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Metallica are one of the big four for good reason – meaning, we’re spoiled for choice for the best deep cuts of their discography.

The post The Best METALLICA Deep Cuts From Every Album appeared first on Metal Injection.

Country-rock standout Kasey Tyndall joins forces with platinum-selling rock band Pop Evil for the powerful new single, “Maybe You’re The One.” The track delivers a soaring call-and-response rock ballad driven by grit, emotion, and arena-ready energy.

Pop Evil’s Leigh Kakaty had most of the song written, but wanted to partner with a female country artist who shared the song’s vision. With Pop Evil and Tyndall already labelmates, the partnership came together naturally. The artists met in Nashville last fall to record the track with producer Derek Wells (known for work with HARDY, Jordan Davis, Maddie & Tae, and Post Malone).

Tyndall says, “As I established on my last record, rock music has always been a big influence on my sound.  I knew I wanted to embrace it even more by expanding my audience to that genre.  When someone suggested a collaboration with Pop Evil, it was a no-brainer –  their music is so authentic. When I met Leigh, he was so passionate about the song that the recording process was a breeze, as he incorporated both our sounds. I’m excited to introduce myself to Pop Evil’s fans and the rock world in general. I cannot wait to see what happens next.”

Kakaty adds, “Sometimes the one you overlook is the one who never left – the steady heartbeat in the background, loving you quietly through every storm, waiting not to be chosen out of convenience, but finally seen for what they’ve always been: home.”

Known for explosive live performances, acclaimed songwriting, and a debut album praised by American Songwriter for its near-perfect country-rock balance, Tyndall’s momentum continues to build. She has shared stages with Megan Moroney, Maddie & Tae, Ashley McBryde, Ella Langley, Ian Munsick, Tracy Lawrence, and more. She will support Danny Worsnop and Tyler Rich on select dates this spring, in addition to appearances at major global festivals throughout the season. She has also built an impressive songwriting résumé, including “Bar in Baton Rouge,” featured on Lainey Wilson’s GRAMMY-nominated album Whirlwind.

With “Maybe You’re The One,” Tyndall continues to blur the line between country and rock, delivering a powerhouse collaboration that reinforces the raw, high-energy sound she is known for.

2026 KASEY TYNDALL TOUR DATES: 

April 2 – Fort Worth, TX Tulips*
April 3 – Lubbock, TX – Soggy Dog*
April 4 – Dallas, TX – Come and Take It Live*
April 5 – Corpus Christi, TX – House of Rock*
April 7 – Biloxi, MS – The Sanctuary*
April 9 – Orlando, FL – Conduit*
April 10 – Tampa, FL -The Orpheum*
April 11 – Atlanta, GA – Aisle 5*
April 12 – Greensboro, NC – Hangar 1819*
April 18 – Lake Charles, LA – This Is Home Fest
May 29 – Savannah, GA – Rock The Country
Aug 16 – Hylands, Chelmsford, UK – Country Calling Festival

*Acoustic, support for Danny Worsnop + Tyler Rich coheadline tour

2026 POP EVIL TOUR DATES

April 2 – Asbury Park, NJ – The Stone Pony
April 3 – Foxborough, MA – Six String Grill & Stage
April 7 – Harrisburg, PA – Capitol City
April 9 – Bowling Green, OH – Clazel Entertainment
April 10 – Covington, KY – Madison Theater
April 11 – Milwaukee, WI – The Rave/Eagles Club
April 12 – Sault Ste. Marie, CAN – The Machine Shop
April 15 – Chattanooga, TN – The Barrelhouse Ballroom
April 16 – Biloxi, MS – The Sanctuary
April 17 – Destin, FL – Club LA
April 18 – Birmingham, AL – Workplay
April 19 – Nashville, TN – The Basement East
April 21 – Ringle, WI – The Q & Z Expo Center
April 22 – Joliet, IL – The Forge
April 24 – Dubuque, IA – Q Casino
April 25 – East Moline, IL – The Rust Belt
April 26 – Bloomington, IL – The Castle Theater
April 28 – Kansas City, MO – The Truman
April 29 – Indianapolis, IN – HI-FI
April 30, May 1 & May 2nd- Flint, MI – Machine Shop

The post Country Rock Powerhouse KASEY TYNDALL Teams Up With Platinum-Selling Rock Band POP EVIL On “Maybe You’re The One” appeared first on The Rockpit.

Elle Baez steps confidently into her debut era with Different Kind of Love, a timeless pop-soul ballad built around raw emotion and soaring vocal power. Carried by live piano and uncluttered production, the track allows Baez’s voice to take center stage—rich, controlled, and deeply expressive.

