)
4 – Mistress – Terrified eyes – (5,021 votes)
5 – Clingman – Started Easy –  (4,672 votes)
6 – Resumption – Don’t Come – (2,862 votes)
The Zach Moonshine Intro
7 – Ozzy Osbourne – Iron Man / Children Of The Grave (Live)
8 – Birthweak – Split Tongue Gospel
CRYPTOPSY – Interview featuring Until Theres Nothing Left/Dead Eyes Replete/Orgiastic Disembowelment
9 – Rob Zombie – F.T.W. 84
10 – Sepultura – The Place
11 – Beyond Creation – Reverence
12 – SPEEDPVSSY – NUCLEAR BITCH/Return Of Darkness And Evil (Bathory Cover)
13 – Element Of Fate – Warhorse | Fire Horse
14 – Burnt Witch – Bastard
15 – Flight Of Odin – The Ravens Eyes
16 – Gravemass – This Is The Way
17 – The Prodigal Son – Silence Of Kaos
18 – Battlegrave – Bonesaw
19 – My Dark Fate – Paint It, Black
20 – Deep6 – Lights Off
21 – Pale Alison – FAKE
22 – Fahrenheit Paradox – Time


The interview segment is also available on YouTube, Spotify, Apple etc




https://www.decibelmagazine.com/events/tour/
Super massive shout out and thanks to the 142,637 metal maniacs that tuned in live to the mayhem Friday night! 

The Prince of Darkness also posthumously received the Lifetime Achievement Award. Continue reading…

Swedish modern power metal force Metalite have officially signed a worldwide contract with Perception – a division Of Reigning Phoenix Music, marking a major new milestone in the band’s rapidly ascending career. Following the signing, the band have unleashed their brand new single, "Our Time Has Come," a high-energy anthem that showcases everything… Read More/Discuss on Metal Underground.com

As "Into Oblivion" explores a world in flux, Lamb Of God turns inward with "Blunt Force Blues," reaching back to their Richmond origins and the local music community that shaped them. The track serves as the final preview of the band’s forthcoming album, which arrives on March 13 via Epic Records. Randy Blythe reflects on Lamb Of God’s formative… Read More/Discuss on Metal Underground.com

Last year, when PINK FLOYD reissued “Wish You Were Here” to mark the seminal album’s 50th anniversary, quite a few people were upset about a concert recording that formed part of Blu-ray that came out both within a deluxe box … Continue reading →

The post PINK FLOYD To Release A 1975 LA Concert On CD appeared first on DMME.net.

If only Ozzy could’ve been there in the flesh for this. The metal god received a posthumous Lifetime Achievement award along with a star-studded tribute at the 2026 BRIT Awards last night, February 28 in Manchester, England. Watch videos of the performances and the award honoring, which show Ozzy’s wife Sharon and daughter Kelly accepting it on his behalf, below.

Many familiar faces turned up in Ozzy’s honor, like Dolly Parton, who zoomed in from Nashville to say some heartfelt words:

“Ozzy Osbourne dedicated his entire life to music and his legacy has left a permanent imprint in the fabric of music lovers everywhere. Now talk about stealing the show.

“Ozzy knew how to get your attention with his love of theatrics, his musical gifts — he could turn any occasion into a full-blown show. And at his very core, Ozzy Osbourne was a showman. His legacy has left a permanent imprint on music lovers everywhere.”

Dolly then introduced his wife Sharon Osbourne, who also shared some emotional words alongside her daughter Kelly:

“I’m honored to accept this award for my gorgeous husband. God knows I wish he was here to accept it himself… Ozzy is looking down on us right now… He rose to become one of the most recognizable and respected musicians. … To be honest with you, he was the most humble egomaniac you will ever meet. At the end of the day, he will always be a rock star… If Ozzy was here tonight … he would be so proud to receive this from the country that he loved.”

The tribute performances closed out the award show last night, featuring a Sharon-curated special arrangement of “No More Tears” done by several of Ozzy’s collaborators throughout the years: Adam Wakeman, Robert Trujillo, Tommy Clufetos and Zakk Wylde; and was fronted by British pop singe3r Robbie Williams. It was quite the scene.

Stacey Tang, the chair of the 2026 BRIT Awards committee and co-president of RCA Records at Sony Music U.K., had this to say of honoring the Prince of Darkness:

“Ozzy Osbourne has been a mighty force in modern music. Possessing an unmistakable voice and unique presence, he reshaped the sound and spirit of rock, inspiring generations of artists who followed. This Lifetime Achievement Award recognizes a remarkable legacy built on originality and enduring influence, that continues to connect with fans worldwide.”

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The post Ozzy Osbourne Posthumously Honored with Lifetime Achievement Award and Tribute at BRIT Awards appeared first on MetalSucks.