There’s a classic grandeur in its delivery, echoing the great love anthems while feeling refreshingly sincere. Lyrically, she celebrates a transformative love that elevates self-worth rather than replaces it. Different Kind of Love isn’t just romantic—it’s triumphant, radiant, and unapologetically heartfelt. A strong, emotionally resonant introduction to what promises to be a compelling debut album.

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DI LEO strips things back on the acoustic rendition of The Mechanic, letting the song’s emotional core breathe without distortion or armor. Anchored by bare, resonant guitar strums, the track feels more intimate—each lyric landing with quiet weight. The absence of full-band force highlights the vulnerability in his voice, turning the act of “putting yourself back together” into something fragile yet deeply human. In this acoustic form, The Mechanic becomes less defiant and more reflective—a solitary moment of reckoning that proves resilience doesn’t always need volume to be powerful.

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They say good things are worth waiting for—but how long do you wait for something truly great? In the case of a full‑band Lynne Jackaman show, the answer for me was over six years since September 2019… and that was far too long.

After an extended instrumental intro from the band, Lynne finally stepped onto the stage at Amped in Huddersfield to huge applause. She certainly knows how to build anticipation. The set opened with ‘Nobody’s Fault But Mine’, a powerful start to the night that set the tone for the rest of the evening.

A blues‑drenched ‘On Your Own Now’ followed, before Lynne delivered a stunning ‘Come Play With Me’, the final vocal run leaving the entire room breathless. ‘Copy Cat’ had everyone moving, the horns punching through while Lynne’s voice soared with effortless power. The rhythm section ensured the band ran as tight as possible with Andy Banfield (bass) and Paul Stone (drums) ensuring the engine room was firing at it’s best.

Then came ‘On My Own Stage’ and ‘Beautiful Loss’, performed with guitarist Jamie Evans—intimate, stripped back, and deeply emotional. ‘Beautiful Loss’ became a heartfelt tribute to the late Adam Green, co‑founder of her former band St Jude; you could have heard a pin drop. The groove kicked back in with ‘Supernasty’, irresistibly funky, followed by a brilliant ‘Red House’ sax‑and‑trumpet jazz‑fusion detour, delivered by the wonderful Mark Brown & George Hogg.

We were treated to three new songs tonight, ‘Lemonade’, set to be recorded soon—an immediate yes from the crowd to this one and ‘Back and Forth’, already Auntie Amy’s favourite. ‘Save Goodbye’, a gorgeous song which closed the night but not before we had ‘One Shot’ which was delivered with precision and passion, and ‘Nothing But My Records On’ was simply astonishing—an off‑the‑scale vocal performance that left the room stunned.

The night wasn’t just a celebration of the phenomenal 2020 album ‘One Shot’, performed in full and in all its glory. It was also a glimpse of what’s next, with three exceptional new tracks hinting at a very bright future. Was the return of Lynne Jackaman worth the wait? Absolutely. Wherever she’s been hiding, it’s time she stayed in the spotlight. Talent like this should never be kept out of sight. Welcome back, Lynne.

Photos by David Pickles

GALLERY

The post LIVE REVIEW: LYNNE JACKAMAN at Amped, Huddersfield, UK appeared first on The Rockpit.

Madeline Goldstein plunges into shadowy introspection with Dream 2 Die (No Heaven), a synth-laden nocturnal anthem built for solitary night drives. Wrapped in pulsing basslines and shimmering new wave textures, the track captures the eerie limbo between reality and dream, where isolation feels cinematic and time stands still. Goldstein’s haunting vocal presence cuts through the haze with emotional precision, balancing fragility and quiet strength. Dark yet immersive, Dream 2 Die (No Heaven) lingers like neon reflected on wet pavement—moody, hypnotic, and suspended in that strange space between loss and longing.

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Dead Pioneer / Yakkie Rebellion, Manchester 27 February Landing in Manchester for the second date of their UK / EU tour, Dead Pioneers are here to demonstrate the power of their political punk for a night us at Louder Than War have been waiting for after two explosive albums and an exclusive documentary. Wayne AF […]

The post Dead Pioneers, Rebellion, Manchester: Live Review appeared first on Louder Than War.

Some bands age like cast iron: the scratches add flavor, and somehow the thing gets more useful the longer you keep it around. The Band of Heathens have always played like they were born in a room where somebody left the Wurlitzer on, the amps warm, and the door cracked for whoever has a harmony part.

In like a lion and yes out like a lion too. Continue reading…

He was the energetic hub of the band until his sudden passing in 2021. Faced with oblivion, they regrouped behind Alberto Bravin and made The Likes Of Us, a record for anyone who’s ever felt left out